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Anthropology
Songs like
Anthropology
by
Rob Christian
Based on a tempo of (+/- 10%) and a similar genre
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Triogram
Esau
117 bpm • C# Maj • 06:44 • -13.42db
18% Popularity • 48% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Gianmarco Ferri
So Close
117 bpm • C# Maj • 06:07 • -15.8db
7% Popularity • 57% Danceability • 12% Energy • 10% Liveness
53% Instrumentalness • 13% Positiveness
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Rob Christian
Anthropology
117 bpm • G min • 02:49 • -10.22db
0% Popularity • 74% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Fulsome X
Second Heaven
117 bpm • G Maj • 07:22 • -18.04db
8% Popularity • 61% Danceability • 4% Energy • 70% Liveness
73% Instrumentalness • 22% Positiveness
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Klas Lindquist Nonet
Nilsie
117 bpm • G# Maj • 04:51 • -14.16db
7% Popularity • 43% Danceability • 18% Energy • 32% Liveness
86% Instrumentalness • 29% Positiveness
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Cedar Walton
Fantasy In D (Ugetsu) - Remastered 2024
117 bpm • D Maj • 08:44 • -19.41db
9% Popularity • 39% Danceability • 43% Energy • 12% Liveness
72% Instrumentalness • 53% Positiveness
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Harvie S
A Vontade Mesmo
117 bpm • C Maj • 04:03 • -17.73db
16% Popularity • 50% Danceability • 40% Energy • 19% Liveness
50% Instrumentalness • 66% Positiveness
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Peter Beets
Etude No 12
118 bpm • F# Maj • 03:45 • -13.6db
12% Popularity • 52% Danceability • 50% Energy • 20% Liveness
40% Instrumentalness • 59% Positiveness
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Stephen Martin
High Plains
116 bpm • G# min • 05:56 • -13.54db
9% Popularity • 49% Danceability • 30% Energy • 15% Liveness
46% Instrumentalness • 20% Positiveness
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Enrico Pieranunzi
Romance pour un roman (D'après Romance ...
116 bpm • A# Maj • 06:06 • -15.99db
20% Popularity • 52% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Peu Abrantes
Pro Davizinho, Pt. 2
118 bpm • C# min • 04:03 • -11.87db
19% Popularity • 42% Danceability • 53% Energy • 63% Liveness
65% Instrumentalness • 18% Positiveness
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Rob Christian
Let Me Go
118 bpm • C Maj • 03:56 • -9.55db
0% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Samuel Hals
Echoes in the Mystic Wind
116 bpm • C Maj • 02:00 • -15.95db
9% Popularity • 73% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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The Jim Kelly Quartet
Feel No Paine
118 bpm • G# Maj • 07:02 • -21.1db
9% Popularity • 61% Danceability • 8% Energy • 10% Liveness
77% Instrumentalness • 13% Positiveness
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Klas Lindquist Nonet
Swells
118 bpm • C Maj • 03:49 • -15.34db
8% Popularity • 43% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 19% Positiveness
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Niclas Knudsen Trio
Tenderly
118 bpm • F# min • 03:35 • -17.07db
23% Popularity • 66% Danceability • 18% Energy • 16% Liveness
82% Instrumentalness • 34% Positiveness
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Keller-Lammen Quintet
Foggy
119 bpm • F min • 05:30 • -12.82db
9% Popularity • 48% Danceability • 26% Energy • 15% Liveness
3% Instrumentalness • 16% Positiveness
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Pablo Lapidusas
O Sorriso da Olívia
115 bpm • C Maj • 04:06 • -12.58db
27% Popularity • 36% Danceability • 60% Energy • 11% Liveness
83% Instrumentalness • 39% Positiveness
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JazzCat
Salut D'amour In E Major Op.12_uptempo S...
115 bpm • C# min • 01:28 • -11.98db
16% Popularity • 65% Danceability • 43% Energy • 20% Liveness
84% Instrumentalness • 80% Positiveness
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Benny Golson
Blues March - Snapshot - theme
119 bpm • A# min • 01:18 • -15.03db
23% Popularity • 66% Danceability • 26% Energy • 62% Liveness
48% Instrumentalness • 56% Positiveness
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Dayna Stephens
A New Spring
115 bpm • A Maj • 04:06 • -14.28db
10% Popularity • 34% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Niels Lan Doky
Dancing Barefoot
119 bpm • B min • 08:22 • -12.33db
10% Popularity • 56% Danceability • 47% Energy • 70% Liveness
73% Instrumentalness • 58% Positiveness
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Susanne Alt
Bel Air Bop
119 bpm • D min • 05:34 • -8db
10% Popularity • 51% Danceability • 70% Energy • 23% Liveness
34% Instrumentalness • 42% Positiveness
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Rafael Rosa
Obliquity
119 bpm • A# min • 06:40 • -16db
13% Popularity • 40% Danceability • 49% Energy • 10% Liveness
84% Instrumentalness • 43% Positiveness
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David Friedman
Surge Of Silence, Pt. 2
115 bpm • C Maj • 08:00 • -15.32db
9% Popularity • 48% Danceability • 41% Energy • 34% Liveness
45% Instrumentalness • 21% Positiveness
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Stephen Martin
Horizons
115 bpm • C Maj • 07:12 • -11.51db
9% Popularity • 44% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 23% Positiveness
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Alex Siegers
Spirit Song
119 bpm • G# min • 07:10 • -12.87db
8% Popularity • 62% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Afro Viccini
The Beauty Of The Black
115 bpm • D# min • 02:40 • -14.3db
17% Popularity • 77% Danceability • 41% Energy • 36% Liveness
49% Instrumentalness • 65% Positiveness
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Jaazy Jazz
Key of Harmony
119 bpm • B min • 01:14 • -13.19db
28% Popularity • 77% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Kenichi Shimazu Trio
ヤング・アンド・レストレス
115 bpm • G min • 05:24 • -12.61db
8% Popularity • 38% Danceability • 53% Energy • 11% Liveness
47% Instrumentalness • 38% Positiveness
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Monne Verschaeve
Ahsoka's Theme
119 bpm • F Maj • 05:12 • -16.15db
9% Popularity • 56% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Tima Volozh
Adoration of the Earth
120 bpm • A min • 02:46 • -11.61db
16% Popularity • 47% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 56% Positiveness
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Piero Gaddi quartet
Rigel
114 bpm • F Maj • 09:49 • -16.63db
13% Popularity • 57% Danceability • 21% Energy • 8% Liveness
74% Instrumentalness • 15% Positiveness
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Nastazio Gkoumas
Voices
120 bpm • G Maj • 05:12 • -10.43db
29% Popularity • 47% Danceability • 51% Energy • 27% Liveness
10% Instrumentalness • 32% Positiveness
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Sylvain Beuf
Love Song for V
114 bpm • A# Maj • 05:25 • -8.77db
14% Popularity • 53% Danceability • 55% Energy • 12% Liveness
92% Instrumentalness • 39% Positiveness
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Clare Foster
Early Autumn
114 bpm • A Maj • 04:41 • -12.08db
14% Popularity • 52% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Willie Jones
My Brothers
120 bpm • C Maj • 02:26 • -9.57db
18% Popularity • 63% Danceability • 75% Energy • 31% Liveness
76% Instrumentalness • 82% Positiveness
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Rob Christian
Someday Soon
120 bpm • A# Maj • 04:07 • -6.59db
0% Popularity • 76% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Tobin Mueller
Come in Funky
120 bpm • F min • 04:18 • -9.87db
13% Popularity • 81% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 41% Positiveness
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Nastazio Gkoumas
Pearl Oyster
120 bpm • A min • 03:01 • -17.85db
19% Popularity • 55% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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MSMusico
New Orlean Vibes
120 bpm • D Maj • 01:31 • -16db
17% Popularity • 72% Danceability • 52% Energy • 11% Liveness
90% Instrumentalness • 54% Positiveness
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Coffee Machine
Best Of Life
114 bpm • C Maj • 02:23 • -11.03db
23% Popularity • 80% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 65% Positiveness
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Sociopoetic
Changanova
120 bpm • A min • 04:18 • -16.17db
10% Popularity • 56% Danceability • 36% Energy • 8% Liveness
43% Instrumentalness • 20% Positiveness
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Rob Christian
My Dear
120 bpm • F# min • 03:26 • -7.77db
0% Popularity • 69% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Ova Wunsch
Tempus
120 bpm • G# Maj • 05:29 • -9.6db
27% Popularity • 65% Danceability • 39% Energy • 8% Liveness
88% Instrumentalness • 64% Positiveness
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Lluis Capdevila
Everything Has an End
120 bpm • G min • 04:48 • -16.01db
16% Popularity • 57% Danceability • 27% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
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Musictime Lab
Os Soldados Marcham Em Direção Ao Abis...
120 bpm • C Maj • 01:07 • -10.85db
20% Popularity • 65% Danceability • 55% Energy • 18% Liveness
8% Instrumentalness • 74% Positiveness
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Sound of Duke
Things Ain't What They Used to Be
113 bpm • F min • 05:57 • -13.37db
8% Popularity • 52% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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David Friedman
3 + 1 = 5
121 bpm • F min • 05:51 • -13.68db
10% Popularity • 49% Danceability • 43% Energy • 14% Liveness
21% Instrumentalness • 39% Positiveness
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The Howard Roberts Quartet
More
121 bpm • E min • 02:36 • -15.88db
11% Popularity • 48% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
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Adrien Varachaud Quartet
Infant Eyes
113 bpm • A# min • 06:01 • -9.22db
10% Popularity • 50% Danceability • 40% Energy • 21% Liveness
67% Instrumentalness • 26% Positiveness
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Ivo Neame
That Syncing Feeling
113 bpm • F# min • 03:55 • -15.72db
8% Popularity • 51% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 20% Positiveness
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Michael Benedikt
Pasta at Night
113 bpm • C# Maj • 01:50 • -17.98db
20% Popularity • 59% Danceability • 32% Energy • 32% Liveness
81% Instrumentalness • 15% Positiveness
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Lizzy Fix
Emotional
113 bpm • F Maj • 02:31 • -22.87db
14% Popularity • 53% Danceability • 30% Energy • 11% Liveness
65% Instrumentalness • 48% Positiveness
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Italian Social Club
My Dream Love
121 bpm • D min • 03:18 • -19.58db
10% Popularity • 85% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
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Ruy López Nussa y La Academia
April in Paris
121 bpm • G Maj • 04:37 • -10.76db
17% Popularity • 50% Danceability • 79% Energy • 14% Liveness
94% Instrumentalness • 65% Positiveness
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Peter Hermesdorf Quartet
Chasse
121 bpm • C Maj • 05:20 • -9.04db
12% Popularity • 49% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 64% Positiveness
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Christian Galvez
PURE
121 bpm • E min • 08:53 • -13.17db
11% Popularity • 45% Danceability • 41% Energy • 37% Liveness
53% Instrumentalness • 26% Positiveness
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Marco Piccirillo 4 Strings Family
King Kong’s Not Dead
121 bpm • C min • 06:11 • -8.83db
14% Popularity • 63% Danceability • 60% Energy • 9% Liveness
65% Instrumentalness • 88% Positiveness
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Alex Brown
24-7
121 bpm • G min • 05:29 • -11.33db
8% Popularity • 48% Danceability • 63% Energy • 10% Liveness
82% Instrumentalness • 47% Positiveness
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Edy Forey
Agape
121 bpm • C# Maj • 04:51 • -13.13db
8% Popularity • 44% Danceability • 52% Energy • 8% Liveness
76% Instrumentalness • 16% Positiveness
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Kirsten Edkins
Party Slug
122 bpm • C# min • 05:10 • -18.45db
10% Popularity • 74% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 80% Positiveness
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Orlando Madrid
From This Moment Forward
122 bpm • B min • 08:26 • -11.94db
12% Popularity • 44% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 23% Positiveness
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Travis Wesley
Slip Slidin' Away
112 bpm • G# Maj • 05:14 • -13.29db
8% Popularity • 38% Danceability • 45% Energy • 9% Liveness
80% Instrumentalness • 30% Positiveness
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Jessica Williams
Up The Entropy Slope
122 bpm • B min • 03:30 • -12.52db
18% Popularity • 57% Danceability • 43% Energy • 2% Liveness
21% Instrumentalness • 63% Positiveness
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Pablo Lapidusas
Capitán Kutunoka
122 bpm • D min • 03:59 • -12.38db
24% Popularity • 38% Danceability • 51% Energy • 17% Liveness
78% Instrumentalness • 26% Positiveness
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Victor Goines
Miss Tyson
112 bpm • D min • 04:59 • -9.92db
9% Popularity • 28% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 6% Positiveness
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Italian Social Club
Someone Special
112 bpm • C# min • 03:47 • -18.97db
8% Popularity • 69% Danceability • 19% Energy • 6% Liveness
87% Instrumentalness • 33% Positiveness
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Suwon Yim
Caterpillar
122 bpm • G# min • 04:22 • -7.48db
0% Popularity • 78% Danceability • 56% Energy • 12% Liveness
76% Instrumentalness • 66% Positiveness
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Kansas Smitty's
Cha U Kao
112 bpm • G Maj • 04:15 • -11.21db
17% Popularity • 67% Danceability • 46% Energy • 31% Liveness
67% Instrumentalness • 33% Positiveness
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Zem Audu
Big Qi
122 bpm • G# Maj • 06:32 • -11.96db
7% Popularity • 65% Danceability • 39% Energy • 27% Liveness
76% Instrumentalness • 49% Positiveness
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William E. Peklinsky
Not Too Happy
112 bpm • F min • 03:32 • -8.9db
7% Popularity • 88% Danceability • 56% Energy • 6% Liveness
78% Instrumentalness • 92% Positiveness
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Francesca Tandoi
Pink Walker
122 bpm • C Maj • 05:31 • -13.69db
10% Popularity • 50% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 49% Positiveness
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Reinier Baas
Wahid Jive
112 bpm • D Maj • 02:18 • -12.7db
25% Popularity • 54% Danceability • 58% Energy • 11% Liveness
82% Instrumentalness • 72% Positiveness
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Tristan Banks
Capelinhas
112 bpm • G# Maj • 04:47 • -12.85db
8% Popularity • 62% Danceability • 66% Energy • 11% Liveness
90% Instrumentalness • 96% Positiveness
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Petra Haller
Thicker Than Blood
123 bpm • D Maj • 05:37 • -14.59db
8% Popularity • 48% Danceability • 74% Energy • 15% Liveness
92% Instrumentalness • 53% Positiveness
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Future Forecast
センチメンタルな微笑み
123 bpm • A# min • 01:38 • -17.56db
10% Popularity • 74% Danceability • 38% Energy • 10% Liveness
90% Instrumentalness • 94% Positiveness
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Kalya Ramu
Hold Me Close
123 bpm • D Maj • 04:04 • -9.16db
1% Popularity • 44% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
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Rob Christian
Summertime
111 bpm • C Maj • 04:04 • -13.52db
0% Popularity • 43% Danceability • 31% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
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Wolfgang Seligo
Major Max
123 bpm • A Maj • 03:45 • -14.4db
9% Popularity • 39% Danceability • 38% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
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Marcos Soto Uribe Trío
Misty
111 bpm • D# Maj • 06:06 • -24.59db
15% Popularity • 50% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 31% Positiveness
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Nina
Lounge back
111 bpm • G# Maj • 02:38 • -11.32db
6% Popularity • 69% Danceability • 68% Energy • 10% Liveness
5% Instrumentalness • 96% Positiveness
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Gonzalo del Val
Azur
111 bpm • D# Maj • 04:54 • -11.09db
8% Popularity • 51% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Fabrizio Sotti
Thalia
124 bpm • F Maj • 04:11 • -13.65db
13% Popularity • 42% Danceability • 41% Energy • 12% Liveness
92% Instrumentalness • 67% Positiveness
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Martha Kato
Kinmok-Sailor
111 bpm • C# Maj • 08:56 • -18.17db
21% Popularity • 52% Danceability • 36% Energy • 10% Liveness
85% Instrumentalness • 36% Positiveness
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Perico Sambeat
-PERICO & KENNY WHEELER TEMA 6 Part VI �...
111 bpm • E min • 09:01 • -12.55db
13% Popularity • 36% Danceability • 24% Energy • 70% Liveness
41% Instrumentalness • 10% Positiveness
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Hiruy Tirfe
NFF
111 bpm • F# Maj • 05:02 • -9.1db
16% Popularity • 50% Danceability • 61% Energy • 28% Liveness
34% Instrumentalness • 74% Positiveness
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John Harle
Fresh Flowers
111 bpm • D Maj • 01:41 • -12.04db
14% Popularity • 54% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Karsten Bagge
Immigrant Song
124 bpm • D# Maj • 08:50 • -11.31db
8% Popularity • 49% Danceability • 46% Energy • 12% Liveness
55% Instrumentalness • 44% Positiveness
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Holiday Jazz Ensemble
Charming NY Diners
124 bpm • D Maj • 01:48 • -14db
13% Popularity • 67% Danceability • 39% Energy • 31% Liveness
17% Instrumentalness • 51% Positiveness
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Eden Har-Gil
Amarna
110 bpm • F# Maj • 06:04 • -10.51db
10% Popularity • 61% Danceability • 33% Energy • 12% Liveness
42% Instrumentalness • 24% Positiveness
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Dayna Stephens
Ryland
110 bpm • E Maj • 04:47 • -12.06db
11% Popularity • 43% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Palmer
Urban Jazz Nights
110 bpm • C min • 02:15 • -12db
25% Popularity • 70% Danceability • 44% Energy • 21% Liveness
5% Instrumentalness • 42% Positiveness
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Mulo Francel
Frederic
124 bpm • D# Maj • 07:57 • -13.1db
12% Popularity • 47% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 31% Positiveness
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Liza Pirelli Jazztet
Ridere
110 bpm • C min • 02:37 • -17.66db
14% Popularity • 78% Danceability • 18% Energy • 11% Liveness
72% Instrumentalness • 66% Positiveness
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Alan Braufman
Brooklyn
110 bpm • F Maj • 04:22 • -12.6db
28% Popularity • 63% Danceability • 46% Energy • 26% Liveness
90% Instrumentalness • 55% Positiveness
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Alevtina
Blues Walk
110 bpm • C Maj • 03:03 • -11.14db
7% Popularity • 70% Danceability • 48% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
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Takatsuki Experiment
Yoru no Umi Swing-O & Yuko Takahashi
110 bpm • C# Maj • 04:12 • -21.7db
12% Popularity • 63% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 76% Positiveness
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Charlie Ballantine
Blues For Baltimorrow
125 bpm • C min • 04:25 • -12.41db
11% Popularity • 46% Danceability • 57% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
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Seiko Akita
Bachish Riffs
125 bpm • B min • 05:12 • -10.66db
14% Popularity • 56% Danceability • 59% Energy • 11% Liveness
88% Instrumentalness • 71% Positiveness
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Anthropology