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Anything Goes
Songs like
Anything Goes
by
Tony Bennett
Based on a tempo of (+/- 10%) and a similar genre
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Eliane Elias
Light My Fire
154 bpm • E min • 05:38 • -20.07db
31% Popularity • 50% Danceability • 13% Energy • 9% Liveness
38% Instrumentalness • 13% Positiveness
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Tony Bennett
Anything Goes
155 bpm • C Maj • 02:03 • -6db
48% Popularity • 50% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Glenn Miller Orchestra
Chattanooga Choo Choo
154 bpm • G# Maj • 03:41 • -10.06db
19% Popularity • 58% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Perry Como
It's A Lovely Day Today
156 bpm • G Maj • 02:40 • -12.8db
53% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Benny Goodman
Stompin At The Savoy
156 bpm • A# min • 03:15 • -11db
56% Popularity • 52% Danceability • 22% Energy • 5% Liveness
8% Instrumentalness • 64% Positiveness
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Ida Sand
Ain't No Sunshine
157 bpm • D min • 03:45 • -11db
54% Popularity • 45% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Eliane Elias
Baubles, Bangles and Beads
153 bpm • A# min • 05:00 • -16db
43% Popularity • 47% Danceability • 37% Energy • 9% Liveness
61% Instrumentalness • 63% Positiveness
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Wayne Newton
Hello, Dolly! - Remastered
157 bpm • G# min • 02:12 • -12.35db
39% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Andy Williams
Music to Watch Girls By
157 bpm • G# Maj • 02:36 • -10db
44% Popularity • 43% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Bobby Darin
More - Remastered 2004
152 bpm • F min • 02:25 • -8.74db
63% Popularity • 50% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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ZAYN
Alienated
152 bpm • G Maj • 04:07 • -6.47db
65% Popularity • 49% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Bobby Short
You've Got That Thing
151 bpm • A# Maj • 03:23 • -16db
31% Popularity • 56% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Lady Gaga
Joanne
150 bpm • G Maj • 03:16 • -8.45db
55% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Seal
Luck Be A Lady
161 bpm • G min • 04:35 • -5.7db
43% Popularity • 37% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Wayne Newton
Danke Schoen
147 bpm • A min • 02:35 • -8.71db
55% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Lorez Alexandria
Softly As In A Morning Sunrise
148 bpm • F min • 02:38 • -19.4db
25% Popularity • 51% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Etta Jones
Yes Sir, That's My Baby
147 bpm • G# Maj • 04:20 • -8.39db
44% Popularity • 63% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Nat King Cole Trio
How Deep Is The Ocean - 1993 Digital Rem...
145 bpm • A# min • 02:55 • -23db
37% Popularity • 46% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
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Lady Gaga
A-YO
150 bpm • G Maj • 03:27 • -5.7db
54% Popularity • 67% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Andrews Sisters
Boogie Woogie Bugle Boy
167 bpm • G Maj • 02:41 • -11.55db
51% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Tori Amos
"Murder" He Says
144 bpm • A Maj • 03:20 • -9.36db
10% Popularity • 56% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Lorez Alexandria
Get Me To The Church On Time
146 bpm • D# Maj • 04:00 • -11.64db
20% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Jonny Blu
Your Birthday Song (aka The Birthday Son...
144 bpm • C Maj • 02:06 • -11.72db
14% Popularity • 67% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Glee Cast
River Deep, Mountain High
168 bpm • G# Maj • 03:32 • -4.6db
51% Popularity • 32% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Lady Gaga
Just Another Day
167 bpm • A Maj • 02:58 • -8.91db
46% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Randy Crawford
Me, Myself and I
143 bpm • D Maj • 02:13 • -12.36db
25% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Hailey Tuck
Sunday Morning
144 bpm • G Maj • 03:41 • -9db
53% Popularity • 70% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Lorez Alexandria
I'm Through With Love
165 bpm • A# Maj • 05:25 • -17.64db
37% Popularity • 38% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
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Kat Edmonson
Mountain Greenery
168 bpm • E min • 02:30 • -13db
50% Popularity • 67% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Britney Spears
Toxic
143 bpm • F min • 03:18 • -3.91db
85% Popularity • 77% Danceability • 84% Energy • 24% Liveness
2% Instrumentalness • 92% Positiveness
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Tony Bennett
Look For the Silver Lining
168 bpm • A# Maj • 02:36 • -15.03db
30% Popularity • 38% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Caity Gyorgy
Colloquially
169 bpm • D Maj • 03:25 • -9.92db
25% Popularity • 58% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Hilary Kole
It's Love
169 bpm • G min • 02:07 • -7db
37% Popularity • 57% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Benny Benack III
Social Call
142 bpm • C# Maj • 04:21 • -7.46db
27% Popularity • 59% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Brenda Lee
Danke Schoen
142 bpm • B min • 02:39 • -10.68db
46% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Lavay Smith & Her Red Hot Skillet Lickers
Gee Baby, Ain't I Good to You?
170 bpm • C# Maj • 05:06 • -10.25db
21% Popularity • 45% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Tony Bennett
They All Laughed
142 bpm • A min • 02:12 • -14.9db
29% Popularity • 57% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Harry Connick, Jr.
Recipe For Love
141 bpm • C min • 02:34 • -17db
45% Popularity • 62% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Kat Edmonson
A Dream is a Wish Your Heart Makes
141 bpm • C Maj • 02:48 • -12.28db
23% Popularity • 67% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Bernie Noyes
Let Me Leave Uptown
170 bpm • D# min • 03:12 • -14.67db
13% Popularity • 55% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Lizz Wright
Singing In My Soul
141 bpm • C# Maj • 03:46 • -7db
33% Popularity • 58% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Artie Shaw
Begin the Beguine
141 bpm • G Maj • 03:16 • -15.92db
49% Popularity • 63% Danceability • 16% Energy • 45% Liveness
38% Instrumentalness • 37% Positiveness
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Tony Bennett
The Way You Look Tonight
141 bpm • D# Maj • 02:54 • -18db
44% Popularity • 43% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Perry Como
It's Impossible
141 bpm • C min • 03:17 • -11db
46% Popularity • 28% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Wayne Newton
More - Remastered
141 bpm • E min • 02:36 • -13.59db
35% Popularity • 39% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Jonny Blu
I Get No Kick From Champagne
140 bpm • A# min • 03:09 • -9db
17% Popularity • 57% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Lizz Wright
Reaching For The Moon
140 bpm • G min • 02:52 • -15.44db
34% Popularity • 22% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Lorez Alexandria
I've Never Been In Love Before
140 bpm • G# Maj • 02:18 • -16db
49% Popularity • 68% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Brenna Whitaker
Sayonara
140 bpm • F Maj • 03:27 • -6.32db
16% Popularity • 69% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Peggy Lee
Hallelujah, I Love Him So
139 bpm • C# Maj • 02:29 • -15.08db
44% Popularity • 71% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Wayne Newton
Volare (Nel Blu Di Pinto Di Blu) - Remas...
172 bpm • F Maj • 02:04 • -11.94db
38% Popularity • 44% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Jane Monheit
Taking a Chance on Love
173 bpm • A# min • 03:18 • -6.71db
46% Popularity • 53% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Jeri Southern
You Forgot Your Gloves
139 bpm • F Maj • 02:36 • -14.1db
27% Popularity • 68% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Christina Aguilera
Candyman
173 bpm • G# min • 03:14 • -4.71db
66% Popularity • 69% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
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King Of Swing Orchestra
A Tisket, a Tasket - The Best of King of...
173 bpm • G# Maj • 02:32 • -10.75db
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Tony Bennett
If I Ruled the World
139 bpm • F Maj • 02:54 • -10.08db
37% Popularity • 27% Danceability • 33% Energy • 55% Liveness
0% Instrumentalness • 13% Positiveness
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Ernestine Anderson
What A Diff'rence a Day Made
174 bpm • A# Maj • 04:44 • -22db
31% Popularity • 46% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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Russ Lorenson
Swing is Back in Style - Radio Edit
138 bpm • A# min • 03:02 • -10.62db
20% Popularity • 56% Danceability • 59% Energy • 78% Liveness
0% Instrumentalness • 55% Positiveness
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Lady Gaga
Hey Girl
138 bpm • A# Maj • 04:15 • -7.88db
50% Popularity • 75% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Nat King Cole Trio
Too Marvelous For Words
138 bpm • D min • 02:34 • -21db
55% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
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The Manhattan Transfer
Until I Meet You (Corner Pocket)
138 bpm • F min • 05:22 • -14db
24% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Beyoncé
II MOST WANTED
138 bpm • G# Maj • 03:28 • -6.13db
76% Popularity • 53% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Ernestine Anderson
I'm Walkin'
138 bpm • G min • 03:04 • -8.86db
34% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Tony Bennett
Who Cares?
137 bpm • A min • 03:17 • -15.44db
33% Popularity • 48% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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The Dave Brubeck Quartet
Take Five
174 bpm • G# min • 05:24 • -13.19db
69% Popularity • 45% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Glenn Miller
In the Mood - Live
175 bpm • G# Maj • 03:29 • -9.72db
61% Popularity • 46% Danceability • 65% Energy • 37% Liveness
92% Instrumentalness • 59% Positiveness
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Rita Coolidge
Am I Blue
175 bpm • G Maj • 04:40 • -17db
34% Popularity • 38% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Count Basie
Anything Goes - 1990 Remix / Remaster
137 bpm • C Maj • 02:21 • -11.77db
19% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Etta Jones
Till There Was You
136 bpm • G Maj • 02:06 • -16.49db
59% Popularity • 48% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Tony Bennett
The Good Life
176 bpm • A# Maj • 02:14 • -13.71db
55% Popularity • 18% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 21% Positiveness
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Bob Howard
Easy Living
136 bpm • G# Maj • 03:02 • -16.3db
36% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
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MarÃna Ósk
Hey Love!
136 bpm • G# Maj • 03:23 • -7.86db
24% Popularity • 68% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Nicola Arigliano
Ain't She Sweet
136 bpm • G Maj • 02:11 • -12db
45% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Linda Ronstadt
What's New?
177 bpm • D# Maj • 03:57 • -10.89db
25% Popularity • 16% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Hailey Tuck
It Must Be Love
136 bpm • C Maj • 03:41 • -14.89db
40% Popularity • 72% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tony Bennett
Close Enough for Love
137 bpm • C min • 04:25 • -8.88db
34% Popularity • 30% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Peggy Lee
Fever
136 bpm • E min • 03:19 • -12.61db
66% Popularity • 84% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lady Gaga
Sine From Above - Chester Lockhart, Moo...
136 bpm • C min • 04:10 • -4.22db
37% Popularity • 46% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Carey Pullman
Three Of Us
136 bpm • C# Maj • 02:21 • -12.28db
22% Popularity • 62% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Suss von Ahn
Walk Between the Raindrops
136 bpm • F min • 02:50 • -7.49db
31% Popularity • 74% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Cher
Welcome To Burlesque - Burlesque Origina...
136 bpm • B Maj • 02:45 • -7.88db
52% Popularity • 67% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Brenda Lee
The End Of The World
177 bpm • A Maj • 03:09 • -11.8db
46% Popularity • 33% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Peggy Lee
Ain't We Got Fun
136 bpm • G Maj • 02:13 • -11.98db
48% Popularity • 65% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Tony Bennett
Sophisticated Lady
136 bpm • E min • 03:49 • -12.17db
31% Popularity • 45% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Lara Louise
C'est si bon
135 bpm • C min • 03:03 • -14.4db
47% Popularity • 78% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Bobby Short
I'm in Love Again
135 bpm • C Maj • 02:27 • -16db
25% Popularity • 49% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Flora MartÃnez
I´m a Fool to Want You
179 bpm • C Maj • 04:06 • -12.54db
42% Popularity • 48% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Etta Jones
Someday My Prince Will Come
134 bpm • C min • 03:01 • -17db
40% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Steve Rice Combo
Puttin' My Best Foot Forward
134 bpm • C Maj • 02:49 • -13.07db
8% Popularity • 62% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Tony Bennett
All The Things You Are
135 bpm • A# min • 04:37 • -14.64db
41% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Manhattan Transfer
Stomp Of King Porter
180 bpm • F min • 03:12 • -6.15db
10% Popularity • 60% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Ernestine Anderson
It Don't Mean A Thing (If It Ain't Got T...
134 bpm • F min • 02:18 • -16.38db
47% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Lady Gaga
Come To Mama
180 bpm • C Maj • 04:14 • -6db
46% Popularity • 40% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Samara Joy
Can't Get Out Of This Mood
133 bpm • F Maj • 03:42 • -11db
47% Popularity • 58% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Brenna Whitaker
Misty Blue
180 bpm • D# Maj • 03:28 • -8db
24% Popularity • 42% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Chet Baker
My Funny Valentine
133 bpm • C min • 02:21 • -26.44db
66% Popularity • 44% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Veronica Swift
How Lovely to Be a Woman
133 bpm • C# Maj • 04:10 • -11.13db
15% Popularity • 54% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Ernestine Anderson
They Didn't Believe Me
133 bpm • C# Maj • 02:24 • -14.3db
43% Popularity • 54% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Dakota Staton
The Late, Late Show
132 bpm • G# Maj • 02:36 • -15.24db
34% Popularity • 74% Danceability • 19% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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Heather Rigdon
Spring
132 bpm • C# Maj • 03:25 • -11.62db
49% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Anything Goes