Songs like Appalachian Grove I by Laurie Spiegel
Based on a tempo of (+/- 10%) and a similar genre
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Sofie Birch
Ubiquitous
110 bpm • D# min • 03:49 • -28.43db
25% Popularity • 37% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
25% Popularity • 37% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Jon Hassell
Blue Period
110 bpm • D min • 07:58 • -28db
24% Popularity • 17% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Dylan Henner
The Peach Tree Next Door Grew over Our F...
110 bpm • C# Maj • 05:38 • -17db
34% Popularity • 52% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 52% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Aix Em Klemm
The Luxury of Dirt
110 bpm • A# Maj • 06:25 • -28.63db
24% Popularity • 24% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Ana Roxanne
Nocturne
110 bpm • C Maj • 05:36 • -17.97db
32% Popularity • 18% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Laurie Spiegel
Appalachian Grove I
110 bpm • G min • 05:32 • -26.66db
4% Popularity • 47% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
4% Popularity • 47% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Sofie Birch
Humidity
110 bpm • D min • 03:13 • -22.56db
27% Popularity • 36% Danceability • 13% Energy • 44% Liveness
91% Instrumentalness • 4% Positiveness
27% Popularity • 36% Danceability • 13% Energy • 44% Liveness
91% Instrumentalness • 4% Positiveness
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K. Leimer
Shettle Wood
110 bpm • D# min • 03:05 • -20.55db
26% Popularity • 34% Danceability • 17% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
26% Popularity • 34% Danceability • 17% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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yes/and
Ugly Orange
109 bpm • D Maj • 04:19 • -17db
32% Popularity • 56% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
32% Popularity • 56% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
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Carmen Villain
Two Halves Touching
109 bpm • C Maj • 03:50 • -15.79db
26% Popularity • 16% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
26% Popularity • 16% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Kaitlyn Aurelia Smith
Brush
112 bpm • C# Maj • 01:20 • -19.2db
46% Popularity • 42% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
46% Popularity • 42% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Laurie Spiegel
Appalachian Grove I
109 bpm • G min • 05:22 • -19.17db
15% Popularity • 69% Danceability • 7% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
15% Popularity • 69% Danceability • 7% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
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Sarah Davachi
Doubled Flutes
112 bpm • G# min • 02:17 • -33.24db
26% Popularity • 16% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 48% Positiveness
26% Popularity • 16% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 48% Positiveness
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Jon Hassell
Dreaming
108 bpm • F min • 06:09 • -13.29db
26% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
26% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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Steve Reich
Pulses
108 bpm • A Maj • 04:12 • -16db
30% Popularity • 65% Danceability • 69% Energy • 10% Liveness
63% Instrumentalness • 53% Positiveness
30% Popularity • 65% Danceability • 69% Energy • 10% Liveness
63% Instrumentalness • 53% Positiveness
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Slow Attack Ensemble
Elegy for Elodie
112 bpm • C# min • 05:10 • -22.04db
23% Popularity • 26% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 26% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Visible Cloaks
Imprint (Bonus Track)
108 bpm • C# Maj • 06:13 • -21db
13% Popularity • 15% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Laurie Spiegel
Appalachian Grove III
108 bpm • C min • 03:14 • -17.84db
13% Popularity • 84% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
13% Popularity • 84% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Taylor Deupree
elm
113 bpm • D Maj • 01:22 • -24.2db
44% Popularity • 17% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Felicia Atkinson
Shirley to Shirley
113 bpm • A min • 04:14 • -19.17db
16% Popularity • 30% Danceability • 26% Energy • 9% Liveness
83% Instrumentalness • 12% Positiveness
16% Popularity • 30% Danceability • 26% Energy • 9% Liveness
83% Instrumentalness • 12% Positiveness
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Iasos
Libra Sunrise
107 bpm • A min • 01:33 • -13db
34% Popularity • 32% Danceability • 49% Energy • 82% Liveness
89% Instrumentalness • 24% Positiveness
34% Popularity • 32% Danceability • 49% Energy • 82% Liveness
89% Instrumentalness • 24% Positiveness
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Slow Attack Ensemble
Ninety Seconds for Celeste
113 bpm • B min • 01:31 • -23.7db
48% Popularity • 31% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
48% Popularity • 31% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
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Imaginary Softwoods
Painted Flowers Loop
114 bpm • C Maj • 02:30 • -11.73db
31% Popularity • 22% Danceability • 46% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 46% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Laurie Spiegel
Riding the Storm
113 bpm • F Maj • 04:29 • -18.42db
6% Popularity • 16% Danceability • 70% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
6% Popularity • 16% Danceability • 70% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Pauline Anna Strom
Virgin Ice
114 bpm • E Maj • 04:38 • -16db
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
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H.Takahashi
Labyrinth
114 bpm • F# min • 03:31 • -24.03db
30% Popularity • 50% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
30% Popularity • 50% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Josiah Steinbrick
House Tears
106 bpm • B min • 02:08 • -16db
40% Popularity • 76% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
40% Popularity • 76% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
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Slow Attack Ensemble
Recurring Afterimage
107 bpm • D# Maj • 01:56 • -19db
45% Popularity • 48% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
45% Popularity • 48% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Roedelius
Wenn der Südwind weht
115 bpm • D Maj • 04:13 • -16db
30% Popularity • 45% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
30% Popularity • 45% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
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Visible Cloaks
Anata
115 bpm • A min • 02:30 • -16.18db
13% Popularity • 21% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
13% Popularity • 21% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Meitei
Sentō - Pt. 2
106 bpm • C min • 03:00 • -16db
33% Popularity • 42% Danceability • 30% Energy • 38% Liveness
93% Instrumentalness • 55% Positiveness
33% Popularity • 42% Danceability • 30% Energy • 38% Liveness
93% Instrumentalness • 55% Positiveness
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M. Sage
Valley Candle
105 bpm • F Maj • 02:57 • -23db
34% Popularity • 23% Danceability • 10% Energy • 35% Liveness
96% Instrumentalness • 15% Positiveness
34% Popularity • 23% Danceability • 10% Energy • 35% Liveness
96% Instrumentalness • 15% Positiveness
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Tim Hecker
Trade Winds, White Heat
105 bpm • B Maj • 04:22 • -27.68db
42% Popularity • 15% Danceability • 2% Energy • 30% Liveness
98% Instrumentalness • 3% Positiveness
42% Popularity • 15% Danceability • 2% Energy • 30% Liveness
98% Instrumentalness • 3% Positiveness
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Perila
Fallin Into Space
115 bpm • C Maj • 04:58 • -17.57db
19% Popularity • 44% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 44% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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VooCha
Sparks
115 bpm • C Maj • 03:38 • -14.09db
7% Popularity • 17% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
7% Popularity • 17% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Visible Cloaks
(Untitled Temp Track)
115 bpm • F# Maj • 01:52 • -17.29db
37% Popularity • 30% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
37% Popularity • 30% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Jonny Nash
Inside
115 bpm • G# Maj • 06:34 • -38db
20% Popularity • 51% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
20% Popularity • 51% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
40% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
40% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Jeremiah Chiu
Kumlinge Kyrka
105 bpm • D# min • 02:32 • -14.82db
29% Popularity • 28% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
29% Popularity • 28% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Fools
Limba
105 bpm • C Maj • 02:12 • -16db
37% Popularity • 44% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
37% Popularity • 44% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
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LI YILEI
KOU / 口
116 bpm • G min • 03:15 • -17.88db
26% Popularity • 24% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 24% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Kaitlyn Aurelia Smith
Amber
116 bpm • D Maj • 02:04 • -16.62db
31% Popularity • 31% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
31% Popularity • 31% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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K. Leimer
Ceylon
104 bpm • C Maj • 02:51 • -14.75db
35% Popularity • 34% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
35% Popularity • 34% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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Jon Hassell
Blues Nile
104 bpm • G min • 09:54 • -12.86db
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
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Rachika Nayar
Aurobindo
116 bpm • E min • 08:07 • -16.25db
18% Popularity • 19% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Susumu Yokota
Kirakiraboshi
104 bpm • C# Maj • 01:55 • -18db
41% Popularity • 41% Danceability • 33% Energy • 39% Liveness
95% Instrumentalness • 12% Positiveness
41% Popularity • 41% Danceability • 33% Energy • 39% Liveness
95% Instrumentalness • 12% Positiveness
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LI YILEI
TAN / 潭
117 bpm • F Maj • 01:57 • -16.8db
26% Popularity • 30% Danceability • 46% Energy • 11% Liveness
45% Instrumentalness • 18% Positiveness
26% Popularity • 30% Danceability • 46% Energy • 11% Liveness
45% Instrumentalness • 18% Positiveness
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Laurie Spiegel
Three Sonic Spaces II
104 bpm • A# Maj • 03:22 • -15.95db
17% Popularity • 16% Danceability • 34% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 34% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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K. Leimer
Four Paths
117 bpm • C Maj • 02:53 • -15.95db
23% Popularity • 23% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 40% Positiveness
23% Popularity • 23% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 40% Positiveness
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Laraaji
The Dance No. 1
118 bpm • F# min • 09:15 • -10db
33% Popularity • 35% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
33% Popularity • 35% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Josiah Steinbrick
Blue Age
118 bpm • A# Maj • 01:16 • -23.4db
49% Popularity • 17% Danceability • 8% Energy • 44% Liveness
71% Instrumentalness • 6% Positiveness
49% Popularity • 17% Danceability • 8% Energy • 44% Liveness
71% Instrumentalness • 6% Positiveness
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Susumu Yokota
I Imagine
117 bpm • C Maj • 02:34 • -20.59db
35% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
35% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Slow Attack Ensemble
Form and F a d e
102 bpm • B min • 03:55 • -13db
35% Popularity • 34% Danceability • 33% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
35% Popularity • 34% Danceability • 33% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
39% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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K. Leimer
Facing East
103 bpm • A Maj • 02:10 • -8.48db
29% Popularity • 19% Danceability • 51% Energy • 23% Liveness
85% Instrumentalness • 3% Positiveness
29% Popularity • 19% Danceability • 51% Energy • 23% Liveness
85% Instrumentalness • 3% Positiveness
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Gigi Masin
The Sea in Your Eyes
102 bpm • C# Maj • 02:56 • -29db
24% Popularity • 46% Danceability • 2% Energy • 6% Liveness
32% Instrumentalness • 7% Positiveness
24% Popularity • 46% Danceability • 2% Energy • 6% Liveness
32% Instrumentalness • 7% Positiveness
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LI YILEI
HUO / 惑
103 bpm • A min • 04:15 • -16db
19% Popularity • 19% Danceability • 34% Energy • 30% Liveness
14% Instrumentalness • 3% Positiveness
19% Popularity • 19% Danceability • 34% Energy • 30% Liveness
14% Instrumentalness • 3% Positiveness
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yes/and
Emotion Scroll
102 bpm • C# min • 02:25 • -15db
27% Popularity • 32% Danceability • 43% Energy • 12% Liveness
85% Instrumentalness • 49% Positiveness
27% Popularity • 32% Danceability • 43% Energy • 12% Liveness
85% Instrumentalness • 49% Positiveness
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Susumu Yokota
Saku
118 bpm • D Maj • 05:45 • -18db
40% Popularity • 39% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
40% Popularity • 39% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Kaitlyn Aurelia Smith
Unbraiding Boundless Energy Within Bound...
118 bpm • A# Maj • 01:07 • -21.68db
44% Popularity • 40% Danceability • 26% Energy • 55% Liveness
50% Instrumentalness • 46% Positiveness
44% Popularity • 40% Danceability • 26% Energy • 55% Liveness
50% Instrumentalness • 46% Positiveness
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Meitei
Ike
119 bpm • C# Maj • 03:28 • -17.13db
37% Popularity • 74% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 40% Positiveness
37% Popularity • 74% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 40% Positiveness
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Slow Attack Ensemble
Rivers Turn to Waterfalls
101 bpm • C# min • 05:52 • -16.13db
28% Popularity • 33% Danceability • 18% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
28% Popularity • 33% Danceability • 18% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
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M. Sage
The Cat Forgotten in the Moon
119 bpm • F# min • 02:26 • -19.02db
40% Popularity • 22% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
40% Popularity • 22% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
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Visible Cloaks
You
120 bpm • C Maj • 04:58 • -17.96db
12% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
12% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Jeremy Greenspan
Drums&Drums&Drums
120 bpm • A min • 08:09 • -13.13db
5% Popularity • 81% Danceability • 87% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
5% Popularity • 81% Danceability • 87% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Kaitlyn Aurelia Smith
Mt Baker
120 bpm • C# min • 05:12 • -15.74db
39% Popularity • 42% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
39% Popularity • 42% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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H.Takahashi
Photosynthese
120 bpm • F# Maj • 08:02 • -29.08db
24% Popularity • 68% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
24% Popularity • 68% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Laurie Spiegel
From a Harmonic Algorithm
120 bpm • A# Maj • 02:55 • -24.99db
17% Popularity • 59% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
17% Popularity • 59% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
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Emily A. Sprague
Star Gazing
120 bpm • C Maj • 06:53 • -27.55db
19% Popularity • 46% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
19% Popularity • 46% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
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Meitei
Chōchin
120 bpm • G# min • 04:24 • -20.04db
35% Popularity • 71% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 40% Positiveness
35% Popularity • 71% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 40% Positiveness
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Kara-Lis Coverdale
Ad_renaline
120 bpm • F min • 04:29 • -14.5db
12% Popularity • 51% Danceability • 36% Energy • 14% Liveness
97% Instrumentalness • 6% Positiveness
12% Popularity • 51% Danceability • 36% Energy • 14% Liveness
97% Instrumentalness • 6% Positiveness
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Kaitlyn Aurelia Smith
Stratus
120 bpm • F# min • 03:04 • -22db
43% Popularity • 49% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
43% Popularity • 49% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Sofie Birch
Calibrating Senses
120 bpm • C Maj • 04:02 • -17.86db
28% Popularity • 37% Danceability • 22% Energy • 30% Liveness
75% Instrumentalness • 11% Positiveness
28% Popularity • 37% Danceability • 22% Energy • 30% Liveness
75% Instrumentalness • 11% Positiveness
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Elori Saxl
The Blue of Distance
101 bpm • C Maj • 07:05 • -21.14db
22% Popularity • 14% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
22% Popularity • 14% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Emily A. Sprague
Moon View
120 bpm • C# Maj • 05:47 • -17.11db
20% Popularity • 50% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 50% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Laurie Spiegel
Drums
121 bpm • A Maj • 07:08 • -21.06db
7% Popularity • 54% Danceability • 42% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
7% Popularity • 54% Danceability • 42% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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H.Takahashi
Escape
100 bpm • A Maj • 08:00 • -18db
18% Popularity • 62% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 60% Positiveness
18% Popularity • 62% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 60% Positiveness
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Kaitlyn Aurelia Smith
Glendora
120 bpm • C# Maj • 02:46 • -16.69db
23% Popularity • 34% Danceability • 26% Energy • 12% Liveness
31% Instrumentalness • 38% Positiveness
23% Popularity • 34% Danceability • 26% Energy • 12% Liveness
31% Instrumentalness • 38% Positiveness
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K. Leimer
Lament To The Open Air
100 bpm • C min • 03:31 • -20.44db
25% Popularity • 54% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
25% Popularity • 54% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Sofie Birch
Repair Techniques
120 bpm • C Maj • 05:30 • -21.83db
16% Popularity • 22% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
16% Popularity • 22% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Dylan Henner
Today I Learned What Makes Bugs Sick and...
100 bpm • F min • 02:29 • -22.13db
42% Popularity • 59% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
42% Popularity • 59% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
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Emily A. Sprague
Horizon
100 bpm • F Maj • 06:24 • -12.48db
16% Popularity • 51% Danceability • 45% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
16% Popularity • 51% Danceability • 45% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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AF13
Night Bunny
100 bpm • D Maj • 06:53 • -16.44db
17% Popularity • 17% Danceability • 54% Energy • 25% Liveness
93% Instrumentalness • 14% Positiveness
17% Popularity • 17% Danceability • 54% Energy • 25% Liveness
93% Instrumentalness • 14% Positiveness
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Deux Filles
Oakwood Green - Remastered
122 bpm • D Maj • 02:04 • -19.51db
27% Popularity • 22% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 22% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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K. Leimer
Uncertain Instruction
121 bpm • F min • 02:48 • -17.89db
24% Popularity • 39% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 39% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Slow Attack Ensemble
Dance Four
99 bpm • D Maj • 05:29 • -12db
28% Popularity • 74% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
28% Popularity • 74% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
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Elori Saxl
Wave I
99 bpm • A Maj • 02:32 • -16.31db
30% Popularity • 35% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
30% Popularity • 35% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Emily A. Sprague
Rain
100 bpm • D# Maj • 06:09 • -21.83db
23% Popularity • 48% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
23% Popularity • 48% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Kaitlyn Aurelia Smith
Labyrinth XII
123 bpm • C Maj • 00:58 • -19.16db
37% Popularity • 24% Danceability • 36% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
37% Popularity • 24% Danceability • 36% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Roberto Musci
Improbably Music
123 bpm • C Maj • 03:00 • -17.54db
15% Popularity • 45% Danceability • 33% Energy • 8% Liveness
87% Instrumentalness • 29% Positiveness
15% Popularity • 45% Danceability • 33% Energy • 8% Liveness
87% Instrumentalness • 29% Positiveness
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Laurie Spiegel
Wandering in Our Times
124 bpm • D Maj • 11:44 • -32.23db
6% Popularity • 17% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
6% Popularity • 17% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Joanna Brouk
Winter Chimes
124 bpm • F# Maj • 06:40 • -24.92db
17% Popularity • 54% Danceability • 2% Energy • 4% Liveness
96% Instrumentalness • 3% Positiveness
17% Popularity • 54% Danceability • 2% Energy • 4% Liveness
96% Instrumentalness • 3% Positiveness
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Woo
A Little Long Way
124 bpm • F Maj • 03:02 • -16db
29% Popularity • 61% Danceability • 22% Energy • 11% Liveness
53% Instrumentalness • 59% Positiveness
29% Popularity • 61% Danceability • 22% Energy • 11% Liveness
53% Instrumentalness • 59% Positiveness
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Emily A. Sprague
Mirror
121 bpm • C Maj • 09:35 • -20.71db
20% Popularity • 29% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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JD Emmanuel
Prayer
97 bpm • D min • 04:30 • -22.65db
17% Popularity • 13% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
17% Popularity • 13% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Jefre Cantu-Ledesma
Dark From Daybreak
124 bpm • A# min • 03:17 • -22db
20% Popularity • 17% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 11% Positiveness
20% Popularity • 17% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 11% Positiveness
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Huerco S.
The Sacred Dance
97 bpm • C Maj • 06:07 • -18db
25% Popularity • 78% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 41% Positiveness
25% Popularity • 78% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 41% Positiveness
