Songs like Appointment in Samarra by Paul Thomas Saunders
Based on a tempo of (+/- 10%) and a similar genre
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Paul Thomas Saunders
Appointment in Samarra
92 bpm • A# min • 05:06 • -9.11db
9% Popularity • 43% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 43% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Puzzle Muteson
By Night
92 bpm • B min • 03:38 • -12.15db
44% Popularity • 48% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
44% Popularity • 48% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Editors
The Phone Book
92 bpm • C# Maj • 04:31 • -9.31db
45% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
45% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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The Sei
Metroma
92 bpm • G min • 03:43 • -15db
42% Popularity • 52% Danceability • 20% Energy • 13% Liveness
44% Instrumentalness • 5% Positiveness
42% Popularity • 52% Danceability • 20% Energy • 13% Liveness
44% Instrumentalness • 5% Positiveness
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Foals
London Thunder
92 bpm • F# Maj • 04:14 • -9.75db
52% Popularity • 48% Danceability • 36% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
52% Popularity • 48% Danceability • 36% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Emily Jane White
Pallid Eyes
92 bpm • B min • 03:54 • -12.41db
44% Popularity • 39% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 24% Positiveness
44% Popularity • 39% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 24% Positiveness
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Patrick Watson
Places You Will Go
92 bpm • F# Maj • 05:03 • -10db
32% Popularity • 25% Danceability • 64% Energy • 7% Liveness
45% Instrumentalness • 35% Positiveness
32% Popularity • 25% Danceability • 64% Energy • 7% Liveness
45% Instrumentalness • 35% Positiveness
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The Bony King of Nowhere
Going Out
93 bpm • F# Maj • 06:49 • -14.02db
21% Popularity • 33% Danceability • 44% Energy • 9% Liveness
42% Instrumentalness • 9% Positiveness
21% Popularity • 33% Danceability • 44% Energy • 9% Liveness
42% Instrumentalness • 9% Positiveness
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Efterklang
Cutting Ice to Snow
93 bpm • D Maj • 07:27 • -8.7db
26% Popularity • 42% Danceability • 83% Energy • 68% Liveness
10% Instrumentalness • 4% Positiveness
26% Popularity • 42% Danceability • 83% Energy • 68% Liveness
10% Instrumentalness • 4% Positiveness
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Westerman
Roads
91 bpm • A# Maj • 03:13 • -15.5db
43% Popularity • 71% Danceability • 30% Energy • 9% Liveness
70% Instrumentalness • 46% Positiveness
43% Popularity • 71% Danceability • 30% Energy • 9% Liveness
70% Instrumentalness • 46% Positiveness
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Wilsen
Centipede
91 bpm • G min • 05:02 • -10.15db
25% Popularity • 50% Danceability • 57% Energy • 7% Liveness
61% Instrumentalness • 15% Positiveness
25% Popularity • 50% Danceability • 57% Energy • 7% Liveness
61% Instrumentalness • 15% Positiveness
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Gem Club
252
90 bpm • C Maj • 05:30 • -9.51db
21% Popularity • 30% Danceability • 27% Energy • 10% Liveness
12% Instrumentalness • 3% Positiveness
21% Popularity • 30% Danceability • 27% Energy • 10% Liveness
12% Instrumentalness • 3% Positiveness
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Folly and the Hunter
Mask
93 bpm • G Maj • 06:23 • -10.01db
17% Popularity • 43% Danceability • 49% Energy • 17% Liveness
26% Instrumentalness • 34% Positiveness
17% Popularity • 43% Danceability • 49% Energy • 17% Liveness
26% Instrumentalness • 34% Positiveness
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Wye Oak
Civilian - Demo
90 bpm • G# min • 03:04 • -10.41db
30% Popularity • 49% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 49% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Paper Kites
Without Your Love
94 bpm • D Maj • 03:30 • -9.86db
40% Popularity • 62% Danceability • 40% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
40% Popularity • 62% Danceability • 40% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
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Deptford Goth
Love
94 bpm • C# Maj • 03:47 • -6.99db
10% Popularity • 73% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 73% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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HAARM
Better Friend
90 bpm • A# min • 05:47 • -12.76db
27% Popularity • 52% Danceability • 57% Energy • 23% Liveness
34% Instrumentalness • 48% Positiveness
27% Popularity • 52% Danceability • 57% Energy • 23% Liveness
34% Instrumentalness • 48% Positiveness
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Odd Beholder
Landscape Escape
90 bpm • B min • 03:15 • -13db
35% Popularity • 74% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 44% Positiveness
35% Popularity • 74% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 44% Positiveness
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Sweet Tempest
Snow
90 bpm • D# Maj • 04:17 • -7db
21% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Nick Mulvey
The Trellis
90 bpm • C# min • 05:33 • -10db
37% Popularity • 57% Danceability • 48% Energy • 10% Liveness
30% Instrumentalness • 14% Positiveness
37% Popularity • 57% Danceability • 48% Energy • 10% Liveness
30% Instrumentalness • 14% Positiveness
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Winter Aid
Where the Night Goes
90 bpm • D Maj • 03:57 • -7.69db
19% Popularity • 66% Danceability • 65% Energy • 10% Liveness
28% Instrumentalness • 54% Positiveness
19% Popularity • 66% Danceability • 65% Energy • 10% Liveness
28% Instrumentalness • 54% Positiveness
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Lost In The Trees
Rites
90 bpm • D# Maj • 02:57 • -12.36db
30% Popularity • 65% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
30% Popularity • 65% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Paul Thomas Saunders
Good Women - Lanterns on the Lake Remix
90 bpm • A# min • 04:52 • -10.96db
1% Popularity • 14% Danceability • 47% Energy • 15% Liveness
39% Instrumentalness • 7% Positiveness
1% Popularity • 14% Danceability • 47% Energy • 15% Liveness
39% Instrumentalness • 7% Positiveness
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INDIANS
Magic Kids
94 bpm • D min • 03:01 • -7db
18% Popularity • 17% Danceability • 34% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 34% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Villagers
Dawning On Me
95 bpm • G Maj • 03:19 • -14.32db
51% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
51% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Field Division
Hollow Body Weather
89 bpm • F Maj • 05:48 • -9db
26% Popularity • 42% Danceability • 54% Energy • 8% Liveness
36% Instrumentalness • 37% Positiveness
26% Popularity • 42% Danceability • 54% Energy • 8% Liveness
36% Instrumentalness • 37% Positiveness
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Zola Blood
Good Love
95 bpm • E min • 03:45 • -9db
43% Popularity • 67% Danceability • 57% Energy • 11% Liveness
60% Instrumentalness • 33% Positiveness
43% Popularity • 67% Danceability • 57% Energy • 11% Liveness
60% Instrumentalness • 33% Positiveness
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Robin Foster
Forgiveness
95 bpm • B min • 04:26 • -9.93db
28% Popularity • 58% Danceability • 62% Energy • 15% Liveness
70% Instrumentalness • 48% Positiveness
28% Popularity • 58% Danceability • 62% Energy • 15% Liveness
70% Instrumentalness • 48% Positiveness
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TENDER
Belong
95 bpm • A Maj • 04:12 • -10.64db
38% Popularity • 35% Danceability • 32% Energy • 32% Liveness
34% Instrumentalness • 7% Positiveness
38% Popularity • 35% Danceability • 32% Energy • 32% Liveness
34% Instrumentalness • 7% Positiveness
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I Am Oak
Hidden Cove
96 bpm • F# min • 03:30 • -10.78db
12% Popularity • 64% Danceability • 40% Energy • 9% Liveness
12% Instrumentalness • 42% Positiveness
12% Popularity • 64% Danceability • 40% Energy • 9% Liveness
12% Instrumentalness • 42% Positiveness
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The Howl & The Hum
Godmanchester Chinese Bridge - Radio Edi...
96 bpm • B min • 03:16 • -6db
33% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Racing Glaciers
One Day We Will Lose Everything
96 bpm • G Maj • 04:52 • -10.5db
18% Popularity • 54% Danceability • 54% Energy • 12% Liveness
24% Instrumentalness • 7% Positiveness
18% Popularity • 54% Danceability • 54% Energy • 12% Liveness
24% Instrumentalness • 7% Positiveness
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Finn Andrews
Stairs To The Roof
88 bpm • C# min • 03:36 • -12db
8% Popularity • 56% Danceability • 32% Energy • 40% Liveness
3% Instrumentalness • 25% Positiveness
8% Popularity • 56% Danceability • 32% Energy • 40% Liveness
3% Instrumentalness • 25% Positiveness
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Son Lux
Let Me Follow
88 bpm • G# min • 04:48 • -13db
48% Popularity • 48% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
48% Popularity • 48% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
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KaiL Baxley
Mirrors Of Paradise
87 bpm • F# Maj • 04:11 • -11.62db
26% Popularity • 57% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
26% Popularity • 57% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
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Lisa Hannigan
Undertow
97 bpm • A min • 03:24 • -12.44db
45% Popularity • 64% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 64% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Fink
Shakespeare
88 bpm • C Maj • 06:18 • -13db
35% Popularity • 48% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
35% Popularity • 48% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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LUWTEN
Difference
87 bpm • A Maj • 04:34 • -20.24db
15% Popularity • 26% Danceability • 6% Energy • 37% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 6% Energy • 37% Liveness
1% Instrumentalness • 4% Positiveness
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The Cinematic Orchestra
To Believe
87 bpm • E min • 05:27 • -11.4db
47% Popularity • 18% Danceability • 10% Energy • 23% Liveness
24% Instrumentalness • 5% Positiveness
47% Popularity • 18% Danceability • 10% Energy • 23% Liveness
24% Instrumentalness • 5% Positiveness
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Lanterns on the Lake
Another Tale from Another English Town
87 bpm • B Maj • 05:16 • -10.79db
17% Popularity • 16% Danceability • 62% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
17% Popularity • 16% Danceability • 62% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
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Ailbhe Reddy
Walk Away
87 bpm • F# Maj • 03:12 • -16db
37% Popularity • 67% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 67% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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WILDES
Circles
87 bpm • A Maj • 04:18 • -9db
35% Popularity • 39% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 39% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Emily Jane White
Washed Away
87 bpm • A# Maj • 03:56 • -10db
42% Popularity • 51% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
42% Popularity • 51% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Jesse Marchant
Words Underlined
87 bpm • C Maj • 06:01 • -12.79db
32% Popularity • 47% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 16% Positiveness
32% Popularity • 47% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 16% Positiveness
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Paul Thomas Saunders
Love Birds
86 bpm • D Maj • 04:25 • -12.6db
4% Popularity • 20% Danceability • 35% Energy • 29% Liveness
90% Instrumentalness • 9% Positiveness
4% Popularity • 20% Danceability • 35% Energy • 29% Liveness
90% Instrumentalness • 9% Positiveness
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Brooke Bentham
Have to Be Around You
98 bpm • C min • 03:35 • -8db
29% Popularity • 52% Danceability • 51% Energy • 12% Liveness
4% Instrumentalness • 32% Positiveness
29% Popularity • 52% Danceability • 51% Energy • 12% Liveness
4% Instrumentalness • 32% Positiveness
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Death Machine
Cocoon
98 bpm • C# Maj • 04:06 • -9.5db
26% Popularity • 50% Danceability • 48% Energy • 14% Liveness
21% Instrumentalness • 23% Positiveness
26% Popularity • 50% Danceability • 48% Energy • 14% Liveness
21% Instrumentalness • 23% Positiveness
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Pitou
I Fall Asleep So Fast
99 bpm • D# Maj • 05:21 • -17.16db
24% Popularity • 63% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 63% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Mt. Wolf
Anacrusis
86 bpm • A Maj • 05:11 • -9.4db
13% Popularity • 24% Danceability • 51% Energy • 32% Liveness
1% Instrumentalness • 11% Positiveness
13% Popularity • 24% Danceability • 51% Energy • 32% Liveness
1% Instrumentalness • 11% Positiveness
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Jesse Marchant
All Your Promise
98 bpm • C# min • 04:40 • -10.63db
19% Popularity • 41% Danceability • 50% Energy • 12% Liveness
65% Instrumentalness • 30% Positiveness
19% Popularity • 41% Danceability • 50% Energy • 12% Liveness
65% Instrumentalness • 30% Positiveness
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Peter Broderick
But - Radio Edit
99 bpm • D Maj • 04:01 • -7.66db
37% Popularity • 61% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 61% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Paul Thomas Saunders
Holding On For Love
98 bpm • F# Maj • 05:20 • -9.65db
13% Popularity • 43% Danceability • 36% Energy • 11% Liveness
14% Instrumentalness • 13% Positiveness
13% Popularity • 43% Danceability • 36% Energy • 11% Liveness
14% Instrumentalness • 13% Positiveness
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Brooke Bentham
Losing, Baby
99 bpm • D Maj • 04:14 • -8.67db
17% Popularity • 53% Danceability • 59% Energy • 21% Liveness
13% Instrumentalness • 42% Positiveness
17% Popularity • 53% Danceability • 59% Energy • 21% Liveness
13% Instrumentalness • 42% Positiveness
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The National
Nobody Else Will Be There
99 bpm • A Maj • 04:40 • -10.88db
47% Popularity • 66% Danceability • 54% Energy • 6% Liveness
59% Instrumentalness • 57% Positiveness
47% Popularity • 66% Danceability • 54% Energy • 6% Liveness
59% Instrumentalness • 57% Positiveness
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Mooryc
You Will Go
85 bpm • G min • 03:33 • -10.09db
21% Popularity • 66% Danceability • 33% Energy • 34% Liveness
6% Instrumentalness • 65% Positiveness
21% Popularity • 66% Danceability • 33% Energy • 34% Liveness
6% Instrumentalness • 65% Positiveness
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Another Sky
I Don't Hate You
100 bpm • B Maj • 03:57 • -8.66db
15% Popularity • 47% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
15% Popularity • 47% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Geographer
When Will I Belong
100 bpm • D min • 06:40 • -12.34db
35% Popularity • 51% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
35% Popularity • 51% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Paul Thomas Saunders
Under Atacama Stars
98 bpm • G# Maj • 04:42 • -10.06db
2% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
2% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Sean Christopher
Indigo Blue
100 bpm • C# min • 03:08 • -15.79db
36% Popularity • 62% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 33% Positiveness
36% Popularity • 62% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 33% Positiveness
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Astronauts
Flame Exchange
100 bpm • F min • 05:42 • -13.94db
13% Popularity • 59% Danceability • 28% Energy • 6% Liveness
1% Instrumentalness • 38% Positiveness
13% Popularity • 59% Danceability • 28% Energy • 6% Liveness
1% Instrumentalness • 38% Positiveness
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Richard Walters
July Bones
100 bpm • D Maj • 03:59 • -11.49db
41% Popularity • 60% Danceability • 27% Energy • 6% Liveness
13% Instrumentalness • 16% Positiveness
41% Popularity • 60% Danceability • 27% Energy • 6% Liveness
13% Instrumentalness • 16% Positiveness
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C Duncan
Nothing More
100 bpm • A# Maj • 03:55 • -13.93db
24% Popularity • 27% Danceability • 30% Energy • 10% Liveness
48% Instrumentalness • 3% Positiveness
24% Popularity • 27% Danceability • 30% Energy • 10% Liveness
48% Instrumentalness • 3% Positiveness
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Ed Harcourt
The World Is On Fire
100 bpm • C min • 06:00 • -10.47db
25% Popularity • 24% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 24% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Paul Thomas Saunders
Waking & Evening Prayers for Rosemary-Ma...
85 bpm • D Maj • 04:31 • -9.22db
9% Popularity • 26% Danceability • 41% Energy • 17% Liveness
1% Instrumentalness • 14% Positiveness
9% Popularity • 26% Danceability • 41% Energy • 17% Liveness
1% Instrumentalness • 14% Positiveness
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Camel Power Club
A Wave of Goodbyes
100 bpm • D# Maj • 03:40 • -11.38db
21% Popularity • 48% Danceability • 26% Energy • 8% Liveness
14% Instrumentalness • 8% Positiveness
21% Popularity • 48% Danceability • 26% Energy • 8% Liveness
14% Instrumentalness • 8% Positiveness
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Liela Moss
Wild As Fire
100 bpm • G Maj • 04:01 • -10.89db
11% Popularity • 43% Danceability • 40% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
11% Popularity • 43% Danceability • 40% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
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Fionn Regan
Cormorant Bird
100 bpm • F# min • 03:27 • -18.42db
32% Popularity • 28% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
32% Popularity • 28% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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French For Rabbits
The Wounded Bird
84 bpm • A min • 03:48 • -11.62db
17% Popularity • 34% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
17% Popularity • 34% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Many Voices Speak
Bony Shelter
84 bpm • A# min • 06:09 • -10.66db
31% Popularity • 53% Danceability • 65% Energy • 11% Liveness
28% Instrumentalness • 33% Positiveness
31% Popularity • 53% Danceability • 65% Energy • 11% Liveness
28% Instrumentalness • 33% Positiveness
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Black Oak
The Clearmountain Pause
101 bpm • F# min • 03:36 • -14.19db
8% Popularity • 46% Danceability • 32% Energy • 11% Liveness
26% Instrumentalness • 14% Positiveness
8% Popularity • 46% Danceability • 32% Energy • 11% Liveness
26% Instrumentalness • 14% Positiveness
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Puzzle Muteson
True Faith
101 bpm • E min • 03:44 • -15.87db
19% Popularity • 51% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 6% Positiveness
19% Popularity • 51% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 6% Positiveness
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Half Moon Run
Narrow Margins
84 bpm • E Maj • 04:10 • -10.7db
36% Popularity • 33% Danceability • 54% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
36% Popularity • 33% Danceability • 54% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Other Lives
2 Pyramids
101 bpm • B min • 03:56 • -9.34db
28% Popularity • 54% Danceability • 73% Energy • 14% Liveness
66% Instrumentalness • 42% Positiveness
28% Popularity • 54% Danceability • 73% Energy • 14% Liveness
66% Instrumentalness • 42% Positiveness
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Marika Hackman
Before I Sleep
101 bpm • G min • 03:51 • -14.92db
35% Popularity • 28% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 28% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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H.MOON
Devotion
102 bpm • B min • 04:16 • -12.33db
34% Popularity • 48% Danceability • 50% Energy • 9% Liveness
82% Instrumentalness • 7% Positiveness
34% Popularity • 48% Danceability • 50% Energy • 9% Liveness
82% Instrumentalness • 7% Positiveness
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Society
Commiserations
83 bpm • C min • 05:52 • -8db
33% Popularity • 43% Danceability • 54% Energy • 38% Liveness
8% Instrumentalness • 56% Positiveness
33% Popularity • 43% Danceability • 54% Energy • 38% Liveness
8% Instrumentalness • 56% Positiveness
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Oddnesse
Scream
83 bpm • G Maj • 03:46 • -10.05db
22% Popularity • 70% Danceability • 50% Energy • 11% Liveness
32% Instrumentalness • 47% Positiveness
22% Popularity • 70% Danceability • 50% Energy • 11% Liveness
32% Instrumentalness • 47% Positiveness
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Lykke Li
I Know Places
102 bpm • G min • 06:26 • -14.04db
46% Popularity • 37% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
46% Popularity • 37% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Other Lives
Sound of Violence
83 bpm • A min • 03:45 • -9db
31% Popularity • 39% Danceability • 55% Energy • 90% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 39% Danceability • 55% Energy • 90% Liveness
0% Instrumentalness • 32% Positiveness
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Gem Club
Marathon (In Roses)
83 bpm • D# Maj • 04:41 • -13.62db
33% Popularity • 40% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
33% Popularity • 40% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
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A Blaze of Feather
Clock Hands
82 bpm • B min • 05:40 • -10.88db
6% Popularity • 38% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 38% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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George Ogilvie
Mood Painting
102 bpm • D# Maj • 06:05 • -14.3db
28% Popularity • 51% Danceability • 31% Energy • 8% Liveness
41% Instrumentalness • 9% Positiveness
28% Popularity • 51% Danceability • 31% Energy • 8% Liveness
41% Instrumentalness • 9% Positiveness
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Kinnship
Call My Name
82 bpm • G# Maj • 05:14 • -16.75db
30% Popularity • 58% Danceability • 42% Energy • 11% Liveness
59% Instrumentalness • 13% Positiveness
30% Popularity • 58% Danceability • 42% Energy • 11% Liveness
59% Instrumentalness • 13% Positiveness
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Shearwater
Backchannels
82 bpm • F min • 04:44 • -9.8db
32% Popularity • 54% Danceability • 71% Energy • 12% Liveness
66% Instrumentalness • 72% Positiveness
32% Popularity • 54% Danceability • 71% Energy • 12% Liveness
66% Instrumentalness • 72% Positiveness
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Anna Leone
Into the Cold
104 bpm • F# Maj • 03:48 • -11.8db
33% Popularity • 52% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
33% Popularity • 52% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Gem Club
Hypericum
104 bpm • C# Maj • 04:12 • -12.77db
21% Popularity • 40% Danceability • 20% Energy • 10% Liveness
29% Instrumentalness • 14% Positiveness
21% Popularity • 40% Danceability • 20% Energy • 10% Liveness
29% Instrumentalness • 14% Positiveness
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isaac gracie
you only live once
104 bpm • G Maj • 03:38 • -13.06db
43% Popularity • 65% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 65% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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George Ogilvie
In Only a Day
103 bpm • D# min • 04:50 • -9.04db
14% Popularity • 63% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 63% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Lanterns on the Lake
Ships in the Rain
104 bpm • G Maj • 02:04 • -18db
30% Popularity • 25% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Paul Thomas Saunders
Heaven or Higher
104 bpm • E Maj • 04:54 • -15.43db
6% Popularity • 62% Danceability • 13% Energy • 6% Liveness
55% Instrumentalness • 12% Positiveness
6% Popularity • 62% Danceability • 13% Energy • 6% Liveness
55% Instrumentalness • 12% Positiveness
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Nick Mulvey
April
81 bpm • G min • 04:08 • -10.42db
44% Popularity • 30% Danceability • 42% Energy • 10% Liveness
11% Instrumentalness • 9% Positiveness
44% Popularity • 30% Danceability • 42% Energy • 10% Liveness
11% Instrumentalness • 9% Positiveness
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Brooke Bentham
Nowhere Near Sense
81 bpm • A Maj • 04:25 • -9.27db
19% Popularity • 46% Danceability • 42% Energy • 9% Liveness
4% Instrumentalness • 14% Positiveness
19% Popularity • 46% Danceability • 42% Energy • 9% Liveness
4% Instrumentalness • 14% Positiveness
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Gem Club
Idea for Strings
81 bpm • B Maj • 05:06 • -15db
17% Popularity • 22% Danceability • 15% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 15% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
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Eve Owen
She Says
81 bpm • G Maj • 04:10 • -11.39db
22% Popularity • 39% Danceability • 23% Energy • 63% Liveness
9% Instrumentalness • 14% Positiveness
22% Popularity • 39% Danceability • 23% Energy • 63% Liveness
9% Instrumentalness • 14% Positiveness
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Zooni
Haze
105 bpm • D Maj • 04:00 • -10.73db
17% Popularity • 36% Danceability • 46% Energy • 34% Liveness
3% Instrumentalness • 27% Positiveness
17% Popularity • 36% Danceability • 46% Energy • 34% Liveness
3% Instrumentalness • 27% Positiveness
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Emily Jane White
The Black Dove
105 bpm • B min • 03:32 • -11.2db
23% Popularity • 22% Danceability • 54% Energy • 11% Liveness
71% Instrumentalness • 12% Positiveness
23% Popularity • 22% Danceability • 54% Energy • 11% Liveness
71% Instrumentalness • 12% Positiveness
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Jordan Klassen
Virtuous Circle
81 bpm • A# Maj • 04:51 • -11.67db
9% Popularity • 53% Danceability • 47% Energy • 9% Liveness
53% Instrumentalness • 22% Positiveness
9% Popularity • 53% Danceability • 47% Energy • 9% Liveness
53% Instrumentalness • 22% Positiveness
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Blonde Redhead
Where Your Mind Wants To Go
105 bpm • G min • 06:28 • -7.28db
20% Popularity • 66% Danceability • 59% Energy • 20% Liveness
70% Instrumentalness • 65% Positiveness
20% Popularity • 66% Danceability • 59% Energy • 20% Liveness
70% Instrumentalness • 65% Positiveness