Songs like Appointments by Julien Baker
Based on a tempo of (+/- 10%) and a similar genre
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Snail Mail
Light Blue
73 bpm • G# Maj • 02:34 • -10.32db
38% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Julien Baker
Appointments
73 bpm • D min • 04:33 • -9.29db
50% Popularity • 18% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
50% Popularity • 18% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Tori
Cheek to Cheek
72 bpm • D# Maj • 03:05 • -9.29db
3% Popularity • 50% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
3% Popularity • 50% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Haley Heynderickx
Jo
74 bpm • G# Maj • 03:52 • -11db
43% Popularity • 54% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 54% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Squirrel Flower
I'll Go Running
72 bpm • F min • 03:56 • -8.23db
8% Popularity • 51% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 51% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Lomelda
Hannah Sun
72 bpm • G# Maj • 03:28 • -17db
51% Popularity • 66% Danceability • 27% Energy • 22% Liveness
14% Instrumentalness • 31% Positiveness
51% Popularity • 66% Danceability • 27% Energy • 22% Liveness
14% Instrumentalness • 31% Positiveness
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Flyte
Never Get To Heaven
72 bpm • C Maj • 02:38 • -11db
40% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Samia
Is There Something In The Movies?
75 bpm • G Maj • 03:30 • -13.97db
25% Popularity • 44% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 44% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Lorde
Writer In The Dark
72 bpm • G Maj • 03:36 • -8.07db
65% Popularity • 32% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
65% Popularity • 32% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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dodie
Sick of Losing Soulmates
75 bpm • D Maj • 04:27 • -17.22db
51% Popularity • 49% Danceability • 24% Energy • 35% Liveness
16% Instrumentalness • 15% Positiveness
51% Popularity • 49% Danceability • 24% Energy • 35% Liveness
16% Instrumentalness • 15% Positiveness
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Lucy Rose
The Confines Of This World
75 bpm • E Maj • 03:39 • -15.15db
29% Popularity • 40% Danceability • 18% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
29% Popularity • 40% Danceability • 18% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
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Florist
Time Is A Dark Feeling
75 bpm • D# Maj • 02:36 • -15.34db
38% Popularity • 52% Danceability • 18% Energy • 12% Liveness
73% Instrumentalness • 29% Positiveness
38% Popularity • 52% Danceability • 18% Energy • 12% Liveness
73% Instrumentalness • 29% Positiveness
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Julien Baker
Funeral Pyre
75 bpm • E Maj • 04:38 • -9.47db
35% Popularity • 27% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 27% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Matt Berninger
Walking on a String - Alt Version
75 bpm • B Maj • 04:37 • -10db
32% Popularity • 54% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
32% Popularity • 54% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
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Anna Tivel
The Question
71 bpm • C min • 04:52 • -8.35db
24% Popularity • 33% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 33% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Iron & Wine
The Trapeze Swinger
75 bpm • D Maj • 09:31 • -12.16db
51% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Lorde
Liability
76 bpm • A# min • 02:51 • -11.25db
72% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Florist
Moon Begins
75 bpm • A# Maj • 03:04 • -15db
51% Popularity • 49% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
51% Popularity • 49% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
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Frances Cone
'93 or '94
70 bpm • C Maj • 03:17 • -9db
24% Popularity • 40% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 40% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Julien Baker
Song in E
70 bpm • E Maj • 02:44 • -10db
39% Popularity • 38% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 38% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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MUNA
Stayaway - Recorded at Electric Lady Stu...
76 bpm • F# min • 04:11 • -7.28db
37% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Roman Lewis
Mindless Town
76 bpm • D Maj • 05:16 • -8.79db
28% Popularity • 33% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
28% Popularity • 33% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Johanna Warren
Cleansed by Fire
77 bpm • G Maj • 04:55 • -14.82db
20% Popularity • 30% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 30% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Madi Diaz
History Of A Feeling
77 bpm • E Maj • 03:19 • -11.08db
28% Popularity • 37% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 37% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Haley Heynderickx
Crow Song
69 bpm • E Maj • 03:04 • -12.89db
35% Popularity • 42% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 42% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Squirrel Flower
Headlights
77 bpm • D Maj • 02:34 • -11.67db
29% Popularity • 47% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
29% Popularity • 47% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
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Allie Crow Buckley
Cusco
77 bpm • C Maj • 04:17 • -9.53db
33% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
33% Popularity • 26% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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Flyte
Archie, Marry Me
77 bpm • C# Maj • 02:29 • -8.39db
42% Popularity • 24% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 24% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Soccer Mommy
Scorpio Rising
77 bpm • D Maj • 04:42 • -10.37db
42% Popularity • 49% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 49% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Searows
Walk Me Home
78 bpm • D Maj • 04:37 • -17db
46% Popularity • 44% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
46% Popularity • 44% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Julien Baker
Crying Wolf
69 bpm • A Maj • 03:29 • -9.2db
38% Popularity • 33% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 33% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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The National
Your Mind Is Not Your Friend
78 bpm • C Maj • 04:24 • -10db
46% Popularity • 20% Danceability • 45% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
46% Popularity • 20% Danceability • 45% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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Florist
Shadow Bloom
78 bpm • A# Maj • 03:40 • -15.76db
37% Popularity • 46% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 46% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Death Cab for Cutie
Passenger Seat
78 bpm • D Maj • 03:41 • -17.28db
49% Popularity • 60% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
49% Popularity • 60% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Lorde
Liability (Reprise)
78 bpm • C Maj • 02:16 • -12.09db
54% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lydia Luce
Occasionally
78 bpm • F# Maj • 03:14 • -13.43db
35% Popularity • 46% Danceability • 29% Energy • 18% Liveness
21% Instrumentalness • 19% Positiveness
35% Popularity • 46% Danceability • 29% Energy • 18% Liveness
21% Instrumentalness • 19% Positiveness
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Storefront Church
Words
78 bpm • F Maj • 05:25 • -10.98db
39% Popularity • 12% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 7% Positiveness
39% Popularity • 12% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 7% Positiveness
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MUNA
Everything
78 bpm • F# min • 04:06 • -6.38db
41% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 49% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Samia
Pool
68 bpm • D Maj • 04:29 • -12.16db
24% Popularity • 14% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 14% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Julien Baker
Conversation Piece
78 bpm • D Maj • 03:08 • -10.86db
33% Popularity • 14% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 14% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Searows
House Song
79 bpm • D Maj • 04:54 • -19db
68% Popularity • 29% Danceability • 13% Energy • 10% Liveness
14% Instrumentalness • 12% Positiveness
68% Popularity • 29% Danceability • 13% Energy • 10% Liveness
14% Instrumentalness • 12% Positiveness
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Lizzy McAlpine
To the Mountains
79 bpm • E Maj • 03:13 • -14db
63% Popularity • 46% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 46% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Novo Amor
Cold
68 bpm • D# Maj • 04:23 • -11db
56% Popularity • 41% Danceability • 30% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
56% Popularity • 41% Danceability • 30% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
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S. Carey
Yellowstone
79 bpm • A# min • 03:50 • -11db
37% Popularity • 44% Danceability • 52% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
37% Popularity • 44% Danceability • 52% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
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The Lumineers
White Lie
79 bpm • G# Maj • 03:15 • -9.32db
51% Popularity • 63% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
51% Popularity • 63% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Frightened Rabbit
Death Dream
67 bpm • C Maj • 04:06 • -7.39db
33% Popularity • 12% Danceability • 55% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
33% Popularity • 12% Danceability • 55% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
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Tomberlin
Natural Light
79 bpm • D# Maj • 02:42 • -11db
35% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Samia
The Night Josh Tillman Listened To My So...
80 bpm • A Maj • 02:39 • -11.58db
6% Popularity • 37% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
6% Popularity • 37% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Julien Baker
Brittle Boned
67 bpm • F Maj • 03:37 • -10.5db
34% Popularity • 45% Danceability • 20% Energy • 11% Liveness
6% Instrumentalness • 5% Positiveness
34% Popularity • 45% Danceability • 20% Energy • 11% Liveness
6% Instrumentalness • 5% Positiveness
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flipturn
August (Acoustic)
80 bpm • F# Maj • 05:02 • -12.78db
57% Popularity • 52% Danceability • 26% Energy • 11% Liveness
15% Instrumentalness • 9% Positiveness
57% Popularity • 52% Danceability • 26% Energy • 11% Liveness
15% Instrumentalness • 9% Positiveness
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Sjowgren
Now & Then
80 bpm • C Maj • 03:25 • -6db
53% Popularity • 54% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 40% Positiveness
53% Popularity • 54% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 40% Positiveness
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Ethel Cain
Western Nights
80 bpm • A min • 06:05 • -11db
55% Popularity • 42% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
55% Popularity • 42% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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S. Carey
Have You Stopped to Notice
80 bpm • G# Maj • 03:57 • -12.99db
25% Popularity • 38% Danceability • 42% Energy • 8% Liveness
36% Instrumentalness • 16% Positiveness
25% Popularity • 38% Danceability • 42% Energy • 8% Liveness
36% Instrumentalness • 16% Positiveness
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Samia
Kill Her Freak Out
80 bpm • C Maj • 04:20 • -16.8db
46% Popularity • 27% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 27% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Julien Baker
Claws in Your Back
66 bpm • B min • 04:38 • -7.92db
39% Popularity • 14% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 14% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Angelo De Augustine
Santa Barbara
81 bpm • G min • 03:14 • -17.2db
45% Popularity • 53% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
45% Popularity • 53% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
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Lucy Dacus
Yours & Mine
66 bpm • D Maj • 05:14 • -9.49db
46% Popularity • 30% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
46% Popularity • 30% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Allison Ponthier
Faking My Own Death
81 bpm • B min • 03:58 • -10db
44% Popularity • 38% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 38% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Lady Lamb
Crater Lake
81 bpm • A# Maj • 01:54 • -11.45db
34% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Samia
Django
80 bpm • G# min • 03:24 • -11.73db
34% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Paper Kites
Standing in the Rain
81 bpm • F# Maj • 03:41 • -17db
38% Popularity • 37% Danceability • 16% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
38% Popularity • 37% Danceability • 16% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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Julien Baker
Everything to Help You Sleep
81 bpm • G Maj • 04:21 • -10db
36% Popularity • 26% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 26% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gabrielle Shonk
Habit
82 bpm • G min • 04:09 • -6db
37% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lucy Rose
Nobody Comes Round Here
65 bpm • A Maj • 03:46 • -18.11db
20% Popularity • 50% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 50% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Johanna Warren
Hopelessness Has Done Nothing for Me
82 bpm • G# min • 03:16 • -12.71db
28% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Better Oblivion Community Center
Forest Lawn
83 bpm • D Maj • 03:46 • -14db
38% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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St. Vincent
Slow Disco
64 bpm • A Maj • 02:44 • -12.89db
40% Popularity • 26% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 26% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Julien Baker
Turn Out the Lights
82 bpm • C Maj • 03:23 • -7.65db
46% Popularity • 43% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 43% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Matt Maltese
Even If It's a Lie - Demo
83 bpm • D Maj • 03:57 • -6db
51% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
51% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Keaton Henson
Marionette
83 bpm • G min • 04:48 • -14.41db
29% Popularity • 33% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
29% Popularity • 33% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
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Rosie Carney
What You've Been Looking For
83 bpm • B Maj • 03:10 • -14.92db
21% Popularity • 45% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
21% Popularity • 45% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Noah Gundersen
Atlantis
83 bpm • D Maj • 05:19 • -10.7db
51% Popularity • 59% Danceability • 56% Energy • 16% Liveness
5% Instrumentalness • 46% Positiveness
51% Popularity • 59% Danceability • 56% Energy • 16% Liveness
5% Instrumentalness • 46% Positiveness
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Phoebe Bridgers
Kyoto (Copycat Killer Version)
84 bpm • B Maj • 03:01 • -11.16db
39% Popularity • 15% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 15% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Julien Baker
Ringside
82 bpm • C Maj • 04:00 • -5.87db
41% Popularity • 54% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 54% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Adrianne Lenker
anything
84 bpm • D# Maj • 03:22 • -12.95db
73% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
73% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Better Oblivion Community Center
Service Road
84 bpm • C Maj • 03:44 • -10db
39% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Soccer Mommy
Blossom (Wasting All My Time)
84 bpm • E Maj • 03:12 • -15.01db
32% Popularity • 59% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 59% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Sufjan Stevens
Eugene
84 bpm • B Maj • 02:26 • -24db
53% Popularity • 56% Danceability • 12% Energy • 28% Liveness
33% Instrumentalness • 67% Positiveness
53% Popularity • 56% Danceability • 12% Energy • 28% Liveness
33% Instrumentalness • 67% Positiveness
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Phoebe Bridgers
Punisher
84 bpm • C# Maj • 03:09 • -12.8db
63% Popularity • 32% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
63% Popularity • 32% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Paper Kites
Nothing More Than That
84 bpm • B min • 03:01 • -20db
42% Popularity • 56% Danceability • 10% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
42% Popularity • 56% Danceability • 10% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
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Julien Baker
Televangelist
63 bpm • C Maj • 04:52 • -10.07db
37% Popularity • 44% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 44% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Cale Tyson
Not Healthy Anymore
85 bpm • F min • 04:01 • -13db
25% Popularity • 44% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 44% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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boygenius
Salt In The Wound
63 bpm • D Maj • 04:11 • -7.59db
60% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Japanese Breakfast
Nobody Sees Me Like You Do
85 bpm • E Maj • 03:31 • -12.96db
41% Popularity • 60% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 60% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Allie Crow Buckley
As I Walk Into the Sea
63 bpm • G# Maj • 04:29 • -7db
30% Popularity • 61% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 61% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Amber Run
Amen
85 bpm • F Maj • 03:05 • -11.44db
48% Popularity • 50% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
48% Popularity • 50% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Better Oblivion Community Center
My City
85 bpm • A# Maj • 04:04 • -8.43db
42% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Angelo De Augustine
Tomb
86 bpm • A# Maj • 04:18 • -14.95db
43% Popularity • 64% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
43% Popularity • 64% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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boygenius
Letter To An Old Poet
85 bpm • C Maj • 03:07 • -13.99db
62% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Valley Maker
Oh Lightning
87 bpm • D Maj • 03:10 • -8.48db
27% Popularity • 28% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Lucy Dacus
Night Shift
86 bpm • A Maj • 06:31 • -7.89db
70% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
70% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Julien Baker
Sucker Punch
87 bpm • D Maj • 03:37 • -10.25db
31% Popularity • 40% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
31% Popularity • 40% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Leith Ross
We'll Never Have Sex
87 bpm • D Maj • 01:40 • -16.37db
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Maggie Rogers
Fallingwater
87 bpm • D Maj • 04:31 • -8.93db
61% Popularity • 39% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
61% Popularity • 39% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Jensen McRae
Adam's Ribs
87 bpm • D Maj • 03:14 • -7.24db
41% Popularity • 27% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 27% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Haley Heynderickx
No Face
87 bpm • F min • 01:56 • -11.58db
56% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Manchester Orchestra
Bad Things To Such Good People
88 bpm • A min • 04:09 • -10.17db
32% Popularity • 22% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 22% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Julien Baker
Go Home
87 bpm • E Maj • 05:04 • -11.86db
42% Popularity • 37% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 37% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
