Songs like April In Paris by Count Basie
Based on a tempo of (+/- 10%) and a similar genre
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Oliver Nelson
Hoe Down
125 bpm • C Maj • 04:41 • -9db
43% Popularity • 58% Danceability • 57% Energy • 10% Liveness
54% Instrumentalness • 83% Positiveness
43% Popularity • 58% Danceability • 57% Energy • 10% Liveness
54% Instrumentalness • 83% Positiveness
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Margaret Whiting
They Can't Take That Away From Me
125 bpm • C min • 02:52 • -12.9db
44% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Count Basie
April In Paris
125 bpm • E min • 03:48 • -12db
39% Popularity • 34% Danceability • 42% Energy • 7% Liveness
22% Instrumentalness • 47% Positiveness
39% Popularity • 34% Danceability • 42% Energy • 7% Liveness
22% Instrumentalness • 47% Positiveness
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Freddie Hubbard
Dedicated To You
125 bpm • A# Maj • 03:22 • -15db
48% Popularity • 42% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
48% Popularity • 42% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Herbie Hancock
Maiden Voyage
124 bpm • C min • 07:57 • -9.71db
49% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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The Mills Brothers
Down, Down, Down
124 bpm • E min • 02:33 • -10.43db
21% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Gerry Mulligan Quartet
Lullaby Of The Leaves
124 bpm • C Maj • 03:16 • -11.91db
41% Popularity • 44% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
41% Popularity • 44% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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Tony Bennett
April In Paris
124 bpm • A min • 02:42 • -12.5db
8% Popularity • 34% Danceability • 43% Energy • 8% Liveness
46% Instrumentalness • 41% Positiveness
8% Popularity • 34% Danceability • 43% Energy • 8% Liveness
46% Instrumentalness • 41% Positiveness
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Benny Goodman Quartet
Dinah
124 bpm • F min • 02:39 • -14db
31% Popularity • 74% Danceability • 36% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
31% Popularity • 74% Danceability • 36% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
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Count Basie
This Could Be the Start of Something Big
126 bpm • C Maj • 03:17 • -14.04db
11% Popularity • 44% Danceability • 40% Energy • 11% Liveness
6% Instrumentalness • 61% Positiveness
11% Popularity • 44% Danceability • 40% Energy • 11% Liveness
6% Instrumentalness • 61% Positiveness
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Etta Jones
Bye Bye Blackbird
126 bpm • C min • 03:14 • -9db
55% Popularity • 71% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
55% Popularity • 71% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Frank Sinatra
Pennies From Heaven
124 bpm • G# Maj • 03:27 • -12.46db
41% Popularity • 55% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 55% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Ahmad Jamal Trio
But Not For Me - Live At The Pershing, C...
126 bpm • G# Maj • 03:32 • -14db
40% Popularity • 59% Danceability • 55% Energy • 97% Liveness
67% Instrumentalness • 56% Positiveness
40% Popularity • 59% Danceability • 55% Energy • 97% Liveness
67% Instrumentalness • 56% Positiveness
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James P. Johnson
Carolina Shout
124 bpm • C Maj • 02:34 • -18db
35% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 93% Positiveness
35% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 93% Positiveness
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Dakota Staton
Gone With The Wind
126 bpm • C min • 01:43 • -8.59db
39% Popularity • 64% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 64% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Chet Baker Quartet
This Time The Dream's On Me
123 bpm • F Maj • 02:45 • -11.08db
42% Popularity • 57% Danceability • 42% Energy • 8% Liveness
90% Instrumentalness • 86% Positiveness
42% Popularity • 57% Danceability • 42% Energy • 8% Liveness
90% Instrumentalness • 86% Positiveness
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Hank Mobley
This I Dig Of You - Remastered 1999/Rudy...
123 bpm • A# Maj • 06:25 • -7.86db
45% Popularity • 59% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
45% Popularity • 59% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
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Count Basie
Moten Swing
127 bpm • G# Maj • 04:50 • -13.45db
14% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Charlie Parker Quartet
Star Eyes - Incomplete & False Start
127 bpm • F min • 01:10 • -6.71db
58% Popularity • 59% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 59% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ella Fitzgerald
Shiny Stockings
123 bpm • G min • 03:32 • -15.4db
24% Popularity • 57% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 57% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Art Farmer
I Remember Clifford
123 bpm • D# Maj • 03:12 • -14.24db
27% Popularity • 52% Danceability • 15% Energy • 16% Liveness
94% Instrumentalness • 35% Positiveness
27% Popularity • 52% Danceability • 15% Energy • 16% Liveness
94% Instrumentalness • 35% Positiveness
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Duke Ellington & His Cotton Club Orchestra
Jubilee Stomp
123 bpm • F min • 02:46 • -9db
20% Popularity • 66% Danceability • 41% Energy • 12% Liveness
71% Instrumentalness • 88% Positiveness
20% Popularity • 66% Danceability • 41% Energy • 12% Liveness
71% Instrumentalness • 88% Positiveness
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Fats Waller
Handful Of Keys
127 bpm • F Maj • 02:53 • -19.89db
14% Popularity • 60% Danceability • 32% Energy • 8% Liveness
88% Instrumentalness • 83% Positiveness
14% Popularity • 60% Danceability • 32% Energy • 8% Liveness
88% Instrumentalness • 83% Positiveness
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Count Basie
Fun Time
123 bpm • F min • 03:52 • -10.43db
26% Popularity • 61% Danceability • 34% Energy • 5% Liveness
86% Instrumentalness • 62% Positiveness
26% Popularity • 61% Danceability • 34% Energy • 5% Liveness
86% Instrumentalness • 62% Positiveness
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Charlie Parker Quartet
Blues (Fast) - False Starts 372-1/2/3
123 bpm • F Maj • 01:06 • -9.95db
45% Popularity • 48% Danceability • 62% Energy • 43% Liveness
3% Instrumentalness • 36% Positiveness
45% Popularity • 48% Danceability • 62% Energy • 43% Liveness
3% Instrumentalness • 36% Positiveness
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Lee Konitz
Donna Lee
123 bpm • G# Maj • 06:17 • -9db
29% Popularity • 64% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 64% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Jeri Southern
It's Bad For Me
123 bpm • D# Maj • 02:13 • -8.91db
42% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Frank Sinatra
More (Theme From Mondo Cane)
127 bpm • G Maj • 03:01 • -15db
49% Popularity • 56% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 56% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
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Horace Silver
Song For My Father
127 bpm • F min • 07:18 • -8.14db
55% Popularity • 74% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
55% Popularity • 74% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Count Basie
Sweet Georgia Brown
123 bpm • A min • 03:36 • -16.22db
17% Popularity • 46% Danceability • 30% Energy • 11% Liveness
23% Instrumentalness • 66% Positiveness
17% Popularity • 46% Danceability • 30% Energy • 11% Liveness
23% Instrumentalness • 66% Positiveness
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Charlie Parker Quartet
Love For Sale - Take 3 / Incomplete
123 bpm • F min • 01:03 • -11db
56% Popularity • 44% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 44% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Ernestine Anderson
I Love Being Here With You
123 bpm • C# Maj • 04:59 • -16db
39% Popularity • 72% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 72% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Joe Williams
How Sweet It Is (To Be Loved By You)
123 bpm • G min • 02:32 • -11.4db
17% Popularity • 60% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 60% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Dizzy Gillespie
All The Things You Are
127 bpm • G# Maj • 02:49 • -17.66db
52% Popularity • 56% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 48% Positiveness
52% Popularity • 56% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 48% Positiveness
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Horace Silver
Doodlin' - Remastered
122 bpm • F# Maj • 06:45 • -7.51db
33% Popularity • 66% Danceability • 49% Energy • 10% Liveness
9% Instrumentalness • 63% Positiveness
33% Popularity • 66% Danceability • 49% Energy • 10% Liveness
9% Instrumentalness • 63% Positiveness
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Earl Hines
Cottontail
128 bpm • D min • 03:13 • -10.23db
39% Popularity • 63% Danceability • 63% Energy • 8% Liveness
6% Instrumentalness • 80% Positiveness
39% Popularity • 63% Danceability • 63% Energy • 8% Liveness
6% Instrumentalness • 80% Positiveness
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Charlie Parker Quartet
Star Eyes - Incomplete
128 bpm • F min • 02:04 • -8.07db
49% Popularity • 59% Danceability • 34% Energy • 24% Liveness
7% Instrumentalness • 76% Positiveness
49% Popularity • 59% Danceability • 34% Energy • 24% Liveness
7% Instrumentalness • 76% Positiveness
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Miles Davis Quartet
When the Lights Are Now
122 bpm • F Maj • 03:26 • -14db
32% Popularity • 64% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
32% Popularity • 64% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
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Tommy Dorsey
Blue Skies (2015 Remastered)
128 bpm • C Maj • 03:15 • -5db
18% Popularity • 50% Danceability • 45% Energy • 12% Liveness
2% Instrumentalness • 60% Positiveness
18% Popularity • 50% Danceability • 45% Energy • 12% Liveness
2% Instrumentalness • 60% Positiveness
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Lorez Alexandria
This Could Be The Start Of Something Big
128 bpm • A# min • 02:16 • -9.98db
35% Popularity • 59% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 59% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Horace Silver
Nica's Dream - Remastered 2005
128 bpm • F min • 06:48 • -8.89db
32% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 50% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Oliver Nelson
Miss Fine
122 bpm • A# Maj • 04:11 • -9.07db
26% Popularity • 54% Danceability • 50% Energy • 8% Liveness
71% Instrumentalness • 71% Positiveness
26% Popularity • 54% Danceability • 50% Energy • 8% Liveness
71% Instrumentalness • 71% Positiveness
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Charlie Parker Quartet
The Song Is You
128 bpm • C Maj • 02:58 • -10.13db
42% Popularity • 53% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 53% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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The Mills Brothers
Cielito Lindo
128 bpm • A# Maj • 02:18 • -10.61db
11% Popularity • 58% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 58% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Dave Brubeck Trio
Body And Soul
128 bpm • C# Maj • 03:42 • -17.16db
40% Popularity • 50% Danceability • 42% Energy • 20% Liveness
79% Instrumentalness • 39% Positiveness
40% Popularity • 50% Danceability • 42% Energy • 20% Liveness
79% Instrumentalness • 39% Positiveness
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Horace Silver Quintet
Cookin' At The Continental - Rudy Van Ge...
129 bpm • F min • 04:54 • -10db
33% Popularity • 47% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 72% Positiveness
33% Popularity • 47% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 72% Positiveness
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Wynton Kelly
Autumn Leaves
129 bpm • G min • 06:11 • -15.2db
28% Popularity • 58% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 33% Positiveness
28% Popularity • 58% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 33% Positiveness
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Jelly Roll Morton
Black Bottom Stomp - 2002 Remastered
129 bpm • C min • 03:12 • -12.89db
31% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
31% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
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Count Basie
Teddy the Toad
121 bpm • G# Maj • 03:20 • -11.19db
25% Popularity • 64% Danceability • 22% Energy • 31% Liveness
47% Instrumentalness • 44% Positiveness
25% Popularity • 64% Danceability • 22% Energy • 31% Liveness
47% Instrumentalness • 44% Positiveness
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Joe Williams
Woman's Got Soul
129 bpm • C# Maj • 02:22 • -11.45db
33% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Frank Sinatra
Looking at the World Through Rose Colore...
121 bpm • F Maj • 02:28 • -10.17db
30% Popularity • 57% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 57% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Stan Kenton & His Orchestra
The Peanut Vendor
121 bpm • D Maj • 04:31 • -11.61db
5% Popularity • 60% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
5% Popularity • 60% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Etta Jones
Don't Go To Strangers
129 bpm • G Maj • 03:48 • -13.58db
52% Popularity • 50% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
52% Popularity • 50% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Herbie Hancock
Watermelon Man - Remastered 2007
129 bpm • C min • 07:09 • -8.56db
55% Popularity • 61% Danceability • 53% Energy • 18% Liveness
3% Instrumentalness • 59% Positiveness
55% Popularity • 61% Danceability • 53% Energy • 18% Liveness
3% Instrumentalness • 59% Positiveness
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Count Basie
Splanky
121 bpm • F# Maj • 03:37 • -11db
48% Popularity • 58% Danceability • 38% Energy • 6% Liveness
25% Instrumentalness • 61% Positiveness
48% Popularity • 58% Danceability • 38% Energy • 6% Liveness
25% Instrumentalness • 61% Positiveness
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Bud Powell Trio
Everything Happens to Me - 1990 Remaster
121 bpm • C min • 02:41 • -20db
41% Popularity • 42% Danceability • 19% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
41% Popularity • 42% Danceability • 19% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
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The Mills Brothers
I May Be Wrong But I Think You're Wonder...
121 bpm • G# Maj • 03:06 • -8.31db
14% Popularity • 67% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 67% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Dizzy Gillespie
On The Sunny Side Of The Street
120 bpm • C Maj • 05:42 • -11.51db
50% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Helen Merrill
You'd Be So Nice To Come Home To
130 bpm • C Maj • 04:19 • -17.7db
43% Popularity • 66% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 66% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Bill Evans Trio
How Deep Is The Ocean?
120 bpm • F min • 03:31 • -19.31db
44% Popularity • 61% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
44% Popularity • 61% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Count Basie
Hay Burner
120 bpm • F Maj • 04:16 • -9.92db
44% Popularity • 67% Danceability • 46% Energy • 11% Liveness
18% Instrumentalness • 65% Positiveness
44% Popularity • 67% Danceability • 46% Energy • 11% Liveness
18% Instrumentalness • 65% Positiveness
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Benny Golson
Killer Joe
120 bpm • F Maj • 06:53 • -10.25db
32% Popularity • 50% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 50% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Peggy Lee
Black Coffee - Single Version
130 bpm • G# Maj • 03:06 • -11.47db
46% Popularity • 52% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 52% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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McCoy Tyner
Satin Doll
120 bpm • C Maj • 05:39 • -17db
40% Popularity • 71% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
40% Popularity • 71% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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John La Barbera Big Band
Tiger of San Pedro
131 bpm • F Maj • 04:26 • -7db
33% Popularity • 49% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
33% Popularity • 49% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Sammy Davis Jr.
My Shining Hour
120 bpm • B Maj • 02:11 • -11.91db
17% Popularity • 46% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 46% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Bud Powell Trio
Nice Work If You Can Get It - 1990 Remas...
131 bpm • G# Maj • 02:20 • -20db
46% Popularity • 50% Danceability • 32% Energy • 13% Liveness
90% Instrumentalness • 92% Positiveness
46% Popularity • 50% Danceability • 32% Energy • 13% Liveness
90% Instrumentalness • 92% Positiveness
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June Christy
I Want To Be Happy
131 bpm • A min • 01:23 • -14db
43% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Cannonball Adderley Quartet
I Remember You
119 bpm • G min • 06:55 • -11.56db
15% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Gordon Goodwin's Big Phat Band
Swingin' For The Fences
131 bpm • D Maj • 05:08 • -8.01db
16% Popularity • 65% Danceability • 52% Energy • 7% Liveness
13% Instrumentalness • 37% Positiveness
16% Popularity • 65% Danceability • 52% Energy • 7% Liveness
13% Instrumentalness • 37% Positiveness
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Count Basie
I'm Beginning To See The Light - Mono Ve...
119 bpm • F Maj • 03:08 • -11.45db
29% Popularity • 71% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 71% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Art Blakey
Moanin' (Alternate Take) - Remastered
131 bpm • F min • 09:19 • -8.46db
29% Popularity • 66% Danceability • 48% Energy • 14% Liveness
3% Instrumentalness • 50% Positiveness
29% Popularity • 66% Danceability • 48% Energy • 14% Liveness
3% Instrumentalness • 50% Positiveness
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Woody Herman
Sister Sadie
131 bpm • A min • 03:26 • -12.09db
13% Popularity • 58% Danceability • 54% Energy • 85% Liveness
18% Instrumentalness • 86% Positiveness
13% Popularity • 58% Danceability • 54% Energy • 85% Liveness
18% Instrumentalness • 86% Positiveness
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Stan Kenton & His Orchestra
Artistry In Rhythm
119 bpm • F min • 03:18 • -9.73db
11% Popularity • 49% Danceability • 38% Energy • 42% Liveness
85% Instrumentalness • 36% Positiveness
11% Popularity • 49% Danceability • 38% Energy • 42% Liveness
85% Instrumentalness • 36% Positiveness
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Carmen McRae
I Only Have Eyes For You
119 bpm • F Maj • 03:48 • -19db
34% Popularity • 67% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 67% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Sammy Nestico
Ya Gotta Try... Harder
131 bpm • C Maj • 05:39 • -6.95db
20% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Etta Jones
Where Or When
119 bpm • C Maj • 03:38 • -9.45db
38% Popularity • 60% Danceability • 29% Energy • 19% Liveness
1% Instrumentalness • 68% Positiveness
38% Popularity • 60% Danceability • 29% Energy • 19% Liveness
1% Instrumentalness • 68% Positiveness
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Joe Williams
Every Day I Have the Blues (Every Day I ...
119 bpm • F min • 04:43 • -9.03db
16% Popularity • 67% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 67% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Glenn Miller
A String of Pearls
131 bpm • C min • 03:13 • -11.27db
43% Popularity • 77% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 69% Positiveness
43% Popularity • 77% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 69% Positiveness
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Gordon Goodwin's Big Phat Band
Attack Of The Killer Tomatoes
119 bpm • G min • 05:09 • -5.08db
14% Popularity • 62% Danceability • 54% Energy • 5% Liveness
6% Instrumentalness • 53% Positiveness
14% Popularity • 62% Danceability • 54% Energy • 5% Liveness
6% Instrumentalness • 53% Positiveness
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Jimmy Smith
On The Sunny Side Of The Street - Bonus ...
119 bpm • G Maj • 05:46 • -15.57db
28% Popularity • 67% Danceability • 22% Energy • 11% Liveness
60% Instrumentalness • 50% Positiveness
28% Popularity • 67% Danceability • 22% Energy • 11% Liveness
60% Instrumentalness • 50% Positiveness
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Count Basie
Double-O
131 bpm • C min • 02:47 • -9.31db
24% Popularity • 51% Danceability • 55% Energy • 19% Liveness
50% Instrumentalness • 82% Positiveness
24% Popularity • 51% Danceability • 55% Energy • 19% Liveness
50% Instrumentalness • 82% Positiveness
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Tony Bennett
With Plenty Of Money And You
132 bpm • F min • 01:30 • -6.17db
34% Popularity • 37% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 37% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 79% Positiveness
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Sammy Davis Jr.
People Will Say We're In Love
132 bpm • G Maj • 03:16 • -8.76db
32% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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James P. Johnson
Ain't Misbehavin'
132 bpm • C min • 02:57 • -17.13db
35% Popularity • 77% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 72% Positiveness
35% Popularity • 77% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 72% Positiveness
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Charlie Parker Quartet
Cosmic Rays
132 bpm • F Maj • 03:06 • -13.32db
42% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Bix Beiderbecke
Singin' The Blues
132 bpm • C min • 03:00 • -12db
38% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
38% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
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Count Basie Orchestra
Whirly-Bird
132 bpm • G# Maj • 03:52 • -10.58db
36% Popularity • 50% Danceability • 54% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
36% Popularity • 50% Danceability • 54% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
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Count Basie
Alright, Okay, You Win
132 bpm • G# Maj • 03:05 • -7.82db
31% Popularity • 68% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 68% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
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Ernestine Anderson
See See Rider
132 bpm • F Maj • 03:02 • -13.29db
44% Popularity • 52% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 52% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Fats Waller
I'm Crazy 'Bout My Baby
118 bpm • D# Maj • 02:16 • -15.93db
25% Popularity • 80% Danceability • 35% Energy • 31% Liveness
64% Instrumentalness • 84% Positiveness
25% Popularity • 80% Danceability • 35% Energy • 31% Liveness
64% Instrumentalness • 84% Positiveness
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Bud Powell Trio
Lullaby of Birdland
118 bpm • G Maj • 01:49 • -17db
43% Popularity • 56% Danceability • 32% Energy • 28% Liveness
1% Instrumentalness • 78% Positiveness
43% Popularity • 56% Danceability • 32% Energy • 28% Liveness
1% Instrumentalness • 78% Positiveness
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Dakota Staton
The Late, Late Show
132 bpm • G# Maj • 02:36 • -15.24db
35% Popularity • 74% Danceability • 19% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 74% Danceability • 19% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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Joe Williams
What Did You Win
132 bpm • A# Maj • 02:17 • -9.75db
19% Popularity • 72% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 72% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Count Basie
Whirly Bird - 1994 Remaster
132 bpm • G# Maj • 03:51 • -8.37db
18% Popularity • 51% Danceability • 62% Energy • 13% Liveness
78% Instrumentalness • 84% Positiveness
18% Popularity • 51% Danceability • 62% Energy • 13% Liveness
78% Instrumentalness • 84% Positiveness
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Miles Davis Quintet
Oleo - Edited Without False Start
133 bpm • A# Maj • 06:18 • -8db
32% Popularity • 60% Danceability • 45% Energy • 29% Liveness
5% Instrumentalness • 74% Positiveness
32% Popularity • 60% Danceability • 45% Energy • 29% Liveness
5% Instrumentalness • 74% Positiveness
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The Cannonball Adderley Quintet
Dat Dere - Remastered
133 bpm • G min • 05:31 • -11.82db
31% Popularity • 58% Danceability • 41% Energy • 15% Liveness
33% Instrumentalness • 43% Positiveness
31% Popularity • 58% Danceability • 41% Energy • 15% Liveness
33% Instrumentalness • 43% Positiveness