Songs like April Song by John Tesh
Based on a tempo of (+/- 10%) and a similar genre
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John Tesh
What A Wonderful World
99 bpm • G# Maj • 04:58 • -10.8db
14% Popularity • 69% Danceability • 39% Energy • 9% Liveness
61% Instrumentalness • 12% Positiveness
14% Popularity • 69% Danceability • 39% Energy • 9% Liveness
61% Instrumentalness • 12% Positiveness
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Spencer Brewer
Cinderella - Remastered
99 bpm • F Maj • 03:04 • -11.56db
17% Popularity • 25% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
17% Popularity • 25% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Louis Landon
Good Fortune
99 bpm • G Maj • 04:47 • -19.73db
24% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
24% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Michael Gettel
Sucia/Shallow Bay
99 bpm • A Maj • 09:53 • -14.39db
17% Popularity • 24% Danceability • 49% Energy • 27% Liveness
88% Instrumentalness • 14% Positiveness
17% Popularity • 24% Danceability • 49% Energy • 27% Liveness
88% Instrumentalness • 14% Positiveness
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Laura Sullivan
Porch Swing Night Romance
99 bpm • D# Maj • 04:39 • -19.01db
11% Popularity • 51% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 9% Positiveness
11% Popularity • 51% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 9% Positiveness
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Ira Stein
Jonathan's Lullaby
99 bpm • F Maj • 04:58 • -18.27db
8% Popularity • 25% Danceability • 11% Energy • 9% Liveness
35% Instrumentalness • 15% Positiveness
8% Popularity • 25% Danceability • 11% Energy • 9% Liveness
35% Instrumentalness • 15% Positiveness
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John Tesh
April Song
99 bpm • C Maj • 04:18 • -19.22db
14% Popularity • 48% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 48% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Jeff Bjorck
Sculptor Of The Sky
100 bpm • F Maj • 06:41 • -21db
10% Popularity • 37% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 7% Positiveness
10% Popularity • 37% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 7% Positiveness
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Christine Brown
Happy Together
100 bpm • D min • 04:04 • -20.58db
27% Popularity • 44% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
27% Popularity • 44% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Michael Gettel
Sundance
99 bpm • C Maj • 05:34 • -14.67db
14% Popularity • 47% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
14% Popularity • 47% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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George Winston
Fragrant Fields
99 bpm • A Maj • 04:01 • -16.31db
33% Popularity • 36% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
33% Popularity • 36% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Karen Marie Garrett
Welcome B
100 bpm • C Maj • 05:32 • -17db
18% Popularity • 33% Danceability • 9% Energy • 5% Liveness
93% Instrumentalness • 6% Positiveness
18% Popularity • 33% Danceability • 9% Energy • 5% Liveness
93% Instrumentalness • 6% Positiveness
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James Todd
Quiet Beauty - Reprise
100 bpm • G Maj • 05:16 • -19.9db
9% Popularity • 37% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
9% Popularity • 37% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Montgomery Smith
Gentle Dawn
100 bpm • A Maj • 07:13 • -19.47db
28% Popularity • 39% Danceability • 19% Energy • 43% Liveness
96% Instrumentalness • 12% Positiveness
28% Popularity • 39% Danceability • 19% Energy • 43% Liveness
96% Instrumentalness • 12% Positiveness
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John Tesh
The Crying Game
100 bpm • E min • 03:25 • -11.04db
12% Popularity • 57% Danceability • 50% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
12% Popularity • 57% Danceability • 50% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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David Hicken
Celeste
98 bpm • D Maj • 04:30 • -23db
21% Popularity • 47% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
21% Popularity • 47% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Janie Becker
The Dance
98 bpm • D Maj • 03:14 • -20db
49% Popularity • 42% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
49% Popularity • 42% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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George Winston
Valse Frontenac
98 bpm • A Maj • 04:07 • -21.23db
33% Popularity • 60% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
33% Popularity • 60% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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James Todd
I Wonder.....
100 bpm • A Maj • 05:52 • -13.36db
10% Popularity • 29% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
10% Popularity • 29% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
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Louis Landon
Seattle Morning
100 bpm • D Maj • 03:44 • -23.69db
38% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
38% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
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Wayne Gratz
Moon River
98 bpm • C Maj • 03:08 • -22.42db
16% Popularity • 32% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
16% Popularity • 32% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Spencer Brewer
Quintessence
97 bpm • F# min • 03:36 • -18.06db
25% Popularity • 35% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
25% Popularity • 35% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Mason Williams
Country Idyll
97 bpm • C Maj • 02:17 • -14db
27% Popularity • 69% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
27% Popularity • 69% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Tom McBryde
Somewhere In Time
97 bpm • C Maj • 04:27 • -20.46db
18% Popularity • 40% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
18% Popularity • 40% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Janie Becker
Castles In The Air
97 bpm • B Maj • 02:40 • -23.51db
46% Popularity • 37% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
46% Popularity • 37% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Hagood Hardy
Walk In The Woods
101 bpm • G Maj • 03:17 • -18db
18% Popularity • 25% Danceability • 19% Energy • 25% Liveness
95% Instrumentalness • 15% Positiveness
18% Popularity • 25% Danceability • 19% Energy • 25% Liveness
95% Instrumentalness • 15% Positiveness
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Joseph Akins
A Southern Sun
97 bpm • C Maj • 04:16 • -16.14db
29% Popularity • 37% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 37% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Amy Lauren
I'll Follow You
97 bpm • A Maj • 05:04 • -21.14db
25% Popularity • 48% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
25% Popularity • 48% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Yanni
The End of August (Bonus Track) - Remast...
101 bpm • C# Maj • 03:50 • -14.43db
23% Popularity • 28% Danceability • 42% Energy • 71% Liveness
73% Instrumentalness • 8% Positiveness
23% Popularity • 28% Danceability • 42% Energy • 71% Liveness
73% Instrumentalness • 8% Positiveness
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Bernward Koch
Flight Being
97 bpm • F Maj • 04:21 • -20.18db
30% Popularity • 34% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 34% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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John Tesh
You'll Be In My Heart
97 bpm • C# Maj • 04:18 • -9.75db
19% Popularity • 58% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 30% Positiveness
19% Popularity • 58% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 30% Positiveness
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Phil Coulter
Back To The Island
97 bpm • G Maj • 04:12 • -19.46db
16% Popularity • 24% Danceability • 8% Energy • 21% Liveness
86% Instrumentalness • 8% Positiveness
16% Popularity • 24% Danceability • 8% Energy • 21% Liveness
86% Instrumentalness • 8% Positiveness
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![Mother's Prayer (With Vocals) [feat. Desiree Goyette] cover art](https://i.scdn.co/image/ab67616d00001e023876d8aa5f9eb09e4d1265be)
Karen Marie Garrett
Mother's Prayer (With Vocals)
101 bpm • F# min • 04:11 • -20.49db
18% Popularity • 27% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 9% Positiveness
18% Popularity • 27% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 9% Positiveness
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Helen Jane Long
Through the Dark (Air Studios 2013)
97 bpm • C# Maj • 04:17 • -21.24db
41% Popularity • 38% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
41% Popularity • 38% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Jonathan Cain
Bridal March
102 bpm • A Maj • 01:47 • -12.73db
41% Popularity • 49% Danceability • 24% Energy • 10% Liveness
99% Instrumentalness • 30% Positiveness
41% Popularity • 49% Danceability • 24% Energy • 10% Liveness
99% Instrumentalness • 30% Positiveness
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Peter Jennison
Solitary Peace (For Will Ackerman)
102 bpm • F Maj • 03:45 • -22.32db
14% Popularity • 29% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
14% Popularity • 29% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Tom McBryde
Every Time You Touch Me
96 bpm • A# Maj • 03:24 • -22.86db
16% Popularity • 37% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
16% Popularity • 37% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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John Tesh
My Heart Will Go On
102 bpm • E Maj • 04:41 • -14.15db
15% Popularity • 56% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
15% Popularity • 56% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Hagood Hardy
This Is My Beloved
96 bpm • D# Maj • 02:49 • -20.81db
14% Popularity • 20% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 20% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Spencer Brewer
Quintessence (Full Orch)
96 bpm • F# min • 03:57 • -17.23db
26% Popularity • 16% Danceability • 16% Energy • 17% Liveness
96% Instrumentalness • 9% Positiveness
26% Popularity • 16% Danceability • 16% Energy • 17% Liveness
96% Instrumentalness • 9% Positiveness
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Jane Leslie
Cherished Times
96 bpm • F# min • 03:08 • -24.68db
42% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
42% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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John Fluker
Night Prelude
96 bpm • D min • 01:08 • -14.15db
23% Popularity • 52% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
23% Popularity • 52% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Spa Sensations
Let There Be Peace On Earth
102 bpm • C Maj • 04:08 • -16.71db
25% Popularity • 35% Danceability • 21% Energy • 15% Liveness
92% Instrumentalness • 12% Positiveness
25% Popularity • 35% Danceability • 21% Energy • 15% Liveness
92% Instrumentalness • 12% Positiveness
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John Tesh
Evergreen
96 bpm • A Maj • 03:52 • -12.72db
20% Popularity • 60% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
20% Popularity • 60% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Michael Gettel
Black Diamonds
96 bpm • D Maj • 04:54 • -13.9db
8% Popularity • 34% Danceability • 45% Energy • 20% Liveness
91% Instrumentalness • 29% Positiveness
8% Popularity • 34% Danceability • 45% Energy • 20% Liveness
91% Instrumentalness • 29% Positiveness
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Jennifer Thomas
You By My Side
103 bpm • F Maj • 03:40 • -20.36db
17% Popularity • 31% Danceability • 7% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 31% Danceability • 7% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Kurt Bestor
The First Morning
95 bpm • C Maj • 04:00 • -23.14db
8% Popularity • 30% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 14% Positiveness
8% Popularity • 30% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 14% Positiveness
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John Fluker
A Father's Love
102 bpm • C Maj • 02:04 • -15.54db
27% Popularity • 47% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
27% Popularity • 47% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
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Spa Sensations
Rainbow Connection
95 bpm • G Maj • 04:05 • -15.62db
18% Popularity • 37% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 33% Positiveness
18% Popularity • 37% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 33% Positiveness
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Hilary Stagg
Land of Oz
103 bpm • D Maj • 06:15 • -16.47db
28% Popularity • 31% Danceability • 18% Energy • 11% Liveness
33% Instrumentalness • 10% Positiveness
28% Popularity • 31% Danceability • 18% Energy • 11% Liveness
33% Instrumentalness • 10% Positiveness
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John Tesh
Take My Breath Away
96 bpm • G# Maj • 04:33 • -12.87db
20% Popularity • 58% Danceability • 31% Energy • 19% Liveness
84% Instrumentalness • 22% Positiveness
20% Popularity • 58% Danceability • 31% Energy • 19% Liveness
84% Instrumentalness • 22% Positiveness
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Joseph Akins
Joy of Being
103 bpm • D# Maj • 05:23 • -17.97db
25% Popularity • 40% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
25% Popularity • 40% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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David Foster
Dreams
95 bpm • C Maj • 02:58 • -25.01db
30% Popularity • 35% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
30% Popularity • 35% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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John Fluker
Bridge Of Light
95 bpm • F# Maj • 01:24 • -22.68db
24% Popularity • 29% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 29% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Yanni
Before I Go
95 bpm • D# Maj • 04:30 • -20.48db
45% Popularity • 30% Danceability • 11% Energy • 23% Liveness
97% Instrumentalness • 10% Positiveness
45% Popularity • 30% Danceability • 11% Energy • 23% Liveness
97% Instrumentalness • 10% Positiveness
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Steven Cravis
Fields of Gold
104 bpm • D Maj • 03:22 • -19.69db
26% Popularity • 39% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
26% Popularity • 39% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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John Tesh
Halcyon Days
94 bpm • A min • 02:44 • -23.07db
32% Popularity • 34% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
32% Popularity • 34% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Jonathan Cain
Open Arms
94 bpm • A Maj • 03:42 • -10.57db
11% Popularity • 43% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
11% Popularity • 43% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Omar Akram
Surrender
94 bpm • F min • 06:43 • -12.8db
33% Popularity • 37% Danceability • 27% Energy • 9% Liveness
39% Instrumentalness • 7% Positiveness
33% Popularity • 37% Danceability • 27% Energy • 9% Liveness
39% Instrumentalness • 7% Positiveness
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Michael Allen Harrison
Baking Day
94 bpm • D Maj • 03:32 • -19.89db
17% Popularity • 38% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
17% Popularity • 38% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Amy Lauren
Bed of Stars
105 bpm • G# Maj • 02:41 • -26.57db
42% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
42% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
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Michael Gettel
Waiting
105 bpm • F Maj • 02:14 • -29.08db
39% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
39% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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John Tesh
Fields Of Gold
104 bpm • D Maj • 04:02 • -13.35db
15% Popularity • 53% Danceability • 35% Energy • 6% Liveness
84% Instrumentalness • 15% Positiveness
15% Popularity • 53% Danceability • 35% Energy • 6% Liveness
84% Instrumentalness • 15% Positiveness
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Hagood Hardy
The Homecoming/Jennifer's Song
94 bpm • C Maj • 05:00 • -24.12db
30% Popularity • 24% Danceability • 5% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
30% Popularity • 24% Danceability • 5% Energy • 16% Liveness
85% Instrumentalness • 14% Positiveness
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Yanni
In The Morning Light
105 bpm • A Maj • 03:48 • -20.51db
52% Popularity • 34% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
52% Popularity • 34% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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Spencer Brewer
Wonderland
105 bpm • A# Maj • 03:55 • -16.89db
28% Popularity • 66% Danceability • 29% Energy • 16% Liveness
86% Instrumentalness • 33% Positiveness
28% Popularity • 66% Danceability • 29% Energy • 16% Liveness
86% Instrumentalness • 33% Positiveness
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Steven Cravis
My Precious One
105 bpm • A Maj • 02:43 • -15.85db
31% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
31% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
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Michael Hoppé
Song for Haya (1928-2011)
93 bpm • G Maj • 02:36 • -17.44db
13% Popularity • 44% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 12% Positiveness
13% Popularity • 44% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 12% Positiveness
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John Tesh
Sonata Di Roma
94 bpm • A# Maj • 04:51 • -10.97db
13% Popularity • 28% Danceability • 34% Energy • 18% Liveness
85% Instrumentalness • 13% Positiveness
13% Popularity • 28% Danceability • 34% Energy • 18% Liveness
85% Instrumentalness • 13% Positiveness
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George Winston
Rainsong
105 bpm • C# Maj • 04:40 • -24.47db
39% Popularity • 55% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
39% Popularity • 55% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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James Todd
New Day
93 bpm • C Maj • 07:11 • -13.98db
13% Popularity • 21% Danceability • 19% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
13% Popularity • 21% Danceability • 19% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
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Tom McBryde
Time In A Bottle
105 bpm • D Maj • 03:49 • -21.94db
12% Popularity • 38% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
12% Popularity • 38% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Jim Chappell
Gone
93 bpm • D# Maj • 05:28 • -12.61db
14% Popularity • 31% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
14% Popularity • 31% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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Spencer Brewer
Where We Used To Play
93 bpm • B min • 04:05 • -29db
27% Popularity • 33% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
27% Popularity • 33% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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John Tesh
Against All Odds
105 bpm • C# Maj • 04:13 • -15.14db
14% Popularity • 37% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
14% Popularity • 37% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Richard Carpenter
Prelude
93 bpm • G Maj • 00:56 • -21.14db
25% Popularity • 35% Danceability • 6% Energy • 14% Liveness
78% Instrumentalness • 21% Positiveness
25% Popularity • 35% Danceability • 6% Energy • 14% Liveness
78% Instrumentalness • 21% Positiveness
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Ann Sweeten
Looking Back
106 bpm • C Maj • 05:09 • -15.53db
22% Popularity • 33% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
22% Popularity • 33% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
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Secret Garden
Anticipation
93 bpm • A Maj • 03:50 • -11.81db
43% Popularity • 18% Danceability • 31% Energy • 8% Liveness
48% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 31% Energy • 8% Liveness
48% Instrumentalness • 4% Positiveness
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Triona NÃ Dhomhnaill
A Different Shore
93 bpm • D min • 05:39 • -20db
24% Popularity • 38% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
24% Popularity • 38% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Spencer Brewer
Tomorrow's Child
105 bpm • D Maj • 03:46 • -18.33db
28% Popularity • 47% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
28% Popularity • 47% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
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John Tesh
A Whole New World
93 bpm • G Maj • 03:30 • -16.8db
27% Popularity • 41% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
27% Popularity • 41% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Michael Gettel
Orcas
106 bpm • A# Maj • 03:50 • -13.53db
19% Popularity • 28% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
19% Popularity • 28% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Dalia Reid
Mother, I Miss You
106 bpm • C Maj • 03:28 • -12.38db
11% Popularity • 46% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 46% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Peter Jennison
Hold Me in Your Heart (For My Son)
106 bpm • C Maj • 03:51 • -16db
16% Popularity • 44% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 8% Positiveness
16% Popularity • 44% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 8% Positiveness
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Joseph Akins
Watertank Hill
106 bpm • G Maj • 04:43 • -18db
31% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
31% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Spencer Brewer
Tomorrow's Child
105 bpm • D Maj • 04:52 • -12.62db
25% Popularity • 45% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
25% Popularity • 45% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
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Eric Tingstad
Emerald Pavane - Remastered
92 bpm • A Maj • 04:07 • -15.99db
25% Popularity • 47% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
25% Popularity • 47% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
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Michael Jones
Judy's Dream
92 bpm • A min • 07:17 • -23.6db
12% Popularity • 40% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
12% Popularity • 40% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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John Doan
Farewell
92 bpm • E Maj • 04:01 • -15.32db
29% Popularity • 31% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
29% Popularity • 31% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Brian Crain
Song for Rome
92 bpm • F Maj • 04:00 • -14.03db
37% Popularity • 27% Danceability • 24% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
37% Popularity • 27% Danceability • 24% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
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Fiona Joy Hawkins
For The Roses
92 bpm • G Maj • 03:34 • -19.07db
15% Popularity • 23% Danceability • 7% Energy • 18% Liveness
84% Instrumentalness • 20% Positiveness
15% Popularity • 23% Danceability • 7% Energy • 18% Liveness
84% Instrumentalness • 20% Positiveness
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Hagood Hardy
Friends In This World
107 bpm • A# Maj • 03:25 • -17.72db
17% Popularity • 36% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
17% Popularity • 36% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
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Kurt Bestor
Road Less Traveled
108 bpm • C Maj • 04:05 • -26.11db
15% Popularity • 48% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 11% Positiveness
15% Popularity • 48% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 11% Positiveness
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Birmingham Light Orchestra
Close to You
91 bpm • G# Maj • 03:43 • -13.34db
29% Popularity • 55% Danceability • 20% Energy • 16% Liveness
92% Instrumentalness • 18% Positiveness
29% Popularity • 55% Danceability • 20% Energy • 16% Liveness
92% Instrumentalness • 18% Positiveness
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Joseph Akins
Finding Grace
91 bpm • C Maj • 08:35 • -18.46db
20% Popularity • 41% Danceability • 10% Energy • 27% Liveness
92% Instrumentalness • 8% Positiveness
20% Popularity • 41% Danceability • 10% Energy • 27% Liveness
92% Instrumentalness • 8% Positiveness
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Yanni
Only A Memory
108 bpm • C# Maj • 04:16 • -21db
45% Popularity • 28% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
45% Popularity • 28% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Fiona Joy Hawkins
Love Forever (Remastered)
91 bpm • D Maj • 04:26 • -15.85db
29% Popularity • 26% Danceability • 11% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
29% Popularity • 26% Danceability • 11% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
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John Tesh
She's Like The Wind
108 bpm • E min • 04:20 • -13.36db
14% Popularity • 61% Danceability • 31% Energy • 5% Liveness
87% Instrumentalness • 8% Positiveness
14% Popularity • 61% Danceability • 31% Energy • 5% Liveness
87% Instrumentalness • 8% Positiveness
