Songs like Aqua - from Playing Piano for the Isolated by Ryuichi Sakamoto
Based on a tempo of (+/- 10%) and a similar genre
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Ryuichi Sakamoto
Aqua - from Playing Piano for the Isolat...
79 bpm • G Maj • 04:32 • -19.8db
26% Popularity • 49% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
26% Popularity • 49% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Rob Burger
Night Feet
79 bpm • D Maj • 05:42 • -23.22db
4% Popularity • 28% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
4% Popularity • 28% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Takumi Kaneko
This World Today
79 bpm • F min • 01:42 • -32db
41% Popularity • 48% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 34% Positiveness
41% Popularity • 48% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 34% Positiveness
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h hunt
C U Soon
79 bpm • F# Maj • 05:05 • -33.7db
37% Popularity • 36% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 36% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Lambert
Time Out
79 bpm • F min • 03:04 • -27.1db
35% Popularity • 40% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
35% Popularity • 40% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Erland Cooper
Music For Growing Flowers - Pt. 3
79 bpm • C Maj • 03:49 • -18.21db
17% Popularity • 14% Danceability • 26% Energy • 11% Liveness
59% Instrumentalness • 7% Positiveness
17% Popularity • 14% Danceability • 26% Energy • 11% Liveness
59% Instrumentalness • 7% Positiveness
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Masakatsu Takagi
Marginalia #48
78 bpm • C# Maj • 03:53 • -22.32db
37% Popularity • 23% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
37% Popularity • 23% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Arvo Pärt
Spiegel im Spiegel
78 bpm • F Maj • 07:14 • -23.38db
11% Popularity • 18% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Taeko Onuki
美貌の青空(Bibo no Aozora) - Geimor...
78 bpm • A min • 05:05 • -17.55db
26% Popularity • 39% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 39% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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The Vernon Spring
Before Medicine
80 bpm • D Maj • 01:25 • -32.87db
40% Popularity • 49% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
40% Popularity • 49% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Hauschka
Hike
80 bpm • C Maj • 02:53 • -19db
26% Popularity • 20% Danceability • 32% Energy • 15% Liveness
89% Instrumentalness • 11% Positiveness
26% Popularity • 20% Danceability • 32% Energy • 15% Liveness
89% Instrumentalness • 11% Positiveness
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Felix Rösch
Berceuse
80 bpm • C min • 02:07 • -28.62db
51% Popularity • 22% Danceability • 3% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
51% Popularity • 22% Danceability • 3% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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A Winged Victory for the Sullen
The Haunted Victorian Pencil
80 bpm • G min • 01:29 • -26db
55% Popularity • 29% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
55% Popularity • 29% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Max Richter
Flowers Of Herself
80 bpm • D# min • 08:33 • -17.19db
27% Popularity • 27% Danceability • 18% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
27% Popularity • 27% Danceability • 18% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Roedelius
By This River
78 bpm • C Maj • 04:07 • -24.46db
32% Popularity • 18% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Nils Frahm
My Friend the Forest
80 bpm • D# min • 06:08 • -38db
38% Popularity • 40% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
38% Popularity • 40% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Jon Hassell
Last Night The Moon Came
80 bpm • E min • 11:15 • -25.89db
34% Popularity • 16% Danceability • 8% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 8% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Neil Cowley
Don’t Walk Alone
80 bpm • A# Maj • 04:38 • -23.81db
26% Popularity • 45% Danceability • 15% Energy • 28% Liveness
88% Instrumentalness • 15% Positiveness
26% Popularity • 45% Danceability • 15% Energy • 28% Liveness
88% Instrumentalness • 15% Positiveness
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Nico Muhly
Opening Cards
80 bpm • G Maj • 01:53 • -18.66db
32% Popularity • 29% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 29% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Takahiro Kido
Sakura
80 bpm • D# Maj • 01:26 • -27db
36% Popularity • 55% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 55% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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haruka nakamura
better day
80 bpm • B min • 03:36 • -31db
35% Popularity • 35% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
35% Popularity • 35% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Olovson
Gyroscope
80 bpm • D min • 03:07 • -24.3db
33% Popularity • 38% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
33% Popularity • 38% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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John Cage
In a Landscape
78 bpm • D min • 09:00 • -30.85db
10% Popularity • 56% Danceability • 33% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
10% Popularity • 56% Danceability • 33% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
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Thomas Bartlett
Rubrifolia
78 bpm • F Maj • 05:28 • -30.06db
15% Popularity • 30% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
15% Popularity • 30% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Max Richter
Sunlight - Orchestra Version
80 bpm • F# Maj • 03:58 • -17.36db
26% Popularity • 8% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 8% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Roedelius
Le jardin
78 bpm • G min • 04:28 • -22.8db
30% Popularity • 20% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 20% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Ryuichi Sakamoto
Perspective
77 bpm • F Maj • 06:15 • -23.45db
28% Popularity • 45% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 45% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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h hunt
Go Home
81 bpm • C Maj • 03:17 • -31.44db
38% Popularity • 27% Danceability • 0% Energy • 36% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 27% Danceability • 0% Energy • 36% Liveness
92% Instrumentalness • 5% Positiveness
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James Heather
Immortal Beloved
77 bpm • G min • 03:54 • -32.12db
38% Popularity • 21% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Daniel Pioro
Diane
77 bpm • D min • 03:57 • -21.25db
21% Popularity • 7% Danceability • 8% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
21% Popularity • 7% Danceability • 8% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
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Nils Frahm
Todo Nada
81 bpm • C# Maj • 02:42 • -30.69db
33% Popularity • 15% Danceability • 2% Energy • 90% Liveness
71% Instrumentalness • 9% Positiveness
33% Popularity • 15% Danceability • 2% Energy • 90% Liveness
71% Instrumentalness • 9% Positiveness
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Christian Badzura
K.A.H.D. - Home Session
81 bpm • C Maj • 04:23 • -31.02db
16% Popularity • 39% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
16% Popularity • 39% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Neil Cowley
Prayer
77 bpm • C Maj • 03:23 • -26.61db
22% Popularity • 23% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
22% Popularity • 23% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Ryuichi Sakamoto
20220214
82 bpm • E min • 09:09 • -27.85db
31% Popularity • 12% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Federico Albanese
Your Trees
77 bpm • G# Maj • 03:05 • -22.83db
20% Popularity • 42% Danceability • 18% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 42% Danceability • 18% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Devendra Banhart
For Em
76 bpm • A min • 03:37 • -18db
20% Popularity • 17% Danceability • 15% Energy • 12% Liveness
71% Instrumentalness • 11% Positiveness
20% Popularity • 17% Danceability • 15% Energy • 12% Liveness
71% Instrumentalness • 11% Positiveness
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h hunt
Rice Wine
82 bpm • G Maj • 02:32 • -26.27db
31% Popularity • 49% Danceability • 1% Energy • 12% Liveness
15% Instrumentalness • 14% Positiveness
31% Popularity • 49% Danceability • 1% Energy • 12% Liveness
15% Instrumentalness • 14% Positiveness
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Jon Hopkins
Modern Driveway
82 bpm • A# min • 04:07 • -28.64db
30% Popularity • 12% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
30% Popularity • 12% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Hanakiv
No Words Left
82 bpm • F min • 07:18 • -16.75db
30% Popularity • 39% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
30% Popularity • 39% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Dustin O'Halloran
Constellation No. 2
82 bpm • A# Maj • 04:21 • -22db
19% Popularity • 11% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
19% Popularity • 11% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Yumiko Morioka
潮風
76 bpm • C Maj • 04:06 • -23.98db
21% Popularity • 24% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 24% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
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Eiko Ishibashi
Drive My Car (The truth, no matter what ...
76 bpm • F# Maj • 02:07 • -28db
30% Popularity • 28% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 28% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
20211201
76 bpm • G Maj • 05:32 • -30db
33% Popularity • 26% Danceability • 3% Energy • 34% Liveness
97% Instrumentalness • 12% Positiveness
33% Popularity • 26% Danceability • 3% Energy • 34% Liveness
97% Instrumentalness • 12% Positiveness
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Bing & Ruth
Reflector
76 bpm • A# Maj • 07:20 • -26.22db
30% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Tom Ashbrook
Too Soon
82 bpm • D# Maj • 04:03 • -25.29db
30% Popularity • 23% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
30% Popularity • 23% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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The Vernon Spring
The Hum II
76 bpm • D# Maj • 02:04 • -25.18db
47% Popularity • 28% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
47% Popularity • 28% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
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Oliver Coates
Prairie
82 bpm • A Maj • 01:41 • -22db
38% Popularity • 28% Danceability • 15% Energy • 22% Liveness
88% Instrumentalness • 13% Positiveness
38% Popularity • 28% Danceability • 15% Energy • 22% Liveness
88% Instrumentalness • 13% Positiveness
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alva noto
Barco
76 bpm • F Maj • 04:14 • -18.6db
9% Popularity • 7% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Ryuichi Sakamoto
Energy Flow
76 bpm • A min • 04:50 • -22.7db
30% Popularity • 52% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
30% Popularity • 52% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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h hunt
Pêche (Sketches)
76 bpm • D# Maj • 02:03 • -28.13db
39% Popularity • 53% Danceability • 2% Energy • 15% Liveness
73% Instrumentalness • 9% Positiveness
39% Popularity • 53% Danceability • 2% Energy • 15% Liveness
73% Instrumentalness • 9% Positiveness
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Balmorhea
Of Hopeful Green Woven
82 bpm • C Maj • 02:01 • -26.69db
31% Popularity • 37% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 48% Positiveness
31% Popularity • 37% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 48% Positiveness
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Masakatsu Takagi
Marginalia #13
76 bpm • C# min • 09:58 • -19.81db
13% Popularity • 30% Danceability • 14% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
13% Popularity • 30% Danceability • 14% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Marina Baranova
Leviathan Town
76 bpm • C# min • 02:49 • -26.08db
32% Popularity • 33% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
32% Popularity • 33% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Skúli Sverrisson
For Seconds at a Time
83 bpm • G min • 03:55 • -27db
33% Popularity • 35% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 16% Positiveness
33% Popularity • 35% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 16% Positiveness
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Ryuichi Sakamoto
Before Long
76 bpm • C Maj • 03:50 • -24.29db
30% Popularity • 51% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 51% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Devendra Banhart
Book of Bringhi
76 bpm • D# min • 02:54 • -18.96db
24% Popularity • 21% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Bill Evans
Peace Piece
76 bpm • C Maj • 06:42 • -28.61db
27% Popularity • 15% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
27% Popularity • 15% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Felix Rösch
Barcarole
75 bpm • C min • 02:48 • -28.01db
30% Popularity • 30% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
30% Popularity • 30% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Alex Kozobolis
Offline
83 bpm • B min • 02:18 • -24.81db
43% Popularity • 47% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
43% Popularity • 47% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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Roger Eno
Spring Frost
75 bpm • D# Maj • 04:07 • -31db
30% Popularity • 9% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
20220404
83 bpm • C# Maj • 02:26 • -19.22db
31% Popularity • 56% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
31% Popularity • 56% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Erland Cooper
Maalie over Marwick Head
83 bpm • F# Maj • 02:48 • -23.37db
39% Popularity • 41% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
39% Popularity • 41% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
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Mary Lattimore
Sometimes He's In My Dreams
83 bpm • F# Maj • 03:46 • -20.4db
41% Popularity • 60% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
41% Popularity • 60% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Lambert
Tegel
84 bpm • C# Maj • 02:31 • -25.62db
26% Popularity • 23% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
26% Popularity • 23% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Olivia Belli
Moon Drifting 4 (After Beethoven)
74 bpm • B Maj • 03:58 • -16db
8% Popularity • 22% Danceability • 16% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 16% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Max Richter
Mercy Duet
75 bpm • A# min • 04:26 • -27.83db
42% Popularity • 32% Danceability • 1% Energy • 11% Liveness
80% Instrumentalness • 20% Positiveness
42% Popularity • 32% Danceability • 1% Energy • 11% Liveness
80% Instrumentalness • 20% Positiveness
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Alex Heffes
After
74 bpm • F# Maj • 01:18 • -20.04db
30% Popularity • 35% Danceability • 19% Energy • 11% Liveness
100% Instrumentalness • 16% Positiveness
30% Popularity • 35% Danceability • 19% Energy • 11% Liveness
100% Instrumentalness • 16% Positiveness
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Erland Cooper
St. Magnus of Hamnavoe - Daniel Pioro Re...
84 bpm • C Maj • 03:02 • -17.23db
36% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
36% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Nils Frahm
The Dane
85 bpm • D# min • 02:03 • -32.61db
57% Popularity • 39% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
57% Popularity • 39% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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Nat Bartsch
Another Time, Another Place
85 bpm • B Maj • 03:57 • -31.15db
12% Popularity • 24% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
12% Popularity • 24% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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alva noto
Halo
73 bpm • G# Maj • 07:10 • -31.89db
21% Popularity • 16% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Henrik Lindstrand
Jord
85 bpm • A Maj • 04:19 • -25db
21% Popularity • 9% Danceability • 2% Energy • 21% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 2% Energy • 21% Liveness
88% Instrumentalness • 4% Positiveness
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Lucinda Chua
An Avalanche
85 bpm • C min • 03:20 • -21db
30% Popularity • 53% Danceability • 4% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
30% Popularity • 53% Danceability • 4% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Marihiko Hara
Passion
73 bpm • A# Maj • 04:16 • -19.86db
19% Popularity • 60% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
19% Popularity • 60% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Nils Frahm
Lighter
73 bpm • A# min • 03:49 • -28.76db
28% Popularity • 40% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
28% Popularity • 40% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
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Jon Hopkins
Dawn Chorus
85 bpm • D Maj • 03:28 • -26db
41% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
41% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Kiasmos
Blurred - Sven Helbig Rework
85 bpm • D Maj • 04:44 • -18.53db
29% Popularity • 9% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Neil Cowley
Tallinn
86 bpm • D# min • 04:19 • -26db
7% Popularity • 22% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
7% Popularity • 22% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Federico Albanese
The Vine
73 bpm • A min • 04:08 • -26.21db
18% Popularity • 16% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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yes/and
Craggy
73 bpm • G Maj • 01:41 • -18.02db
43% Popularity • 41% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
43% Popularity • 41% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Pêtr Aleksänder
In the Soft Light
86 bpm • C min • 03:53 • -13.07db
27% Popularity • 12% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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A Winged Victory for the Sullen
So That The City Can Begin To Exist
86 bpm • F Maj • 04:46 • -23.4db
31% Popularity • 15% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
20220207
73 bpm • B min • 07:01 • -28.54db
33% Popularity • 35% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
33% Popularity • 35% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
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Craig Armstrong
Nocturne 4
73 bpm • D# Maj • 03:23 • -22.64db
17% Popularity • 31% Danceability • 5% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
17% Popularity • 31% Danceability • 5% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Green-House
Sunflower Dance
73 bpm • C Maj • 03:32 • -13.74db
37% Popularity • 31% Danceability • 18% Energy • 13% Liveness
90% Instrumentalness • 16% Positiveness
37% Popularity • 31% Danceability • 18% Energy • 13% Liveness
90% Instrumentalness • 16% Positiveness
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Neil Cowley
Dip Your Toe
72 bpm • G Maj • 03:33 • -29.27db
14% Popularity • 24% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Erland Cooper
Hoxa Sound
86 bpm • C Maj • 02:03 • -18.72db
54% Popularity • 25% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
54% Popularity • 25% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Roger Eno
Verdigris
72 bpm • D# Maj • 04:03 • -32.42db
29% Popularity • 20% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
Minamata Piano Theme
73 bpm • C min • 02:50 • -22.82db
27% Popularity • 49% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 19% Positiveness
27% Popularity • 49% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 19% Positiveness
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Nils Frahm
Rain Take
86 bpm • D min • 04:16 • -30.86db
30% Popularity • 10% Danceability • 16% Energy • 68% Liveness
97% Instrumentalness • 17% Positiveness
30% Popularity • 10% Danceability • 16% Energy • 68% Liveness
97% Instrumentalness • 17% Positiveness
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Víkingur Ólafsson
The Plover and the Raven
72 bpm • D min • 03:11 • -33.43db
31% Popularity • 20% Danceability • 3% Energy • 36% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 3% Energy • 36% Liveness
91% Instrumentalness • 4% Positiveness
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Neil Cowley
Motes
86 bpm • A min • 03:44 • -27db
19% Popularity • 20% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Lambert
Sad Seine
87 bpm • E min • 02:43 • -24.89db
33% Popularity • 37% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
33% Popularity • 37% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
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Laraaji
Quiet Journey
72 bpm • A min • 03:22 • -13.43db
11% Popularity • 52% Danceability • 17% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
11% Popularity • 52% Danceability • 17% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Ryuichi Sakamoto
Reunion
72 bpm • F# min • 02:39 • -23.05db
36% Popularity • 14% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
36% Popularity • 14% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Rose Riebl
Over Salt Sea
87 bpm • A min • 03:40 • -23.94db
14% Popularity • 17% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Roger Eno
Wintergreen
72 bpm • A# Maj • 04:10 • -30.03db
28% Popularity • 31% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
28% Popularity • 31% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Hidden Orchestra
Wingbeats Source III: Piano and Wings
87 bpm • A Maj • 02:36 • -24db
46% Popularity • 34% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
46% Popularity • 34% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
