Songs like Aragon - From The "Coffy" Soundtrack by Roy Ayers
Based on a tempo of (+/- 10%) and a similar genre
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Johnny "Hammond" Smith
Summertime/The Ghetto
122 bpm • E min • 10:05 • -20.75db
10% Popularity • 57% Danceability • 26% Energy • 7% Liveness
90% Instrumentalness • 75% Positiveness
10% Popularity • 57% Danceability • 26% Energy • 7% Liveness
90% Instrumentalness • 75% Positiveness
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Deodato
Super Strut
122 bpm • D min • 08:56 • -11.4db
31% Popularity • 43% Danceability • 87% Energy • 13% Liveness
78% Instrumentalness • 88% Positiveness
31% Popularity • 43% Danceability • 87% Energy • 13% Liveness
78% Instrumentalness • 88% Positiveness
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The Beginning Of The End
Funky Nassau, Pt. 2
122 bpm • F# min • 02:34 • -8db
45% Popularity • 65% Danceability • 79% Energy • 10% Liveness
69% Instrumentalness • 97% Positiveness
45% Popularity • 65% Danceability • 79% Energy • 10% Liveness
69% Instrumentalness • 97% Positiveness
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Cameo
It's Serious
122 bpm • G Maj • 08:09 • -10.28db
35% Popularity • 87% Danceability • 67% Energy • 4% Liveness
34% Instrumentalness • 96% Positiveness
35% Popularity • 87% Danceability • 67% Energy • 4% Liveness
34% Instrumentalness • 96% Positiveness
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Roy Ayers
Aragon
122 bpm • G# Maj • 02:55 • -8db
32% Popularity • 76% Danceability • 74% Energy • 13% Liveness
62% Instrumentalness • 96% Positiveness
32% Popularity • 76% Danceability • 74% Energy • 13% Liveness
62% Instrumentalness • 96% Positiveness
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The J.B.'s
These Are The JB's - Pt. 1 & 2
122 bpm • E min • 04:45 • -9.25db
20% Popularity • 88% Danceability • 59% Energy • 7% Liveness
81% Instrumentalness • 66% Positiveness
20% Popularity • 88% Danceability • 59% Energy • 7% Liveness
81% Instrumentalness • 66% Positiveness
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Bernard "Pretty" Purdie
Soul Drums
122 bpm • B min • 03:29 • -8db
27% Popularity • 45% Danceability • 99% Energy • 13% Liveness
82% Instrumentalness • 18% Positiveness
27% Popularity • 45% Danceability • 99% Energy • 13% Liveness
82% Instrumentalness • 18% Positiveness
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Brass Construction
Movin'
122 bpm • A min • 08:41 • -3.91db
34% Popularity • 70% Danceability • 92% Energy • 3% Liveness
81% Instrumentalness • 87% Positiveness
34% Popularity • 70% Danceability • 92% Energy • 3% Liveness
81% Instrumentalness • 87% Positiveness
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Lalo Schifrin
Jaws
122 bpm • C Maj • 06:01 • -14.29db
13% Popularity • 70% Danceability • 63% Energy • 28% Liveness
77% Instrumentalness • 36% Positiveness
13% Popularity • 70% Danceability • 63% Energy • 28% Liveness
77% Instrumentalness • 36% Positiveness
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The Beginning Of The End
Funky Nassau - Full Length Edit
121 bpm • F# min • 05:02 • -7.07db
30% Popularity • 66% Danceability • 86% Energy • 43% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 66% Danceability • 86% Energy • 43% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Harris
Is It In
123 bpm • E Maj • 03:35 • -13.16db
14% Popularity • 76% Danceability • 80% Energy • 22% Liveness
2% Instrumentalness • 96% Positiveness
14% Popularity • 76% Danceability • 80% Energy • 22% Liveness
2% Instrumentalness • 96% Positiveness
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Vern Blair Debate
Ooh Ah Ee
121 bpm • B min • 03:02 • -9db
14% Popularity • 72% Danceability • 90% Energy • 7% Liveness
65% Instrumentalness • 77% Positiveness
14% Popularity • 72% Danceability • 90% Energy • 7% Liveness
65% Instrumentalness • 77% Positiveness
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Lou Donaldson
If There's Hell Below (We're All Going T...
121 bpm • G min • 09:08 • -8.37db
7% Popularity • 59% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 59% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Dexter Wansel
You Can Be What You Wanna Be
121 bpm • A min • 05:03 • -7.64db
16% Popularity • 74% Danceability • 64% Energy • 15% Liveness
6% Instrumentalness • 87% Positiveness
16% Popularity • 74% Danceability • 64% Energy • 15% Liveness
6% Instrumentalness • 87% Positiveness
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The Bamboos
Tighten Up
121 bpm • C Maj • 03:55 • -4.76db
32% Popularity • 52% Danceability • 88% Energy • 5% Liveness
71% Instrumentalness • 98% Positiveness
32% Popularity • 52% Danceability • 88% Energy • 5% Liveness
71% Instrumentalness • 98% Positiveness
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The Beginning Of The End
Funky Nassau, Pt. 1
121 bpm • F# min • 03:06 • -8db
52% Popularity • 70% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 70% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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MAW
Our Time Is Coming - The Guestlist Remix
123 bpm • A# min • 09:06 • -8.35db
9% Popularity • 76% Danceability • 66% Energy • 6% Liveness
79% Instrumentalness • 95% Positiveness
9% Popularity • 76% Danceability • 66% Energy • 6% Liveness
79% Instrumentalness • 95% Positiveness
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Eddie Kendricks
Date With The Rain
123 bpm • A Maj • 02:40 • -12.35db
36% Popularity • 62% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 62% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Pacific Rhythm Combo
Honky Tonk Popcorn
121 bpm • A# Maj • 06:02 • -6.29db
16% Popularity • 74% Danceability • 96% Energy • 22% Liveness
86% Instrumentalness • 91% Positiveness
16% Popularity • 74% Danceability • 96% Energy • 22% Liveness
86% Instrumentalness • 91% Positiveness
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The J.B.'s
My Brother
121 bpm • C Maj • 05:37 • -14.84db
16% Popularity • 67% Danceability • 54% Energy • 32% Liveness
4% Instrumentalness • 93% Positiveness
16% Popularity • 67% Danceability • 54% Energy • 32% Liveness
4% Instrumentalness • 93% Positiveness
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The Love Unlimited Orchestra
You Gotta Case
121 bpm • G# Maj • 01:26 • -9.76db
15% Popularity • 64% Danceability • 55% Energy • 51% Liveness
40% Instrumentalness • 66% Positiveness
15% Popularity • 64% Danceability • 55% Energy • 51% Liveness
40% Instrumentalness • 66% Positiveness
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The Sound Stylistics
The Players Theme
121 bpm • C min • 04:46 • -3.97db
21% Popularity • 56% Danceability • 98% Energy • 26% Liveness
52% Instrumentalness • 77% Positiveness
21% Popularity • 56% Danceability • 98% Energy • 26% Liveness
52% Instrumentalness • 77% Positiveness
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Booker T. & the M.G.'s
Aw' Mercy
123 bpm • F Maj • 02:38 • -11.68db
25% Popularity • 67% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 84% Positiveness
25% Popularity • 67% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 84% Positiveness
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War
Flying Machine (The Chase)
121 bpm • F min • 07:36 • -13.24db
17% Popularity • 65% Danceability • 87% Energy • 6% Liveness
87% Instrumentalness • 90% Positiveness
17% Popularity • 65% Danceability • 87% Energy • 6% Liveness
87% Instrumentalness • 90% Positiveness
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Roy Ayers
Tarzan
120 bpm • A# Maj • 04:12 • -4.17db
14% Popularity • 57% Danceability • 95% Energy • 17% Liveness
2% Instrumentalness • 93% Positiveness
14% Popularity • 57% Danceability • 95% Energy • 17% Liveness
2% Instrumentalness • 93% Positiveness
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The J.B.'s
These Are The JB's
120 bpm • G Maj • 03:00 • -12.57db
18% Popularity • 90% Danceability • 37% Energy • 6% Liveness
77% Instrumentalness • 91% Positiveness
18% Popularity • 90% Danceability • 37% Energy • 6% Liveness
77% Instrumentalness • 91% Positiveness
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Curtis Mayfield
Superfly
120 bpm • D Maj • 03:53 • -9.14db
59% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Sherlock Holmes Investigation
Investigation
124 bpm • A# Maj • 03:54 • -3.98db
9% Popularity • 69% Danceability • 96% Energy • 13% Liveness
6% Instrumentalness • 90% Positiveness
9% Popularity • 69% Danceability • 96% Energy • 13% Liveness
6% Instrumentalness • 90% Positiveness
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The Beginning Of The End
Monkey Tamarind
120 bpm • F# min • 03:40 • -6.45db
29% Popularity • 49% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 49% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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People's Choice
I Likes to Do It
124 bpm • F Maj • 03:12 • -8db
22% Popularity • 72% Danceability • 52% Energy • 11% Liveness
4% Instrumentalness • 78% Positiveness
22% Popularity • 72% Danceability • 52% Energy • 11% Liveness
4% Instrumentalness • 78% Positiveness
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Ferry Ultra
Dangerous Vibes
120 bpm • C# Maj • 04:40 • -9.33db
15% Popularity • 72% Danceability • 69% Energy • 6% Liveness
10% Instrumentalness • 85% Positiveness
15% Popularity • 72% Danceability • 69% Energy • 6% Liveness
10% Instrumentalness • 85% Positiveness
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Earth, Wind & Fire
Bad Tune
120 bpm • E min • 04:42 • -13.49db
17% Popularity • 46% Danceability • 62% Energy • 8% Liveness
43% Instrumentalness • 57% Positiveness
17% Popularity • 46% Danceability • 62% Energy • 8% Liveness
43% Instrumentalness • 57% Positiveness
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The Sound Stylistics
Shake and Hip Drop
120 bpm • A min • 02:34 • -3.88db
27% Popularity • 85% Danceability • 87% Energy • 8% Liveness
56% Instrumentalness • 94% Positiveness
27% Popularity • 85% Danceability • 87% Energy • 8% Liveness
56% Instrumentalness • 94% Positiveness
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Curtis Mayfield
(Don't Worry) If There Is a Hell Below, ...
120 bpm • C# min • 07:50 • -8db
39% Popularity • 69% Danceability • 76% Energy • 11% Liveness
6% Instrumentalness • 69% Positiveness
39% Popularity • 69% Danceability • 76% Energy • 11% Liveness
6% Instrumentalness • 69% Positiveness
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J.J. Johnson
Willie Chase
120 bpm • D Maj • 03:07 • -9.56db
16% Popularity • 75% Danceability • 84% Energy • 5% Liveness
81% Instrumentalness • 62% Positiveness
16% Popularity • 75% Danceability • 84% Energy • 5% Liveness
81% Instrumentalness • 62% Positiveness
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Henry Mancini
Police Woman
120 bpm • G min • 03:15 • -12.46db
16% Popularity • 67% Danceability • 41% Energy • 4% Liveness
81% Instrumentalness • 72% Positiveness
16% Popularity • 67% Danceability • 41% Energy • 4% Liveness
81% Instrumentalness • 72% Positiveness
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The Last Poets
Sport
120 bpm • A Maj • 02:35 • -11db
26% Popularity • 76% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 76% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Badder Than Evil
Hot Wheels - The Chase
119 bpm • A# min • 03:02 • -12db
20% Popularity • 72% Danceability • 78% Energy • 30% Liveness
49% Instrumentalness • 92% Positiveness
20% Popularity • 72% Danceability • 78% Energy • 30% Liveness
49% Instrumentalness • 92% Positiveness
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Bobby Williams
Soul Brother Party
119 bpm • A min • 06:32 • -11.93db
16% Popularity • 72% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 72% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Lafayette Afro Rock Band
Voodounon
125 bpm • A# min • 05:04 • -7.97db
20% Popularity • 68% Danceability • 71% Energy • 20% Liveness
51% Instrumentalness • 60% Positiveness
20% Popularity • 68% Danceability • 71% Energy • 20% Liveness
51% Instrumentalness • 60% Positiveness
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Dennis Coffey & The Detroit Guitar Band
Scorpio
119 bpm • B min • 04:23 • -11.67db
21% Popularity • 69% Danceability • 76% Energy • 31% Liveness
88% Instrumentalness • 64% Positiveness
21% Popularity • 69% Danceability • 76% Energy • 31% Liveness
88% Instrumentalness • 64% Positiveness
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Kyoto Jazz Massive
Get Up - Kaidi Tatham Remix
125 bpm • D Maj • 06:05 • -9.01db
7% Popularity • 69% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 69% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Roy Ayers
Raindrops Keep Falling On My Head
125 bpm • F Maj • 04:51 • -14.62db
12% Popularity • 43% Danceability • 56% Energy • 12% Liveness
90% Instrumentalness • 89% Positiveness
12% Popularity • 43% Danceability • 56% Energy • 12% Liveness
90% Instrumentalness • 89% Positiveness
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Manu Dibango
The Panther
119 bpm • C# Maj • 02:29 • -4.82db
45% Popularity • 64% Danceability • 96% Energy • 5% Liveness
34% Instrumentalness • 81% Positiveness
45% Popularity • 64% Danceability • 96% Energy • 5% Liveness
34% Instrumentalness • 81% Positiveness
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Fela Kuti
2000 Blacks Got to Be Free - Edit
125 bpm • C# Maj • 04:53 • -7.36db
17% Popularity • 73% Danceability • 84% Energy • 41% Liveness
64% Instrumentalness • 71% Positiveness
17% Popularity • 73% Danceability • 84% Energy • 41% Liveness
64% Instrumentalness • 71% Positiveness
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Lafayette Afro Rock Band
Conga - Remastered
119 bpm • D Maj • 05:01 • -9.27db
25% Popularity • 70% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 70% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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The Haggis Horns
The Traveller, Pt. 1
119 bpm • C Maj • 06:12 • -9.13db
18% Popularity • 74% Danceability • 93% Energy • 6% Liveness
90% Instrumentalness • 97% Positiveness
18% Popularity • 74% Danceability • 93% Energy • 6% Liveness
90% Instrumentalness • 97% Positiveness
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Exit 9
Jive Man
125 bpm • C Maj • 05:08 • -5.55db
11% Popularity • 48% Danceability • 98% Energy • 7% Liveness
8% Instrumentalness • 90% Positiveness
11% Popularity • 48% Danceability • 98% Energy • 7% Liveness
8% Instrumentalness • 90% Positiveness
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The Sound Stylistics
EL NINO
125 bpm • D min • 05:28 • -7.26db
16% Popularity • 58% Danceability • 80% Energy • 7% Liveness
90% Instrumentalness • 84% Positiveness
16% Popularity • 58% Danceability • 80% Energy • 7% Liveness
90% Instrumentalness • 84% Positiveness
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Lord Rhaburn
Disco Connection
125 bpm • F# Maj • 04:44 • -3.93db
18% Popularity • 58% Danceability • 97% Energy • 8% Liveness
67% Instrumentalness • 97% Positiveness
18% Popularity • 58% Danceability • 97% Energy • 8% Liveness
67% Instrumentalness • 97% Positiveness
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Marva Whitney
What Do I Have To Do To Prove My Love To...
126 bpm • F# min • 02:26 • -6db
32% Popularity • 70% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 70% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Idris Muhammad
Super Bad
119 bpm • C Maj • 05:29 • -12.71db
22% Popularity • 71% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 71% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Joe Bataan
Aftershower Fun (2022 - Remaster)
126 bpm • B min • 05:07 • -8.46db
24% Popularity • 48% Danceability • 84% Energy • 5% Liveness
77% Instrumentalness • 90% Positiveness
24% Popularity • 48% Danceability • 84% Energy • 5% Liveness
77% Instrumentalness • 90% Positiveness
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Roy Ayers
Love
118 bpm • A Maj • 04:26 • -16.53db
10% Popularity • 53% Danceability • 49% Energy • 10% Liveness
90% Instrumentalness • 88% Positiveness
10% Popularity • 53% Danceability • 49% Energy • 10% Liveness
90% Instrumentalness • 88% Positiveness
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Ramsey Lewis Trio
Uhuru
118 bpm • D Maj • 02:15 • -9.07db
18% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Deodato
Whistle Bump
118 bpm • F min • 04:32 • -11.71db
32% Popularity • 69% Danceability • 79% Energy • 8% Liveness
96% Instrumentalness • 97% Positiveness
32% Popularity • 69% Danceability • 79% Energy • 8% Liveness
96% Instrumentalness • 97% Positiveness
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Lalo Schifrin
Jim On The Move
118 bpm • C Maj • 03:15 • -11db
29% Popularity • 59% Danceability • 67% Energy • 17% Liveness
32% Instrumentalness • 77% Positiveness
29% Popularity • 59% Danceability • 67% Energy • 17% Liveness
32% Instrumentalness • 77% Positiveness
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War
Galaxy
118 bpm • C Maj • 08:14 • -11db
43% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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David Shire
Salsation
118 bpm • G# Maj • 03:50 • -9.01db
33% Popularity • 71% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 26% Positiveness
33% Popularity • 71% Danceability • 85% Energy • 5% Liveness
1% Instrumentalness • 26% Positiveness
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Leon Haywood
Soul Cargo
118 bpm • A min • 03:40 • -8db
7% Popularity • 74% Danceability • 67% Energy • 91% Liveness
88% Instrumentalness • 69% Positiveness
7% Popularity • 74% Danceability • 67% Energy • 91% Liveness
88% Instrumentalness • 69% Positiveness
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Clarence Wheeler
Hey Jude
118 bpm • A# Maj • 07:59 • -6.31db
9% Popularity • 42% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 45% Positiveness
9% Popularity • 42% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 45% Positiveness
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Scott Grooves
Expansions
126 bpm • C min • 10:40 • -11db
5% Popularity • 69% Danceability • 72% Energy • 29% Liveness
73% Instrumentalness • 88% Positiveness
5% Popularity • 69% Danceability • 72% Energy • 29% Liveness
73% Instrumentalness • 88% Positiveness
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Roy Ayers
Fever
126 bpm • C Maj • 05:47 • -7.84db
9% Popularity • 71% Danceability • 82% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
9% Popularity • 71% Danceability • 82% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
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Curtis Mayfield
Pusherman - Alternate Mix With Horns
126 bpm • A# Maj • 06:10 • -7.11db
19% Popularity • 82% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 82% Positiveness
19% Popularity • 82% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 82% Positiveness
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Dexter Wansel
Life on Mars
118 bpm • G Maj • 05:49 • -9.87db
31% Popularity • 64% Danceability • 86% Energy • 31% Liveness
56% Instrumentalness • 35% Positiveness
31% Popularity • 64% Danceability • 86% Energy • 31% Liveness
56% Instrumentalness • 35% Positiveness
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The Jimmy Castor Bunch
It's Just Begun
118 bpm • G Maj • 03:30 • -9.5db
38% Popularity • 64% Danceability • 89% Energy • 59% Liveness
47% Instrumentalness • 89% Positiveness
38% Popularity • 64% Danceability • 89% Energy • 59% Liveness
47% Instrumentalness • 89% Positiveness
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Lou Donaldson
Turtle Walk
126 bpm • F Maj • 07:56 • -10.42db
24% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 63% Positiveness
24% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 63% Positiveness
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Johnny Pate
You Can't Even Walk In The Park - Openin...
118 bpm • A Maj • 02:32 • -9.27db
28% Popularity • 62% Danceability • 88% Energy • 9% Liveness
96% Instrumentalness • 71% Positiveness
28% Popularity • 62% Danceability • 88% Energy • 9% Liveness
96% Instrumentalness • 71% Positiveness
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Will Sessions
Jump Back
127 bpm • C Maj • 04:57 • -7.52db
8% Popularity • 76% Danceability • 92% Energy • 25% Liveness
79% Instrumentalness • 94% Positiveness
8% Popularity • 76% Danceability • 92% Energy • 25% Liveness
79% Instrumentalness • 94% Positiveness
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Lafayette Afro Rock Band
Soul Makossa
117 bpm • G min • 04:56 • -6.45db
22% Popularity • 77% Danceability • 76% Energy • 32% Liveness
66% Instrumentalness • 84% Positiveness
22% Popularity • 77% Danceability • 76% Energy • 32% Liveness
66% Instrumentalness • 84% Positiveness
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Lonnie Liston Smith
Expansions
127 bpm • F min • 06:06 • -12.2db
44% Popularity • 54% Danceability • 69% Energy • 35% Liveness
9% Instrumentalness • 92% Positiveness
44% Popularity • 54% Danceability • 69% Energy • 35% Liveness
9% Instrumentalness • 92% Positiveness
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The Jimmy Castor Bunch
It's Just Begun
118 bpm • G Maj • 03:42 • -10.96db
34% Popularity • 64% Danceability • 84% Energy • 17% Liveness
55% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 84% Energy • 17% Liveness
55% Instrumentalness • 86% Positiveness
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T-Connection
Groove to Get Down
117 bpm • C# min • 04:09 • -9.68db
22% Popularity • 75% Danceability • 76% Energy • 9% Liveness
18% Instrumentalness • 86% Positiveness
22% Popularity • 75% Danceability • 76% Energy • 9% Liveness
18% Instrumentalness • 86% Positiveness
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The J.B.'s
Wine Spot
127 bpm • F min • 03:32 • -6.36db
17% Popularity • 72% Danceability • 65% Energy • 4% Liveness
78% Instrumentalness • 75% Positiveness
17% Popularity • 72% Danceability • 65% Energy • 4% Liveness
78% Instrumentalness • 75% Positiveness
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Bohannon
The Stop And Go
117 bpm • G Maj • 03:36 • -6.9db
13% Popularity • 68% Danceability • 94% Energy • 3% Liveness
54% Instrumentalness • 80% Positiveness
13% Popularity • 68% Danceability • 94% Energy • 3% Liveness
54% Instrumentalness • 80% Positiveness
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Dennis Coffey
Ride, Sally, Ride
117 bpm • F# min • 03:09 • -12.16db
12% Popularity • 59% Danceability • 81% Energy • 9% Liveness
88% Instrumentalness • 95% Positiveness
12% Popularity • 59% Danceability • 81% Energy • 9% Liveness
88% Instrumentalness • 95% Positiveness
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Manu Dibango
New Bell
117 bpm • G Maj • 06:48 • -6.27db
28% Popularity • 64% Danceability • 96% Energy • 15% Liveness
78% Instrumentalness • 89% Positiveness
28% Popularity • 64% Danceability • 96% Energy • 15% Liveness
78% Instrumentalness • 89% Positiveness
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Bernard "Pretty" Purdie
Good Livin' (Good Lovin')
117 bpm • F Maj • 03:37 • -10.57db
13% Popularity • 80% Danceability • 64% Energy • 43% Liveness
19% Instrumentalness • 83% Positiveness
13% Popularity • 80% Danceability • 64% Energy • 43% Liveness
19% Instrumentalness • 83% Positiveness
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Donald Byrd
Lansana's Priestess
117 bpm • C Maj • 07:39 • -9db
33% Popularity • 48% Danceability • 88% Energy • 38% Liveness
34% Instrumentalness • 89% Positiveness
33% Popularity • 48% Danceability • 88% Energy • 38% Liveness
34% Instrumentalness • 89% Positiveness
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Pleasure
Let's Dance
117 bpm • C Maj • 05:00 • -10.92db
24% Popularity • 70% Danceability • 67% Energy • 19% Liveness
1% Instrumentalness • 67% Positiveness
24% Popularity • 70% Danceability • 67% Energy • 19% Liveness
1% Instrumentalness • 67% Positiveness
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Booker T. & the M.G.'s
Melting Pot - 45 Version
117 bpm • D Maj • 03:51 • -12.16db
20% Popularity • 55% Danceability • 67% Energy • 9% Liveness
54% Instrumentalness • 82% Positiveness
20% Popularity • 55% Danceability • 67% Energy • 9% Liveness
54% Instrumentalness • 82% Positiveness
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Richard "Groove" Holmes
Groovin' For Mr. G - Remastered
127 bpm • A# min • 04:13 • -10db
39% Popularity • 65% Danceability • 86% Energy • 9% Liveness
77% Instrumentalness • 95% Positiveness
39% Popularity • 65% Danceability • 86% Energy • 9% Liveness
77% Instrumentalness • 95% Positiveness
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Johnny Pate
El Jardia - Soundtrack
127 bpm • F min • 03:02 • -10db
11% Popularity • 51% Danceability • 51% Energy • 8% Liveness
75% Instrumentalness • 49% Positiveness
11% Popularity • 51% Danceability • 51% Energy • 8% Liveness
75% Instrumentalness • 49% Positiveness
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Candido
Thousand Finger Man
117 bpm • G Maj • 06:53 • -8.33db
14% Popularity • 49% Danceability • 90% Energy • 15% Liveness
78% Instrumentalness • 71% Positiveness
14% Popularity • 49% Danceability • 90% Energy • 15% Liveness
78% Instrumentalness • 71% Positiveness
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Roy Ayers
Vittroni's Theme - King Is Dead
117 bpm • A# Maj • 02:03 • -10.08db
22% Popularity • 57% Danceability • 40% Energy • 8% Liveness
30% Instrumentalness • 47% Positiveness
22% Popularity • 57% Danceability • 40% Energy • 8% Liveness
30% Instrumentalness • 47% Positiveness
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Rufus Thomas
Itch And Scratch - Pt. 1
117 bpm • C Maj • 03:12 • -10db
25% Popularity • 88% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 88% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Sir Joe Quarterman & Free Soul
(I Got) so Much Trouble in My Mind
117 bpm • A# Maj • 06:15 • -9db
30% Popularity • 66% Danceability • 89% Energy • 3% Liveness
1% Instrumentalness • 94% Positiveness
30% Popularity • 66% Danceability • 89% Energy • 3% Liveness
1% Instrumentalness • 94% Positiveness
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Manzel
Space Funk - Dopebrother 7 Inch Remix
117 bpm • B min • 04:13 • -6.02db
17% Popularity • 67% Danceability • 90% Energy • 34% Liveness
89% Instrumentalness • 68% Positiveness
17% Popularity • 67% Danceability • 90% Energy • 34% Liveness
89% Instrumentalness • 68% Positiveness
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George Freeman
The Bump
117 bpm • G min • 07:58 • -10.32db
12% Popularity • 55% Danceability • 76% Energy • 49% Liveness
45% Instrumentalness • 64% Positiveness
12% Popularity • 55% Danceability • 76% Energy • 49% Liveness
45% Instrumentalness • 64% Positiveness
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Alfred "Pee Wee" Ellis
Funk Bomb - Instrumental
128 bpm • A# Maj • 04:13 • -3db
20% Popularity • 79% Danceability • 64% Energy • 13% Liveness
16% Instrumentalness • 96% Positiveness
20% Popularity • 79% Danceability • 64% Energy • 13% Liveness
16% Instrumentalness • 96% Positiveness
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Peter Reno
Silver Thrust
116 bpm • E min • 03:58 • -10.08db
8% Popularity • 65% Danceability • 92% Energy • 8% Liveness
67% Instrumentalness • 50% Positiveness
8% Popularity • 65% Danceability • 92% Energy • 8% Liveness
67% Instrumentalness • 50% Positiveness
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Rufus Thomas
Itch And Scratch (Part 1)
117 bpm • C Maj • 03:14 • -9db
14% Popularity • 90% Danceability • 82% Energy • 6% Liveness
3% Instrumentalness • 97% Positiveness
14% Popularity • 90% Danceability • 82% Energy • 6% Liveness
3% Instrumentalness • 97% Positiveness
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Alan Parker
Punch Bowl
128 bpm • B Maj • 02:42 • -17.94db
13% Popularity • 66% Danceability • 72% Energy • 11% Liveness
88% Instrumentalness • 84% Positiveness
13% Popularity • 66% Danceability • 72% Energy • 11% Liveness
88% Instrumentalness • 84% Positiveness
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Ripple
Get Off
128 bpm • G Maj • 03:20 • -8db
18% Popularity • 64% Danceability • 94% Energy • 8% Liveness
78% Instrumentalness • 86% Positiveness
18% Popularity • 64% Danceability • 94% Energy • 8% Liveness
78% Instrumentalness • 86% Positiveness
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Lafayette Afro Rock Band
Malik - Remastered
116 bpm • A# min • 05:13 • -6.13db
28% Popularity • 41% Danceability • 94% Energy • 8% Liveness
13% Instrumentalness • 67% Positiveness
28% Popularity • 41% Danceability • 94% Energy • 8% Liveness
13% Instrumentalness • 67% Positiveness
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Billy Preston
Outa-Space
116 bpm • C# Maj • 04:10 • -8.56db
43% Popularity • 72% Danceability • 83% Energy • 24% Liveness
18% Instrumentalness • 90% Positiveness
43% Popularity • 72% Danceability • 83% Energy • 24% Liveness
18% Instrumentalness • 90% Positiveness
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Marva Whitney
Unwind Yourself - Remix
128 bpm • D# Maj • 02:35 • -9.16db
28% Popularity • 84% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 84% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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The Magic Disco Machine
Scratchin'
116 bpm • A min • 02:41 • -8.74db
11% Popularity • 68% Danceability • 86% Energy • 4% Liveness
86% Instrumentalness • 78% Positiveness
11% Popularity • 68% Danceability • 86% Energy • 4% Liveness
86% Instrumentalness • 78% Positiveness
