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Are You Sitting Comfortably
Songs like
Are You Sitting Comfortably
by
Megson
Based on a tempo of (+/- 10%) and a similar genre
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Heidi Talbot
Over the Hills and Far Away
77 bpm • B Maj • 04:08 • -13.35db
8% Popularity • 21% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Lush Fresh Handmade Sound
What Would You Do
77 bpm • G Maj • 04:43 • -9.23db
8% Popularity • 28% Danceability • 24% Energy • 36% Liveness
4% Instrumentalness • 20% Positiveness
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Maz O'Connor
London Lights
77 bpm • D Maj • 03:12 • -12.83db
9% Popularity • 42% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Megson
Patterns
76 bpm • E Maj • 04:25 • -14.54db
1% Popularity • 43% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Seth Lakeman
Pilgrim Brother
77 bpm • G Maj • 03:33 • -12.09db
11% Popularity • 67% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Jackie Oates
Sleepers Awake
78 bpm • B Maj • 04:01 • -13.34db
18% Popularity • 38% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Faustus
Slaves
78 bpm • D Maj • 02:57 • -5.41db
14% Popularity • 54% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Rachel Davis & Darren McMullen
River and the Road
78 bpm • C# Maj • 03:36 • -11.57db
20% Popularity • 47% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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The Lasses
Star of the Bar
78 bpm • F# min • 02:18 • -12.21db
9% Popularity • 69% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Megson
Humanlands
78 bpm • D# Maj • 04:18 • -11.57db
2% Popularity • 60% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Leah Roberts
Philippians 1:27-30
78 bpm • A# Maj • 01:05 • -17.37db
11% Popularity • 80% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Kelly
The Rose
78 bpm • B min • 05:13 • -10.33db
9% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Young'uns
Three Dads Walking
76 bpm • F# Maj • 03:19 • -11.64db
16% Popularity • 79% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Seth Lakeman
Solomon Browne
78 bpm • F Maj • 02:53 • -7.05db
26% Popularity • 42% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Kitty Macfarlane
Man, Friendship
79 bpm • E Maj • 04:13 • -10.81db
24% Popularity • 54% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Megson
Next Year
78 bpm • F Maj • 03:37 • -11.83db
14% Popularity • 52% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Leah Roberts
Philippians 1:19-26
78 bpm • A# Maj • 01:41 • -17.23db
10% Popularity • 82% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Salt House
Fire Light
79 bpm • D min • 03:19 • -13.4db
29% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Young'uns
Richard Moore
76 bpm • D min • 05:56 • -14.08db
13% Popularity • 47% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Spiers & Boden
Prickle-eye Bush
76 bpm • G Maj • 04:23 • -5.82db
10% Popularity • 36% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Jackie Oates
Come Away, Come Away, Death
79 bpm • F Maj • 01:53 • -13.35db
24% Popularity • 31% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Megson
Are You Sitting Comfortably
76 bpm • E Maj • 04:24 • -11.48db
15% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Martin Simpson
Never Any Good
79 bpm • D Maj • 05:26 • -9.31db
18% Popularity • 45% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Leah Roberts
Philippians 1:3-11
76 bpm • F Maj • 01:28 • -16.47db
13% Popularity • 63% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Gilmore & Roberts
Doctor James
79 bpm • G# Maj • 04:27 • -6.91db
12% Popularity • 66% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Anaïs Mitchell
Clyde Waters (Child 216)
79 bpm • D# Maj • 05:50 • -9db
18% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Splash'N Boots
Sweet Sweet Baby
75 bpm • G Maj • 02:13 • -11.2db
12% Popularity • 39% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Megson
Keeping Him On
79 bpm • A Maj • 03:46 • -9.42db
3% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Kenneth Beide
Dreamer
79 bpm • B Maj • 01:59 • -6.73db
9% Popularity • 37% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Lau
Midnight Feast
79 bpm • B min • 03:43 • -8.66db
21% Popularity • 42% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Bella Hardy
The Herring Girl
79 bpm • D min • 04:14 • -9.27db
15% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Eleanore Maggie
A Nest On a Cliff
79 bpm • A Maj • 02:59 • -11.08db
27% Popularity • 41% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ewan McLennan
The False Young Man
75 bpm • C# Maj • 03:11 • -16db
10% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Megson
Follow It On
79 bpm • D Maj • 03:45 • -8.32db
9% Popularity • 39% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Bob Fox
Shoals of Herring
79 bpm • A Maj • 04:31 • -9.45db
14% Popularity • 35% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 24% Positiveness
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The Young'uns
Lapwings
80 bpm • C# Maj • 03:21 • -12.5db
10% Popularity • 35% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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James Dunderman
Lover
80 bpm • A# Maj • 01:59 • -17db
8% Popularity • 41% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Bella Hardy
The Oak & The Ivy
80 bpm • C Maj • 01:23 • -6.8db
29% Popularity • 42% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Josienne Clarke and Ben Walker
Lily Of The West
80 bpm • G# Maj • 04:13 • -9db
21% Popularity • 59% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Megson
The Bookkeeper
75 bpm • G Maj • 05:32 • -9.04db
2% Popularity • 36% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Jez Lowe
The Pitmen Poets
80 bpm • C min • 04:12 • -17.28db
15% Popularity • 55% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Anna Josephine
Lovesick Lullaby
80 bpm • A Maj • 03:00 • -8.26db
14% Popularity • 45% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Leah Roberts
Philippians 2:1-11
74 bpm • A# Maj • 02:27 • -17.93db
10% Popularity • 61% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Melrose Quartet
Dominion of the Sword
81 bpm • F Maj • 04:20 • -7db
15% Popularity • 65% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Karine Polwart
Thou Hast Left Me Ever Jamie
80 bpm • A Maj • 03:00 • -9.24db
27% Popularity • 41% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Megson
All Around the Kitchen
80 bpm • B min • 02:52 • -6.87db
12% Popularity • 72% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Kitty Macfarlane
Half Wild
73 bpm • G# Maj • 03:57 • -11db
15% Popularity • 46% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
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Julie Fowlis
Air an Somme
81 bpm • A# Maj • 04:36 • -9.93db
12% Popularity • 29% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Leah Roberts
Philippians 2:14-18
81 bpm • A# Maj • 01:04 • -17.35db
12% Popularity • 77% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Granny's Attic
Wheels of the World
82 bpm • F Maj • 03:34 • -5.5db
9% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Bella Hardy
The Trees They Do Grow High
82 bpm • F Maj • 04:40 • -15db
8% Popularity • 58% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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The Lasses
Mingulay
82 bpm • D Maj • 04:21 • -12.84db
12% Popularity • 26% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Janice Burns & Jon Doran
Up And Awa’
82 bpm • G# Maj • 02:28 • -9.91db
15% Popularity • 52% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Maes
Grandma's
82 bpm • C Maj • 03:42 • -12.65db
13% Popularity • 40% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Tammy Bender
From Hometown
83 bpm • C Maj • 02:33 • -7.15db
8% Popularity • 48% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 59% Positiveness
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Nancy Kerr
Queen of Waters
83 bpm • C Maj • 04:13 • -7.33db
12% Popularity • 70% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Young'uns
Tiny Notes
83 bpm • C Maj • 03:49 • -15.35db
13% Popularity • 40% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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The Teacups
The Valentine's Day Hunt
83 bpm • B Maj • 02:48 • -9.51db
11% Popularity • 88% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Jim Moray
All You Pretty Girls
84 bpm • C Maj • 04:12 • -6.06db
9% Popularity • 63% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Seth Lakeman
Sailing Time
70 bpm • C Maj • 03:00 • -10.94db
10% Popularity • 53% Danceability • 47% Energy • 11% Liveness
10% Instrumentalness • 56% Positiveness
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Rachael McShane
Trust in the Rolling Ocean
84 bpm • D# Maj • 02:54 • -7.59db
13% Popularity • 38% Danceability • 54% Energy • 98% Liveness
0% Instrumentalness • 63% Positiveness
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Megson
The Longshot
70 bpm • D# Maj • 05:06 • -14db
17% Popularity • 65% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Melrose Quartet
Santa Georgia
85 bpm • B Maj • 03:29 • -9db
17% Popularity • 83% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Ten Strings and a Goat Skin
When First I Came to Caledonia
85 bpm • C Maj • 04:31 • -10.5db
17% Popularity • 50% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
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Xander Strata
Bridges to the Ethereal Realms
85 bpm • A min • 01:48 • -17.94db
17% Popularity • 54% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Jimmy Aldridge & Sid Goldsmith
Paddy West
85 bpm • F# Maj • 03:42 • -8.43db
12% Popularity • 67% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Dylan Laboureyas
Underwater
85 bpm • D Maj • 05:12 • -14.85db
19% Popularity • 53% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Megson
My Fathers Farm
85 bpm • A Maj • 03:24 • -7.41db
4% Popularity • 70% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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The Young'uns
Be the Man
85 bpm • B Maj • 05:35 • -9.26db
15% Popularity • 47% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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David Francey
All Lights Burning Bright
69 bpm • G Maj • 02:48 • -5.89db
19% Popularity • 38% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Malinky
The Sound Of A Tear Not Cried
86 bpm • D min • 02:05 • -14.87db
18% Popularity • 47% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Ellie Gowers
Woman of the Waterways
86 bpm • D# Maj • 04:32 • -7.82db
10% Popularity • 43% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Bella Hardy
Good Man's Wife
86 bpm • D min • 04:32 • -10.52db
9% Popularity • 75% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
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Megson
Just as the Tide
85 bpm • D Maj • 04:28 • -12.41db
2% Popularity • 56% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Karine Polwart
Lullaby for a Lost Mother
86 bpm • C min • 01:39 • -19.24db
21% Popularity • 54% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Karan Casey
The King's Shilling
87 bpm • A Maj • 04:18 • -14.83db
24% Popularity • 49% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Lucy Wise
Handsome Molly
87 bpm • E Maj • 02:54 • -9.53db
12% Popularity • 33% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Iona Fyfe
Lady Finella
68 bpm • C min • 04:48 • -8.66db
8% Popularity • 69% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ye Vagabonds
The Lowlands of Holland
87 bpm • E Maj • 06:11 • -11.71db
9% Popularity • 44% Danceability • 30% Energy • 69% Liveness
0% Instrumentalness • 12% Positiveness
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Brian Hillebert
Dusty Deserts
88 bpm • A# Maj • 02:55 • -12.62db
8% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Spiers & Boden
Butter & Cheese & All
88 bpm • A Maj • 04:03 • -8db
11% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Janice Burns & Jon Doran
False True Love
88 bpm • C Maj • 04:21 • -10.62db
11% Popularity • 36% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Martin Simpson
Dark Swift and Bright Swallow
88 bpm • D Maj • 03:51 • -14.48db
23% Popularity • 31% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Reg Meuross
Phil Ochs & Elvis Eating Lunch in Morris...
88 bpm • D Maj • 03:26 • -16.32db
13% Popularity • 58% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Megson
Red Bird
88 bpm • G Maj • 02:17 • -4.1db
10% Popularity • 74% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Bella Hardy
Sprig of Thyme
88 bpm • D Maj • 03:13 • -9.83db
14% Popularity • 56% Danceability • 28% Energy • 11% Liveness
11% Instrumentalness • 71% Positiveness
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Spiers & Boden
Fallow Ground
88 bpm • F Maj • 04:25 • -10db
8% Popularity • 48% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 21% Positiveness
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Kathryn Roberts & Sean Lakeman
Child Owlet
88 bpm • G min • 03:19 • -6.59db
9% Popularity • 61% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Ye Vagabonds
The Hare's Lament
89 bpm • A# Maj • 05:01 • -11.2db
30% Popularity • 43% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Maura O'Connell
Mo Sheamuseen
89 bpm • E Maj • 01:57 • -11.34db
10% Popularity • 59% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Megson
Burn Away
89 bpm • F Maj • 03:39 • -7db
12% Popularity • 58% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Sam Kelly
Jolly Waggoners
89 bpm • E Maj • 03:19 • -5.54db
15% Popularity • 44% Danceability • 55% Energy • 63% Liveness
0% Instrumentalness • 87% Positiveness
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Nancy Kerr
Fragile Water
90 bpm • G Maj • 04:43 • -11db
18% Popularity • 40% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Spiers & Boden
Hind Horn
90 bpm • G Maj • 04:45 • -8.8db
8% Popularity • 50% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Battlefield Band
Shepherd Lad
90 bpm • D# Maj • 03:53 • -13.54db
28% Popularity • 36% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Martin Simpson
I Whipped My Horse
90 bpm • A Maj • 02:30 • -10.69db
10% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Megson
Two Sides in Every Conversation
90 bpm • G Maj • 04:37 • -9.65db
1% Popularity • 65% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Sam Kelly
When the Reivers Call
90 bpm • G# Maj • 03:45 • -9.2db
11% Popularity • 32% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Ewan McLennan
Tramps and Hawkers
90 bpm • E Maj • 03:56 • -9db
19% Popularity • 42% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Eliza Carthy
Pretty Grey Hawk
90 bpm • A Maj • 03:23 • -7.97db
9% Popularity • 48% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Are You Sitting Comfortably