Songs like Are You with Me Now? by Cate Le Bon
Based on a tempo of (+/- 10%) and a similar genre
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Young Marble Giants
Salad Days
142 bpm • E Maj • 02:00 • -12db
30% Popularity • 77% Danceability • 30% Energy • 10% Liveness
29% Instrumentalness • 38% Positiveness
30% Popularity • 77% Danceability • 30% Energy • 10% Liveness
29% Instrumentalness • 38% Positiveness
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Margo Guryan
Someone I Know
142 bpm • E Maj • 02:46 • -11db
34% Popularity • 50% Danceability • 50% Energy • 9% Liveness
30% Instrumentalness • 59% Positiveness
34% Popularity • 50% Danceability • 50% Energy • 9% Liveness
30% Instrumentalness • 59% Positiveness
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Julia Holter
Feel You
142 bpm • A min • 04:08 • -5.48db
37% Popularity • 44% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 44% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Smog
Teenage Spaceship
142 bpm • D Maj • 03:58 • -22.29db
34% Popularity • 47% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 21% Positiveness
34% Popularity • 47% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 21% Positiveness
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Mega Bog
She's History
142 bpm • D# min • 02:33 • -7.84db
11% Popularity • 43% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
11% Popularity • 43% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Tonstartssbandht
Hey Bad
142 bpm • A Maj • 06:39 • -10.3db
13% Popularity • 47% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
13% Popularity • 47% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Atlas Sound
Quick Canal (W/ Laetitia Sadier)
143 bpm • G Maj • 08:38 • -10.64db
35% Popularity • 30% Danceability • 54% Energy • 13% Liveness
80% Instrumentalness • 19% Positiveness
35% Popularity • 30% Danceability • 54% Energy • 13% Liveness
80% Instrumentalness • 19% Positiveness
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Cate Le Bon
Are You with Me Now?
142 bpm • C Maj • 04:20 • -8db
45% Popularity • 61% Danceability • 63% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
45% Popularity • 61% Danceability • 63% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Chris Cohen
Song They Play
143 bpm • E Maj • 03:38 • -8.29db
15% Popularity • 58% Danceability • 58% Energy • 14% Liveness
36% Instrumentalness • 60% Positiveness
15% Popularity • 58% Danceability • 58% Energy • 14% Liveness
36% Instrumentalness • 60% Positiveness
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Lightning Bug
The Right Thing Is Hard To Do
140 bpm • E Maj • 03:46 • -9.95db
26% Popularity • 41% Danceability • 44% Energy • 13% Liveness
6% Instrumentalness • 27% Positiveness
26% Popularity • 41% Danceability • 44% Energy • 13% Liveness
6% Instrumentalness • 27% Positiveness
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The Roches
Hammond Song
144 bpm • D# Maj • 05:45 • -11.48db
44% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The Sea and Cake
The Argument
140 bpm • D Maj • 05:02 • -9db
33% Popularity • 66% Danceability • 68% Energy • 14% Liveness
25% Instrumentalness • 94% Positiveness
33% Popularity • 66% Danceability • 68% Energy • 14% Liveness
25% Instrumentalness • 94% Positiveness
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Arthur Russell
A Little Lost
144 bpm • C Maj • 03:18 • -21.02db
37% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Midnight Sister
Foxes
140 bpm • D Maj • 02:56 • -5db
20% Popularity • 48% Danceability • 72% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
20% Popularity • 48% Danceability • 72% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
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Anika
Change
144 bpm • C# Maj • 04:31 • -10db
29% Popularity • 63% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 55% Positiveness
29% Popularity • 63% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 55% Positiveness
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Laetitia Sadier
One Million Year Trip
144 bpm • A Maj • 05:02 • -7.5db
25% Popularity • 58% Danceability • 74% Energy • 9% Liveness
59% Instrumentalness • 60% Positiveness
25% Popularity • 58% Danceability • 74% Energy • 9% Liveness
59% Instrumentalness • 60% Positiveness
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Chris Cohen
Don't Look Today
140 bpm • E Maj • 03:58 • -6db
15% Popularity • 39% Danceability • 71% Energy • 38% Liveness
89% Instrumentalness • 39% Positiveness
15% Popularity • 39% Danceability • 71% Energy • 38% Liveness
89% Instrumentalness • 39% Positiveness
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La Luz
In the Country
140 bpm • F Maj • 03:20 • -7db
32% Popularity • 32% Danceability • 61% Energy • 38% Liveness
2% Instrumentalness • 35% Positiveness
32% Popularity • 32% Danceability • 61% Energy • 38% Liveness
2% Instrumentalness • 35% Positiveness
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Mega Bog
Untitled
140 bpm • C Maj • 02:00 • -14.07db
9% Popularity • 44% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 44% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Jack Name
Waiting for Another Moon
140 bpm • C Maj • 02:12 • -9.05db
34% Popularity • 62% Danceability • 41% Energy • 10% Liveness
35% Instrumentalness • 38% Positiveness
34% Popularity • 62% Danceability • 41% Energy • 10% Liveness
35% Instrumentalness • 38% Positiveness
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HTRK
Kiss Kiss and Rhinestones
145 bpm • A min • 02:04 • -19.34db
36% Popularity • 54% Danceability • 20% Energy • 13% Liveness
23% Instrumentalness • 25% Positiveness
36% Popularity • 54% Danceability • 20% Energy • 13% Liveness
23% Instrumentalness • 25% Positiveness
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Bill Callahan
Faith/Void
139 bpm • G Maj • 09:44 • -12.24db
26% Popularity • 53% Danceability • 39% Energy • 10% Liveness
55% Instrumentalness • 38% Positiveness
26% Popularity • 53% Danceability • 39% Energy • 10% Liveness
55% Instrumentalness • 38% Positiveness
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Hand Habits
what’s the use
145 bpm • A Maj • 02:49 • -6.76db
21% Popularity • 44% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 44% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Sneaks
Devo
139 bpm • A Maj • 01:40 • -12.32db
35% Popularity • 86% Danceability • 22% Energy • 21% Liveness
41% Instrumentalness • 50% Positiveness
35% Popularity • 86% Danceability • 22% Energy • 21% Liveness
41% Instrumentalness • 50% Positiveness
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Cate Le Bon
The Light
145 bpm • C Maj • 04:51 • -7.55db
20% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jack Name
Karolina
139 bpm • D Maj • 03:11 • -7.17db
7% Popularity • 52% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 52% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Cohen
Sweet William
139 bpm • E Maj • 02:44 • -4.54db
17% Popularity • 67% Danceability • 70% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
17% Popularity • 67% Danceability • 70% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
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Purple Mountains
All My Happiness Is Gone
138 bpm • G Maj • 04:20 • -7.79db
21% Popularity • 50% Danceability • 75% Energy • 27% Liveness
5% Instrumentalness • 72% Positiveness
21% Popularity • 50% Danceability • 75% Energy • 27% Liveness
5% Instrumentalness • 72% Positiveness
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Arthur Russell
Planted A Thought
138 bpm • B min • 03:28 • -10.86db
43% Popularity • 81% Danceability • 62% Energy • 18% Liveness
86% Instrumentalness • 94% Positiveness
43% Popularity • 81% Danceability • 62% Energy • 18% Liveness
86% Instrumentalness • 94% Positiveness
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Insecure Men
Cliff Has Left the Building
146 bpm • F# min • 03:48 • -9.52db
34% Popularity • 39% Danceability • 60% Energy • 15% Liveness
29% Instrumentalness • 70% Positiveness
34% Popularity • 39% Danceability • 60% Energy • 15% Liveness
29% Instrumentalness • 70% Positiveness
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Cat Power
Manhattan
138 bpm • G Maj • 05:16 • -8.06db
46% Popularity • 71% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
46% Popularity • 71% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Jack Name
Sacred Place
138 bpm • A# Maj • 03:51 • -12.96db
8% Popularity • 61% Danceability • 31% Energy • 12% Liveness
6% Instrumentalness • 31% Positiveness
8% Popularity • 61% Danceability • 31% Energy • 12% Liveness
6% Instrumentalness • 31% Positiveness
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Eerie Wanda
Sleepy Eyes
146 bpm • C Maj • 03:10 • -10.84db
21% Popularity • 59% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 59% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Cohen
Green Eyes
138 bpm • C Maj • 03:18 • -7db
30% Popularity • 61% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 61% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Arthur Russell
That's Us/Wild Combination
138 bpm • C# min • 06:58 • -13.34db
43% Popularity • 66% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 66% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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The Limiñanas
Cold Was the Ground
138 bpm • E Maj • 03:49 • -6.85db
39% Popularity • 56% Danceability • 43% Energy • 10% Liveness
41% Instrumentalness • 42% Positiveness
39% Popularity • 56% Danceability • 43% Energy • 10% Liveness
41% Instrumentalness • 42% Positiveness
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Electrelane
Take the Bit Between Your Teeth
147 bpm • A Maj • 04:58 • -9db
26% Popularity • 23% Danceability • 68% Energy • 30% Liveness
81% Instrumentalness • 27% Positiveness
26% Popularity • 23% Danceability • 68% Energy • 30% Liveness
81% Instrumentalness • 27% Positiveness
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DRINKS
Greasing Up
137 bpm • D Maj • 02:50 • -11.61db
23% Popularity • 60% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 69% Positiveness
23% Popularity • 60% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 69% Positiveness
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Cory Hanson
Replica
147 bpm • D# Maj • 04:08 • -8.41db
35% Popularity • 44% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 52% Positiveness
35% Popularity • 44% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 52% Positiveness
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Adrianne Lenker
symbol
147 bpm • G Maj • 03:49 • -11.59db
31% Popularity • 55% Danceability • 61% Energy • 13% Liveness
86% Instrumentalness • 69% Positiveness
31% Popularity • 55% Danceability • 61% Energy • 13% Liveness
86% Instrumentalness • 69% Positiveness
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Arthur Russell
You Did It Yourself
138 bpm • E min • 03:06 • -8.64db
33% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Broadcast
America's Boy
136 bpm • B min • 03:34 • -6.5db
39% Popularity • 43% Danceability • 70% Energy • 51% Liveness
96% Instrumentalness • 64% Positiveness
39% Popularity • 43% Danceability • 70% Energy • 51% Liveness
96% Instrumentalness • 64% Positiveness
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SASAMI
Morning Comes
136 bpm • E min • 04:23 • -10.96db
21% Popularity • 69% Danceability • 52% Energy • 17% Liveness
37% Instrumentalness • 53% Positiveness
21% Popularity • 69% Danceability • 52% Energy • 17% Liveness
37% Instrumentalness • 53% Positiveness
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Mega Bog
Truth in the Wild
148 bpm • D Maj • 03:58 • -10.74db
9% Popularity • 51% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 51% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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The Cleaners From Venus
I Can't Stop (Holding On)
136 bpm • C# Maj • 02:20 • -5.25db
46% Popularity • 58% Danceability • 77% Energy • 7% Liveness
81% Instrumentalness • 46% Positiveness
46% Popularity • 58% Danceability • 77% Energy • 7% Liveness
81% Instrumentalness • 46% Positiveness
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Tonstartssbandht
Falloff
149 bpm • F# Maj • 08:26 • -10.64db
13% Popularity • 28% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
13% Popularity • 28% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Hope Sandoval & The Warm Inventions
On the Low
149 bpm • A min • 05:08 • -11db
45% Popularity • 35% Danceability • 32% Energy • 28% Liveness
52% Instrumentalness • 34% Positiveness
45% Popularity • 35% Danceability • 32% Energy • 28% Liveness
52% Instrumentalness • 34% Positiveness
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Arthur Russell
Your Motion Says
135 bpm • E min • 02:40 • -10.39db
38% Popularity • 61% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 61% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Lael Neale
Hotline
135 bpm • A min • 02:50 • -4db
20% Popularity • 63% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 63% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
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Dry Cleaning
New Long Leg
135 bpm • B min • 04:12 • -6.41db
30% Popularity • 64% Danceability • 68% Energy • 24% Liveness
22% Instrumentalness • 57% Positiveness
30% Popularity • 64% Danceability • 68% Energy • 24% Liveness
22% Instrumentalness • 57% Positiveness
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Chris Cohen
In a Fable
135 bpm • G min • 03:00 • -6.34db
26% Popularity • 58% Danceability • 64% Energy • 34% Liveness
72% Instrumentalness • 84% Positiveness
26% Popularity • 58% Danceability • 64% Energy • 34% Liveness
72% Instrumentalness • 84% Positiveness
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Deradoorian
It Was Me
135 bpm • G# Maj • 04:25 • -10.91db
13% Popularity • 54% Danceability • 53% Energy • 10% Liveness
40% Instrumentalness • 36% Positiveness
13% Popularity • 54% Danceability • 53% Energy • 10% Liveness
40% Instrumentalness • 36% Positiveness
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Life Without Buildings
New Town
135 bpm • G Maj • 05:53 • -9db
37% Popularity • 62% Danceability • 72% Energy • 11% Liveness
40% Instrumentalness • 29% Positiveness
37% Popularity • 62% Danceability • 72% Energy • 11% Liveness
40% Instrumentalness • 29% Positiveness
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Arthur Russell
Love Is Overtaking Me
149 bpm • D Maj • 03:39 • -12.69db
32% Popularity • 57% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 57% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Honeyglaze
Burglar
135 bpm • C min • 05:48 • -10db
26% Popularity • 46% Danceability • 49% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
26% Popularity • 46% Danceability • 49% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
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Devonté Hynes
La Fat Fur
150 bpm • A# Maj • 02:30 • -9db
39% Popularity • 77% Danceability • 70% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
39% Popularity • 77% Danceability • 70% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
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Mark Fry
Song for Wilde
134 bpm • F# Maj • 02:33 • -16.38db
43% Popularity • 54% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
43% Popularity • 54% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
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Deradoorian
Red Den
150 bpm • A Maj • 04:42 • -11.82db
13% Popularity • 59% Danceability • 26% Energy • 11% Liveness
55% Instrumentalness • 23% Positiveness
13% Popularity • 59% Danceability • 26% Energy • 11% Liveness
55% Instrumentalness • 23% Positiveness
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DRINKS
Corner Shops
150 bpm • F# Maj • 04:26 • -8db
14% Popularity • 76% Danceability • 41% Energy • 7% Liveness
3% Instrumentalness • 90% Positiveness
14% Popularity • 76% Danceability • 41% Energy • 7% Liveness
3% Instrumentalness • 90% Positiveness
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Cate Le Bon
Find Me
134 bpm • C Maj • 02:51 • -6.1db
19% Popularity • 79% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 79% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Smog
Held
150 bpm • G# Maj • 04:02 • -9db
36% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Hand Habits
Aquamarine
134 bpm • C# Maj • 04:14 • -9.07db
32% Popularity • 63% Danceability • 82% Energy • 13% Liveness
75% Instrumentalness • 56% Positiveness
32% Popularity • 63% Danceability • 82% Energy • 13% Liveness
75% Instrumentalness • 56% Positiveness
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Boom Bip
Do as I Do
134 bpm • F# min • 05:27 • -8.43db
1% Popularity • 46% Danceability • 75% Energy • 31% Liveness
91% Instrumentalness • 10% Positiveness
1% Popularity • 46% Danceability • 75% Energy • 31% Liveness
91% Instrumentalness • 10% Positiveness
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Mount Kimbie
You Look Certain (I’m Not So Sure)
134 bpm • B min • 03:22 • -8.86db
41% Popularity • 67% Danceability • 86% Energy • 49% Liveness
87% Instrumentalness • 97% Positiveness
41% Popularity • 67% Danceability • 86% Energy • 49% Liveness
87% Instrumentalness • 97% Positiveness
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Julia Holter
This Is a True Heart
134 bpm • A min • 03:30 • -12db
29% Popularity • 46% Danceability • 49% Energy • 5% Liveness
79% Instrumentalness • 23% Positiveness
29% Popularity • 46% Danceability • 49% Energy • 5% Liveness
79% Instrumentalness • 23% Positiveness
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Lael Neale
Some Sunny Day
151 bpm • C Maj • 04:24 • -5.01db
15% Popularity • 41% Danceability • 74% Energy • 10% Liveness
11% Instrumentalness • 56% Positiveness
15% Popularity • 41% Danceability • 74% Energy • 10% Liveness
11% Instrumentalness • 56% Positiveness
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The Space Lady
Synthesize Me
151 bpm • D min • 04:45 • -13db
33% Popularity • 22% Danceability • 40% Energy • 9% Liveness
29% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 40% Energy • 9% Liveness
29% Instrumentalness • 8% Positiveness
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Hand Habits
placeholder
134 bpm • F# min • 03:50 • -9.37db
34% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Linda Smith
I So Liked Spring
134 bpm • C Maj • 05:27 • -10.97db
37% Popularity • 37% Danceability • 48% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
37% Popularity • 37% Danceability • 48% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Alabaster DePlume
Is It Enough
134 bpm • C Maj • 04:05 • -10db
31% Popularity • 41% Danceability • 47% Energy • 11% Liveness
12% Instrumentalness • 42% Positiveness
31% Popularity • 41% Danceability • 47% Energy • 11% Liveness
12% Instrumentalness • 42% Positiveness
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Weyes Blood
Seven Words
134 bpm • A# Maj • 04:37 • -10.38db
35% Popularity • 30% Danceability • 30% Energy • 13% Liveness
11% Instrumentalness • 10% Positiveness
35% Popularity • 30% Danceability • 30% Energy • 13% Liveness
11% Instrumentalness • 10% Positiveness
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Cate Le Bon
I Was Born on the Wrong Day
134 bpm • E min • 02:17 • -9.36db
18% Popularity • 65% Danceability • 40% Energy • 16% Liveness
27% Instrumentalness • 48% Positiveness
18% Popularity • 65% Danceability • 40% Energy • 16% Liveness
27% Instrumentalness • 48% Positiveness
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Steve Gunn
Ark
151 bpm • B Maj • 05:21 • -8.38db
18% Popularity • 45% Danceability • 60% Energy • 11% Liveness
57% Instrumentalness • 51% Positiveness
18% Popularity • 45% Danceability • 60% Energy • 11% Liveness
57% Instrumentalness • 51% Positiveness
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Silver Jews
Trains Across The Sea
134 bpm • C Maj • 03:15 • -12.45db
46% Popularity • 49% Danceability • 48% Energy • 11% Liveness
39% Instrumentalness • 38% Positiveness
46% Popularity • 49% Danceability • 48% Energy • 11% Liveness
39% Instrumentalness • 38% Positiveness
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Arthur Russell
I Never Get Lonesome
152 bpm • C Maj • 02:17 • -9.51db
41% Popularity • 65% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 65% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Dry Cleaning
Scratchcard Lanyard
151 bpm • B min • 04:06 • -5db
45% Popularity • 53% Danceability • 84% Energy • 8% Liveness
15% Instrumentalness • 78% Positiveness
45% Popularity • 53% Danceability • 84% Energy • 8% Liveness
15% Instrumentalness • 78% Positiveness
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Electrelane
Oh Sombra!
132 bpm • E min • 02:58 • -11.94db
29% Popularity • 50% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
29% Popularity • 50% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Woo
Make Me Tea
152 bpm • A# Maj • 03:37 • -13.41db
25% Popularity • 55% Danceability • 28% Energy • 32% Liveness
2% Instrumentalness • 49% Positiveness
25% Popularity • 55% Danceability • 28% Energy • 32% Liveness
2% Instrumentalness • 49% Positiveness
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Broadcast
Tears In The Typing Pool
153 bpm • A min • 02:12 • -13db
59% Popularity • 30% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 30% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Hand Habits
No Difference
132 bpm • A# Maj • 02:51 • -9.99db
35% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
35% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
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Arthur Russell
Come To Life
152 bpm • A Maj • 04:46 • -12db
22% Popularity • 60% Danceability • 52% Energy • 9% Liveness
38% Instrumentalness • 57% Positiveness
22% Popularity • 60% Danceability • 52% Energy • 9% Liveness
38% Instrumentalness • 57% Positiveness
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Jackie Cohen
Darlin'
132 bpm • C Maj • 03:07 • -6.62db
18% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Magnetic Fields
Strange Powers
132 bpm • C Maj • 02:41 • -8.15db
53% Popularity • 67% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 67% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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La Luz
Cicada
153 bpm • A# min • 03:11 • -5db
38% Popularity • 47% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
38% Popularity • 47% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Electrelane
Saturday
131 bpm • G Maj • 03:56 • -12.27db
25% Popularity • 42% Danceability • 48% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
25% Popularity • 42% Danceability • 48% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
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Purple Mountains
Snow Is Falling In Manhattan
131 bpm • C Maj • 06:03 • -11.57db
13% Popularity • 54% Danceability • 42% Energy • 6% Liveness
30% Instrumentalness • 31% Positiveness
13% Popularity • 54% Danceability • 42% Energy • 6% Liveness
30% Instrumentalness • 31% Positiveness
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Mega Bog
Crumb Back
153 bpm • E Maj • 03:14 • -6.48db
23% Popularity • 53% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 53% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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CC Dust
New Ways
131 bpm • A Maj • 03:30 • -3.98db
28% Popularity • 57% Danceability • 87% Energy • 7% Liveness
83% Instrumentalness • 22% Positiveness
28% Popularity • 57% Danceability • 87% Energy • 7% Liveness
83% Instrumentalness • 22% Positiveness
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Avey Tare
Saturdays (Again)
131 bpm • D# min • 04:49 • -7.86db
29% Popularity • 46% Danceability • 82% Energy • 31% Liveness
48% Instrumentalness • 59% Positiveness
29% Popularity • 46% Danceability • 82% Energy • 31% Liveness
48% Instrumentalness • 59% Positiveness
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Smog
Ex-Con
131 bpm • C Maj • 03:35 • -11.81db
36% Popularity • 79% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 86% Positiveness
36% Popularity • 79% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 86% Positiveness
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Electrelane
Love Builds Up
154 bpm • E min • 05:24 • -12.44db
28% Popularity • 53% Danceability • 38% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
28% Popularity • 53% Danceability • 38% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
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Carla dal Forno
So Much Better
154 bpm • G Maj • 04:05 • -12.28db
20% Popularity • 61% Danceability • 40% Energy • 36% Liveness
1% Instrumentalness • 42% Positiveness
20% Popularity • 61% Danceability • 40% Energy • 36% Liveness
1% Instrumentalness • 42% Positiveness
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Broadcast
Black Cat
131 bpm • B min • 03:58 • -7db
39% Popularity • 24% Danceability • 77% Energy • 8% Liveness
58% Instrumentalness • 46% Positiveness
39% Popularity • 24% Danceability • 77% Energy • 8% Liveness
58% Instrumentalness • 46% Positiveness
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EERA
Christine
131 bpm • E min • 02:16 • -17db
37% Popularity • 45% Danceability • 28% Energy • 14% Liveness
76% Instrumentalness • 54% Positiveness
37% Popularity • 45% Danceability • 28% Energy • 14% Liveness
76% Instrumentalness • 54% Positiveness
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Sonny & The Sunsets
Green Blood
131 bpm • D# Maj • 04:21 • -5.33db
32% Popularity • 35% Danceability • 83% Energy • 16% Liveness
13% Instrumentalness • 44% Positiveness
32% Popularity • 35% Danceability • 83% Energy • 16% Liveness
13% Instrumentalness • 44% Positiveness
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Chris Cohen
Edit Out
155 bpm • D# Maj • 03:26 • -11.17db
22% Popularity • 60% Danceability • 46% Energy • 35% Liveness
84% Instrumentalness • 59% Positiveness
22% Popularity • 60% Danceability • 46% Energy • 35% Liveness
84% Instrumentalness • 59% Positiveness
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Electrelane
Gone Under Sea
154 bpm • A Maj • 03:12 • -11.66db
34% Popularity • 44% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 44% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Mega Bog
Aurora/99
130 bpm • A# Maj • 04:48 • -11.18db
10% Popularity • 26% Danceability • 48% Energy • 12% Liveness
20% Instrumentalness • 11% Positiveness
10% Popularity • 26% Danceability • 48% Energy • 12% Liveness
20% Instrumentalness • 11% Positiveness
