Songs like Argos Farfish by Sharhabil Ahmed
Based on a tempo of (+/- 10%) and a similar genre
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Sharhabil Ahmed
Argos Farfish
82 bpm • A Maj • 04:38 • -5.08db
34% Popularity • 68% Danceability • 89% Energy • 11% Liveness
25% Instrumentalness • 98% Positiveness
34% Popularity • 68% Danceability • 89% Energy • 11% Liveness
25% Instrumentalness • 98% Positiveness
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The Scorpions
Seira Music
83 bpm • G Maj • 02:30 • -6.9db
39% Popularity • 64% Danceability • 62% Energy • 10% Liveness
90% Instrumentalness • 76% Positiveness
39% Popularity • 64% Danceability • 62% Energy • 10% Liveness
90% Instrumentalness • 76% Positiveness
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El Rego
Kpon Fi La
81 bpm • G# Maj • 03:58 • -10db
26% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Issam Hajali
Ada
82 bpm • F min • 04:58 • -8.28db
28% Popularity • 33% Danceability • 49% Energy • 13% Liveness
3% Instrumentalness • 49% Positiveness
28% Popularity • 33% Danceability • 49% Energy • 13% Liveness
3% Instrumentalness • 49% Positiveness
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Sharaf Band
Kadeed Badanaa Naftaydani (My Life is Fu...
83 bpm • C Maj • 05:31 • -7.23db
18% Popularity • 57% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 57% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Alemayehu Eshete
Telantena zare
83 bpm • G Maj • 03:46 • -6.81db
33% Popularity • 66% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 66% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Bembeya Jazz National
Petit Sékou
81 bpm • A min • 05:59 • -5.22db
41% Popularity • 50% Danceability • 68% Energy • 11% Liveness
86% Instrumentalness • 62% Positiveness
41% Popularity • 50% Danceability • 68% Energy • 11% Liveness
86% Instrumentalness • 62% Positiveness
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Sharhabil Ahmed
Aziza
81 bpm • G Maj • 06:33 • -7.37db
12% Popularity • 53% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 53% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Abdel Aziz El Mubarak
Ahla Eyyoun
81 bpm • A min • 06:44 • -8.61db
21% Popularity • 59% Danceability • 73% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
21% Popularity • 59% Danceability • 73% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
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Groupe RTD
Suuban (Joy)
84 bpm • D Maj • 04:59 • -10.61db
8% Popularity • 63% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
8% Popularity • 63% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Hamza El Din
Childhood
80 bpm • G# min • 04:36 • -16.44db
21% Popularity • 62% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 62% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Magda Ali / مجدى علي
Nafourak Ya Ghazal / نفورك يا غ�...
80 bpm • E min • 02:51 • -8.41db
10% Popularity • 46% Danceability • 57% Energy • 27% Liveness
10% Instrumentalness • 77% Positiveness
10% Popularity • 46% Danceability • 57% Energy • 27% Liveness
10% Instrumentalness • 77% Positiveness
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Ibrahim Hesnawi
Never Understand
80 bpm • C min • 03:54 • -8.46db
30% Popularity • 58% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 58% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Sharhabil Ahmed
Kamar Dawa
84 bpm • G Maj • 05:17 • -4.81db
15% Popularity • 62% Danceability • 77% Energy • 7% Liveness
3% Instrumentalness • 97% Positiveness
15% Popularity • 62% Danceability • 77% Energy • 7% Liveness
3% Instrumentalness • 97% Positiveness
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Abdel Gadir Salim
A'abir Sikkah
80 bpm • D min • 08:09 • -12.65db
8% Popularity • 48% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 48% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Alogte Oho & His Sounds of Joy
Ma'algo
80 bpm • G Maj • 03:50 • -9.52db
10% Popularity • 62% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 62% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Black Brothers
Saman Doye
84 bpm • D Maj • 04:05 • -8.73db
30% Popularity • 54% Danceability • 70% Energy • 7% Liveness
10% Instrumentalness • 97% Positiveness
30% Popularity • 54% Danceability • 70% Energy • 7% Liveness
10% Instrumentalness • 97% Positiveness
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Kamal Tarbas
Min Ozzalna Seebak Seeb (Forget Those Th...
80 bpm • D min • 06:31 • -7.01db
10% Popularity • 49% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 49% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Kamal Keila
Ghali Ghali Ya Jinub
84 bpm • C Maj • 06:23 • -7.15db
11% Popularity • 46% Danceability • 65% Energy • 16% Liveness
6% Instrumentalness • 76% Positiveness
11% Popularity • 46% Danceability • 65% Energy • 16% Liveness
6% Instrumentalness • 76% Positiveness
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Sharhabil Ahmed
Ya Shagini
80 bpm • C# Maj • 09:25 • -6.02db
12% Popularity • 51% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 51% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Belbao
Casablanca Shuffle
85 bpm • F# Maj • 03:03 • -3.8db
23% Popularity • 40% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 40% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Aamina Camaari
Rag waa Nacab iyo Nasteexo (Men are Crue...
79 bpm • E min • 06:00 • -9.66db
23% Popularity • 54% Danceability • 38% Energy • 23% Liveness
1% Instrumentalness • 89% Positiveness
23% Popularity • 54% Danceability • 38% Energy • 23% Liveness
1% Instrumentalness • 89% Positiveness
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Fadumo Qassim and Waaberi Band
Waakaa Helaa - I Like You
85 bpm • A min • 06:21 • -10.54db
11% Popularity • 41% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 41% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Bab L' Bluz
Glibi
85 bpm • C Maj • 04:04 • -5.54db
14% Popularity • 59% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 59% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Girma Bèyènè
Yebeqagnal
79 bpm • C min • 03:31 • -11db
22% Popularity • 69% Danceability • 31% Energy • 12% Liveness
5% Instrumentalness • 96% Positiveness
22% Popularity • 69% Danceability • 31% Energy • 12% Liveness
5% Instrumentalness • 96% Positiveness
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Sharhabil Ahmed
El Bambi
84 bpm • G Maj • 05:25 • -6.4db
19% Popularity • 43% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 43% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Ammar El Sheraie
Asmar Ya Asmarani
79 bpm • D Maj • 04:28 • -15.32db
7% Popularity • 57% Danceability • 43% Energy • 7% Liveness
80% Instrumentalness • 77% Positiveness
7% Popularity • 57% Danceability • 43% Energy • 7% Liveness
80% Instrumentalness • 77% Positiveness
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Iftiin Band
Xuduud Ma Leh Xubigaan (This Love Has No...
79 bpm • G min • 07:13 • -10db
13% Popularity • 39% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 39% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Alogte Oho & His Sounds of Joy
Yu Ya Yumma
79 bpm • F min • 03:22 • -6db
23% Popularity • 62% Danceability • 63% Energy • 35% Liveness
2% Instrumentalness • 78% Positiveness
23% Popularity • 62% Danceability • 63% Energy • 35% Liveness
2% Instrumentalness • 78% Positiveness
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Alemayehu Eshete
Alteleyeshegnem
79 bpm • F# Maj • 04:54 • -10db
31% Popularity • 66% Danceability • 59% Energy • 35% Liveness
1% Instrumentalness • 62% Positiveness
31% Popularity • 66% Danceability • 59% Energy • 35% Liveness
1% Instrumentalness • 62% Positiveness
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Abu Obaida Hassan
Dayer Anwer Lek (Light Your Path)
79 bpm • G# min • 05:03 • -11.52db
10% Popularity • 73% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 73% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Getatchew Mekurya
Tezeta
78 bpm • F Maj • 04:42 • -9db
20% Popularity • 40% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
20% Popularity • 40% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
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Orchestra Baobab
Aduna Diaroul Niawo
86 bpm • G min • 04:17 • -4.55db
23% Popularity • 58% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 58% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Rogér Fakhr
Keep Going
86 bpm • G min • 01:26 • -12.13db
37% Popularity • 39% Danceability • 55% Energy • 9% Liveness
63% Instrumentalness • 81% Positiveness
37% Popularity • 39% Danceability • 55% Energy • 9% Liveness
63% Instrumentalness • 81% Positiveness
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Gyedu-Blay Ambolley
Adwoa
86 bpm • C Maj • 04:07 • -16.1db
28% Popularity • 75% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
28% Popularity • 75% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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Rasha
Azara Alhai
78 bpm • C min • 06:27 • -10.36db
33% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Issam Hajali
Khobs
87 bpm • D# Maj • 03:31 • -14.26db
37% Popularity • 40% Danceability • 45% Energy • 20% Liveness
53% Instrumentalness • 75% Positiveness
37% Popularity • 40% Danceability • 45% Energy • 20% Liveness
53% Instrumentalness • 75% Positiveness
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Bob Destiny
Wang Dang
78 bpm • F Maj • 04:37 • -6.63db
30% Popularity • 48% Danceability • 93% Energy • 16% Liveness
31% Instrumentalness • 58% Positiveness
30% Popularity • 48% Danceability • 93% Energy • 16% Liveness
31% Instrumentalness • 58% Positiveness
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Mar Seck
Sibouten
87 bpm • D# Maj • 04:47 • -16db
28% Popularity • 64% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 64% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Moussa Doumbia
Femme d'aujourd'hui
87 bpm • E Maj • 05:47 • -5.87db
17% Popularity • 67% Danceability • 79% Energy • 12% Liveness
17% Instrumentalness • 89% Positiveness
17% Popularity • 67% Danceability • 79% Energy • 12% Liveness
17% Instrumentalness • 89% Positiveness
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Nimco Jamaac
Buuraha U Dheer (The Highest Mountains)
77 bpm • B Maj • 05:48 • -9db
18% Popularity • 23% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 23% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Groupe RTD
Buuraha U Dheer (The Highest Mountains)
88 bpm • C Maj • 06:46 • -9.65db
10% Popularity • 53% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 53% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Hany Mehanna
Al Qina' Al Za'ef
76 bpm • A min • 04:16 • -11.45db
11% Popularity • 44% Danceability • 51% Energy • 26% Liveness
4% Instrumentalness • 48% Positiveness
11% Popularity • 44% Danceability • 51% Energy • 26% Liveness
4% Instrumentalness • 48% Positiveness
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Jalil Bennis Et Les Golden Hands
Mirza
76 bpm • E Maj • 02:16 • -6.02db
30% Popularity • 66% Danceability • 88% Energy • 46% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 66% Danceability • 88% Energy • 46% Liveness
0% Instrumentalness • 86% Positiveness
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The Scorpions
Nile Waves
88 bpm • C Maj • 03:59 • -8db
39% Popularity • 73% Danceability • 79% Energy • 4% Liveness
82% Instrumentalness • 97% Positiveness
39% Popularity • 73% Danceability • 79% Energy • 4% Liveness
82% Instrumentalness • 97% Positiveness
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Malouma
Nedine
88 bpm • E min • 04:45 • -5.65db
16% Popularity • 61% Danceability • 66% Energy • 38% Liveness
1% Instrumentalness • 48% Positiveness
16% Popularity • 61% Danceability • 66% Energy • 38% Liveness
1% Instrumentalness • 48% Positiveness
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Omar Shoolil
Hab Isii - Hug Me
89 bpm • A Maj • 05:35 • -8.73db
13% Popularity • 61% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 61% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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The Free Music
Al Qalb Mrayef
90 bpm • C Maj • 04:13 • -9.89db
22% Popularity • 42% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 42% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Issam Hajali
Ana Damir El Motakallim
75 bpm • C min • 11:42 • -8.61db
30% Popularity • 25% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 25% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Ibrahim Hesnawi
Only World
75 bpm • A min • 04:45 • -8.85db
33% Popularity • 59% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 59% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 85% Positiveness
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The Scorpions
Saat Alfarah
89 bpm • A Maj • 04:46 • -6db
33% Popularity • 53% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 53% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Ahmed Fakroun
Hareb fil layali
90 bpm • D Maj • 04:55 • -9.53db
12% Popularity • 53% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 53% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Al-Qasar
Selma
90 bpm • E Maj • 03:23 • -6.15db
32% Popularity • 45% Danceability • 64% Energy • 46% Liveness
1% Instrumentalness • 85% Positiveness
32% Popularity • 45% Danceability • 64% Energy • 46% Liveness
1% Instrumentalness • 85% Positiveness
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Bab L' Bluz
Oudelali
90 bpm • F min • 03:23 • -5.64db
14% Popularity • 61% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 61% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Taj Makki
Ma Aarfeen Nagool Shino! (We Don’t Kno...
90 bpm • E Maj • 05:31 • -6.58db
8% Popularity • 57% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 57% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
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Mulatu Astatke
Lanchi Biye with Tilahun Gessesse
90 bpm • D# Maj • 03:08 • -15.22db
33% Popularity • 59% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
33% Popularity • 59% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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The Scorpions
Hilwa ya Amoora
90 bpm • G Maj • 03:23 • -6.79db
21% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Ahmed Fakroun
Njoom al leyel
90 bpm • D Maj • 06:35 • -10.72db
9% Popularity • 62% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 62% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Derya Yıldırım & Grup Şimşek
3,2,2,3
90 bpm • D Maj • 03:59 • -6db
20% Popularity • 50% Danceability • 68% Energy • 5% Liveness
88% Instrumentalness • 68% Positiveness
20% Popularity • 50% Danceability • 68% Energy • 5% Liveness
88% Instrumentalness • 68% Positiveness
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Bab L' Bluz
El Watane
90 bpm • F min • 03:19 • -4.88db
12% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Mariem Hassan
Rahy el Aaiún Egdat
74 bpm • F Maj • 05:53 • -6.39db
21% Popularity • 46% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 46% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Abdou El Omari / عبده العماري
Afrah El Maghreb / أفراح المغر...
91 bpm • D Maj • 06:27 • -17db
13% Popularity • 38% Danceability • 71% Energy • 9% Liveness
21% Instrumentalness • 55% Positiveness
13% Popularity • 38% Danceability • 71% Energy • 9% Liveness
21% Instrumentalness • 55% Positiveness
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Alemayehu Eshete
Mekeyershin salawq
91 bpm • B min • 01:45 • -7db
22% Popularity • 62% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 62% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Ahmed Fakroun
Snini
91 bpm • C Maj • 04:16 • -14.12db
19% Popularity • 66% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 66% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Ziad Rahbani
Rouh Khabbir
91 bpm • F min • 06:28 • -20.37db
26% Popularity • 63% Danceability • 24% Energy • 8% Liveness
40% Instrumentalness • 69% Positiveness
26% Popularity • 63% Danceability • 24% Energy • 8% Liveness
40% Instrumentalness • 69% Positiveness
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Nisar Bazmi
Aisi Chaal Mein Chalon
91 bpm • G min • 03:35 • -13.76db
13% Popularity • 72% Danceability • 50% Energy • 36% Liveness
74% Instrumentalness • 56% Positiveness
13% Popularity • 72% Danceability • 50% Energy • 36% Liveness
74% Instrumentalness • 56% Positiveness
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Orchestre de la Paillote
La Guinée Moussolou
92 bpm • A# Maj • 06:03 • -13.83db
18% Popularity • 72% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 72% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Abdou El Omari / عبده العماري
Alghoroub / الغروب
92 bpm • C Maj • 05:09 • -15db
8% Popularity • 50% Danceability • 46% Energy • 13% Liveness
7% Instrumentalness • 73% Positiveness
8% Popularity • 50% Danceability • 46% Energy • 13% Liveness
7% Instrumentalness • 73% Positiveness
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Hany Mehanna
Dala'
92 bpm • D Maj • 03:44 • -13db
7% Popularity • 48% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 48% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Alemayehu Eshete
Yeweyn haregitu
91 bpm • B Maj • 03:43 • -7.24db
15% Popularity • 69% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 69% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Assagai
Cocoa
92 bpm • C Maj • 04:09 • -14db
16% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Attarazat Addahabia
Taali
92 bpm • A Maj • 04:39 • -9.67db
11% Popularity • 72% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 72% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Mulatu Astatke
Ebo Lala with Seifu Yohannes
93 bpm • C min • 03:34 • -11.89db
32% Popularity • 54% Danceability • 57% Energy • 9% Liveness
3% Instrumentalness • 92% Positiveness
32% Popularity • 54% Danceability • 57% Energy • 9% Liveness
3% Instrumentalness • 92% Positiveness
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Ferkat Al Ard
Matar Naem
72 bpm • A min • 04:44 • -9.89db
21% Popularity • 23% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 23% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Magdy Al Hussainy
Music de Carnaval
93 bpm • F min • 05:10 • -6db
35% Popularity • 53% Danceability • 91% Energy • 35% Liveness
67% Instrumentalness • 85% Positiveness
35% Popularity • 53% Danceability • 91% Energy • 35% Liveness
67% Instrumentalness • 85% Positiveness
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Professionals
Theme from the Godfather
93 bpm • A min • 04:12 • -7.11db
33% Popularity • 62% Danceability • 58% Energy • 5% Liveness
84% Instrumentalness • 70% Positiveness
33% Popularity • 62% Danceability • 58% Energy • 5% Liveness
84% Instrumentalness • 70% Positiveness
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Robert Maalouf
Ana Wil Leyl
94 bpm • E min • 04:52 • -11.23db
12% Popularity • 54% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 54% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Alogte Oho & His Sounds of Joy
Sandana Fom
93 bpm • F min • 04:33 • -7.58db
10% Popularity • 71% Danceability • 66% Energy • 22% Liveness
38% Instrumentalness • 91% Positiveness
10% Popularity • 71% Danceability • 66% Energy • 22% Liveness
38% Instrumentalness • 91% Positiveness
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The Apostles
Black Is Beautiful
94 bpm • A# Maj • 04:28 • -8.08db
8% Popularity • 70% Danceability • 89% Energy • 47% Liveness
1% Instrumentalness • 96% Positiveness
8% Popularity • 70% Danceability • 89% Energy • 47% Liveness
1% Instrumentalness • 96% Positiveness
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Akalé Wubé
Alègntayé
94 bpm • F min • 04:19 • -6.65db
27% Popularity • 76% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 67% Positiveness
27% Popularity • 76% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 67% Positiveness
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Waaberi Band
Oktoobar Waatee? Waa Taayadii (What's Oc...
94 bpm • G# Maj • 04:43 • -6.98db
9% Popularity • 38% Danceability • 82% Energy • 16% Liveness
8% Instrumentalness • 86% Positiveness
9% Popularity • 38% Danceability • 82% Energy • 16% Liveness
8% Instrumentalness • 86% Positiveness
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Kel Assouf
Warda
94 bpm • E Maj • 04:32 • -9.16db
22% Popularity • 76% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 76% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Ahmed Ben Ali
Yarait
94 bpm • G# min • 03:57 • -8.24db
30% Popularity • 89% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 89% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Salim El Baroudi / سالم البارودي
Fatouma / فطومة
94 bpm • D min • 03:17 • -8.45db
15% Popularity • 52% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 52% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Orchestra Baobab
Werente Serigne
94 bpm • G# min • 06:48 • -15.62db
39% Popularity • 66% Danceability • 45% Energy • 10% Liveness
11% Instrumentalness • 94% Positiveness
39% Popularity • 66% Danceability • 45% Energy • 10% Liveness
11% Instrumentalness • 94% Positiveness
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Salamat
Mambo El Soudani
94 bpm • F Maj • 04:06 • -8.38db
11% Popularity • 69% Danceability • 75% Energy • 16% Liveness
12% Instrumentalness • 89% Positiveness
11% Popularity • 69% Danceability • 75% Energy • 16% Liveness
12% Instrumentalness • 89% Positiveness
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Majid Soula
A Kem Gegh A Tamurt
94 bpm • C Maj • 03:51 • -5.75db
9% Popularity • 72% Danceability • 81% Energy • 62% Liveness
23% Instrumentalness • 70% Positiveness
9% Popularity • 72% Danceability • 81% Energy • 62% Liveness
23% Instrumentalness • 70% Positiveness
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Kamal Keila
African Unity
94 bpm • C min • 07:04 • -7.56db
12% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Hamid Al Shaeri
Weyn Ayamak Weyn
95 bpm • F min • 04:09 • -8.13db
24% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Ahmed Fakroun
La ya hob
96 bpm • F min • 03:44 • -16.61db
21% Popularity • 70% Danceability • 34% Energy • 52% Liveness
6% Instrumentalness • 93% Positiveness
21% Popularity • 70% Danceability • 34% Energy • 52% Liveness
6% Instrumentalness • 93% Positiveness
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Dur-Dur Band
Duruuf Maa Laygu Diidee (Rejected Due to...
96 bpm • A min • 04:22 • -8.16db
14% Popularity • 57% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 57% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Ahmed Ben Ali
Subhana
96 bpm • D# Maj • 04:58 • -8.24db
39% Popularity • 85% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 85% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Ziad Rahbani
Al Taheyah
96 bpm • F min • 03:04 • -14.52db
16% Popularity • 44% Danceability • 79% Energy • 19% Liveness
95% Instrumentalness • 72% Positiveness
16% Popularity • 44% Danceability • 79% Energy • 19% Liveness
95% Instrumentalness • 72% Positiveness
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Kamal Keila
Sudan in the heart of Africa
96 bpm • E min • 06:39 • -8.17db
21% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Maha
We Mesheet
97 bpm • C# Maj • 04:21 • -7.33db
25% Popularity • 33% Danceability • 63% Energy • 51% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 33% Danceability • 63% Energy • 51% Liveness
0% Instrumentalness • 45% Positiveness
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Ahmed Fakroun
Awedny
96 bpm • G Maj • 03:40 • -11.13db
11% Popularity • 68% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 68% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Plearn Promdan
Wan Maha Sanook
97 bpm • B min • 02:50 • -8.27db
16% Popularity • 62% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 62% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Ojah
Afro Beat Blues
97 bpm • A# min • 06:48 • -7.08db
41% Popularity • 78% Danceability • 83% Energy • 14% Liveness
29% Instrumentalness • 90% Positiveness
41% Popularity • 78% Danceability • 83% Energy • 14% Liveness
29% Instrumentalness • 90% Positiveness
