Songs like Arrow 5 by Damien Dubrovnik
Based on a tempo of (+/- 10%) and a similar genre
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Damien Dubrovnik
Pattern of Penetration
107 bpm • B min • 04:40 • -11.52db
0% Popularity • 23% Danceability • 68% Energy • 81% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 23% Danceability • 68% Energy • 81% Liveness
0% Instrumentalness • 11% Positiveness
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Pharmakon
Sentient
107 bpm • A# Maj • 02:20 • -16.05db
14% Popularity • 15% Danceability • 0% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 0% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
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3/4HadBeenEliminated
Shifting Position
107 bpm • F Maj • 01:54 • -22.25db
9% Popularity • 31% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
9% Popularity • 31% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Orphan Ann
Du kommer aldrig nära igen
107 bpm • C# Maj • 04:59 • -11.59db
9% Popularity • 15% Danceability • 14% Energy • 9% Liveness
99% Instrumentalness • 2% Positiveness
9% Popularity • 15% Danceability • 14% Energy • 9% Liveness
99% Instrumentalness • 2% Positiveness
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Puce Mary
Red Desert
108 bpm • D Maj • 03:23 • -10.61db
15% Popularity • 23% Danceability • 74% Energy • 8% Liveness
56% Instrumentalness • 5% Positiveness
15% Popularity • 23% Danceability • 74% Energy • 8% Liveness
56% Instrumentalness • 5% Positiveness
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The Phantasm Mortuary
Twosided Mirror - Haunted House Version
108 bpm • C# Maj • 01:40 • -14.82db
26% Popularity • 41% Danceability • 79% Energy • 21% Liveness
92% Instrumentalness • 16% Positiveness
26% Popularity • 41% Danceability • 79% Energy • 21% Liveness
92% Instrumentalness • 16% Positiveness
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Damien Dubrovnik
Arrow 5
107 bpm • G min • 06:57 • -9.44db
9% Popularity • 15% Danceability • 50% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 50% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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IRM
Oedipus Dethroned
108 bpm • F# Maj • 06:10 • -10.1db
8% Popularity • 23% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
8% Popularity • 23% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Croatian Amor
Lovers In Flames
106 bpm • F# Maj • 03:05 • -15.38db
15% Popularity • 15% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Orphan Ann
Marching Men
108 bpm • C min • 04:16 • -15.09db
8% Popularity • 16% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Jefre Cantu-Ledesma
Distant Star (for Pete Swanson)
106 bpm • A min • 05:39 • -13.71db
8% Popularity • 15% Danceability • 22% Energy • 61% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 15% Danceability • 22% Energy • 61% Liveness
95% Instrumentalness • 3% Positiveness
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Loke Rahbek
Touch and Vision
108 bpm • C# min • 04:21 • -15.25db
10% Popularity • 28% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
10% Popularity • 28% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Don Nichols
Domino Dynamo
108 bpm • F# Maj • 03:18 • -20.55db
12% Popularity • 71% Danceability • 99% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
12% Popularity • 71% Danceability • 99% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Nocturnal Emissions
Wikka Man
106 bpm • C# Maj • 02:46 • -28.36db
19% Popularity • 24% Danceability • 12% Energy • 8% Liveness
67% Instrumentalness • 7% Positiveness
19% Popularity • 24% Danceability • 12% Energy • 8% Liveness
67% Instrumentalness • 7% Positiveness
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Född Död
De Ensammas Hus
105 bpm • F# Maj • 05:40 • -17.02db
9% Popularity • 50% Danceability • 30% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
9% Popularity • 50% Danceability • 30% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Body Sculptures
Breath Of Wind Sows The Seed
109 bpm • F# Maj • 03:05 • -13.02db
10% Popularity • 16% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Vatican Shadow
Nothing Lived There
105 bpm • C Maj • 05:22 • -10.9db
7% Popularity • 48% Danceability • 85% Energy • 17% Liveness
74% Instrumentalness • 37% Positiveness
7% Popularity • 48% Danceability • 85% Energy • 17% Liveness
74% Instrumentalness • 37% Positiveness
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Michael Gelinas
II
109 bpm • F# Maj • 05:31 • -14.02db
12% Popularity • 29% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
12% Popularity • 29% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
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Silvia Olivier
Narciso e la cecità emotiva
110 bpm • G# Maj • 01:51 • -8.6db
13% Popularity • 50% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 50% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Cremation Lily
Received Today at 3:34 AM (Escape 1999)
110 bpm • A min • 06:04 • -13.43db
9% Popularity • 29% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 29% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 3% Positiveness
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Hunting Lodge
Na Vilavilairevu
110 bpm • F# Maj • 06:21 • -7db
12% Popularity • 49% Danceability • 83% Energy • 8% Liveness
84% Instrumentalness • 50% Positiveness
12% Popularity • 49% Danceability • 83% Energy • 8% Liveness
84% Instrumentalness • 50% Positiveness
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Alex Zhang Hungtai
Pierrot
104 bpm • G min • 04:33 • -15.07db
11% Popularity • 15% Danceability • 36% Energy • 14% Liveness
95% Instrumentalness • 15% Positiveness
11% Popularity • 15% Danceability • 36% Energy • 14% Liveness
95% Instrumentalness • 15% Positiveness
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Vatican Shadow
The System Is Not Corrupt - Corruption I...
110 bpm • C# Maj • 03:52 • -9.86db
11% Popularity • 68% Danceability • 65% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
11% Popularity • 68% Danceability • 65% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
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Pressed Flowers
The Ascension
104 bpm • G Maj • 03:06 • -10.3db
8% Popularity • 25% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 25% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Genocide Organ
Ave Satani
111 bpm • F Maj • 01:06 • -10db
23% Popularity • 30% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 18% Positiveness
23% Popularity • 30% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 18% Positiveness
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Damien Dubrovnik
Interior 2, See Waterglass
111 bpm • E min • 07:30 • -14.64db
1% Popularity • 17% Danceability • 50% Energy • 11% Liveness
50% Instrumentalness • 5% Positiveness
1% Popularity • 17% Danceability • 50% Energy • 11% Liveness
50% Instrumentalness • 5% Positiveness
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Rif And Snake
Quicksilver Is Death Metal
111 bpm • A Maj • 01:54 • -9.1db
14% Popularity • 36% Danceability • 64% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
14% Popularity • 36% Danceability • 64% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Loke Rahbek
Elephant
103 bpm • C Maj • 03:39 • -8db
22% Popularity • 18% Danceability • 44% Energy • 14% Liveness
75% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 44% Energy • 14% Liveness
75% Instrumentalness • 4% Positiveness
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Advancoid Bowers
Dummagio
111 bpm • E min • 01:35 • -15.93db
27% Popularity • 47% Danceability • 30% Energy • 37% Liveness
87% Instrumentalness • 29% Positiveness
27% Popularity • 47% Danceability • 30% Energy • 37% Liveness
87% Instrumentalness • 29% Positiveness
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Brighter Death Now
Tempting Murder
103 bpm • D Maj • 06:02 • -19.42db
8% Popularity • 14% Danceability • 18% Energy • 23% Liveness
94% Instrumentalness • 8% Positiveness
8% Popularity • 14% Danceability • 18% Energy • 23% Liveness
94% Instrumentalness • 8% Positiveness
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Ramleh
Bite The Bolster
103 bpm • C Maj • 05:13 • -4.59db
21% Popularity • 14% Danceability • 73% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 73% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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grunvhaze
Dust Bunnies
102 bpm • C Maj • 01:29 • -28.88db
17% Popularity • 36% Danceability • 15% Energy • 26% Liveness
7% Instrumentalness • 25% Positiveness
17% Popularity • 36% Danceability • 15% Energy • 26% Liveness
7% Instrumentalness • 25% Positiveness
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Joakim Sandgren
Points Caractéristiques
102 bpm • C# Maj • 08:46 • -11.64db
13% Popularity • 33% Danceability • 83% Energy • 34% Liveness
1% Instrumentalness • 8% Positiveness
13% Popularity • 33% Danceability • 83% Energy • 34% Liveness
1% Instrumentalness • 8% Positiveness
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Anenzephalia
Mechanical Rape
112 bpm • C Maj • 04:26 • -14db
9% Popularity • 26% Danceability • 36% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 36% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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I and Others
Malfunctionary
102 bpm • B Maj • 01:15 • -11.2db
15% Popularity • 68% Danceability • 56% Energy • 13% Liveness
88% Instrumentalness • 26% Positiveness
15% Popularity • 68% Danceability • 56% Energy • 13% Liveness
88% Instrumentalness • 26% Positiveness
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Lavie Goldblatt
The Sea Scales
102 bpm • C Maj • 01:26 • -20.55db
19% Popularity • 22% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
19% Popularity • 22% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Kali Malone
Arched In Hysteria
112 bpm • F# min • 06:22 • -16.13db
13% Popularity • 36% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
13% Popularity • 36% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Pharmakon
Vacuum
112 bpm • C# Maj • 01:31 • -11.04db
17% Popularity • 67% Danceability • 18% Energy • 62% Liveness
94% Instrumentalness • 8% Positiveness
17% Popularity • 67% Danceability • 18% Energy • 62% Liveness
94% Instrumentalness • 8% Positiveness
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Alberich
Skyweeper
112 bpm • G Maj • 08:33 • -4db
15% Popularity • 69% Danceability • 92% Energy • 39% Liveness
82% Instrumentalness • 17% Positiveness
15% Popularity • 69% Danceability • 92% Energy • 39% Liveness
82% Instrumentalness • 17% Positiveness
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Hiro Kone
Submerged Dragon
101 bpm • C# Maj • 02:27 • -15.57db
14% Popularity • 18% Danceability • 46% Energy • 18% Liveness
76% Instrumentalness • 6% Positiveness
14% Popularity • 18% Danceability • 46% Energy • 18% Liveness
76% Instrumentalness • 6% Positiveness
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Brighter Death Now
Promises of Death
101 bpm • G Maj • 06:20 • -12db
13% Popularity • 16% Danceability • 31% Energy • 64% Liveness
7% Instrumentalness • 16% Positiveness
13% Popularity • 16% Danceability • 31% Energy • 64% Liveness
7% Instrumentalness • 16% Positiveness
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Don Nichols
Analog Hand Drum
101 bpm • B Maj • 03:00 • -22.63db
12% Popularity • 50% Danceability • 87% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
12% Popularity • 50% Danceability • 87% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Aaron Dilloway
It's Not Alright
101 bpm • C# min • 02:21 • -21db
17% Popularity • 28% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
17% Popularity • 28% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
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Pharmakon
Homeostasis
101 bpm • A# min • 04:07 • -8.91db
12% Popularity • 32% Danceability • 46% Energy • 9% Liveness
87% Instrumentalness • 13% Positiveness
12% Popularity • 32% Danceability • 46% Energy • 9% Liveness
87% Instrumentalness • 13% Positiveness
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Genocide Organ
Klaus Barbie
114 bpm • A# min • 04:02 • -6.88db
17% Popularity • 61% Danceability • 49% Energy • 24% Liveness
93% Instrumentalness • 9% Positiveness
17% Popularity • 61% Danceability • 49% Energy • 24% Liveness
93% Instrumentalness • 9% Positiveness
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Mandala
Knowing
114 bpm • A# Maj • 01:27 • -20.84db
22% Popularity • 24% Danceability • 24% Energy • 22% Liveness
22% Instrumentalness • 8% Positiveness
22% Popularity • 24% Danceability • 24% Energy • 22% Liveness
22% Instrumentalness • 8% Positiveness
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saint with acne
Divine Moment (2)
114 bpm • G# Maj • 02:29 • -17.59db
9% Popularity • 35% Danceability • 48% Energy • 28% Liveness
1% Instrumentalness • 12% Positiveness
9% Popularity • 35% Danceability • 48% Energy • 28% Liveness
1% Instrumentalness • 12% Positiveness
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Bliss Signal
N16 Drift
114 bpm • G# Maj • 03:48 • -8.87db
8% Popularity • 17% Danceability • 38% Energy • 37% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 38% Energy • 37% Liveness
80% Instrumentalness • 4% Positiveness
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Half Held
Mother Zoroaster
100 bpm • F min • 02:32 • -22.38db
7% Popularity • 55% Danceability • 44% Energy • 9% Liveness
62% Instrumentalness • 54% Positiveness
7% Popularity • 55% Danceability • 44% Energy • 9% Liveness
62% Instrumentalness • 54% Positiveness
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iT-jo.
iT-jo.'s New Era has Officially Arrived
100 bpm • C Maj • 02:13 • -14.87db
9% Popularity • 57% Danceability • 53% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
9% Popularity • 57% Danceability • 53% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Linekraft
Death By Hanging
100 bpm • G min • 05:48 • -11db
9% Popularity • 45% Danceability • 79% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
9% Popularity • 45% Danceability • 79% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Final
Flow River Flow
115 bpm • C# Maj • 06:15 • -13.41db
7% Popularity • 17% Danceability • 42% Energy • 18% Liveness
93% Instrumentalness • 20% Positiveness
7% Popularity • 17% Danceability • 42% Energy • 18% Liveness
93% Instrumentalness • 20% Positiveness
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Ramleh
Hole In The Heart
115 bpm • G min • 03:51 • -4.56db
13% Popularity • 16% Danceability • 78% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 78% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Coil
Stoned Circular I
100 bpm • C min • 04:29 • -22.01db
8% Popularity • 59% Danceability • 43% Energy • 31% Liveness
4% Instrumentalness • 56% Positiveness
8% Popularity • 59% Danceability • 43% Energy • 31% Liveness
4% Instrumentalness • 56% Positiveness
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LASERGUN
The Cosmic Point of View Is Necessary to...
100 bpm • G# min • 04:22 • -7.85db
10% Popularity • 13% Danceability • 85% Energy • 12% Liveness
84% Instrumentalness • 8% Positiveness
10% Popularity • 13% Danceability • 85% Energy • 12% Liveness
84% Instrumentalness • 8% Positiveness
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NetVoltage
badcrow
100 bpm • B Maj • 02:09 • -30.01db
32% Popularity • 30% Danceability • 20% Energy • 57% Liveness
93% Instrumentalness • 3% Positiveness
32% Popularity • 30% Danceability • 20% Energy • 57% Liveness
93% Instrumentalness • 3% Positiveness
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Alberich
Atlantic Munitions Development
100 bpm • A Maj • 06:11 • -12db
12% Popularity • 25% Danceability • 100% Energy • 53% Liveness
81% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 100% Energy • 53% Liveness
81% Instrumentalness • 4% Positiveness
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KAVARI
Void Salts (Interlude)
115 bpm • A min • 01:09 • -14.99db
8% Popularity • 51% Danceability • 55% Energy • 71% Liveness
81% Instrumentalness • 39% Positiveness
8% Popularity • 51% Danceability • 55% Energy • 71% Liveness
81% Instrumentalness • 39% Positiveness
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Nevi Mero
mine fav
115 bpm • C Maj • 01:00 • -18.56db
24% Popularity • 51% Danceability • 24% Energy • 34% Liveness
86% Instrumentalness • 37% Positiveness
24% Popularity • 51% Danceability • 24% Energy • 34% Liveness
86% Instrumentalness • 37% Positiveness
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DJ-AJC
Girl from
115 bpm • C# Maj • 02:00 • -20.49db
8% Popularity • 64% Danceability • 38% Energy • 13% Liveness
94% Instrumentalness • 38% Positiveness
8% Popularity • 64% Danceability • 38% Energy • 13% Liveness
94% Instrumentalness • 38% Positiveness
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Emptyset
Body
99 bpm • C Maj • 03:10 • -13.65db
15% Popularity • 37% Danceability • 19% Energy • 34% Liveness
88% Instrumentalness • 5% Positiveness
15% Popularity • 37% Danceability • 19% Energy • 34% Liveness
88% Instrumentalness • 5% Positiveness
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D.o.T. SCAMPOLO
whydoyousmoke?
99 bpm • A min • 02:10 • -16.49db
19% Popularity • 37% Danceability • 45% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
19% Popularity • 37% Danceability • 45% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
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D@tty
Finish Line
99 bpm • C# Maj • 03:53 • -18.1db
11% Popularity • 42% Danceability • 21% Energy • 31% Liveness
63% Instrumentalness • 3% Positiveness
11% Popularity • 42% Danceability • 21% Energy • 31% Liveness
63% Instrumentalness • 3% Positiveness
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VelgeNaturlig
Fehu
116 bpm • B Maj • 08:32 • -13.99db
8% Popularity • 23% Danceability • 33% Energy • 6% Liveness
95% Instrumentalness • 7% Positiveness
8% Popularity • 23% Danceability • 33% Energy • 6% Liveness
95% Instrumentalness • 7% Positiveness
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Don Nichols
That's Not A Typhoid Tango
116 bpm • C# Maj • 02:09 • -25.39db
12% Popularity • 70% Danceability • 53% Energy • 10% Liveness
84% Instrumentalness • 77% Positiveness
12% Popularity • 70% Danceability • 53% Energy • 10% Liveness
84% Instrumentalness • 77% Positiveness
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Genocide Organ
God Sent Us I
116 bpm • B min • 04:23 • -7.36db
15% Popularity • 32% Danceability • 54% Energy • 73% Liveness
5% Instrumentalness • 3% Positiveness
15% Popularity • 32% Danceability • 54% Energy • 73% Liveness
5% Instrumentalness • 3% Positiveness
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Haus Arafna
Learned Helplessness
116 bpm • A min • 01:39 • -16.64db
9% Popularity • 39% Danceability • 51% Energy • 64% Liveness
92% Instrumentalness • 17% Positiveness
9% Popularity • 39% Danceability • 51% Energy • 64% Liveness
92% Instrumentalness • 17% Positiveness
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Mystical Space Tigers
Mystical Space
116 bpm • C# Maj • 02:10 • -14.74db
9% Popularity • 50% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
9% Popularity • 50% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Jaduk
Masterpiece of The Walking Brownie'
98 bpm • A min • 05:08 • -15.23db
9% Popularity • 19% Danceability • 78% Energy • 38% Liveness
44% Instrumentalness • 13% Positiveness
9% Popularity • 19% Danceability • 78% Energy • 38% Liveness
44% Instrumentalness • 13% Positiveness
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Tranced
Climbing the Ladder
98 bpm • C# Maj • 01:00 • -14.19db
14% Popularity • 46% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
14% Popularity • 46% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
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Hand in Hand
Here to Gone
98 bpm • A# min • 01:00 • -16.54db
14% Popularity • 47% Danceability • 44% Energy • 18% Liveness
82% Instrumentalness • 44% Positiveness
14% Popularity • 47% Danceability • 44% Energy • 18% Liveness
82% Instrumentalness • 44% Positiveness
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HTRK
Department Store
98 bpm • A min • 03:22 • -29.67db
15% Popularity • 16% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Prurient
Jester in Agony
117 bpm • C Maj • 07:14 • -10.05db
10% Popularity • 17% Danceability • 30% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
10% Popularity • 17% Danceability • 30% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Alberich
Infared Kommando
117 bpm • C# Maj • 05:08 • -6.07db
8% Popularity • 79% Danceability • 91% Energy • 28% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 79% Danceability • 91% Energy • 28% Liveness
91% Instrumentalness • 3% Positiveness
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Giant Swan
'I' As Proof
97 bpm • G min • 04:01 • -11.21db
12% Popularity • 22% Danceability • 38% Energy • 14% Liveness
82% Instrumentalness • 29% Positiveness
12% Popularity • 22% Danceability • 38% Energy • 14% Liveness
82% Instrumentalness • 29% Positiveness
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Tranced
Growing Up
98 bpm • A# min • 00:59 • -12.6db
14% Popularity • 40% Danceability • 59% Energy • 10% Liveness
82% Instrumentalness • 44% Positiveness
14% Popularity • 40% Danceability • 59% Energy • 10% Liveness
82% Instrumentalness • 44% Positiveness
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sonnore
was a good feeling
97 bpm • G# Maj • 02:57 • -12.03db
19% Popularity • 45% Danceability • 71% Energy • 10% Liveness
80% Instrumentalness • 26% Positiveness
19% Popularity • 45% Danceability • 71% Energy • 10% Liveness
80% Instrumentalness • 26% Positiveness
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The Grey Wolves
Not Your Country
118 bpm • G# Maj • 06:12 • -2.04db
7% Popularity • 19% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
7% Popularity • 19% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
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Damien Dubrovnik
Penis Corset
118 bpm • F# Maj • 05:24 • -6.46db
3% Popularity • 45% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
3% Popularity • 45% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Deutsch Nepal
Carrions Still Walkin'
118 bpm • F min • 04:22 • -15.09db
11% Popularity • 64% Danceability • 52% Energy • 14% Liveness
86% Instrumentalness • 10% Positiveness
11% Popularity • 64% Danceability • 52% Energy • 14% Liveness
86% Instrumentalness • 10% Positiveness
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Carl Crack
KR-6200
118 bpm • G Maj • 03:09 • -16.39db
11% Popularity • 26% Danceability • 40% Energy • 17% Liveness
92% Instrumentalness • 13% Positiveness
11% Popularity • 26% Danceability • 40% Energy • 17% Liveness
92% Instrumentalness • 13% Positiveness
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Trippy John
White Noise - Motor
118 bpm • A min • 02:00 • -14.73db
12% Popularity • 18% Danceability • 14% Energy • 18% Liveness
76% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 14% Energy • 18% Liveness
76% Instrumentalness • 4% Positiveness
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Primitive In The Extreme
Is It The End, My Friend?
118 bpm • A Maj • 07:09 • -10.67db
14% Popularity • 24% Danceability • 60% Energy • 19% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 60% Energy • 19% Liveness
83% Instrumentalness • 4% Positiveness
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Ramleh
Product Of Fear
118 bpm • G# min • 07:06 • -6.76db
20% Popularity • 17% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 39% Positiveness
20% Popularity • 17% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 39% Positiveness
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Chris & Cosey
Trapezoid
118 bpm • F min • 05:15 • -14.79db
9% Popularity • 17% Danceability • 49% Energy • 11% Liveness
64% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 49% Energy • 11% Liveness
64% Instrumentalness • 3% Positiveness
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Damien Dubrovnik
Excerpt From February Piece
97 bpm • A min • 04:11 • -9.82db
1% Popularity • 13% Danceability • 60% Energy • 36% Liveness
7% Instrumentalness • 4% Positiveness
1% Popularity • 13% Danceability • 60% Energy • 36% Liveness
7% Instrumentalness • 4% Positiveness
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Innocent Darkness
The Voice of Mother Nature
118 bpm • D# min • 05:17 • -18.09db
8% Popularity • 20% Danceability • 34% Energy • 12% Liveness
86% Instrumentalness • 11% Positiveness
8% Popularity • 20% Danceability • 34% Energy • 12% Liveness
86% Instrumentalness • 11% Positiveness
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Rainforest Spiritual Enslavement
Chile's Crimson Tide
119 bpm • C# Maj • 04:40 • -18.52db
9% Popularity • 24% Danceability • 31% Energy • 70% Liveness
55% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 31% Energy • 70% Liveness
55% Instrumentalness • 4% Positiveness
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VelgeNaturlig
Channeling 3
97 bpm • G Maj • 03:35 • -15.23db
10% Popularity • 17% Danceability • 68% Energy • 28% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 68% Energy • 28% Liveness
93% Instrumentalness • 4% Positiveness
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Jean Michel P.s
Voices from the jungle
119 bpm • D Maj • 03:15 • -12.57db
11% Popularity • 19% Danceability • 30% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 30% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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Prurient
Pretext
119 bpm • D Maj • 04:45 • -13.53db
11% Popularity • 17% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 32% Positiveness
11% Popularity • 17% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 32% Positiveness
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Ssaliva
Gutless
119 bpm • D# Maj • 02:01 • -9.83db
8% Popularity • 25% Danceability • 58% Energy • 14% Liveness
64% Instrumentalness • 6% Positiveness
8% Popularity • 25% Danceability • 58% Energy • 14% Liveness
64% Instrumentalness • 6% Positiveness
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Efrim Manuel Menuck
The Lion-Daggers of Calais
119 bpm • G Maj • 02:38 • -15.68db
8% Popularity • 23% Danceability • 22% Energy • 17% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 23% Danceability • 22% Energy • 17% Liveness
92% Instrumentalness • 3% Positiveness
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VÃ¥r
No One Dances Quite Like My Brothers
120 bpm • D Maj • 03:40 • -11.28db
15% Popularity • 29% Danceability • 73% Energy • 16% Liveness
84% Instrumentalness • 9% Positiveness
15% Popularity • 29% Danceability • 73% Energy • 16% Liveness
84% Instrumentalness • 9% Positiveness
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VelgeNaturlig
AxisCaravan
119 bpm • F# Maj • 08:20 • -16.49db
8% Popularity • 25% Danceability • 55% Energy • 55% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 55% Energy • 55% Liveness
90% Instrumentalness • 4% Positiveness
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Jean Michel P.s
Steps on the dirt path
96 bpm • G min • 03:30 • -16.56db
11% Popularity • 48% Danceability • 36% Energy • 11% Liveness
8% Instrumentalness • 15% Positiveness
11% Popularity • 48% Danceability • 36% Energy • 11% Liveness
8% Instrumentalness • 15% Positiveness
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Prurient
Cocaine Death
119 bpm • C Maj • 04:51 • -4.86db
15% Popularity • 17% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
15% Popularity • 17% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Ismael Monereo
Miss Home
120 bpm • F# Maj • 01:23 • -6.97db
10% Popularity • 38% Danceability • 62% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
10% Popularity • 38% Danceability • 62% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
