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Arthur's Theme (Best That You Can Do)
Songs like
Arthur's Theme (Best That You Can Do)
by
Christopher Cross
Based on a tempo of (+/- 10%) and a similar genre
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England Dan & John Ford Coley
It's Sad to Belong - Single Version
136 bpm • D# Maj • 02:53 • -16.46db
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Carpenters
For All We Know
136 bpm • G Maj • 02:38 • -13db
59% Popularity • 31% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Bad English
When I See You Smile
136 bpm • G Maj • 04:17 • -9.9db
63% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Billy Joel
Honesty
135 bpm • A# Maj • 03:53 • -15.48db
62% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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George Benson
Nothing's Gonna Change My Love for You
137 bpm • C# Maj • 04:02 • -5.1db
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Kenny Rogers
Lady
137 bpm • D# min • 03:51 • -16db
64% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Carpenters
Only Yesterday
138 bpm • G# Maj • 04:10 • -14db
58% Popularity • 36% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Bread
Aubrey
138 bpm • G Maj • 03:39 • -20.59db
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Diana Ross
Touch Me In The Morning
137 bpm • F# Maj • 03:27 • -7.21db
53% Popularity • 36% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Frankie Valli
My Eyes Adored You
138 bpm • B min • 03:32 • -10.44db
61% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Johnson
Bluer Than Blue
138 bpm • G# Maj • 02:59 • -14.24db
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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George Benson
In Your Eyes
134 bpm • A Maj • 03:20 • -16.04db
59% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Cher
After All (Love Theme From Chances Are)
138 bpm • E Maj • 04:04 • -13.1db
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Barbra Streisand
The Way We Were
138 bpm • A Maj • 03:31 • -11.72db
61% Popularity • 26% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Jim Croce
I’ll Have to Say I Love You in a Song
134 bpm • A Maj • 02:34 • -14.98db
68% Popularity • 54% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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Michael Johnson
Bluer Than Blue
134 bpm • G Maj • 03:05 • -15.21db
47% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Seals and Crofts
Diamond Girl
138 bpm • E min • 04:13 • -12db
54% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Anne Murray
Broken Hearted Me
134 bpm • C# Maj • 03:56 • -11.77db
51% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Player
It's For You
139 bpm • B Maj • 04:37 • -9.71db
31% Popularity • 54% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
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Christopher Cross
That Girl
133 bpm • A Maj • 03:32 • -13db
27% Popularity • 73% Danceability • 74% Energy • 6% Liveness
30% Instrumentalness • 91% Positiveness
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Rupert Holmes
Escape (The Pina Colada Song)
139 bpm • C Maj • 04:36 • -13.67db
76% Popularity • 84% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Sheena Easton
Almost Over You
139 bpm • G# Maj • 03:41 • -10.67db
56% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Seals and Crofts
First Love
133 bpm • F# Maj • 03:47 • -14db
49% Popularity • 49% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Roberta Flack
Making Love
139 bpm • F Maj • 03:44 • -17db
39% Popularity • 45% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Billy Joel
Just the Way You Are
139 bpm • G Maj • 04:50 • -8.91db
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Gino Vannelli
I Just Wanna Stop
139 bpm • A Maj • 03:38 • -13.45db
61% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Commodores
Easy
133 bpm • A# min • 04:16 • -15.08db
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Christopher Cross
All Right
133 bpm • F# min • 04:13 • -5.23db
58% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Bruce Hornsby
Mandolin Rain
139 bpm • G Maj • 05:18 • -13db
53% Popularity • 56% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Sérgio Mendes
Never Gonna Let You Go
133 bpm • G Maj • 04:15 • -12.4db
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
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Diana Ross
Theme From Mahogany (Do You Know Where Y...
140 bpm • C min • 03:22 • -15.17db
52% Popularity • 33% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Anne Murray
I Just Fall In Love Again
133 bpm • C Maj • 02:51 • -9db
61% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Joe Cocker
Up Where We Belong
140 bpm • D Maj • 03:52 • -11.83db
69% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Christopher Cross
Every Turn of the World
140 bpm • C# min • 04:03 • -11.74db
27% Popularity • 66% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Mary MacGregor
Torn Between Two Lovers
132 bpm • A# Maj • 03:39 • -7.08db
50% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Breathe
How Can I Fall ?
132 bpm • A Maj • 04:44 • -13.98db
52% Popularity • 50% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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The Alan Parsons Project
Games People Play
132 bpm • B min • 04:23 • -10.53db
57% Popularity • 72% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Don Henley
New York Minute
132 bpm • G# min • 06:35 • -12.21db
56% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 12% Positiveness
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Duran Duran
Ordinary World
140 bpm • C# min • 05:40 • -10.17db
73% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Gary Wright
Dream Weaver
140 bpm • E Maj • 04:16 • -13.68db
59% Popularity • 27% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Earth, Wind & Fire
After the Love Has Gone
132 bpm • F# Maj • 04:38 • -13.45db
67% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Bolton
How Am I Supposed to Live Without You
140 bpm • A# Maj • 04:15 • -12.21db
70% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Dionne Warwick
I'll Never Love This Way Again
132 bpm • B min • 03:31 • -10.54db
63% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Rita Coolidge
I'd Rather Leave While I'm In Love
132 bpm • G# Maj • 03:25 • -9db
51% Popularity • 46% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Paul Davis
I Go Crazy
141 bpm • E min • 03:53 • -8.66db
54% Popularity • 53% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Kenny Rogers
Through The Years
131 bpm • C Maj • 04:46 • -11.46db
63% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Whitney Houston
Greatest Love of All
131 bpm • A Maj • 04:51 • -16.01db
68% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Chicago
Hard to Say I'm Sorry / Get Away - 2006 ...
141 bpm • E Maj • 05:04 • -7.07db
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Natalie Cole
Miss You Like Crazy
131 bpm • D Maj • 03:54 • -6.25db
63% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Billy Joel
My Life
131 bpm • D Maj • 04:44 • -12.88db
72% Popularity • 74% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Electric Light Orchestra
Midnight Blue
141 bpm • F Maj • 04:17 • -13.12db
51% Popularity • 56% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Atlantic Starr
Always
131 bpm • G Maj • 04:48 • -6.76db
62% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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Whitney Houston
Didn't We Almost Have It All
131 bpm • A# Maj • 05:05 • -10db
62% Popularity • 54% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Chaka Khan
Through the Fire
131 bpm • G# Maj • 04:48 • -7.1db
63% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Linda Ronstadt
Don't Know Much
130 bpm • B Maj • 03:31 • -11.01db
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
83% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Rex Smith
You Take My Breath Away - Mono Version
142 bpm • B Maj • 03:17 • -8db
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Little River Band
Cool Change - Remastered 2022
130 bpm • A Maj • 05:16 • -11db
58% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Mary MacGregor
Torn Between Two Lovers
130 bpm • A# Maj • 03:51 • -9.2db
55% Popularity • 55% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 58% Positiveness
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Christopher Cross
All Right
130 bpm • E Maj • 04:21 • -7.73db
24% Popularity • 80% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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David Gates
Part Time Love
130 bpm • A Maj • 02:26 • -15.78db
39% Popularity • 40% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Peter Frampton
Show Me The Way
130 bpm • D Maj • 04:03 • -7.72db
67% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Captain & Tennille
Love Will Keep Us Together
130 bpm • E Maj • 03:25 • -4.33db
64% Popularity • 62% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Journey
Faithfully (2023 Remaster)
130 bpm • B Maj • 04:26 • -7.33db
69% Popularity • 42% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Kenny Rogers
She Believes In Me
143 bpm • A# Maj • 04:18 • -12.47db
62% Popularity • 32% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Billy Ocean
Suddenly
129 bpm • A# min • 03:54 • -9.51db
60% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Angela Bofill
This Time I'll Be Sweeter
129 bpm • B Maj • 04:19 • -9.04db
51% Popularity • 32% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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The Doobie Brothers
Minute by Minute
143 bpm • C Maj • 03:26 • -18.07db
57% Popularity • 74% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Bread
Guitar Man
143 bpm • E min • 03:46 • -13.27db
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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Steve Winwood
While You See A Chance
129 bpm • D Maj • 05:12 • -8.29db
56% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Peter Cetera
You're the Inspiration
143 bpm • A# Maj • 04:06 • -7.61db
56% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Gino Vannelli
Hurts to Be In Love
143 bpm • D min • 04:50 • -6.87db
46% Popularity • 41% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Neil Diamond
September Morn
129 bpm • A# Maj • 03:52 • -17.1db
57% Popularity • 42% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Christopher Cross
Say You'll Be Mine
129 bpm • E Maj • 02:56 • -10db
43% Popularity • 75% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 85% Positiveness
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Gloria Estefan And Miami Sound Machine
Anything for You
144 bpm • F# Maj • 03:41 • -13.1db
47% Popularity • 58% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 29% Positiveness
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Breathe
Hands To Heaven
129 bpm • G# Maj • 04:19 • -15.02db
54% Popularity • 54% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Orleans
Still the One
144 bpm • E Maj • 03:54 • -10.79db
60% Popularity • 56% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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James Ingram
Just Once - New Version
144 bpm • C Maj • 04:29 • -7.49db
66% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Bread
Baby I'm-a Want You
144 bpm • G# Maj • 02:30 • -16.53db
67% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Christopher Cross
Sailing
144 bpm • A Maj • 04:58 • -11.51db
34% Popularity • 63% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Rita Coolidge
We're All Alone
128 bpm • G Maj • 03:40 • -8.38db
61% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Debbie Gibson
Lost in Your Eyes
145 bpm • G Maj • 03:35 • -8.59db
66% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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George Benson
You Are the Love of My Life
128 bpm • E Maj • 02:52 • -9db
57% Popularity • 41% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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James Ingram
There's No Easy Way
128 bpm • G# Maj • 03:47 • -16.39db
65% Popularity • 56% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Richard Marx
Hold On To The Nights
145 bpm • C min • 05:16 • -15db
54% Popularity • 35% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Christopher Cross
Someday
128 bpm • E Maj • 03:11 • -12.28db
27% Popularity • 70% Danceability • 61% Energy • 8% Liveness
8% Instrumentalness • 93% Positiveness
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Starship
Set the Night to Music
128 bpm • F# Maj • 04:47 • -8db
36% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Carpenters
A Song For You
128 bpm • F Maj • 04:42 • -11db
54% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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REO Speedwagon
In My Dreams
145 bpm • B Maj • 04:30 • -15.22db
60% Popularity • 62% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Orleans
Love Takes Time (Nashville Mix)
127 bpm • B min • 04:19 • -8db
36% Popularity • 56% Danceability • 87% Energy • 56% Liveness
0% Instrumentalness • 61% Positiveness
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Peter Cetera
Glory of Love
145 bpm • F Maj • 04:18 • -7.94db
73% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Christopher Cross
I Will (Take You Forever)
128 bpm • A Maj • 03:59 • -10.02db
57% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Cutting Crew
I've Been In Love Before - Edit Version ...
146 bpm • D Maj • 03:58 • -9.45db
47% Popularity • 53% Danceability • 66% Energy • 43% Liveness
1% Instrumentalness • 86% Positiveness
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Clemens Rumpf
Ride Like The Wind - Ride The Groove Edi...
127 bpm • A# min • 04:35 • -7.05db
1% Popularity • 79% Danceability • 93% Energy • 36% Liveness
61% Instrumentalness • 60% Positiveness
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Bread
Lost Without Your Love
146 bpm • A# Maj • 02:56 • -11.48db
60% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Level 42
It's Over
127 bpm • A# min • 06:00 • -12db
51% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Carpenters
There's A Kind Of Hush
126 bpm • D Maj • 02:57 • -13.83db
57% Popularity • 73% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Christopher Cross
Open Your Heart
145 bpm • A# Maj • 05:42 • -15db
16% Popularity • 48% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Arthur's Theme (Best That You Can Do)