Songs like As She's Walking Away (feat. Alan Jackson) by Zac Brown Band
Based on a tempo of (+/- 10%) and a similar genre
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Zac Brown Band
As She's Walking Away
184 bpm • D# Maj • 03:43 • -7.1db
66% Popularity • 55% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 55% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Stapleton
You Should Probably Leave
184 bpm • A Maj • 03:33 • -8.43db
84% Popularity • 60% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
84% Popularity • 60% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Gretchen Wilson
Redneck Woman
185 bpm • F# Maj • 03:41 • -5.15db
65% Popularity • 50% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
65% Popularity • 50% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Brad Paisley
Mud on the Tires
185 bpm • D Maj • 03:28 • -7.98db
63% Popularity • 44% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 44% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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HARDY
ONE BEER
186 bpm • D Maj • 02:53 • -8.35db
72% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
72% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Jake Owen
Beachin'
182 bpm • F# Maj • 03:11 • -5db
59% Popularity • 53% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 53% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Old Dominion
Make It Sweet
180 bpm • G Maj • 03:07 • -4.45db
61% Popularity • 42% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 42% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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The Chicks
Wide Open Spaces
179 bpm • E Maj • 03:43 • -6.1db
69% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Jordan Davis
Buy Dirt
178 bpm • E Maj • 02:47 • -6.73db
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Diamond Rio
Beautiful Mess
177 bpm • C# Maj • 03:48 • -7db
54% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Darius Rucker
Come Back Song
178 bpm • A Maj • 03:55 • -5.67db
58% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Brett Eldredge
Don't Ya
176 bpm • A Maj • 03:01 • -5.26db
59% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
59% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Justin Moore
We Didn't Have Much
176 bpm • F# Maj • 02:54 • -8.02db
67% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Alan Jackson
Chattahoochee
175 bpm • C Maj • 02:28 • -9.67db
75% Popularity • 61% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
75% Popularity • 61% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Thomas Rhett
What’s Your Country Song
174 bpm • F Maj • 02:51 • -6.15db
71% Popularity • 36% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
71% Popularity • 36% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Josh Turner
Firecracker
175 bpm • E Maj • 03:28 • -5.36db
53% Popularity • 44% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
53% Popularity • 44% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Granger Smith
Backroad Song
174 bpm • B Maj • 03:56 • -6.57db
57% Popularity • 49% Danceability • 83% Energy • 34% Liveness
2% Instrumentalness • 75% Positiveness
57% Popularity • 49% Danceability • 83% Energy • 34% Liveness
2% Instrumentalness • 75% Positiveness
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Lonestar
Mr. Mom
172 bpm • A# Maj • 03:28 • -3.32db
59% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Eldredge
Love Someone
174 bpm • A Maj • 03:31 • -5db
56% Popularity • 42% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 42% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Bryan
Kick The Dust Up
172 bpm • C# Maj • 03:10 • -2.32db
65% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
65% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
73% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
73% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Randy Houser
Runnin' Outta Moonlight
172 bpm • D Maj • 03:13 • -3.72db
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Zac Brown Band
Same Boat
172 bpm • F# Maj • 03:10 • -5.41db
57% Popularity • 49% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
57% Popularity • 49% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Old Dominion
No Such Thing as a Broken Heart
172 bpm • G# Maj • 02:56 • -4.3db
62% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
62% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Tim McGraw
Something Like That
172 bpm • F Maj • 03:03 • -5.68db
73% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
73% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Sam Hunt
Leave The Night On
172 bpm • A Maj • 03:12 • -3.81db
62% Popularity • 51% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
62% Popularity • 51% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Florida Georgia Line
Sun Daze
170 bpm • E Maj • 03:04 • -3.78db
63% Popularity • 48% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 85% Positiveness
63% Popularity • 48% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 85% Positiveness
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Lee Brice
Parking Lot Party
172 bpm • C# Maj • 03:27 • -5.76db
54% Popularity • 54% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 54% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
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Zac Brown Band
I Play the Road
170 bpm • F# Maj • 04:19 • -6db
40% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Lady A
Downtown
170 bpm • A Maj • 03:15 • -5.29db
55% Popularity • 53% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 53% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Rodney Atkins
Take A Back Road
170 bpm • D# Maj • 03:29 • -4db
71% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
71% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Easton Corbin
All Over The Road
200 bpm • F Maj • 02:43 • -3.58db
69% Popularity • 49% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
69% Popularity • 49% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Florida Georgia Line
Simple
200 bpm • D# Maj • 03:05 • -3.72db
72% Popularity • 36% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
72% Popularity • 36% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Jordan Davis
Singles You Up
200 bpm • G Maj • 03:02 • -3.59db
69% Popularity • 49% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
69% Popularity • 49% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Zac Brown Band
Chicken Fried
170 bpm • F# Maj • 03:58 • -4.25db
78% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
78% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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George Strait
It Just Comes Natural
200 bpm • A# Maj • 02:56 • -2.91db
64% Popularity • 40% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 40% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Brooks & Dunn
Ain't Nothing 'Bout You
201 bpm • C Maj • 03:21 • -5.37db
64% Popularity • 38% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 38% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Craig Morgan
Redneck Yacht Club
168 bpm • G# Maj • 03:50 • -5.41db
65% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
65% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Kenny Chesney
Summertime
168 bpm • E Maj • 03:26 • -5.5db
62% Popularity • 48% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 48% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Billy Currington
Must Be Doin' Somethin' Right
168 bpm • A Maj • 04:29 • -3.42db
65% Popularity • 49% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 49% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Zac Brown Band
Settle Me Down
170 bpm • G Maj • 03:21 • -6db
38% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Old Dominion
Song for Another Time
166 bpm • B Maj • 03:11 • -4db
61% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Janson
Drunk Girl
204 bpm • C Maj • 03:27 • -8.43db
58% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Wallen
7 Summers
204 bpm • C Maj • 03:30 • -5.13db
78% Popularity • 47% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 47% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Dustin Lynch
Thinking 'Bout You
204 bpm • G# Maj • 02:51 • -3.29db
73% Popularity • 36% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
73% Popularity • 36% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Zac Brown Band
Cold Hearted
166 bpm • C# Maj • 03:47 • -6.53db
47% Popularity • 40% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 40% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Tim McGraw
Don't Take The Girl
204 bpm • C Maj • 04:09 • -8.67db
62% Popularity • 44% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
62% Popularity • 44% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Dierks Bentley
What Was I Thinkin'
165 bpm • F min • 04:20 • -6.24db
72% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Joe Nichols
Yeah
166 bpm • B Maj • 03:51 • -4.65db
54% Popularity • 40% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 40% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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The Chicks
Cowboy Take Me Away
164 bpm • F# Maj • 04:47 • -7.26db
71% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
71% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Cody Jinks
Loud and Heavy
164 bpm • C min • 03:50 • -6.71db
69% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Zac Brown Band
Out in the Middle
166 bpm • F# Maj • 02:46 • -3.42db
45% Popularity • 51% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 51% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Little Big Town
Day Drinking
164 bpm • A Maj • 02:58 • -2.52db
58% Popularity • 59% Danceability • 96% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 59% Danceability • 96% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
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Dierks Bentley
Drunk On A Plane
206 bpm • A Maj • 04:14 • -5.57db
69% Popularity • 42% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
69% Popularity • 42% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Alan Jackson
Little Bitty
163 bpm • E Maj • 02:38 • -6.54db
69% Popularity • 57% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
69% Popularity • 57% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Jon Pardi
Up All Night
163 bpm • A Maj • 03:29 • -4.94db
58% Popularity • 55% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 55% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Alabama
Song of the South
162 bpm • A Maj • 03:10 • -8db
69% Popularity • 49% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
69% Popularity • 49% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Darius Rucker
Beers And Sunshine
162 bpm • F Maj • 02:58 • -5.74db
63% Popularity • 51% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 51% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Zac Brown Band
Let It Go
162 bpm • F# Maj • 04:37 • -7.41db
44% Popularity • 61% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 61% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Stapleton
What Are You Listening To?
162 bpm • A# Maj • 04:05 • -8.5db
68% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
68% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
61% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
61% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
71% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
71% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Lee Brice
A Woman Like You
160 bpm • G Maj • 03:29 • -7db
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Gary Allan
Watching Airplanes
160 bpm • B Maj • 04:02 • -3.59db
61% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Combs
Going, Going, Gone
160 bpm • F# Maj • 02:57 • -6.03db
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Tim McGraw
Live Like You Were Dying
160 bpm • G Maj • 05:00 • -7.73db
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Zac Brown Band
Quiet Your Mind
159 bpm • C# Maj • 03:40 • -7.24db
39% Popularity • 46% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 46% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Dustin Lynch
Where It's At
158 bpm • D# Maj • 03:24 • -5.75db
58% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Randy Travis
Three Wooden Crosses
158 bpm • C# Maj • 03:21 • -7.92db
64% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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George Strait
Heartland - Pure Country/Soundtrack Vers...
157 bpm • G# Maj • 02:18 • -9.5db
61% Popularity • 45% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 45% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Tim McGraw
Where The Green Grass Grows
160 bpm • G Maj • 03:21 • -7.91db
68% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
68% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Zac Brown Band
The Man Who Loves You The Most
158 bpm • D# Maj • 03:44 • -6.76db
49% Popularity • 51% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 51% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
