Songs like As We Are by Three Laws
Based on a tempo of (+/- 10%) and a similar genre
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The EverLove
On Our Way
120 bpm • A Maj • 03:56 • -8db
17% Popularity • 67% Danceability • 83% Energy • 31% Liveness
22% Instrumentalness • 66% Positiveness
17% Popularity • 67% Danceability • 83% Energy • 31% Liveness
22% Instrumentalness • 66% Positiveness
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Three Laws
Road To Rome
120 bpm • C min • 03:32 • -9.57db
13% Popularity • 61% Danceability • 63% Energy • 11% Liveness
43% Instrumentalness • 31% Positiveness
13% Popularity • 61% Danceability • 63% Energy • 11% Liveness
43% Instrumentalness • 31% Positiveness
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Raphael Lake
The Time Is Now
120 bpm • D Maj • 03:22 • -7db
9% Popularity • 66% Danceability • 92% Energy • 6% Liveness
4% Instrumentalness • 60% Positiveness
9% Popularity • 66% Danceability • 92% Energy • 6% Liveness
4% Instrumentalness • 60% Positiveness
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Woodes
Hunger
120 bpm • B min • 03:59 • -9.46db
16% Popularity • 58% Danceability • 47% Energy • 8% Liveness
3% Instrumentalness • 25% Positiveness
16% Popularity • 58% Danceability • 47% Energy • 8% Liveness
3% Instrumentalness • 25% Positiveness
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Aron Wright
Put on Your Paint
120 bpm • D Maj • 03:46 • -6db
16% Popularity • 54% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 54% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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ADONA
Crazy
120 bpm • A# Maj • 04:27 • -10.52db
25% Popularity • 48% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
25% Popularity • 48% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Narrow Skies
A Memory Remains
120 bpm • B min • 04:07 • -12.25db
15% Popularity • 57% Danceability • 38% Energy • 10% Liveness
61% Instrumentalness • 7% Positiveness
15% Popularity • 57% Danceability • 38% Energy • 10% Liveness
61% Instrumentalness • 7% Positiveness
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Caveboy
Love Song
120 bpm • D min • 04:02 • -9.65db
11% Popularity • 56% Danceability • 56% Energy • 10% Liveness
5% Instrumentalness • 48% Positiveness
11% Popularity • 56% Danceability • 56% Energy • 10% Liveness
5% Instrumentalness • 48% Positiveness
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Rogue Wave
Forest
120 bpm • C Maj • 04:52 • -11.44db
28% Popularity • 53% Danceability • 26% Energy • 15% Liveness
88% Instrumentalness • 20% Positiveness
28% Popularity • 53% Danceability • 26% Energy • 15% Liveness
88% Instrumentalness • 20% Positiveness
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Kin Palo
Under Attack
120 bpm • A min • 03:12 • -8db
15% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 58% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Nine One One
Let Me Fade Away
120 bpm • D# Maj • 03:59 • -6.08db
24% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Lydia Ainsworth
Wlcm
120 bpm • A min • 03:08 • -10db
18% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ruelle
Hold Your Breath
120 bpm • F# min • 04:05 • -9db
37% Popularity • 36% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
37% Popularity • 36% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Raphael Lake
Forever Here
120 bpm • F Maj • 03:12 • -7.44db
18% Popularity • 57% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 57% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Andy Powell
Hold It In
120 bpm • A Maj • 03:02 • -10.47db
7% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Ingrid Michaelson
Stay Right Where You Are
120 bpm • C Maj • 04:41 • -9.84db
36% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Three Laws
As We Are
120 bpm • C Maj • 04:47 • -14.53db
15% Popularity • 33% Danceability • 35% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
15% Popularity • 33% Danceability • 35% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
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Chasing Jonah
War Paint
120 bpm • D# min • 03:43 • -10db
25% Popularity • 62% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
25% Popularity • 62% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Heterogenius
Feels Like Flying
120 bpm • G Maj • 03:14 • -3.45db
19% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Digital Daggers
Save Us from Ourselves
120 bpm • D Maj • 04:51 • -9.19db
25% Popularity • 38% Danceability • 42% Energy • 10% Liveness
82% Instrumentalness • 11% Positiveness
25% Popularity • 38% Danceability • 42% Energy • 10% Liveness
82% Instrumentalness • 11% Positiveness
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En-Viro
October - Original Mix
120 bpm • A min • 03:00 • -12.92db
13% Popularity • 42% Danceability • 48% Energy • 12% Liveness
98% Instrumentalness • 10% Positiveness
13% Popularity • 42% Danceability • 48% Energy • 12% Liveness
98% Instrumentalness • 10% Positiveness
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Sun Heat
Running Out of Time
120 bpm • C# Maj • 07:02 • -15db
20% Popularity • 49% Danceability • 46% Energy • 16% Liveness
9% Instrumentalness • 9% Positiveness
20% Popularity • 49% Danceability • 46% Energy • 16% Liveness
9% Instrumentalness • 9% Positiveness
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Galleaux
Tether Me - Acoustic
120 bpm • E min • 03:51 • -23db
22% Popularity • 49% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 49% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Vandarth
Waiting For Me
120 bpm • G Maj • 04:53 • -7.77db
10% Popularity • 50% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 50% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Alon Apollo
Wait for You
120 bpm • C min • 03:47 • -11.45db
19% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Sam Joseph Delves
Own Devices
120 bpm • D Maj • 02:32 • -12.56db
23% Popularity • 35% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
23% Popularity • 35% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
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Luminar
Start Over
119 bpm • G min • 04:44 • -13.36db
10% Popularity • 45% Danceability • 22% Energy • 11% Liveness
27% Instrumentalness • 7% Positiveness
10% Popularity • 45% Danceability • 22% Energy • 11% Liveness
27% Instrumentalness • 7% Positiveness
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RIVVRS
Save My Soul
119 bpm • G Maj • 03:30 • -7.41db
26% Popularity • 63% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 63% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Nick Kingsley
Into the Night
119 bpm • C# Maj • 03:29 • -7.58db
18% Popularity • 45% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 45% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Vitamin A
Listen
121 bpm • D# Maj • 01:31 • -11.71db
9% Popularity • 64% Danceability • 42% Energy • 12% Liveness
12% Instrumentalness • 33% Positiveness
9% Popularity • 64% Danceability • 42% Energy • 12% Liveness
12% Instrumentalness • 33% Positiveness
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DYAN
The Push
118 bpm • G# Maj • 04:17 • -13.28db
23% Popularity • 24% Danceability • 31% Energy • 7% Liveness
53% Instrumentalness • 5% Positiveness
23% Popularity • 24% Danceability • 31% Energy • 7% Liveness
53% Instrumentalness • 5% Positiveness
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Antoinette Halliday
My Symmetry
121 bpm • F Maj • 03:18 • -6db
15% Popularity • 34% Danceability • 82% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
15% Popularity • 34% Danceability • 82% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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Frida Sundemo
It's OK
122 bpm • G Maj • 04:22 • -11.7db
23% Popularity • 34% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 34% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Savina & Drones
Glass Bridge
122 bpm • D Maj • 04:25 • -7.16db
43% Popularity • 44% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 44% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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GAITS
Edge of the World
122 bpm • G min • 04:13 • -11db
23% Popularity • 45% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 45% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Kim Taylor
I Am You
118 bpm • A Maj • 04:34 • -6db
32% Popularity • 53% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 53% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Em Rossi
Earthquake
118 bpm • B Maj • 04:01 • -8db
16% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Regina Price
Meant to Be
122 bpm • A min • 03:59 • -15.64db
28% Popularity • 66% Danceability • 32% Energy • 11% Liveness
7% Instrumentalness • 21% Positiveness
28% Popularity • 66% Danceability • 32% Energy • 11% Liveness
7% Instrumentalness • 21% Positiveness
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Tsundere
In Reverse
118 bpm • G Maj • 04:23 • -6.64db
22% Popularity • 59% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 59% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Louise Dowd
The Thrill Has Gone
118 bpm • B min • 03:05 • -7.23db
19% Popularity • 53% Danceability • 64% Energy • 28% Liveness
77% Instrumentalness • 3% Positiveness
19% Popularity • 53% Danceability • 64% Energy • 28% Liveness
77% Instrumentalness • 3% Positiveness
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James McCollum
Where the Love Is
118 bpm • C Maj • 03:15 • -10.77db
9% Popularity • 57% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 57% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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CLOVES
Frail Love
118 bpm • A Maj • 03:30 • -10.66db
21% Popularity • 72% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 72% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Armon Jay
Edge of the Dark
122 bpm • D min • 03:13 • -9.33db
26% Popularity • 27% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
26% Popularity • 27% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
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Kaleida
Aliaa
123 bpm • A# min • 03:47 • -11db
33% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Savina & Drones
Aurora
123 bpm • C Maj • 05:12 • -9.9db
30% Popularity • 28% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
30% Popularity • 28% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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Sara Swenson
All Things Big and Small
117 bpm • A# Maj • 02:07 • -21.01db
9% Popularity • 52% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 52% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Dave Thomas Junior
I Can't Make You Love Me - Stripped Vers...
123 bpm • D# min • 05:22 • -17.75db
10% Popularity • 40% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 40% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lee DeWyze
Weight
123 bpm • C Maj • 02:27 • -10db
28% Popularity • 51% Danceability • 24% Energy • 11% Liveness
39% Instrumentalness • 14% Positiveness
28% Popularity • 51% Danceability • 24% Energy • 11% Liveness
39% Instrumentalness • 14% Positiveness
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Broken Fences
Wait
124 bpm • A# Maj • 03:25 • -14.25db
18% Popularity • 53% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
18% Popularity • 53% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Maty Noyes
Haunted
124 bpm • D min • 02:44 • -11.25db
32% Popularity • 60% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
32% Popularity • 60% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Louise Dowd
You'll Be the Death of Me
124 bpm • A# min • 03:08 • -6db
17% Popularity • 33% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 33% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Elsa Kopf
IF
124 bpm • A Maj • 04:39 • -9.97db
29% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Nick Nolan
Say Yes
124 bpm • G Maj • 03:24 • -9.67db
21% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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nilu
Hummingbird
124 bpm • D# Maj • 04:21 • -11db
25% Popularity • 50% Danceability • 63% Energy • 13% Liveness
49% Instrumentalness • 10% Positiveness
25% Popularity • 50% Danceability • 63% Energy • 13% Liveness
49% Instrumentalness • 10% Positiveness
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Benson Taylor
Look in the Mirror
124 bpm • F min • 04:33 • -9db
10% Popularity • 50% Danceability • 57% Energy • 8% Liveness
27% Instrumentalness • 28% Positiveness
10% Popularity • 50% Danceability • 57% Energy • 8% Liveness
27% Instrumentalness • 28% Positiveness
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Morgan Saint
Glass House - Stripped
116 bpm • C Maj • 03:42 • -8.34db
22% Popularity • 51% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 51% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Dala
Still Life
116 bpm • A# Maj • 03:06 • -13.09db
15% Popularity • 48% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 48% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Allman Brown
Between the Wars
124 bpm • A min • 04:17 • -14.55db
37% Popularity • 47% Danceability • 29% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
37% Popularity • 47% Danceability • 29% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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KLANG
Horizon
124 bpm • E min • 04:14 • -6.96db
29% Popularity • 27% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 27% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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DSRT
Cinematic Love
125 bpm • C# Maj • 03:40 • -12db
30% Popularity • 34% Danceability • 38% Energy • 23% Liveness
22% Instrumentalness • 11% Positiveness
30% Popularity • 34% Danceability • 38% Energy • 23% Liveness
22% Instrumentalness • 11% Positiveness
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Gabrielle Aplin
Run for Cover
116 bpm • A# min • 03:34 • -6.84db
23% Popularity • 48% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 48% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Rupert Pope
The World Is Ours
125 bpm • C Maj • 03:31 • -6.42db
14% Popularity • 54% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
14% Popularity • 54% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Madilyn Bailey
Fetish
125 bpm • E min • 03:10 • -8.84db
22% Popularity • 71% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 71% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Gresby Race Nash
The One Exceptions
125 bpm • G# Maj • 02:48 • -12db
18% Popularity • 45% Danceability • 47% Energy • 5% Liveness
15% Instrumentalness • 11% Positiveness
18% Popularity • 45% Danceability • 47% Energy • 5% Liveness
15% Instrumentalness • 11% Positiveness
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Bayonne
I Know - Acoustic
125 bpm • F Maj • 06:10 • -13.6db
23% Popularity • 69% Danceability • 41% Energy • 19% Liveness
45% Instrumentalness • 64% Positiveness
23% Popularity • 69% Danceability • 41% Energy • 19% Liveness
45% Instrumentalness • 64% Positiveness
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Arctic Lake
Too Close
115 bpm • E Maj • 04:37 • -11.16db
24% Popularity • 31% Danceability • 20% Energy • 34% Liveness
1% Instrumentalness • 6% Positiveness
24% Popularity • 31% Danceability • 20% Energy • 34% Liveness
1% Instrumentalness • 6% Positiveness
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Three Laws
Blame
125 bpm • A min • 03:25 • -11.52db
6% Popularity • 49% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 6% Positiveness
6% Popularity • 49% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 6% Positiveness
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Regina Price
Hide and Seek
125 bpm • A Maj • 03:16 • -13.03db
19% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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DeLaurentis
A Big Part of a Big Sun
125 bpm • G min • 03:34 • -9.11db
27% Popularity • 58% Danceability • 64% Energy • 7% Liveness
14% Instrumentalness • 16% Positiveness
27% Popularity • 58% Danceability • 64% Energy • 7% Liveness
14% Instrumentalness • 16% Positiveness
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Leah Nobel
Not Ready to Say Goodbye
115 bpm • A min • 03:50 • -11db
35% Popularity • 52% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 52% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Will Cookson
Alone In The Dark
125 bpm • B Maj • 03:30 • -14.27db
35% Popularity • 38% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
35% Popularity • 38% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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The Big Bright
Just Like Heaven
115 bpm • A# Maj • 04:15 • -14.02db
8% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Frida Sundemo
The Sun
126 bpm • F# Maj • 04:19 • -13.17db
29% Popularity • 34% Danceability • 43% Energy • 13% Liveness
35% Instrumentalness • 19% Positiveness
29% Popularity • 34% Danceability • 43% Energy • 13% Liveness
35% Instrumentalness • 19% Positiveness
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Beasts With No Name
How Long
126 bpm • C min • 03:41 • -6db
21% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Raphael Lake
Go Get What You Want
126 bpm • D Maj • 03:30 • -8db
20% Popularity • 61% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 61% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Lissie
Meet Me in the Mystery
126 bpm • G# Maj • 03:04 • -9.9db
19% Popularity • 52% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 52% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Steelfeather
Something in the Air
126 bpm • F# min • 03:08 • -7db
38% Popularity • 58% Danceability • 63% Energy • 8% Liveness
10% Instrumentalness • 18% Positiveness
38% Popularity • 58% Danceability • 63% Energy • 8% Liveness
10% Instrumentalness • 18% Positiveness
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Lim Ji Eun
The Longing Dance
126 bpm • G Maj • 03:20 • -9db
33% Popularity • 46% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
33% Popularity • 46% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Gregory Douglass
Alibis
126 bpm • A# min • 03:13 • -17db
22% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Jordan Critz
No Matter What
126 bpm • C# Maj • 03:10 • -8.9db
27% Popularity • 48% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 48% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Amy Stroup
Curious Heart
114 bpm • C Maj • 02:49 • -7.75db
18% Popularity • 54% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 54% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Andrew Britton
Never Gonna Stop You
126 bpm • E min • 03:15 • -14.04db
14% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Joanna Barbera
When the Rain Comes
114 bpm • B Maj • 03:38 • -12.91db
18% Popularity • 36% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 36% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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The Attic Sleepers
Advice
127 bpm • G min • 03:30 • -9.02db
10% Popularity • 43% Danceability • 38% Energy • 14% Liveness
54% Instrumentalness • 17% Positiveness
10% Popularity • 43% Danceability • 38% Energy • 14% Liveness
54% Instrumentalness • 17% Positiveness
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Correatown
The Point
127 bpm • D min • 03:03 • -10db
19% Popularity • 47% Danceability • 34% Energy • 19% Liveness
61% Instrumentalness • 9% Positiveness
19% Popularity • 47% Danceability • 34% Energy • 19% Liveness
61% Instrumentalness • 9% Positiveness
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Mike Reed
Addicted to You
127 bpm • A min • 03:25 • -7.67db
19% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Rosie Doonan
Feel Love
127 bpm • F# Maj • 03:56 • -11.68db
20% Popularity • 60% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
20% Popularity • 60% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Fahrenhaidt
The River
113 bpm • G min • 04:02 • -7.01db
18% Popularity • 33% Danceability • 75% Energy • 17% Liveness
7% Instrumentalness • 23% Positiveness
18% Popularity • 33% Danceability • 75% Energy • 17% Liveness
7% Instrumentalness • 23% Positiveness
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Blake Lively
In Our Dreams
127 bpm • D min • 01:38 • -17db
26% Popularity • 54% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
26% Popularity • 54% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Wenzel Templeton
Transatlanticism
127 bpm • A Maj • 07:51 • -12.26db
12% Popularity • 52% Danceability • 33% Energy • 13% Liveness
19% Instrumentalness • 17% Positiveness
12% Popularity • 52% Danceability • 33% Energy • 13% Liveness
19% Instrumentalness • 17% Positiveness
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Anna Pancaldi
Let Her Go
128 bpm • D Maj • 02:46 • -12.84db
9% Popularity • 46% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 46% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Marc Ferrari
Break The Dam
128 bpm • E min • 03:09 • -11.35db
16% Popularity • 56% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 56% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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James Forest
Nina and the Waves
128 bpm • E Maj • 05:46 • -19.49db
7% Popularity • 34% Danceability • 16% Energy • 9% Liveness
70% Instrumentalness • 13% Positiveness
7% Popularity • 34% Danceability • 16% Energy • 9% Liveness
70% Instrumentalness • 13% Positiveness
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Rael Jones
Fly, My Soul
113 bpm • G Maj • 03:01 • -15.83db
9% Popularity • 29% Danceability • 9% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
9% Popularity • 29% Danceability • 9% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
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Erin McCarley
Into the Fire
128 bpm • D# min • 03:29 • -12.14db
41% Popularity • 30% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 30% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Natalie Taylor
Come to This
128 bpm • C Maj • 03:37 • -7.21db
39% Popularity • 31% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 31% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Twinbed
Trouble I'm In
128 bpm • A min • 03:22 • -11db
43% Popularity • 58% Danceability • 32% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
43% Popularity • 58% Danceability • 32% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
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Justin Byrd
February Valentine
128 bpm • C Maj • 04:02 • -5.63db
7% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
