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Ascending Chords
Songs like
Ascending Chords
by
Andrew Lloyd Webber
Based on a tempo of (+/- 10%) and a similar genre
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John Williams
Matchmaker
105 bpm • F# min • 03:56 • -15db
39% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Andrew Lloyd Webber
Notes / Prima Donna
105 bpm • F Maj • 10:56 • -14.18db
36% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Johnny Depp
A Little Priest
106 bpm • F# Maj • 05:15 • -14.69db
33% Popularity • 53% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Meryl Streep
Stay With Me
106 bpm • D# Maj • 03:14 • -13db
38% Popularity • 39% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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The Pirates Of Penzance
Pour, O Pour the Pirate Sherry
107 bpm • A# Maj • 03:13 • -11db
23% Popularity • 48% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Gavin Creel
The Flesh Failures / Eyes Look Your Last...
107 bpm • B min • 04:26 • -7.84db
33% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Russell Crowe
Javert's Suicide
107 bpm • F# min • 02:55 • -14.46db
38% Popularity • 42% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
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Andrew Lloyd Webber
Judas' Death
106 bpm • D min • 04:30 • -8.76db
34% Popularity • 49% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Scott Irby-Ranniar
I Just Can't Wait To Be King
103 bpm • C Maj • 03:02 • -7.86db
44% Popularity • 55% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Marni Nixon
Show Me - Voice
107 bpm • C Maj • 02:10 • -12.51db
23% Popularity • 62% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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The Pirates Of Penzance
Oh, Better Far to Live and Die
107 bpm • F# Maj • 05:54 • -13.14db
23% Popularity • 49% Danceability • 41% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
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Charlotte Spencer as Jane Banks
Practically Perfect - London Cast Record...
103 bpm • D Maj • 04:10 • -17.76db
29% Popularity • 64% Danceability • 9% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Les Misérables Cast
The Final Battle
108 bpm • F# min • 03:17 • -11.09db
27% Popularity • 22% Danceability • 56% Energy • 37% Liveness
44% Instrumentalness • 13% Positiveness
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Andrew Lloyd Webber
Seeing Is Believing
103 bpm • F Maj • 04:31 • -10.67db
7% Popularity • 24% Danceability • 44% Energy • 17% Liveness
3% Instrumentalness • 22% Positiveness
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Maury Yeston
Mr. Andrews Vision
108 bpm • D Maj • 03:22 • -16db
20% Popularity • 39% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Original Cast of Billy Elliot
Solidarity
108 bpm • G min • 08:54 • -11.16db
32% Popularity • 74% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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John Williams
Do You Love Me?
108 bpm • B Maj • 03:13 • -19db
36% Popularity • 49% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Hunter Foster
Run, Freedom, Run!
108 bpm • G Maj • 02:50 • -9.18db
35% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Stephen Schwartz
Something Bad
101 bpm • C# Maj • 01:39 • -15.78db
35% Popularity • 55% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Andrew Lloyd Webber
Devil Take The Hindmost
107 bpm • F min • 03:20 • -12.69db
24% Popularity • 61% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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The Pirates Of Penzance
Stop, Ladies, Pray!
109 bpm • A# min • 01:33 • -15.92db
21% Popularity • 50% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Sutton Foster
Blow, Gabriel, Blow
109 bpm • C min • 07:32 • -7.8db
33% Popularity • 56% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
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Clive Carter
Drink With Me
109 bpm • F Maj • 02:21 • -14.19db
35% Popularity • 34% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Gavin Lee as Bert
Anything Can Happen - London Cast Record...
109 bpm • C# Maj • 04:54 • -13db
28% Popularity • 56% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Charles Strouse
Annie: Tomorrow (Reprise)
101 bpm • C# Maj • 02:23 • -13.84db
26% Popularity • 52% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Andrew Lloyd Webber
Think Of Me
103 bpm • D# Maj • 04:09 • -16.26db
44% Popularity • 38% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Annalee
Processional And Maria (The Wedding)
101 bpm • A# Maj • 02:29 • -9.15db
41% Popularity • 39% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Maury Yeston
The Proposal / The Night Was Alive
110 bpm • A# Maj • 04:40 • -21db
27% Popularity • 35% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sutton Foster
Roll In The Hay
110 bpm • G# Maj • 03:34 • -7.33db
26% Popularity • 60% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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The Pirates Of Penzance
When Federic Was a Little Lad
110 bpm • F min • 07:33 • -16.23db
21% Popularity • 66% Danceability • 31% Energy • 63% Liveness
0% Instrumentalness • 39% Positiveness
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Emma, Lucy
In His Eyes
111 bpm • A# Maj • 04:01 • -9db
34% Popularity • 30% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Andrew Lloyd Webber
Prima Donna
103 bpm • F Maj • 03:29 • -17.37db
46% Popularity • 27% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Miss Saigon Original Cast
Overture / Backstage Dreamland - Live
111 bpm • F Maj • 03:20 • -11.88db
31% Popularity • 47% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 28% Positiveness
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Terry Mann
Where's the Girl?
111 bpm • G# min • 03:21 • -12.31db
27% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Original Cast of Billy Elliot
Once We Were Kings
99 bpm • F Maj • 04:14 • -9.75db
31% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Sutton Foster
Thoroughly Modern Millie
99 bpm • C Maj • 02:57 • -8.42db
31% Popularity • 68% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Tammy Blanchard
Suddenly Seymour
99 bpm • G Maj • 03:45 • -9.78db
43% Popularity • 37% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Lloyd Webber
Notes / Twisted Every Way
108 bpm • A# Maj • 09:40 • -17.12db
33% Popularity • 45% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Frederick Loewe
Camelot: Guenevere
112 bpm • G Maj • 03:19 • -13db
20% Popularity • 50% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Eddie Redmayne
ABC Café / Red & Black
112 bpm • B Maj • 04:21 • -13.43db
43% Popularity • 46% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Mary Elizabeth Mastrantonio
It's All the Same
112 bpm • G# min • 03:19 • -10.76db
25% Popularity • 49% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Sutton Foster
Anything Goes
99 bpm • G Maj • 05:48 • -8.71db
45% Popularity • 62% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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James Corden
Finale/Children Will Listen (Pt. 1)
99 bpm • D# min • 03:30 • -19.79db
36% Popularity • 29% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Andrew Lloyd Webber
La Oficina De Los Gerentes / Prima Donna...
102 bpm • F Maj • 03:20 • -10.62db
9% Popularity • 32% Danceability • 37% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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Nikki Blonsky
I Can Hear The Bells
112 bpm • C Maj • 04:14 • -6.56db
51% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Hunter Foster
Suddenly Seymour
99 bpm • A Maj • 03:37 • -7.95db
50% Popularity • 37% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Marissa Jaret Winokur
I Can Hear the Bells
112 bpm • C Maj • 04:04 • -5.78db
34% Popularity • 72% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Sherman Edwards
1776: Sit Down, John
98 bpm • G# Maj • 01:57 • -11db
26% Popularity • 60% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
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Anna Kendrick
No One Is Alone
112 bpm • C# Maj • 02:58 • -19db
44% Popularity • 34% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Andrew Lloyd Webber
Starlight Express
98 bpm • D# Maj • 05:05 • -12.49db
28% Popularity • 40% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Johnny Depp
Pretty Women
113 bpm • D min • 04:27 • -15db
29% Popularity • 38% Danceability • 20% Energy • 74% Liveness
1% Instrumentalness • 29% Positiveness
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Orfeh
Ireland
113 bpm • C# Maj • 03:14 • -13.76db
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Rosemary Ashe
Dirty Laundry
97 bpm • C# Maj • 04:51 • -13db
16% Popularity • 60% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
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Maury Yeston
Epilogue: In Every Age (Reprise) / Final...
97 bpm • C Maj • 04:37 • -17.81db
22% Popularity • 24% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Moonfall
97 bpm • A min • 02:20 • -14.02db
22% Popularity • 38% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Andrew Lloyd Webber
Goodnight And Thank You - Original Cast ...
109 bpm • G Maj • 03:12 • -16.19db
20% Popularity • 70% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Chris Pine
Agony
97 bpm • D# Maj • 02:32 • -14db
52% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Marni Nixon
Just You Wait - Voice
97 bpm • G# Maj • 02:56 • -14db
22% Popularity • 57% Danceability • 20% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
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Charles Strouse
Annie: Overture
97 bpm • D# Maj • 03:21 • -14.33db
28% Popularity • 42% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 58% Positiveness
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Ian Calvin
Prologue: Valjean Arrested / Valjean For...
114 bpm • C Maj • 01:44 • -15.74db
37% Popularity • 51% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Jeremy Jordan
Santa Fe
96 bpm • G Maj • 03:12 • -11.7db
54% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Andrew Lloyd Webber
The Ad-Dressing Of Cats
101 bpm • A# Maj • 05:19 • -15.69db
21% Popularity • 35% Danceability • 33% Energy • 14% Liveness
17% Instrumentalness • 25% Positiveness
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Sherman Edwards
1776: Cool, Cool, Considerate Men
96 bpm • C min • 04:29 • -11.86db
20% Popularity • 57% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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The Pirates Of Penzance
Oh Is There Not One Maiden Breast
114 bpm • C# Maj • 05:31 • -17.11db
22% Popularity • 33% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Stephen Schwartz
No Good Deed
115 bpm • B Maj • 03:31 • -6.77db
43% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Chu-Chi Face
115 bpm • F# min • 02:37 • -17.55db
21% Popularity • 55% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Zoe Hart
Castle On A Cloud
116 bpm • A min • 01:35 • -15.14db
37% Popularity • 47% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Andrew Lloyd Webber
Once Upon Another Time
101 bpm • F# min • 04:09 • -14db
22% Popularity • 32% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Anthony Warlow
It's a Dangerous Game
116 bpm • E min • 04:16 • -9.62db
33% Popularity • 34% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Sherman Edwards
1776: The Lees of Old Virginia
116 bpm • F Maj • 02:35 • -9.91db
23% Popularity • 58% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Stephen Schwartz
March Of The Witch Hunters
115 bpm • G# Maj • 01:31 • -8db
36% Popularity • 56% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Depp
Poor Thing
117 bpm • B min • 03:09 • -17.9db
24% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Happiness
117 bpm • G Maj • 03:31 • -16db
29% Popularity • 40% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Andrew Lloyd Webber
Wandering Child / Bravo, Monsieur
100 bpm • C min • 06:24 • -16.63db
32% Popularity • 36% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Adam Pascal
Elaborate Lives
117 bpm • F# Maj • 04:29 • -12db
30% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Sherman Edwards
1776: Piddle, Twiddle, and Resolve / Til...
116 bpm • C# Maj • 04:54 • -13.74db
22% Popularity • 66% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Maury Yeston
Overture / Prologue: In Every Age
94 bpm • D Maj • 03:25 • -23.49db
25% Popularity • 25% Danceability • 7% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
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Darius deHaas
In Whatever Time We Have
117 bpm • F# Maj • 03:14 • -15db
23% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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John Williams
Anatevka
94 bpm • D min • 03:38 • -16.17db
31% Popularity • 38% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
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Andrew Lloyd Webber
Old Deuteronomy
111 bpm • G Maj • 04:52 • -23.23db
25% Popularity • 33% Danceability • 7% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
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Adam Pascal
Written In The Stars
94 bpm • C# Maj • 03:17 • -9.44db
33% Popularity • 41% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Helena Bonham Carter
The Worst Pies in London
94 bpm • F Maj • 02:23 • -10.99db
33% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Patti LuPone
I Dreamed A Dream
94 bpm • D# Maj • 04:28 • -12.63db
47% Popularity • 21% Danceability • 18% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
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Jonathan Pryce
You've Got To Pick A Pocket Or Two
94 bpm • G min • 03:05 • -16db
32% Popularity • 65% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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John Williams
Far From The Home I Love
94 bpm • A Maj • 03:01 • -21db
36% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Victoria Clark
"Impossible"
118 bpm • G# Maj • 02:21 • -8.34db
35% Popularity • 72% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
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Andrew Lloyd Webber
Poor, Poor Pharaoh
111 bpm • F Maj • 01:51 • -18.04db
33% Popularity • 38% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 27% Positiveness
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Lauren Worsham
I've Decided to Marry You
118 bpm • E Maj • 04:03 • -9.02db
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Anne Hathaway
I Dreamed A Dream
93 bpm • A# Maj • 04:37 • -17.23db
52% Popularity • 27% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Tim Rice
Waltz For Eva And Che - Original Cast Re...
93 bpm • A# Maj • 03:45 • -14.96db
20% Popularity • 58% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Andrew Lloyd Webber
Devil Take The Hindmost
98 bpm • F min • 03:51 • -13.8db
31% Popularity • 57% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 56% Positiveness
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Stephen Schwartz
As Long As You're Mine
118 bpm • F Maj • 03:45 • -8.28db
42% Popularity • 45% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Marni Nixon
Wouldn't It Be Loverly - Voice
118 bpm • F Maj • 04:19 • -16db
28% Popularity • 51% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Miss Saigon Original Cast
The American Dream - Live
119 bpm • F# Maj • 08:03 • -10.23db
29% Popularity • 50% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 44% Positiveness
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Peggy Wood
Climb Ev'ry Mountain
93 bpm • A# Maj • 02:39 • -11.7db
37% Popularity • 19% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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David Shannon
Till I Hear You Sing
93 bpm • F Maj • 03:07 • -6db
32% Popularity • 27% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Andrew Lloyd Webber
The Coney Island Waltz - Original London...
113 bpm • A Maj • 03:34 • -12.94db
21% Popularity • 20% Danceability • 37% Energy • 27% Liveness
93% Instrumentalness • 17% Positiveness
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Sara Ramirez
Find Your Grail - Original Broadway Cast...
92 bpm • E Maj • 03:26 • -3.96db
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Ascending Chords