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Ashes
Songs like
Ashes
by
Hilary Hahn
Based on a tempo of (+/- 10%) and a similar genre
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Julia Kent
Gardermoen
128 bpm • G min • 04:10 • -20.67db
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
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Hilary Hahn
Ashes
128 bpm • C# min • 03:12 • -20db
26% Popularity • 43% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Nils Frahm
In the Sky and on the Ground
128 bpm • C# Maj • 02:08 • -29.61db
19% Popularity • 50% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 16% Positiveness
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Judd Greenstein
Clearing, Dawn, Dance
128 bpm • F# min • 10:15 • -10.64db
20% Popularity • 41% Danceability • 29% Energy • 12% Liveness
82% Instrumentalness • 30% Positiveness
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Frédéric Chopin
Andante spianato et Grande polonaise bri...
127 bpm • G Maj • 04:55 • -35.89db
29% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Kala Ramnath
Aalap and Tarana
127 bpm • G Maj • 03:16 • -21.54db
7% Popularity • 23% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
II. Scherzo. Allegro non troppo
129 bpm • A# min • 05:36 • -17.73db
23% Popularity • 49% Danceability • 29% Energy • 15% Liveness
60% Instrumentalness • 62% Positiveness
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Hilary Hahn
Clock Winder
127 bpm • A# Maj • 02:40 • -16.89db
17% Popularity • 37% Danceability • 30% Energy • 8% Liveness
34% Instrumentalness • 16% Positiveness
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Traditional
Drømte mig en drøm (Arr. For String Qu...
127 bpm • G min • 03:45 • -21.17db
22% Popularity • 18% Danceability • 3% Energy • 14% Liveness
43% Instrumentalness • 4% Positiveness
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Arvo Pärt
Pärt: Pärt: Für Alina
127 bpm • G Maj • 02:28 • -26.91db
30% Popularity • 48% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Max Richter
Old Song
130 bpm • C# Maj • 02:11 • -34.12db
32% Popularity • 28% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
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Joep Beving
Wanderlust
130 bpm • D min • 05:43 • -26db
38% Popularity • 29% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Violin Concerto No. 5 in A Major, K. 219...
126 bpm • A Maj • 10:10 • -23.03db
27% Popularity • 36% Danceability • 8% Energy • 11% Liveness
25% Instrumentalness • 31% Positiveness
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Peter Gregson
II. Up
126 bpm • E min • 02:43 • -26.72db
26% Popularity • 64% Danceability • 34% Energy • 11% Liveness
84% Instrumentalness • 83% Positiveness
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Hauschka
Talking to my Father
126 bpm • A min • 03:28 • -19db
20% Popularity • 46% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Dmitry Evgrafov
Anthem
126 bpm • G Maj • 03:03 • -33.93db
41% Popularity • 27% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 6% Positiveness
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Rachel Grimes
Second Self-Portrait Series
130 bpm • D min • 02:30 • -17.08db
21% Popularity • 35% Danceability • 20% Energy • 25% Liveness
92% Instrumentalness • 19% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Henryk Górecki
3 Utwory w dawnym stylu (3 Pieces in Old...
130 bpm • A min • 04:27 • -22db
23% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Louis Spohr
Violin Concerto No. 8 in A Minor, Op. 47...
131 bpm • A min • 04:05 • -24db
7% Popularity • 26% Danceability • 4% Energy • 19% Liveness
22% Instrumentalness • 9% Positiveness
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Francesco Tristano
Lazaro (Solo Piano Version)
125 bpm • C min • 03:20 • -25db
28% Popularity • 38% Danceability • 2% Energy • 14% Liveness
64% Instrumentalness • 30% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
131 bpm • C Maj • 03:33 • -20.84db
36% Popularity • 17% Danceability • 37% Energy • 37% Liveness
95% Instrumentalness • 3% Positiveness
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Rachel Grimes
Earthly Heaven
125 bpm • A min • 06:34 • -14.05db
33% Popularity • 32% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Peter Sculthorpe
Requiem for Cello Alone: IV. Lacrimosa
131 bpm • D min • 02:32 • -34db
23% Popularity • 16% Danceability • 0% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Filharmonie Brno
Requiem for my Friend: Lacrimosa Day of ...
124 bpm • D min • 01:36 • -19.04db
35% Popularity • 17% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 21% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Bryce Dessner
Murder Ballades: Omie Wise
124 bpm • C# Maj • 03:15 • -14.34db
10% Popularity • 45% Danceability • 23% Energy • 15% Liveness
88% Instrumentalness • 48% Positiveness
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Max Richter
Three Worlds: Music from Woolf Works / M...
131 bpm • F# Maj • 05:17 • -16.33db
29% Popularity • 18% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Rachel Grimes
Halcyon Hill
132 bpm • G min • 07:18 • -14.63db
19% Popularity • 24% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Sonata for Piano and Violin in E Minor, ...
124 bpm • E min • 05:37 • -21.19db
51% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Anne Müller
Walzer für Robert
132 bpm • B min • 04:11 • -18.54db
30% Popularity • 39% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Julia Kent
Idlewild
132 bpm • C Maj • 03:15 • -17.04db
33% Popularity • 54% Danceability • 36% Energy • 11% Liveness
79% Instrumentalness • 30% Positiveness
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Ólafur Arnalds
Near Light
132 bpm • D Maj • 02:59 • -12.6db
38% Popularity • 16% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
132 bpm • B min • 03:52 • -17.04db
39% Popularity • 47% Danceability • 46% Energy • 23% Liveness
68% Instrumentalness • 3% Positiveness
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Peter Gregson
1.2 Allemande
132 bpm • G Maj • 02:01 • -14.58db
33% Popularity • 68% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 71% Positiveness
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Thomas Adès
Adès: Les baricades mistérieuses
132 bpm • A# Maj • 02:42 • -40.82db
28% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Arnold Schoenberg
Violin Concerto, Op. 36: III. Finale. Al...
124 bpm • C# Maj • 10:37 • -18.2db
15% Popularity • 37% Danceability • 18% Energy • 34% Liveness
28% Instrumentalness • 7% Positiveness
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Lü Wencheng
Autumn Moon on a Calm Lake
124 bpm • C# Maj • 04:08 • -30.03db
29% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Violin Concerto No. 5 in A Major, K. 219...
132 bpm • A Maj • 08:55 • -21.87db
25% Popularity • 37% Danceability • 8% Energy • 8% Liveness
58% Instrumentalness • 29% Positiveness
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Steve Reich
Duet for two Solo Violins and String Orc...
124 bpm • F Maj • 05:34 • -16db
28% Popularity • 29% Danceability • 27% Energy • 91% Liveness
0% Instrumentalness • 19% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
133 bpm • D min • 02:29 • -19.28db
37% Popularity • 25% Danceability • 41% Energy • 37% Liveness
78% Instrumentalness • 3% Positiveness
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Dustin O'Halloran
Quintett N.1
133 bpm • D min • 05:12 • -17.12db
22% Popularity • 22% Danceability • 18% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
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Edgar Meyer
Violin Concerto: I. Romanza
133 bpm • D# min • 10:24 • -26.46db
9% Popularity • 30% Danceability • 5% Energy • 15% Liveness
26% Instrumentalness • 4% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
123 bpm • E min • 08:06 • -23db
28% Popularity • 18% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ma mère l'Oye, M. 60: III. Laideronnett...
134 bpm • G# min • 03:07 • -34db
27% Popularity • 33% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Hauschka
Another Hike
123 bpm • C Maj • 03:37 • -16.53db
29% Popularity • 51% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Claudio Monteverdi
Madrigals, Book 7: Interrotte speranze, ...
122 bpm • D min • 04:35 • -21.31db
13% Popularity • 23% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Rachel Grimes
Bloodroot
135 bpm • A min • 02:59 • -17.59db
31% Popularity • 30% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Meredith Monk
Ellis Island
134 bpm • A min • 03:02 • -32.62db
46% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
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Wolfgang Amadeus Mozart
Sonata for Piano and Violin in G Major, ...
135 bpm • G Maj • 08:34 • -20.24db
19% Popularity • 42% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Balanescu Quartet
Interlude
135 bpm • B Maj • 01:05 • -20db
37% Popularity • 53% Danceability • 21% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Moderato
135 bpm • C Maj • 02:48 • -17.3db
13% Popularity • 45% Danceability • 32% Energy • 25% Liveness
15% Instrumentalness • 59% Positiveness
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Olivier Messiaen
Preludes: La colombe (The Dove)
135 bpm • F# min • 02:04 • -35db
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
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Hauschka
Tanzbein
135 bpm • C Maj • 04:21 • -15.34db
4% Popularity • 84% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 42% Positiveness
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Somei Satoh
Birds In Warped Time II
135 bpm • B min • 10:24 • -28db
21% Popularity • 16% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
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Henri Vieuxtemps
Violin Concerto No. 4 in D Minor, Op. 31...
135 bpm • D Maj • 05:44 • -21db
14% Popularity • 45% Danceability • 12% Energy • 13% Liveness
4% Instrumentalness • 32% Positiveness
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Georgs Pelēcis
Flowering Jasmine
135 bpm • A min • 06:48 • -30db
28% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
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VÃkingur Ólafsson
Kyriena
136 bpm • B min • 02:57 • -29db
23% Popularity • 16% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Sonata for Piano and Violin in A Major, ...
136 bpm • A Maj • 07:08 • -19.8db
15% Popularity • 41% Danceability • 26% Energy • 12% Liveness
7% Instrumentalness • 76% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Nocturne in G Minor
120 bpm • G min • 03:01 • -27.33db
35% Popularity • 37% Danceability • 10% Energy • 16% Liveness
91% Instrumentalness • 30% Positiveness
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Hilary Hahn
III. Erixymachos. Presto
136 bpm • C Maj • 01:29 • -25.12db
16% Popularity • 41% Danceability • 26% Energy • 20% Liveness
45% Instrumentalness • 25% Positiveness
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Michael Nyman
How Should I Live
137 bpm • A min • 03:48 • -22db
12% Popularity • 16% Danceability • 9% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
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Ellis Ludwig-Leone
Night Loops
120 bpm • E min • 08:49 • -20.66db
10% Popularity • 38% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Eugène Ysaÿe
6 Sonatas for Violin Solo, Op. 27 / Sona...
120 bpm • G Maj • 03:20 • -17db
19% Popularity • 42% Danceability • 20% Energy • 21% Liveness
86% Instrumentalness • 66% Positiveness
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Francesco Tristano
Grey Light
120 bpm • G min • 04:36 • -20.96db
37% Popularity • 39% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Arvo Pärt
Pari intervallo
137 bpm • D# min • 07:50 • -45db
22% Popularity • 52% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 46% Positiveness
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VÃkingur Ólafsson
Above and Below, B Minor
137 bpm • B min • 03:01 • -22db
32% Popularity • 17% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Matt Haimovitz
Orbit
137 bpm • C min • 07:13 • -21.54db
19% Popularity • 21% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Peter Gregson
6.5 Gavottes
139 bpm • A Maj • 02:09 • -16db
31% Popularity • 46% Danceability • 22% Energy • 19% Liveness
96% Instrumentalness • 11% Positiveness
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Yuja Wang
Wallfisch: Final Kiss
140 bpm • C Maj • 04:59 • -20.43db
14% Popularity • 14% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Francesco Tristano
Circle Song
139 bpm • C Maj • 03:13 • -22db
26% Popularity • 29% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Fredrik Sjölin
Shore
139 bpm • G min • 02:50 • -21.53db
23% Popularity • 15% Danceability • 7% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Hilary Hahn
Godot
117 bpm • D min • 12:33 • -22.97db
10% Popularity • 32% Danceability • 34% Energy • 11% Liveness
49% Instrumentalness • 4% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Dmitry Evgrafov
Reel
140 bpm • D# Maj • 01:42 • -15db
36% Popularity • 63% Danceability • 29% Energy • 12% Liveness
87% Instrumentalness • 22% Positiveness
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Steve Reich
Duet
140 bpm • F Maj • 04:56 • -20db
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
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Hauschka
Running Through the Grapevine
140 bpm • G Maj • 01:14 • -21db
36% Popularity • 58% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Caroline Shaw
Plan & Elevation: IV. The Orangery
117 bpm • A Maj • 01:57 • -23.16db
36% Popularity • 44% Danceability • 14% Energy • 22% Liveness
26% Instrumentalness • 18% Positiveness
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Maurice Ravel
Ravel / Arr. Grainger: Miroirs, M. 43: V...
140 bpm • C# Maj • 05:27 • -28.18db
20% Popularity • 16% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Michael Nyman
Three movements from String Quartet No. ...
117 bpm • A# Maj • 03:37 • -21.46db
11% Popularity • 23% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
141 bpm • G# Maj • 02:51 • -27.78db
41% Popularity • 17% Danceability • 6% Energy • 39% Liveness
45% Instrumentalness • 8% Positiveness
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Hilary Hahn
Sink
141 bpm • D# Maj • 02:00 • -13.22db
11% Popularity • 52% Danceability • 43% Energy • 21% Liveness
95% Instrumentalness • 11% Positiveness
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Manuel de Falla
Siete Canciones Populares Españolas: VI...
141 bpm • C Maj • 02:13 • -39db
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Suite in G Major, RCT 6: No. 14, Les sau...
142 bpm • G min • 03:08 • -15.25db
12% Popularity • 33% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Aleksandra Vrebalov
The Sea Ranch Songs: Elements I
116 bpm • G min • 04:07 • -15db
12% Popularity • 27% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 57% Positiveness
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Alan Hovhaness
4 Bagatelles, Op. 30: No. 1. —
115 bpm • A min • 02:04 • -26.85db
18% Popularity • 23% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 29% Positiveness
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Astor Piazzolla
Oblivion (Arr. String Quartet)
115 bpm • C min • 03:32 • -16.62db
27% Popularity • 19% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Hilary Hahn
Halo Of Honey
115 bpm • A min • 02:55 • -26.59db
8% Popularity • 30% Danceability • 12% Energy • 14% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
Ólafur Arnalds
Verses
142 bpm • C# min • 04:03 • -17.85db
42% Popularity • 14% Danceability • 16% Energy • 39% Liveness
92% Instrumentalness • 3% Positiveness
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Nils Frahm
Ambre (Arr. by Christian Badzura)
142 bpm • A# min • 03:50 • -20.33db
25% Popularity • 16% Danceability • 8% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Sonata for Piano and Violin in F Major, ...
143 bpm • C Maj • 05:07 • -21.23db
21% Popularity • 40% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
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Max Richter
The Trees
115 bpm • G min • 07:52 • -13.73db
33% Popularity • 23% Danceability • 31% Energy • 34% Liveness
94% Instrumentalness • 3% Positiveness
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Sarah Kirkland Snider
The Currents
143 bpm • D Maj • 07:34 • -17.62db
8% Popularity • 34% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Elena Kats-Chernin
Fast Blue Village 2
114 bpm • G min • 05:16 • -19db
14% Popularity • 52% Danceability • 23% Energy • 10% Liveness
35% Instrumentalness • 51% Positiveness
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Ólafur Arnalds
Erla's Waltz
115 bpm • D Maj • 01:54 • -33.69db
33% Popularity • 39% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 6% Positiveness
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Arvo Pärt
Pärt: Cantus in memoriam Benjamin Britt...
114 bpm • F Maj • 06:48 • -20db
12% Popularity • 17% Danceability • 14% Energy • 30% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Wolfgang Amadeus Mozart
Violin Concerto No. 5 in A Major, K. 219...
115 bpm • E Maj • 10:06 • -26.31db
22% Popularity • 24% Danceability • 4% Energy • 10% Liveness
52% Instrumentalness • 8% Positiveness
► Preview
Max Richter
Recomposed By Max Richter: Vivaldi, The ...
143 bpm • C Maj • 02:32 • -23.39db
36% Popularity • 69% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Hauschka
David Melrose - Piano Virtuoso
144 bpm • C min • 01:29 • -18.82db
15% Popularity • 26% Danceability • 26% Energy • 18% Liveness
94% Instrumentalness • 52% Positiveness
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Ashes