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Asleep - 2011 Remaster
Songs like
Asleep - 2011 Remaster
by
The Smiths
Based on a tempo of (+/- 10%) and a similar genre
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Panchiko
All They Wanted
115 bpm • A# Maj • 02:07 • -7.73db
62% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Arctic Monkeys
No. 1 Party Anthem
115 bpm • C Maj • 04:03 • -5.56db
70% Popularity • 50% Danceability • 70% Energy • 10% Liveness
9% Instrumentalness • 60% Positiveness
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Car Seat Headrest
Sober to Death
115 bpm • G Maj • 05:04 • -6.86db
65% Popularity • 51% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Hole
Petals
115 bpm • E min • 05:29 • -6.57db
58% Popularity • 45% Danceability • 82% Energy • 37% Liveness
3% Instrumentalness • 22% Positiveness
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The Smiths
Asleep - 2011 Remaster
115 bpm • C Maj • 04:13 • -15.87db
64% Popularity • 51% Danceability • 26% Energy • 15% Liveness
53% Instrumentalness • 22% Positiveness
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Interpol
Stella was a diver and she was always do...
114 bpm • F Maj • 06:27 • -6db
51% Popularity • 42% Danceability • 85% Energy • 20% Liveness
79% Instrumentalness • 44% Positiveness
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Duster
Orbitron
116 bpm • D Maj • 02:18 • -10.84db
62% Popularity • 49% Danceability • 41% Energy • 14% Liveness
76% Instrumentalness • 10% Positiveness
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Bon Iver
Beach Baby
114 bpm • C Maj • 02:40 • -17.28db
75% Popularity • 67% Danceability • 8% Energy • 11% Liveness
41% Instrumentalness • 9% Positiveness
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Car Seat Headrest
My Boy - Twin Fantasy
115 bpm • A Maj • 02:52 • -10db
53% Popularity • 57% Danceability • 31% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
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TV Girl
Louise
116 bpm • C Maj • 03:14 • -4.56db
71% Popularity • 73% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 92% Positiveness
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Cigarettes After Sex
Opera House
116 bpm • F Maj • 06:05 • -14.15db
69% Popularity • 36% Danceability • 29% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Thom Yorke
Hearing Damage
116 bpm • C# Maj • 05:03 • -6.32db
61% Popularity • 63% Danceability • 86% Energy • 11% Liveness
85% Instrumentalness • 13% Positiveness
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Cage The Elephant
Cigarette Daydreams
114 bpm • D Maj • 03:28 • -3.44db
81% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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The Strokes
What Ever Happened?
116 bpm • B Maj • 02:49 • -6.04db
64% Popularity • 55% Danceability • 60% Energy • 27% Liveness
74% Instrumentalness • 58% Positiveness
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Car Seat Headrest
Cute Thing
114 bpm • A# Maj • 05:39 • -5.16db
53% Popularity • 31% Danceability • 74% Energy • 12% Liveness
29% Instrumentalness • 27% Positiveness
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alex_g_offline
Pretend
116 bpm • A Maj • 05:59 • -2.92db
74% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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David Bowie
Changes - 2015 Remaster
114 bpm • C Maj • 03:37 • -11.75db
68% Popularity • 56% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Smiths
Pretty Girls Make Graves - 2011 Remaster
116 bpm • F# min • 03:43 • -9.06db
70% Popularity • 61% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Nirvana
Dumb
114 bpm • F# Maj • 02:31 • -13.58db
77% Popularity • 70% Danceability • 40% Energy • 17% Liveness
65% Instrumentalness • 88% Positiveness
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Bauhaus
All We Ever Wanted Was Everything
116 bpm • C Maj • 03:52 • -17.63db
52% Popularity • 60% Danceability • 25% Energy • 12% Liveness
10% Instrumentalness • 27% Positiveness
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Pixies
Monkey Gone to Heaven
117 bpm • F# min • 02:55 • -10.64db
64% Popularity • 65% Danceability • 39% Energy • 27% Liveness
1% Instrumentalness • 57% Positiveness
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Current Joys
Kids
113 bpm • F# Maj • 04:29 • -9.67db
75% Popularity • 83% Danceability • 66% Energy • 8% Liveness
40% Instrumentalness • 90% Positiveness
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Morrissey
We'll Let You Know - 2014 Remaster
117 bpm • D Maj • 05:13 • -9.72db
36% Popularity • 53% Danceability • 57% Energy • 38% Liveness
10% Instrumentalness • 47% Positiveness
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The Smiths
I Know It's Over - 2011 Remaster
113 bpm • C Maj • 05:49 • -10.58db
70% Popularity • 41% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Nirvana
All Apologies
113 bpm • C# Maj • 03:53 • -12.2db
73% Popularity • 45% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Last Shadow Puppets
Miracle Aligner
113 bpm • F# min • 04:05 • -9db
60% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Faye Webster
Right Side of My Neck
117 bpm • C# Maj • 02:33 • -9.07db
73% Popularity • 72% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Car Seat Headrest
Drunk Drivers/Killer Whales
117 bpm • D Maj • 06:14 • -7.95db
58% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Morrissey
Everyday Is Like Sunday - 2011 Remaster
117 bpm • C Maj • 03:35 • -5db
60% Popularity • 60% Danceability • 87% Energy • 31% Liveness
44% Instrumentalness • 56% Positiveness
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Mitski
Nobody
117 bpm • C Maj • 03:13 • -5.25db
77% Popularity • 40% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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The Smiths
I Don't Owe You Anything - 2011 Remaster
113 bpm • E Maj • 04:04 • -10db
59% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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The Stone Roses
I Wanna Be Adored - Remastered
113 bpm • E min • 04:52 • -9.16db
66% Popularity • 49% Danceability • 86% Energy • 23% Liveness
21% Instrumentalness • 59% Positiveness
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The Cranberries
I Still Do
118 bpm • E min • 03:16 • -11.75db
56% Popularity • 43% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Last Shadow Puppets
Sweet Dreams, TN
112 bpm • B min • 03:56 • -7db
64% Popularity • 28% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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The Velvet Underground
Stephanie Says
113 bpm • C Maj • 02:49 • -20.49db
57% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Arcade Fire
The Suburbs
118 bpm • F# min • 05:15 • -6db
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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David Bowie
Heroes - 2017 Remaster
112 bpm • G Maj • 06:11 • -6.49db
75% Popularity • 49% Danceability • 76% Energy • 9% Liveness
49% Instrumentalness • 44% Positiveness
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The Smiths
Nowhere Fast - 2011 Remaster
112 bpm • B min • 02:37 • -5.91db
55% Popularity • 50% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Phoebe Bridgers
I Know The End
112 bpm • C# Maj • 05:44 • -10.27db
72% Popularity • 32% Danceability • 32% Energy • 23% Liveness
2% Instrumentalness • 26% Positiveness
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Lana Del Rey
The Other Woman
112 bpm • G min • 03:01 • -6.43db
75% Popularity • 26% Danceability • 47% Energy • 34% Liveness
25% Instrumentalness • 18% Positiveness
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Flatsound
I Exist I Exist I Exist
119 bpm • G Maj • 05:14 • -18.2db
54% Popularity • 44% Danceability • 16% Energy • 15% Liveness
76% Instrumentalness • 12% Positiveness
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John Lennon
Beautiful Boy (Darling Boy) - Remastered...
111 bpm • D Maj • 04:05 • -11.53db
69% Popularity • 57% Danceability • 47% Energy • 86% Liveness
0% Instrumentalness • 44% Positiveness
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David Bowie
The Man Who Sold the World - 2015 Remast...
118 bpm • D min • 04:01 • -14.42db
63% Popularity • 47% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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The Smiths
Frankly, Mr. Shankly - 2011 Remaster
112 bpm • E Maj • 02:18 • -6.53db
59% Popularity • 71% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Strawberry Switchblade
Trees and Flowers
119 bpm • G Maj • 03:14 • -5.82db
59% Popularity • 43% Danceability • 73% Energy • 9% Liveness
29% Instrumentalness • 80% Positiveness
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alex_g_offline
Sometimes
111 bpm • A# Maj • 02:32 • -16.21db
69% Popularity • 66% Danceability • 39% Energy • 8% Liveness
81% Instrumentalness • 88% Positiveness
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Bon Iver
For Emma
111 bpm • E min • 03:40 • -11.12db
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
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Duster
Constellations
110 bpm • D Maj • 03:43 • -12.61db
69% Popularity • 86% Danceability • 33% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
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The Cranberries
Twenty One
120 bpm • G min • 03:07 • -15db
54% Popularity • 58% Danceability • 34% Energy • 10% Liveness
52% Instrumentalness • 9% Positiveness
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The Smiths
The Boy with the Thorn in His Side - 201...
119 bpm • G Maj • 03:16 • -7db
63% Popularity • 51% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
► Preview
Joy Division
Atmosphere - 2020 Digital Remaster
120 bpm • F# Maj • 04:12 • -11db
52% Popularity • 61% Danceability • 40% Energy • 11% Liveness
41% Instrumentalness • 47% Positiveness
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Car Seat Headrest
happy news for sadness
120 bpm • D# Maj • 04:57 • -5.54db
49% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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salvia palth
i don't know anyone, i am
120 bpm • C Maj • 03:57 • -13.07db
52% Popularity • 29% Danceability • 40% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Duster
Me and the Birds
120 bpm • G# min • 01:35 • -6.55db
71% Popularity • 48% Danceability • 53% Energy • 53% Liveness
6% Instrumentalness • 22% Positiveness
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Interpol
No I In Threesome
120 bpm • C Maj • 03:51 • -3.88db
54% Popularity • 47% Danceability • 91% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
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Dream, Ivory
Dream, Ivory
120 bpm • C# Maj • 03:08 • -4.83db
63% Popularity • 54% Danceability • 57% Energy • 7% Liveness
33% Instrumentalness • 19% Positiveness
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Blur
Girls & Boys
120 bpm • G min • 04:19 • -8.35db
70% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Car Seat Headrest
It's Only Sex
120 bpm • G Maj • 04:43 • -8.07db
60% Popularity • 59% Danceability • 52% Energy • 12% Liveness
46% Instrumentalness • 48% Positiveness
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The Smiths
A Rush and a Push and the Land Is Ours -...
110 bpm • A# Maj • 03:03 • -9.02db
62% Popularity • 67% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Alex G
Things to Do
110 bpm • G Maj • 02:37 • -7.14db
60% Popularity • 70% Danceability • 52% Energy • 16% Liveness
3% Instrumentalness • 65% Positiveness
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Pixies
Is She Weird
110 bpm • A Maj • 03:01 • -13db
55% Popularity • 68% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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The Strokes
Why Are Sundays So Depressing
110 bpm • C Maj • 04:35 • -4.46db
65% Popularity • 58% Danceability • 71% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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David Bowie
Ashes to Ashes - 2017 Remaster
120 bpm • C# Maj • 04:26 • -10.55db
64% Popularity • 71% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Sufjan Stevens
Fourth of July
120 bpm • F# min • 04:39 • -22.39db
79% Popularity • 44% Danceability • 10% Energy • 12% Liveness
33% Instrumentalness • 16% Positiveness
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The Smiths
Reel Around the Fountain - 2011 Remaster
110 bpm • A Maj • 05:59 • -9.98db
56% Popularity • 67% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Interpol
Obstacle 1
121 bpm • F Maj • 04:11 • -4.9db
63% Popularity • 38% Danceability • 94% Energy • 7% Liveness
58% Instrumentalness • 38% Positiveness
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Pixies
The Thing
110 bpm • C min • 01:58 • -9.05db
64% Popularity • 73% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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The Strokes
You Only Live Once
121 bpm • B Maj • 03:09 • -2.42db
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
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Pulp
Something Changed
121 bpm • G Maj • 03:18 • -8.33db
53% Popularity • 54% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 38% Positiveness
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The Velvet Underground
After Hours
121 bpm • G min • 02:07 • -20.99db
62% Popularity • 61% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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The Smiths
Half a Person - 2011 Remaster
121 bpm • F# min • 03:38 • -8.7db
61% Popularity • 61% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Lana Del Rey
Pretty When You Cry
109 bpm • A# min • 03:54 • -6.55db
77% Popularity • 51% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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The Sundays
Here's Where the Story Ends
109 bpm • G Maj • 03:50 • -8.62db
57% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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The Strokes
Call It Fate, Call It Karma
109 bpm • E min • 03:24 • -14.78db
70% Popularity • 54% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 36% Positiveness
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The Jesus and Mary Chain
Just Like Honey
121 bpm • G# Maj • 03:02 • -10.5db
57% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
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The Velvet Underground
I'll Be Your Mirror
109 bpm • G Maj • 02:14 • -14.93db
60% Popularity • 61% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Cranberries
Sunday
109 bpm • C Maj • 03:31 • -13.1db
72% Popularity • 33% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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The Smiths
Back to the Old House - John Peel Sessio...
110 bpm • D# Maj • 03:05 • -16.46db
49% Popularity • 56% Danceability • 33% Energy • 14% Liveness
4% Instrumentalness • 39% Positiveness
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Radiohead
Exit Music (For A Film)
122 bpm • E min • 04:27 • -11.36db
72% Popularity • 29% Danceability • 28% Energy • 17% Liveness
12% Instrumentalness • 20% Positiveness
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Blur
Coffee & TV
122 bpm • D Maj • 05:58 • -10.12db
64% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
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Nick Cave & The Bad Seeds
O Children
122 bpm • E min • 06:49 • -7.02db
69% Popularity • 50% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Interpol
Leif Erikson
109 bpm • G Maj • 04:00 • -8db
52% Popularity • 52% Danceability • 74% Energy • 9% Liveness
58% Instrumentalness • 65% Positiveness
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The Strokes
Selfless
122 bpm • E Maj • 03:42 • -4.3db
70% Popularity • 54% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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The Smiths
Wonderful Woman - 2008 Remaster
108 bpm • B min • 03:10 • -6.33db
53% Popularity • 50% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
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Current Joys
Blondie
122 bpm • F# Maj • 03:14 • -12.56db
76% Popularity • 78% Danceability • 63% Energy • 9% Liveness
90% Instrumentalness • 87% Positiveness
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Pavement
Harness Your Hopes - B-side
108 bpm • D Maj • 03:26 • -7.8db
74% Popularity • 60% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 58% Positiveness
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alex_g_offline
I Wait for You
123 bpm • G Maj • 02:38 • -14.39db
76% Popularity • 59% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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Slowdive
Slomo
108 bpm • G Maj • 06:53 • -7.22db
51% Popularity • 19% Danceability • 70% Energy • 13% Liveness
3% Instrumentalness • 35% Positiveness
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Pink Floyd
Wish You Were Here
123 bpm • G Maj • 05:34 • -15.73db
75% Popularity • 48% Danceability • 26% Energy • 83% Liveness
1% Instrumentalness • 38% Positiveness
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David Bowie
Life on Mars? - 2015 Remaster
123 bpm • A# Maj • 03:55 • -14.64db
69% Popularity • 44% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Black Country, New Road
The Place Where He Inserted the Blade
123 bpm • B Maj • 07:13 • -8.28db
57% Popularity • 38% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
► Preview
Slowdive
No Longer Making Time
107 bpm • F# Maj • 05:48 • -7.6db
49% Popularity • 56% Danceability • 50% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
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Wilco
How to Fight Loneliness
124 bpm • B min • 03:52 • -12.67db
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
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Japanese Breakfast
Boyish
107 bpm • D Maj • 03:33 • -7.46db
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Pulp
Bar Italia
124 bpm • F Maj • 03:44 • -7.89db
46% Popularity • 40% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Cigarettes After Sex
John Wayne
124 bpm • D# Maj • 04:18 • -8.39db
72% Popularity • 44% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
► Preview
Matt Maltese
As the World Caves In
124 bpm • A# Maj • 03:38 • -5.36db
70% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Asleep - 2011 Remaster