Songs like Assid by M.Smith
Based on a tempo of (+/- 10%) and a similar genre
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Space 92
Drone
132 bpm • F# Maj • 07:03 • -5.52db
22% Popularity • 79% Danceability • 98% Energy • 11% Liveness
85% Instrumentalness • 67% Positiveness
22% Popularity • 79% Danceability • 98% Energy • 11% Liveness
85% Instrumentalness • 67% Positiveness
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Tom Wax
The Sound of the Underground
132 bpm • C# Maj • 07:36 • -7.3db
4% Popularity • 64% Danceability • 90% Energy • 63% Liveness
79% Instrumentalness • 23% Positiveness
4% Popularity • 64% Danceability • 90% Energy • 63% Liveness
79% Instrumentalness • 23% Positiveness
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Karim Alkhayat
A Nightmare to Remember - Original Mix
132 bpm • B min • 04:10 • -7.64db
9% Popularity • 66% Danceability • 97% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
9% Popularity • 66% Danceability • 97% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
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Mha Iri
Here with You - Original Mix
132 bpm • C Maj • 07:23 • -6.82db
16% Popularity • 59% Danceability • 96% Energy • 38% Liveness
84% Instrumentalness • 25% Positiveness
16% Popularity • 59% Danceability • 96% Energy • 38% Liveness
84% Instrumentalness • 25% Positiveness
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A.D.H.S.
Razor
132 bpm • F min • 06:53 • -5.89db
22% Popularity • 60% Danceability • 87% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
22% Popularity • 60% Danceability • 87% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
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Belocca
The Greatest Question
132 bpm • G Maj • 06:51 • -6.38db
21% Popularity • 78% Danceability • 76% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
21% Popularity • 78% Danceability • 76% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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F-Rontal
Graphit
132 bpm • C# Maj • 05:51 • -8.12db
14% Popularity • 69% Danceability • 74% Energy • 14% Liveness
90% Instrumentalness • 11% Positiveness
14% Popularity • 69% Danceability • 74% Energy • 14% Liveness
90% Instrumentalness • 11% Positiveness
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Kate Hex
Reincarnation
132 bpm • G Maj • 04:27 • -8.53db
8% Popularity • 62% Danceability • 85% Energy • 33% Liveness
87% Instrumentalness • 5% Positiveness
8% Popularity • 62% Danceability • 85% Energy • 33% Liveness
87% Instrumentalness • 5% Positiveness
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M.Smith
Assid
132 bpm • D Maj • 05:31 • -7.58db
22% Popularity • 73% Danceability • 82% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
22% Popularity • 73% Danceability • 82% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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Space 92
Cyberspace
132 bpm • E Maj • 06:42 • -5.69db
26% Popularity • 75% Danceability • 99% Energy • 9% Liveness
80% Instrumentalness • 20% Positiveness
26% Popularity • 75% Danceability • 99% Energy • 9% Liveness
80% Instrumentalness • 20% Positiveness
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HI-LO
Athena - Ramon Tapia Remix
132 bpm • C# min • 06:08 • -6.39db
17% Popularity • 80% Danceability • 64% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
17% Popularity • 80% Danceability • 64% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Alex Stein
Control Me
132 bpm • G Maj • 04:41 • -7.43db
26% Popularity • 61% Danceability • 89% Energy • 83% Liveness
90% Instrumentalness • 44% Positiveness
26% Popularity • 61% Danceability • 89% Energy • 83% Liveness
90% Instrumentalness • 44% Positiveness
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Sharpson
Double Drop
132 bpm • E min • 07:47 • -7.61db
21% Popularity • 66% Danceability • 84% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
21% Popularity • 66% Danceability • 84% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Mark Dekoda
Rain
132 bpm • G Maj • 05:27 • -7.12db
20% Popularity • 72% Danceability • 81% Energy • 5% Liveness
72% Instrumentalness • 22% Positiveness
20% Popularity • 72% Danceability • 81% Energy • 5% Liveness
72% Instrumentalness • 22% Positiveness
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Sam WOLFE
Prison Break - Original Mix
132 bpm • F# min • 03:28 • -7.47db
27% Popularity • 74% Danceability • 87% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
27% Popularity • 74% Danceability • 87% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Space 92
Luna
132 bpm • C Maj • 06:04 • -6.28db
25% Popularity • 79% Danceability • 87% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
25% Popularity • 79% Danceability • 87% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Marco V
ME/AN
132 bpm • G# Maj • 03:49 • -8db
10% Popularity • 58% Danceability • 89% Energy • 16% Liveness
79% Instrumentalness • 15% Positiveness
10% Popularity • 58% Danceability • 89% Energy • 16% Liveness
79% Instrumentalness • 15% Positiveness
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Anna Reusch
Whisper
132 bpm • A# min • 06:20 • -7.16db
15% Popularity • 79% Danceability • 94% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
15% Popularity • 79% Danceability • 94% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Karim Alkhayat
System Error - SAM WOLFE Remix
132 bpm • F# min • 04:20 • -6.3db
17% Popularity • 69% Danceability • 95% Energy • 24% Liveness
78% Instrumentalness • 18% Positiveness
17% Popularity • 69% Danceability • 95% Energy • 24% Liveness
78% Instrumentalness • 18% Positiveness
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H! Dude
Nasty Word
132 bpm • G Maj • 07:09 • -7db
26% Popularity • 72% Danceability • 76% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
26% Popularity • 72% Danceability • 76% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Patrick Scuro
Creatures on Acid - Radio-Edit
132 bpm • F Maj • 04:30 • -7.25db
22% Popularity • 64% Danceability • 98% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
22% Popularity • 64% Danceability • 98% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Dual DeStress
Resistance
132 bpm • G Maj • 03:54 • -6.69db
1% Popularity • 75% Danceability • 96% Energy • 13% Liveness
83% Instrumentalness • 42% Positiveness
1% Popularity • 75% Danceability • 96% Energy • 13% Liveness
83% Instrumentalness • 42% Positiveness
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Sam WOLFE
Gone - Original Mix
132 bpm • E min • 04:00 • -5.42db
19% Popularity • 74% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
19% Popularity • 74% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Sabura
Tribal Space
132 bpm • D Maj • 05:59 • -10.87db
28% Popularity • 74% Danceability • 89% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
28% Popularity • 74% Danceability • 89% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Karim Alkhayat
The Bigger Picture
132 bpm • D Maj • 06:50 • -7.41db
19% Popularity • 66% Danceability • 89% Energy • 7% Liveness
85% Instrumentalness • 35% Positiveness
19% Popularity • 66% Danceability • 89% Energy • 7% Liveness
85% Instrumentalness • 35% Positiveness
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Karla Blum
Free Your Mind - Alex Stein Remix
132 bpm • B min • 05:43 • -7.82db
19% Popularity • 68% Danceability • 76% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
19% Popularity • 68% Danceability • 76% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
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Jason Johnson
Move
132 bpm • C# min • 05:52 • -5.45db
27% Popularity • 80% Danceability • 88% Energy • 9% Liveness
78% Instrumentalness • 25% Positiveness
27% Popularity • 80% Danceability • 88% Energy • 9% Liveness
78% Instrumentalness • 25% Positiveness
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Ramon Tapia
Morphing
132 bpm • E min • 04:52 • -6.98db
18% Popularity • 59% Danceability • 89% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
18% Popularity • 59% Danceability • 89% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Joyhauser
Crawler
132 bpm • B Maj • 05:23 • -7.1db
36% Popularity • 70% Danceability • 97% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
36% Popularity • 70% Danceability • 97% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Xenia (UA)
Acid React - Original Mix
132 bpm • C# Maj • 04:07 • -5.07db
23% Popularity • 61% Danceability • 98% Energy • 4% Liveness
83% Instrumentalness • 27% Positiveness
23% Popularity • 61% Danceability • 98% Energy • 4% Liveness
83% Instrumentalness • 27% Positiveness
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A*S*Y*S
Sweat & Tears - Original Mix
132 bpm • C# Maj • 05:12 • -7.67db
15% Popularity • 70% Danceability • 81% Energy • 7% Liveness
93% Instrumentalness • 55% Positiveness
15% Popularity • 70% Danceability • 81% Energy • 7% Liveness
93% Instrumentalness • 55% Positiveness
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Cali Martini
Diversity
132 bpm • E min • 05:20 • -6.97db
18% Popularity • 63% Danceability • 95% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
18% Popularity • 63% Danceability • 95% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
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A.D.H.S.
Dancin' 4Ever
132 bpm • G Maj • 06:51 • -5.11db
17% Popularity • 65% Danceability • 97% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
17% Popularity • 65% Danceability • 97% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Ian Crank
Digital
132 bpm • A# Maj • 06:27 • -8.85db
9% Popularity • 79% Danceability • 90% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
9% Popularity • 79% Danceability • 90% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Mark Dekoda
Devil Inside
132 bpm • G Maj • 05:34 • -7.46db
14% Popularity • 78% Danceability • 96% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
14% Popularity • 78% Danceability • 96% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
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M.Smith
Maori
132 bpm • G min • 05:47 • -4.06db
11% Popularity • 67% Danceability • 95% Energy • 11% Liveness
74% Instrumentalness • 15% Positiveness
11% Popularity • 67% Danceability • 95% Energy • 11% Liveness
74% Instrumentalness • 15% Positiveness
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Thomas Schumacher
No Rules Involved
132 bpm • E Maj • 03:49 • -8.26db
32% Popularity • 62% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
32% Popularity • 62% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Karim Alkhayat
Symphony on Acid
132 bpm • G Maj • 04:27 • -4.93db
19% Popularity • 58% Danceability • 96% Energy • 32% Liveness
88% Instrumentalness • 22% Positiveness
19% Popularity • 58% Danceability • 96% Energy • 32% Liveness
88% Instrumentalness • 22% Positiveness
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D72
Switch Play
132 bpm • G Maj • 03:34 • -5.71db
33% Popularity • 30% Danceability • 98% Energy • 66% Liveness
91% Instrumentalness • 7% Positiveness
33% Popularity • 30% Danceability • 98% Energy • 66% Liveness
91% Instrumentalness • 7% Positiveness
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Mark Michael
Blackout - Radio Edit
132 bpm • G Maj • 04:38 • -8.62db
26% Popularity • 58% Danceability • 77% Energy • 16% Liveness
13% Instrumentalness • 9% Positiveness
26% Popularity • 58% Danceability • 77% Energy • 16% Liveness
13% Instrumentalness • 9% Positiveness
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Matteo Vitanza
Altered Consciousness
132 bpm • E min • 04:38 • -4.82db
13% Popularity • 67% Danceability • 97% Energy • 37% Liveness
79% Instrumentalness • 4% Positiveness
13% Popularity • 67% Danceability • 97% Energy • 37% Liveness
79% Instrumentalness • 4% Positiveness
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Space 92
The Game
132 bpm • G Maj • 06:47 • -5.66db
38% Popularity • 76% Danceability • 95% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
38% Popularity • 76% Danceability • 95% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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A.D.H.S.
Zulu
132 bpm • F# Maj • 04:58 • -8.43db
46% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
46% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
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Belocca
Rave Cave
132 bpm • G# Maj • 07:24 • -7.86db
27% Popularity • 65% Danceability • 86% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
27% Popularity • 65% Danceability • 86% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
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Anahit Vardanyan
Huys
132 bpm • F# Maj • 07:20 • -8.31db
31% Popularity • 73% Danceability • 94% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 73% Danceability • 94% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
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Lister
This Is Acid
132 bpm • A Maj • 02:07 • -9.17db
40% Popularity • 64% Danceability • 90% Energy • 47% Liveness
79% Instrumentalness • 4% Positiveness
40% Popularity • 64% Danceability • 90% Energy • 47% Liveness
79% Instrumentalness • 4% Positiveness
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Zafer Atabey
Like You - Radio Edit
132 bpm • C min • 04:15 • -6.9db
9% Popularity • 65% Danceability • 96% Energy • 68% Liveness
87% Instrumentalness • 58% Positiveness
9% Popularity • 65% Danceability • 96% Energy • 68% Liveness
87% Instrumentalness • 58% Positiveness
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Luca Morris
Summer Rain
132 bpm • C# min • 04:23 • -6.74db
8% Popularity • 59% Danceability • 93% Energy • 8% Liveness
84% Instrumentalness • 8% Positiveness
8% Popularity • 59% Danceability • 93% Energy • 8% Liveness
84% Instrumentalness • 8% Positiveness
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Titus Grande
Acid Response
132 bpm • C# Maj • 07:44 • -5.53db
22% Popularity • 65% Danceability • 99% Energy • 8% Liveness
82% Instrumentalness • 55% Positiveness
22% Popularity • 65% Danceability • 99% Energy • 8% Liveness
82% Instrumentalness • 55% Positiveness
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Gizmo & Mac
Black Lotus
132 bpm • G Maj • 06:19 • -3.77db
9% Popularity • 73% Danceability • 87% Energy • 10% Liveness
76% Instrumentalness • 56% Positiveness
9% Popularity • 73% Danceability • 87% Energy • 10% Liveness
76% Instrumentalness • 56% Positiveness
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Thomas Janovitz
Rush - Original Mix
132 bpm • D Maj • 06:36 • -7.05db
6% Popularity • 69% Danceability • 97% Energy • 60% Liveness
89% Instrumentalness • 52% Positiveness
6% Popularity • 69% Danceability • 97% Energy • 60% Liveness
89% Instrumentalness • 52% Positiveness
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Joyhauser
Lysergic Acid
132 bpm • C# Maj • 05:25 • -6.64db
21% Popularity • 64% Danceability • 83% Energy • 35% Liveness
79% Instrumentalness • 8% Positiveness
21% Popularity • 64% Danceability • 83% Energy • 35% Liveness
79% Instrumentalness • 8% Positiveness
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Joris Turenhout
Fauna
132 bpm • A# min • 05:10 • -8.91db
17% Popularity • 54% Danceability • 95% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
17% Popularity • 54% Danceability • 95% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Rico Puestel
Afar - Joyhauser Remix
132 bpm • C min • 07:05 • -6.81db
10% Popularity • 66% Danceability • 88% Energy • 12% Liveness
84% Instrumentalness • 51% Positiveness
10% Popularity • 66% Danceability • 88% Energy • 12% Liveness
84% Instrumentalness • 51% Positiveness
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NoTune
Speak
132 bpm • F# min • 05:28 • -11.33db
11% Popularity • 74% Danceability • 68% Energy • 53% Liveness
72% Instrumentalness • 18% Positiveness
11% Popularity • 74% Danceability • 68% Energy • 53% Liveness
72% Instrumentalness • 18% Positiveness
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Mark Dekoda
Illusion
132 bpm • G Maj • 06:32 • -9.2db
35% Popularity • 66% Danceability • 85% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
35% Popularity • 66% Danceability • 85% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
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Dual DeStress
Powers of Earth
132 bpm • G Maj • 04:22 • -7.22db
1% Popularity • 70% Danceability • 88% Energy • 52% Liveness
73% Instrumentalness • 16% Positiveness
1% Popularity • 70% Danceability • 88% Energy • 52% Liveness
73% Instrumentalness • 16% Positiveness
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Joyhauser
The Woffler
132 bpm • G min • 07:01 • -5.78db
15% Popularity • 67% Danceability • 92% Energy • 66% Liveness
84% Instrumentalness • 22% Positiveness
15% Popularity • 67% Danceability • 92% Energy • 66% Liveness
84% Instrumentalness • 22% Positiveness
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Mha Iri
You Are Mine - Original Mix
132 bpm • A Maj • 06:54 • -6.43db
30% Popularity • 68% Danceability • 87% Energy • 37% Liveness
86% Instrumentalness • 19% Positiveness
30% Popularity • 68% Danceability • 87% Energy • 37% Liveness
86% Instrumentalness • 19% Positiveness
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Thomas Janovitz
Not Exist
132 bpm • D Maj • 06:03 • -7.41db
1% Popularity • 62% Danceability • 85% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
1% Popularity • 62% Danceability • 85% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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NoTune
Subconsious Mind
132 bpm • D Maj • 05:44 • -8.19db
19% Popularity • 80% Danceability • 91% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
19% Popularity • 80% Danceability • 91% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Sopik
Hesperus
132 bpm • C# Maj • 06:18 • -7.57db
18% Popularity • 73% Danceability • 59% Energy • 8% Liveness
76% Instrumentalness • 8% Positiveness
18% Popularity • 73% Danceability • 59% Energy • 8% Liveness
76% Instrumentalness • 8% Positiveness
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Adam Beyer
Take Me There - Remix
132 bpm • F# Maj • 03:43 • -7.63db
35% Popularity • 71% Danceability • 59% Energy • 11% Liveness
77% Instrumentalness • 10% Positiveness
35% Popularity • 71% Danceability • 59% Energy • 11% Liveness
77% Instrumentalness • 10% Positiveness
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Noseda
Girl On Fire
132 bpm • F min • 06:56 • -8db
24% Popularity • 63% Danceability • 83% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
24% Popularity • 63% Danceability • 83% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Heerhorst
Usp
132 bpm • G Maj • 06:24 • -6.23db
22% Popularity • 65% Danceability • 90% Energy • 4% Liveness
81% Instrumentalness • 52% Positiveness
22% Popularity • 65% Danceability • 90% Energy • 4% Liveness
81% Instrumentalness • 52% Positiveness
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Jody 6
I Dream In Acid
133 bpm • C Maj • 04:05 • -3.81db
7% Popularity • 67% Danceability • 96% Energy • 80% Liveness
89% Instrumentalness • 19% Positiveness
7% Popularity • 67% Danceability • 96% Energy • 80% Liveness
89% Instrumentalness • 19% Positiveness
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Mha Iri
Burn Steadily - Radio Edit
133 bpm • E min • 04:34 • -6.13db
16% Popularity • 53% Danceability • 100% Energy • 8% Liveness
88% Instrumentalness • 43% Positiveness
16% Popularity • 53% Danceability • 100% Energy • 8% Liveness
88% Instrumentalness • 43% Positiveness
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UMEK
Frequency Differ - Original Mix
131 bpm • F# min • 06:49 • -6.08db
30% Popularity • 74% Danceability • 96% Energy • 11% Liveness
79% Instrumentalness • 32% Positiveness
30% Popularity • 74% Danceability • 96% Energy • 11% Liveness
79% Instrumentalness • 32% Positiveness
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Thomas Janovitz
Carbon
131 bpm • C# Maj • 04:00 • -6.71db
0% Popularity • 76% Danceability • 91% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 76% Danceability • 91% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
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Yuji Ono
Occult - Original Mix
133 bpm • E min • 04:59 • -5.96db
10% Popularity • 61% Danceability • 97% Energy • 71% Liveness
94% Instrumentalness • 5% Positiveness
10% Popularity • 61% Danceability • 97% Energy • 71% Liveness
94% Instrumentalness • 5% Positiveness
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Rebel Boy
Dismantle the System - Original Mix
131 bpm • F min • 04:05 • -6.49db
18% Popularity • 66% Danceability • 98% Energy • 6% Liveness
83% Instrumentalness • 9% Positiveness
18% Popularity • 66% Danceability • 98% Energy • 6% Liveness
83% Instrumentalness • 9% Positiveness
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Roberto Capuano
Climax
131 bpm • G Maj • 06:43 • -8.02db
9% Popularity • 76% Danceability • 73% Energy • 9% Liveness
80% Instrumentalness • 15% Positiveness
9% Popularity • 76% Danceability • 73% Energy • 9% Liveness
80% Instrumentalness • 15% Positiveness
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BAMI
My Body
131 bpm • G# Maj • 05:07 • -8.95db
25% Popularity • 75% Danceability • 98% Energy • 70% Liveness
85% Instrumentalness • 12% Positiveness
25% Popularity • 75% Danceability • 98% Energy • 70% Liveness
85% Instrumentalness • 12% Positiveness
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MOTVS
Acid Metal
133 bpm • G Maj • 05:21 • -6db
26% Popularity • 60% Danceability • 96% Energy • 29% Liveness
78% Instrumentalness • 4% Positiveness
26% Popularity • 60% Danceability • 96% Energy • 29% Liveness
78% Instrumentalness • 4% Positiveness
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Louis Harshman
Metamorphosis
133 bpm • G# Maj • 06:23 • -7.3db
18% Popularity • 61% Danceability • 81% Energy • 64% Liveness
90% Instrumentalness • 31% Positiveness
18% Popularity • 61% Danceability • 81% Energy • 64% Liveness
90% Instrumentalness • 31% Positiveness
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Layton Giordani
UFOs & LFOs
131 bpm • C# Maj • 04:56 • -6.86db
38% Popularity • 72% Danceability • 81% Energy • 13% Liveness
68% Instrumentalness • 7% Positiveness
38% Popularity • 72% Danceability • 81% Energy • 13% Liveness
68% Instrumentalness • 7% Positiveness
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Space 92
Pluck
131 bpm • C# Maj • 06:44 • -4.9db
21% Popularity • 77% Danceability • 96% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
21% Popularity • 77% Danceability • 96% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Thomas Schumacher
Hype
133 bpm • F# Maj • 06:33 • -7.12db
29% Popularity • 58% Danceability • 95% Energy • 11% Liveness
79% Instrumentalness • 49% Positiveness
29% Popularity • 58% Danceability • 95% Energy • 11% Liveness
79% Instrumentalness • 49% Positiveness
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Markus Volker
Experience - M.Smith Remix
133 bpm • A Maj • 06:15 • -6.78db
0% Popularity • 79% Danceability • 87% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
0% Popularity • 79% Danceability • 87% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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ACID ARA
Vergangene Tage - Herbrido Remix
133 bpm • G Maj • 06:17 • -13.83db
14% Popularity • 68% Danceability • 71% Energy • 11% Liveness
56% Instrumentalness • 16% Positiveness
14% Popularity • 68% Danceability • 71% Energy • 11% Liveness
56% Instrumentalness • 16% Positiveness
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Herbrido
Melodic Assault
131 bpm • G Maj • 06:10 • -8.18db
20% Popularity • 84% Danceability • 79% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
20% Popularity • 84% Danceability • 79% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
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Mha Iri
Timeless - Original Mix
133 bpm • G Maj • 06:43 • -4.47db
23% Popularity • 67% Danceability • 92% Energy • 38% Liveness
85% Instrumentalness • 37% Positiveness
23% Popularity • 67% Danceability • 92% Energy • 38% Liveness
85% Instrumentalness • 37% Positiveness
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Space 92
Acid Waves - Original Mix
131 bpm • C# Maj • 04:02 • -8db
35% Popularity • 79% Danceability • 96% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
35% Popularity • 79% Danceability • 96% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
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Mark Dekoda
Hybrid
133 bpm • A Maj • 05:03 • -8.15db
16% Popularity • 74% Danceability • 84% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 74% Danceability • 84% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Joris Turenhout
Trinity
133 bpm • G Maj • 05:03 • -9.96db
28% Popularity • 54% Danceability • 89% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
28% Popularity • 54% Danceability • 89% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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Portax
A Lucid Dream
133 bpm • A Maj • 07:17 • -6.57db
15% Popularity • 78% Danceability • 98% Energy • 22% Liveness
89% Instrumentalness • 8% Positiveness
15% Popularity • 78% Danceability • 98% Energy • 22% Liveness
89% Instrumentalness • 8% Positiveness
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AKKI (DE)
Balthazar - Original Mix
133 bpm • C# Maj • 05:54 • -5.86db
15% Popularity • 64% Danceability • 96% Energy • 9% Liveness
79% Instrumentalness • 10% Positiveness
15% Popularity • 64% Danceability • 96% Energy • 9% Liveness
79% Instrumentalness • 10% Positiveness
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MOTVS
Rumor
131 bpm • G Maj • 05:55 • -5.03db
11% Popularity • 67% Danceability • 94% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
11% Popularity • 67% Danceability • 94% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Space 92
Hydra
131 bpm • A# min • 06:21 • -5.31db
21% Popularity • 77% Danceability • 98% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
21% Popularity • 77% Danceability • 98% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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UMEK
Persona - Original Mix
131 bpm • F Maj • 03:59 • -5.6db
23% Popularity • 77% Danceability • 89% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
23% Popularity • 77% Danceability • 89% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Simina Grigoriu
Daggers
133 bpm • G Maj • 06:42 • -8.85db
9% Popularity • 76% Danceability • 82% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
9% Popularity • 76% Danceability • 82% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Chris Veron
Bluster of the Moon
133 bpm • D Maj • 03:53 • -7.14db
38% Popularity • 74% Danceability • 96% Energy • 24% Liveness
55% Instrumentalness • 53% Positiveness
38% Popularity • 74% Danceability • 96% Energy • 24% Liveness
55% Instrumentalness • 53% Positiveness
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Quadrophonia
Quadrophonia - Umek Remix
131 bpm • F# Maj • 06:32 • -4.51db
25% Popularity • 69% Danceability • 98% Energy • 15% Liveness
87% Instrumentalness • 9% Positiveness
25% Popularity • 69% Danceability • 98% Energy • 15% Liveness
87% Instrumentalness • 9% Positiveness
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Thomas Hoffknecht
Antaris
133 bpm • C Maj • 05:55 • -8db
24% Popularity • 76% Danceability • 77% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 76% Danceability • 77% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Space 92
Dune - Original Mix
131 bpm • E min • 06:51 • -7.27db
32% Popularity • 79% Danceability • 95% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
32% Popularity • 79% Danceability • 95% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Thomas Schumacher
Interlinked - Edit
133 bpm • F# min • 05:25 • -9.59db
11% Popularity • 64% Danceability • 86% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
11% Popularity • 64% Danceability • 86% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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A.D.H.S.
Paranoize - Extended Mix
133 bpm • B min • 06:04 • -7.05db
10% Popularity • 66% Danceability • 96% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
10% Popularity • 66% Danceability • 96% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Chris Veron
Motokobo
131 bpm • G Maj • 06:24 • -9.23db
32% Popularity • 77% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
32% Popularity • 77% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
