Songs like At Or With Me by Jack Johnson
Based on a tempo of (+/- 10%) and a similar genre
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The California Honeydrops
When It Was Wrong
114 bpm • G# min • 04:32 • -6db
54% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Ziggy Marley
Cry Cry Cry
114 bpm • A Maj • 04:03 • -11.31db
44% Popularity • 64% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 64% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
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Jason Mraz
Zero Percent
114 bpm • F Maj • 07:11 • -11.37db
23% Popularity • 78% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 78% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
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Jack Johnson
If I Could
114 bpm • A Maj • 02:24 • -14.51db
51% Popularity • 72% Danceability • 32% Energy • 9% Liveness
38% Instrumentalness • 48% Positiveness
51% Popularity • 72% Danceability • 32% Energy • 9% Liveness
38% Instrumentalness • 48% Positiveness
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Slackstring
Lend Me Your Love
114 bpm • G Maj • 03:21 • -6db
20% Popularity • 54% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 54% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Shins
Gone for Good - 2023 Remaster
114 bpm • C Maj • 03:12 • -4.47db
51% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Slightly Stoopid
Train Saga
115 bpm • B Maj • 04:44 • -4.42db
14% Popularity • 48% Danceability • 93% Energy • 10% Liveness
69% Instrumentalness • 32% Positiveness
14% Popularity • 48% Danceability • 93% Energy • 10% Liveness
69% Instrumentalness • 32% Positiveness
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Griffin House
Let Me In
113 bpm • C min • 03:47 • -6.94db
22% Popularity • 73% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
22% Popularity • 73% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Jeremy Fisher
Cigarette
115 bpm • G Maj • 03:04 • -4db
23% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Jack Johnson
At Or With Me
114 bpm • E Maj • 03:57 • -6.92db
40% Popularity • 65% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 65% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Barefoot Truth
Dancin' in the Trees
113 bpm • C Maj • 05:01 • -6.92db
15% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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John Mayer
Half of My Heart
115 bpm • F Maj • 04:10 • -9.33db
65% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
65% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Zach Gill
Family
115 bpm • D Maj • 04:00 • -6db
40% Popularity • 72% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 72% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Kawika Kahiapo
Constellations
113 bpm • C Maj • 03:53 • -11.49db
54% Popularity • 61% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
54% Popularity • 61% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
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Jason Mraz
Dream Life of Rand McNally
113 bpm • B Maj • 09:15 • -10.79db
24% Popularity • 81% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 81% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 68% Positiveness
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The Avett Brothers
The Perfect Space
113 bpm • C Maj • 04:31 • -9.15db
40% Popularity • 39% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 39% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Eric Hutchinson
Food Chain
112 bpm • F Maj • 03:41 • -5.82db
34% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Barefoot Truth
Roll if ya Fall
113 bpm • B Maj • 04:27 • -7.62db
33% Popularity • 77% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 77% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Fitz and The Tantrums
Breakin’ The Chains of Love
112 bpm • G# Maj • 02:51 • -4.33db
4% Popularity • 76% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
4% Popularity • 76% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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The Revivalists
Celebration
112 bpm • A Maj • 03:46 • -5.12db
42% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Train
Save Me, San Francisco
112 bpm • D Maj • 04:09 • -3db
51% Popularity • 64% Danceability • 94% Energy • 62% Liveness
0% Instrumentalness • 89% Positiveness
51% Popularity • 64% Danceability • 94% Energy • 62% Liveness
0% Instrumentalness • 89% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’ve Been Failing
116 bpm • D# Maj • 03:00 • -8.47db
48% Popularity • 71% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
48% Popularity • 71% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Wheeland Brothers
Surfer Girl
112 bpm • D Maj • 01:51 • -7.19db
45% Popularity • 75% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 75% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Barefoot Truth
Misled
116 bpm • F Maj • 03:48 • -6.67db
8% Popularity • 66% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 66% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jack Johnson
No Other Way
116 bpm • F Maj • 03:09 • -12.77db
54% Popularity • 84% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
54% Popularity • 84% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
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Phish
Heavy Things
116 bpm • C Maj • 04:15 • -6.8db
45% Popularity • 57% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 57% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Trevor Hall
A Sunny Sky
116 bpm • G Maj • 03:23 • -4.09db
16% Popularity • 49% Danceability • 88% Energy • 97% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 49% Danceability • 88% Energy • 97% Liveness
0% Instrumentalness • 49% Positiveness
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Jackie Greene
So Hard To Find My Way
111 bpm • G# Maj • 04:10 • -5.1db
18% Popularity • 56% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 56% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Eric Hutchinson
The People I Know
117 bpm • A Maj • 03:46 • -5.34db
22% Popularity • 74% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 74% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Barefoot Truth
The Ocean
117 bpm • E Maj • 05:31 • -6.81db
17% Popularity • 67% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 67% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Backyard Tire Fire
Good to Be
117 bpm • G Maj • 03:21 • -7.54db
17% Popularity • 87% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 87% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Jack Johnson
From The Clouds
116 bpm • G Maj • 03:05 • -7.86db
45% Popularity • 87% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 87% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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The J Band
Take Our Turn
111 bpm • A Maj • 03:50 • -6.22db
15% Popularity • 41% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 41% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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The Head And The Heart
Shake
111 bpm • E Maj • 04:01 • -8db
56% Popularity • 48% Danceability • 78% Energy • 13% Liveness
72% Instrumentalness • 42% Positiveness
56% Popularity • 48% Danceability • 78% Energy • 13% Liveness
72% Instrumentalness • 42% Positiveness
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Wheeland Brothers
Just Take It Easy
117 bpm • D Maj • 03:25 • -7db
50% Popularity • 80% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
50% Popularity • 80% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Nathaniel Rateliff & The Night Sweats
Look It Here
117 bpm • F min • 03:03 • -5db
47% Popularity • 66% Danceability • 87% Energy • 34% Liveness
2% Instrumentalness • 91% Positiveness
47% Popularity • 66% Danceability • 87% Energy • 34% Liveness
2% Instrumentalness • 91% Positiveness
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Trevor Hall
Dr. Seuss
111 bpm • B min • 03:30 • -4.04db
14% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Sugar Ray
Dance Like No One's Watchin'
111 bpm • A# Maj • 03:51 • -8db
25% Popularity • 79% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 79% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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ZOX
Eventually
110 bpm • E Maj • 02:58 • -13.27db
13% Popularity • 77% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 77% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Fitz and The Tantrums
Tighter
118 bpm • A# Maj • 04:56 • -5.31db
1% Popularity • 47% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
1% Popularity • 47% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Eric Hutchinson
Oh!
118 bpm • C Maj • 03:53 • -5db
33% Popularity • 82% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 82% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Charlie Mars
Picture of an Island
110 bpm • B Maj • 03:21 • -11.3db
20% Popularity • 84% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 35% Positiveness
20% Popularity • 84% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 35% Positiveness
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Colin Hay
Oh California
110 bpm • F Maj • 03:56 • -4.61db
13% Popularity • 72% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 72% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Jackie Greene
Shaky Ground
110 bpm • D# min • 04:01 • -5.28db
10% Popularity • 65% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 65% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Band of Horses
The General Specific
118 bpm • F Maj • 03:07 • -6db
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Barefoot Truth
The Ocean
110 bpm • E Maj • 04:41 • -4.48db
27% Popularity • 63% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 63% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Fitz and The Tantrums
Pickin’ Up The Pieces
110 bpm • D min • 03:09 • -3.45db
4% Popularity • 76% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
4% Popularity • 76% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Charlie Mars
Blackberry Light
118 bpm • E Maj • 03:39 • -9.98db
14% Popularity • 78% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
14% Popularity • 78% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Still Time
Come Alive
119 bpm • A Maj • 05:05 • -8.15db
19% Popularity • 42% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 42% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Xavier Rudd
Better People
119 bpm • F# Maj • 03:05 • -8db
48% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Donavon Frankenreiter
Shine
119 bpm • G Maj • 03:14 • -6.81db
52% Popularity • 85% Danceability • 73% Energy • 56% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 85% Danceability • 73% Energy • 56% Liveness
0% Instrumentalness • 55% Positiveness
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Barefoot Truth
Changes in the Weather
110 bpm • D Maj • 06:44 • -7.95db
13% Popularity • 34% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 34% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Bobby Alu
You Know
109 bpm • C min • 03:37 • -10.45db
43% Popularity • 88% Danceability • 50% Energy • 7% Liveness
6% Instrumentalness • 98% Positiveness
43% Popularity • 88% Danceability • 50% Energy • 7% Liveness
6% Instrumentalness • 98% Positiveness
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The Wallflowers
Reboot the Mission
119 bpm • A min • 03:30 • -5.07db
30% Popularity • 70% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 70% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Bahamas
Whole Wide World
109 bpm • F Maj • 02:35 • -9.04db
60% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
60% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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THE VOYCES
Relate To Me
120 bpm • G Maj • 01:37 • -27.99db
33% Popularity • 63% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
33% Popularity • 63% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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Sim Redmond Band
Life Is Water
120 bpm • A Maj • 03:52 • -11db
30% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Franti
Yes I Will
120 bpm • C Maj • 04:20 • -6.71db
34% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Taylor Swift
Who’s Afraid of Little Old Me?
120 bpm • C Maj • 05:34 • -10.49db
81% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
81% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ingrid Michaelson
The Way I Am
120 bpm • F Maj • 02:15 • -9.25db
60% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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ZOX
Little More Time
120 bpm • G Maj • 04:06 • -6.5db
30% Popularity • 69% Danceability • 74% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
30% Popularity • 69% Danceability • 74% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
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Zach Gill
Window Display
120 bpm • A# Maj • 04:28 • -8.77db
30% Popularity • 84% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 84% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Carlos Bertonatti
Perfect Picture
120 bpm • F Maj • 03:04 • -3.33db
21% Popularity • 86% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 86% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Eric Hutchinson
I'm Not Cool
120 bpm • G Maj • 03:35 • -3.58db
15% Popularity • 78% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 78% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Still Time
In This Life
108 bpm • C# Maj • 04:59 • -7.42db
15% Popularity • 68% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 68% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Nathaniel Rateliff & The Night Sweats
Mellow Out
120 bpm • B min • 03:32 • -7.82db
48% Popularity • 62% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
48% Popularity • 62% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
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Jack Johnson
Washing Dishes
120 bpm • A# Maj • 03:23 • -4.98db
60% Popularity • 80% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
60% Popularity • 80% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Joe Purdy
Skinny Dippin Girl
108 bpm • F Maj • 04:45 • -9.98db
23% Popularity • 53% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 53% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Blind Pilot
We Are the Tide
120 bpm • B Maj • 03:17 • -8db
52% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
52% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
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Matt White
Love
108 bpm • C Maj • 02:50 • -5.75db
51% Popularity • 76% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 76% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Wheeland Brothers
Shark Harbor Lullaby
108 bpm • C Maj • 04:25 • -14.73db
35% Popularity • 75% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 75% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Willie Nelson
Blue Eyes Crying In the Rain
108 bpm • E Maj • 03:17 • -10.58db
37% Popularity • 40% Danceability • 45% Energy • 92% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 40% Danceability • 45% Energy • 92% Liveness
0% Instrumentalness • 29% Positiveness
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M. Ward
Never Had Nobody Like You
121 bpm • D Maj • 02:26 • -6.41db
13% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Moon Taxi
Gunflower
121 bpm • G Maj • 03:51 • -5.93db
27% Popularity • 63% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 63% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ben Harper And The Innocent Criminals
Burn One Down - Live
107 bpm • G Maj • 04:53 • -10.83db
31% Popularity • 55% Danceability • 57% Energy • 91% Liveness
30% Instrumentalness • 5% Positiveness
31% Popularity • 55% Danceability • 57% Energy • 91% Liveness
30% Instrumentalness • 5% Positiveness
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JJ Grey & Mofro
Every Minute
107 bpm • C Maj • 04:41 • -7.11db
49% Popularity • 66% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
49% Popularity • 66% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
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The Lumineers
Classy Girls
121 bpm • F Maj • 02:45 • -7.51db
53% Popularity • 72% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 72% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Carbon Leaf
Life Less Ordinary
107 bpm • G Maj • 03:35 • -6db
40% Popularity • 66% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 66% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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The Wallflowers
Three Marlenas
107 bpm • G# Maj • 04:59 • -10.83db
52% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jack Johnson
You And Your Heart
107 bpm • D Maj • 03:12 • -6db
56% Popularity • 78% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
56% Popularity • 78% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Sawmill Joe
Ain't Nobody's Problem
121 bpm • F Maj • 05:09 • -3.7db
18% Popularity • 59% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 59% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Josh Ritter
Getting Ready to Get Down
107 bpm • F Maj • 03:16 • -4.92db
29% Popularity • 84% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 84% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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CAKE
Love You Madly
107 bpm • A Maj • 03:57 • -8.4db
57% Popularity • 75% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
57% Popularity • 75% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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David Gray
Money (That's What I Want)
121 bpm • F Maj • 03:54 • -6db
42% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Stephen Marley
Winding Roads
107 bpm • G Maj • 04:27 • -12.16db
34% Popularity • 72% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 72% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Barefoot Truth
Roll If You Fall
107 bpm • B Maj • 04:49 • -7.25db
24% Popularity • 66% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 66% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Josh Rouse
I Will Live On Islands
122 bpm • G Maj • 03:02 • -9db
12% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Good Old War
That's Some Dream
107 bpm • G Maj • 02:34 • -6db
34% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Wilco
The Thanks I Get
122 bpm • D Maj • 03:36 • -5.68db
22% Popularity • 70% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 70% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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The Lumineers
Big Parade
122 bpm • E Maj • 05:27 • -13.05db
53% Popularity • 81% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
53% Popularity • 81% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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The Shins
Turn On Me
122 bpm • C Maj • 03:41 • -5db
47% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Eric Hutchinson
Not There Yet
122 bpm • A Maj • 03:25 • -4.14db
28% Popularity • 72% Danceability • 84% Energy • 67% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 72% Danceability • 84% Energy • 67% Liveness
0% Instrumentalness • 97% Positiveness
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Jack Johnson
Constellations
122 bpm • C# Maj • 03:21 • -12.64db
52% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Bobby Alu
Take It Slow
122 bpm • E Maj • 03:12 • -9.75db
54% Popularity • 96% Danceability • 50% Energy • 10% Liveness
28% Instrumentalness • 93% Positiveness
54% Popularity • 96% Danceability • 50% Energy • 10% Liveness
28% Instrumentalness • 93% Positiveness
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Matt the Electrician
Milo
106 bpm • E min • 03:19 • -11.45db
11% Popularity • 84% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 84% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Jeremy Kay
Back to You
106 bpm • F# min • 03:30 • -4.63db
19% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Chad Van Herk
Footprints
123 bpm • A min • 04:04 • -15.92db
35% Popularity • 69% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 69% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
