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At Sundown
Songs like
At Sundown
by
Doris Day
Based on a tempo of (+/- 10%) and a similar genre
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Johnny Tillotson
(Wait Til You See) My Gidget
142 bpm • A min • 01:59 • -7.64db
28% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Brenda Lee
Danke Schoen
142 bpm • B min • 02:39 • -10.68db
45% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Harry Connick, Jr.
Recipe For Love
141 bpm • C min • 02:34 • -17db
45% Popularity • 62% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Doris Day
At Sundown
142 bpm • A min • 01:32 • -13db
31% Popularity • 59% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Dorothy Dandridge
Smooth Operator
140 bpm • A# min • 03:06 • -10.52db
29% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Jimmy Dorsey
Besame Mucho
140 bpm • G min • 03:02 • -11db
17% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Rosemary Clooney
From This Moment On
144 bpm • F min • 01:48 • -8.75db
31% Popularity • 62% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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Frank Sinatra Jr.
Walking Happy
140 bpm • C Maj • 02:42 • -10.92db
26% Popularity • 44% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Harry Roy and His Orchestra
They Can't Black Out the Moon
140 bpm • A min • 03:11 • -9.65db
17% Popularity • 59% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 64% Positiveness
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Doris Day
Someone Like You - from the film, "My D...
140 bpm • A# min • 02:47 • -16.85db
19% Popularity • 67% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Members Of The Glenn Miller Orchestra
String of Pearls
140 bpm • C Maj • 03:04 • -18.16db
43% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
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Johnny Mathis
Wonderful! Wonderful! - Single Version
144 bpm • G min • 02:47 • -11db
33% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Les Brown & His Orchestra
I've Got The Sun In The Morning - R...
140 bpm • D Maj • 02:35 • -12.31db
24% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Jimmy Durante
Mame
139 bpm • D# min • 02:32 • -11.22db
13% Popularity • 56% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Tommy Edwards
Isle Of Capri
139 bpm • D# Maj • 02:18 • -13.43db
34% Popularity • 59% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Doris Day
Just One of Those Things
143 bpm • F Maj • 02:18 • -10.08db
10% Popularity • 61% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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The Four Aces
Dream
139 bpm • A# Maj • 02:17 • -16.19db
28% Popularity • 60% Danceability • 17% Energy • 12% Liveness
8% Instrumentalness • 42% Positiveness
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Nat King Cole Trio
How Deep Is The Ocean - 1993 Digital Rem...
145 bpm • A# min • 02:55 • -23db
38% Popularity • 46% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
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Ginger Rogers
I Used to Be Color Blind
146 bpm • C min • 03:27 • -12.32db
9% Popularity • 48% Danceability • 16% Energy • 31% Liveness
22% Instrumentalness • 57% Positiveness
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Rudy Vallee
If You Were the Only Girl in the World (...
145 bpm • C Maj • 02:50 • -14.43db
20% Popularity • 33% Danceability • 15% Energy • 17% Liveness
4% Instrumentalness • 28% Positiveness
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Rosemary Clooney
In the Cool, Cool, Cool of the Evening
138 bpm • D# Maj • 02:59 • -8.06db
42% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Jimmy Durante
You Can't Have Everything
138 bpm • A# Maj • 02:41 • -12.15db
12% Popularity • 46% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Teresa Brewer
A Tear Fell
138 bpm • D Maj • 02:35 • -11.42db
40% Popularity • 39% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Nat King Cole Trio
Too Marvelous For Words
138 bpm • D min • 02:34 • -21db
55% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
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Helen Merrill
I Remember You
138 bpm • F min • 02:11 • -11db
34% Popularity • 54% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Etta Jones
Yes Sir, That's My Baby
147 bpm • G# Maj • 04:20 • -8.39db
43% Popularity • 63% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Johnny Mathis
A Certain Smile
137 bpm • F# Maj • 02:46 • -13.21db
37% Popularity • 24% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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The Four Lads
Somebody Loves Me
137 bpm • G Maj • 01:52 • -15.41db
22% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Peggy Lee
Ain't We Got Fun
136 bpm • G Maj • 02:13 • -11.98db
49% Popularity • 65% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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George Gershwin, Buddy Clark & Dinah Shore
Wonderful
136 bpm • A# Maj • 02:37 • -11db
18% Popularity • 43% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Liza Minnelli
You've Got To See Mama Ev'ry Night (Or Y...
136 bpm • C# Maj • 02:51 • -6.64db
20% Popularity • 66% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Etta Jones
Till There Was You
136 bpm • G Maj • 02:06 • -16.49db
58% Popularity • 48% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Martha Tilton
I’ll Get By
136 bpm • G Maj • 01:50 • -17db
26% Popularity • 55% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Eckstine
(She's Got The) Blues For Sale
135 bpm • A# Maj • 03:01 • -12.25db
38% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
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The Ames Brothers
Undecided
135 bpm • G# Maj • 02:59 • -8.91db
24% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Sammy Davis Jr.
Hey There
135 bpm • F Maj • 02:56 • -15db
37% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Betty Hutton
Murder, He Says
135 bpm • A# Maj • 03:12 • -10.63db
21% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Annie Ross
It Don't Mean A Thing (If It Ain't Got T...
134 bpm • G# Maj • 02:09 • -7.79db
27% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Etta Jones
Someday My Prince Will Come
134 bpm • C min • 03:01 • -17db
39% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Doris Day
Love Somebody
133 bpm • A Maj • 03:04 • -15.56db
26% Popularity • 78% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Benny Goodman Quartet
My Melancholy Baby
133 bpm • C Maj • 03:27 • -18.01db
30% Popularity • 78% Danceability • 18% Energy • 32% Liveness
61% Instrumentalness • 73% Positiveness
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The Ames Brothers
A Tree in the Meadow
133 bpm • A Maj • 03:11 • -14.32db
12% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Betty Hutton
She's a Lady
134 bpm • G Maj • 02:50 • -9.82db
15% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Rudy Vallee and His Connecticut Yankees
Let's Put Out the Lights
133 bpm • D Maj • 03:43 • -17.67db
30% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Dakota Staton
The Late, Late Show
132 bpm • G# Maj • 02:36 • -15.24db
33% Popularity • 74% Danceability • 19% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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Glenn Miller Orchestra
A String Of Pearls
132 bpm • C Maj • 03:13 • -14db
29% Popularity • 65% Danceability • 19% Energy • 14% Liveness
92% Instrumentalness • 68% Positiveness
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Gene Krupa
Let Me off Uptown
152 bpm • C# Maj • 03:06 • -8.66db
20% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Gene Krupa and His Orchestra
Opus NO. 1
153 bpm • A min • 02:56 • -7.2db
19% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Carroll Gibbons
Too Marvellous for Words
153 bpm • C# Maj • 03:04 • -20.66db
39% Popularity • 38% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 28% Positiveness
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Rudy Vallee and His Connecticut Yankees
Shadow Waltz
132 bpm • G Maj • 03:15 • -20db
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
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Johnnie Ray
The Little White Cloud That Cried
132 bpm • G Maj • 02:13 • -19.24db
30% Popularity • 46% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Dakota Staton
The Song Is You
132 bpm • D Maj • 02:12 • -8db
36% Popularity • 60% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Eileen Barton
Come out Wherever You Are
132 bpm • D Maj • 02:14 • -11.08db
9% Popularity • 48% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Teresa Brewer
Ricochet (Rick-O-Shay)
132 bpm • D# Maj • 02:42 • -6.97db
22% Popularity • 70% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
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Doris Day
Everybody Loves My Baby (But My Baby Don...
131 bpm • C min • 01:10 • -12.86db
19% Popularity • 78% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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The Ames Brothers
The Naughty Lady of Shady Lane
131 bpm • C# Maj • 02:51 • -8.27db
23% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Rita Hayworth
Let's Stay Young Forever
131 bpm • A Maj • 01:48 • -13.39db
13% Popularity • 32% Danceability • 22% Energy • 11% Liveness
81% Instrumentalness • 26% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
31% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Jimmy Dorsey & His Orchestra
Contrasts
130 bpm • G# Maj • 03:02 • -9db
22% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
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Fats Waller
Honeysuckle Rose
155 bpm • F Maj • 02:38 • -17db
36% Popularity • 73% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
25% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Al Martino
Here In My Heart
130 bpm • C Maj • 03:04 • -10db
29% Popularity • 20% Danceability • 31% Energy • 30% Liveness
56% Instrumentalness • 19% Positiveness
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Teresa Brewer
Georgia on My Mind
130 bpm • C Maj • 03:45 • -13.17db
23% Popularity • 43% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Nat King Cole Trio
Blue And Sentimental - 1947 Version
130 bpm • G# Maj • 02:35 • -24.44db
49% Popularity • 51% Danceability • 2% Energy • 12% Liveness
51% Instrumentalness • 33% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Johnnie Ray
All of Me
130 bpm • D# Maj • 02:06 • -19.37db
33% Popularity • 76% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Doris Day
Fools Rush In (Where Angels Fear to Trea...
130 bpm • E Maj • 03:51 • -19.5db
15% Popularity • 45% Danceability • 6% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Benny Goodman Quartet
Tea For Two
130 bpm • G# Maj • 03:06 • -15.36db
31% Popularity • 73% Danceability • 39% Energy • 7% Liveness
47% Instrumentalness • 85% Positiveness
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Etta Jones
Don't Go To Strangers
129 bpm • G Maj • 03:48 • -13.58db
52% Popularity • 50% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Four Aces
Love Is a Many Splendored Thing
129 bpm • D Maj • 02:58 • -9.43db
46% Popularity • 32% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
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Johnny Mathis
When Sunny Gets Blue - Single Version
129 bpm • G# Maj • 02:40 • -13db
28% Popularity • 32% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Rudy Vallee and His Connecticut Yankees
Old Man Harlem
129 bpm • A min • 03:15 • -13.51db
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
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Jimmy Dorsey & His Orchestra
I'm Stepping out with a Memory Tonight
129 bpm • F min • 02:45 • -12.11db
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
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Benny Goodman Quartet
Tea for Two - 1996 Remastered
129 bpm • G# Maj • 03:05 • -10db
34% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
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Benny Goodman Trio
When You're Smiling (The Whole World Smi...
157 bpm • D# Maj • 02:36 • -14.55db
41% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
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Johnnie Ray
Walkin' My Baby Back Home
129 bpm • D Maj • 02:20 • -19db
36% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Glenn Miller Orchestra
Begin The Beguine
128 bpm • G Maj • 03:29 • -17db
30% Popularity • 39% Danceability • 17% Energy • 16% Liveness
72% Instrumentalness • 30% Positiveness
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Etta Jones
Canadian Sunset
129 bpm • C Maj • 02:35 • -13db
31% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jimmy Dorsey & His Orchestra
The Breeze and I
129 bpm • G# Maj • 02:59 • -8.45db
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
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Pearl Bailey
Zing Went The Strings
128 bpm • F Maj • 02:50 • -11.95db
11% Popularity • 63% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Jane Russell
Kisses and Tears
128 bpm • E Maj • 02:46 • -13.77db
29% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
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Nat King Cole Trio
You're Nobody 'Til Somebody Loves You
128 bpm • C min • 02:51 • -18db
44% Popularity • 70% Danceability • 9% Energy • 9% Liveness
18% Instrumentalness • 49% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Doris Day
Put 'Em In A Box, Tie 'Em With A Ribbon ...
127 bpm • D Maj • 03:07 • -13db
26% Popularity • 84% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Four Lads
Breezin' Along With The Breeze
127 bpm • F Maj • 02:11 • -11db
23% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Howard Keel
A Wooin' We Will Go
127 bpm • G# Maj • 02:28 • -11.58db
17% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Ruby Murray
Softly Softly
127 bpm • D Maj • 02:29 • -13db
32% Popularity • 30% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Dakota Staton
Gone With The Wind
126 bpm • C min • 01:43 • -8.59db
39% Popularity • 64% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Frankie Avalon
A Perfect Love
126 bpm • G Maj • 02:21 • -10.59db
31% Popularity • 54% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Etta Jones
Bye Bye Blackbird
126 bpm • C min • 03:14 • -9db
55% Popularity • 71% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
28% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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The Dinning Sisters
Fun and Fancy Free
160 bpm • A min • 02:40 • -14.6db
8% Popularity • 78% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Nat King Cole Trio
On The Sunny Side Of The Street - 1993 D...
126 bpm • F min • 03:00 • -17db
41% Popularity • 87% Danceability • 10% Energy • 9% Liveness
14% Instrumentalness • 48% Positiveness
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The Chordettes
Never on a Sunday
125 bpm • A Maj • 02:45 • -12db
28% Popularity • 71% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Chick Webb
Crying My Heart Out For You
125 bpm • G min • 03:05 • -8.11db
23% Popularity • 73% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Carroll Gibbons
Isn't It Romantic
162 bpm • F min • 02:58 • -17.69db
39% Popularity • 30% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 47% Positiveness
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Harry Connick, Jr.
You Didn't Know Me When
162 bpm • C Maj • 03:09 • -12.84db
32% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Martha Tilton
All Of Me
124 bpm • F Maj • 02:19 • -13.55db
32% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Teresa Brewer
Basin Street Blues
124 bpm • C# Maj • 03:20 • -12.94db
12% Popularity • 52% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Buddy Greco
The Lady Is a Tramp
124 bpm • G min • 03:36 • -14.27db
26% Popularity • 66% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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At Sundown