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At The Edge of the World
Songs like
At The Edge of the World
by
Subheim
Based on a tempo of (+/- 10%) and a similar genre
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Sync24
Coffee Break in Orbit
130 bpm • A min • 05:10 • -19.17db
29% Popularity • 55% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
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The Flashbulb
Saints
130 bpm • C min • 02:32 • -20.24db
36% Popularity • 66% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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MIKTEK
Ominous Ride
130 bpm • G# Maj • 06:09 • -13.7db
16% Popularity • 62% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Hidden Orchestra
Wingbeats Source IV: Tuned Percussion, H...
130 bpm • F# min • 01:58 • -20db
42% Popularity • 50% Danceability • 18% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
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Access to Arasaka
Ruin
130 bpm • E min • 02:34 • -12.77db
13% Popularity • 46% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Tineidae
Patterns in the Sky
131 bpm • F min • 07:01 • -16.8db
18% Popularity • 20% Danceability • 50% Energy • 67% Liveness
99% Instrumentalness • 11% Positiveness
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Sync24
Comfortable Void
130 bpm • E min • 07:08 • -23.91db
23% Popularity • 46% Danceability • 29% Energy • 20% Liveness
89% Instrumentalness • 22% Positiveness
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The Flashbulb
Good Luck out There
130 bpm • C# Maj • 02:42 • -15.29db
42% Popularity • 45% Danceability • 47% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Lorn
Unfolding
131 bpm • C min • 05:47 • -23.72db
22% Popularity • 16% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Leandro Fresco
Un Horizonte en Llamas
129 bpm • G min • 07:27 • -12.49db
17% Popularity • 16% Danceability • 30% Energy • 21% Liveness
81% Instrumentalness • 3% Positiveness
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58918012
Pressure
131 bpm • C# Maj • 09:36 • -17.4db
32% Popularity • 24% Danceability • 25% Energy • 10% Liveness
75% Instrumentalness • 10% Positiveness
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Acoustic Labs
Mare Tranquillitatis
128 bpm • F Maj • 05:35 • -13db
17% Popularity • 17% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Sync24
A Deep Sea Meditation Experience
130 bpm • A min • 06:31 • -19.31db
24% Popularity • 52% Danceability • 23% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
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Atrium Carceri
A Curved Blade
128 bpm • C min • 06:03 • -21.72db
31% Popularity • 21% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Boy is Fiction
Until Morning Comes
132 bpm • F Maj • 04:51 • -15.29db
11% Popularity • 54% Danceability • 43% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Carbon Based Lifeforms
World of Sleepers
132 bpm • G# Maj • 05:20 • -15.96db
32% Popularity • 24% Danceability • 41% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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I Awake
Morning Drops, Pt. 2
128 bpm • G min • 03:07 • -13.79db
28% Popularity • 54% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Arovane
Maedra
128 bpm • F# Maj • 03:09 • -11.46db
30% Popularity • 42% Danceability • 32% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Wordclock
Unbecoming
128 bpm • F# Maj • 04:23 • -12.72db
14% Popularity • 44% Danceability • 46% Energy • 14% Liveness
48% Instrumentalness • 14% Positiveness
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Murcof
Dividing Space
132 bpm • C min • 04:42 • -19.01db
27% Popularity • 16% Danceability • 19% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
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Egopusher
Vacuum
132 bpm • E min • 02:55 • -15db
28% Popularity • 19% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Hecq
Bending Time
133 bpm • G# Maj • 04:24 • -23.45db
7% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Subheim
One Step Before The Exit
133 bpm • A min • 05:12 • -16.13db
6% Popularity • 39% Danceability • 51% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Seefeel
Monastic
127 bpm • G# Maj • 06:33 • -23db
27% Popularity • 60% Danceability • 26% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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Scanner
Insulation Mix (after G.F. Handel's Mess...
133 bpm • E min • 06:30 • -22db
12% Popularity • 20% Danceability • 22% Energy • 78% Liveness
80% Instrumentalness • 4% Positiveness
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Rhian Sheehan
Storm Cloud
126 bpm • A# Maj • 02:05 • -17.76db
35% Popularity • 18% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Egopusher
Imitation
133 bpm • F Maj • 05:37 • -17.56db
12% Popularity • 16% Danceability • 26% Energy • 38% Liveness
93% Instrumentalness • 3% Positiveness
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Steve Roach
Synesthete
126 bpm • F min • 06:18 • -21.54db
8% Popularity • 63% Danceability • 35% Energy • 8% Liveness
94% Instrumentalness • 96% Positiveness
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Subheim
Voces Perdidas
127 bpm • D# Maj • 05:39 • -19.93db
7% Popularity • 28% Danceability • 32% Energy • 40% Liveness
69% Instrumentalness • 22% Positiveness
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Jim Perkins
Seeking (Holographic Field Rework)
126 bpm • C Maj • 03:16 • -17.8db
24% Popularity • 54% Danceability • 35% Energy • 52% Liveness
88% Instrumentalness • 24% Positiveness
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Motionfield
Indian Summer
134 bpm • G# Maj • 07:59 • -20.64db
21% Popularity • 23% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Hecq
Above
134 bpm • A min • 04:05 • -12.42db
9% Popularity • 16% Danceability • 41% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
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Gidge
Fauna, Pt I
134 bpm • G min • 03:33 • -18.54db
29% Popularity • 16% Danceability • 20% Energy • 42% Liveness
97% Instrumentalness • 3% Positiveness
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God Body Disconnect
Dreaming of Glaciers
134 bpm • A min • 08:10 • -22.86db
24% Popularity • 17% Danceability • 22% Energy • 9% Liveness
58% Instrumentalness • 7% Positiveness
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Subheim
Hollow
133 bpm • A Maj • 06:37 • -14.96db
8% Popularity • 24% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Between Interval
Early Life Remainings
135 bpm • C# min • 07:59 • -20.13db
11% Popularity • 31% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
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Ochre
Arkhangelsk
125 bpm • F# min • 02:51 • -13.97db
16% Popularity • 59% Danceability • 72% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Sebastian Mullaert
Woods of Admittance
125 bpm • B Maj • 05:09 • -16db
26% Popularity • 55% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Lorn
Feed the Dogs for Me
125 bpm • G min • 01:22 • -23.62db
37% Popularity • 17% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Majeure
Union of Worlds
124 bpm • G min • 09:06 • -11.57db
21% Popularity • 26% Danceability • 38% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Subheim
Blues
135 bpm • C# Maj • 01:31 • -20.39db
6% Popularity • 23% Danceability • 36% Energy • 38% Liveness
1% Instrumentalness • 12% Positiveness
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Dryft
Capsize Ctrl
136 bpm • A# min • 06:01 • -12.08db
9% Popularity • 19% Danceability • 42% Energy • 30% Liveness
87% Instrumentalness • 9% Positiveness
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Stellardrone
Galaxies
136 bpm • D# min • 05:26 • -17.61db
30% Popularity • 16% Danceability • 25% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Meg Bowles
Glacial Dawn
123 bpm • A min • 09:25 • -23.84db
24% Popularity • 18% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Mobthrow
Above the Rim of the Earth
123 bpm • A min • 05:22 • -9.8db
2% Popularity • 54% Danceability • 57% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
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The Flashbulb
Steep Grade
123 bpm • A min • 02:18 • -21.47db
36% Popularity • 46% Danceability • 23% Energy • 8% Liveness
98% Instrumentalness • 39% Positiveness
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Rafael Anton Irisarri
Coastal Trapped Disturbance
138 bpm • A min • 05:51 • -15.1db
11% Popularity • 14% Danceability • 11% Energy • 8% Liveness
82% Instrumentalness • 14% Positiveness
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r.roo
Art of Forgetting
138 bpm • B min • 07:06 • -6.08db
9% Popularity • 74% Danceability • 67% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
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Between Interval
Gravity Core
138 bpm • A min • 05:45 • -27.32db
23% Popularity • 45% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
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Hecq
I Am You
138 bpm • D min • 07:05 • -11.77db
11% Popularity • 15% Danceability • 44% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Subheim
One Step Before The Exit - Reconstructed...
122 bpm • C min • 05:37 • -16.95db
3% Popularity • 40% Danceability • 55% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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All India Radio
Tropic Of Unicorn
138 bpm • C Maj • 01:56 • -22db
25% Popularity • 22% Danceability • 21% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Tineidae
Stars so Bright, My Eyes Hurt
138 bpm • G# Maj • 05:04 • -15.69db
16% Popularity • 14% Danceability • 38% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Ben Chatwin
Creep Strain
122 bpm • A# Maj • 05:10 • -12.41db
19% Popularity • 21% Danceability • 51% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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SE
Mimikry (Subheim Remix)
139 bpm • C min • 04:41 • -8.28db
0% Popularity • 45% Danceability • 71% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Nathan Fake
REMAIN - Olga Wojciechowska Rework
139 bpm • C# min • 04:43 • -14.75db
29% Popularity • 15% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Subheim
December
122 bpm • F# Maj • 04:07 • -10.98db
3% Popularity • 34% Danceability • 68% Energy • 15% Liveness
92% Instrumentalness • 6% Positiveness
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Deru
1979
139 bpm • F Maj • 04:51 • -17db
36% Popularity • 30% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Moderat
Invaluable Waste from the Outlying Distr...
140 bpm • A min • 02:55 • -19.05db
30% Popularity • 31% Danceability • 42% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Ben Chatwin
Fossils
121 bpm • C Maj • 03:21 • -16.36db
10% Popularity • 25% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Access to Arasaka
Medway
140 bpm • E Maj • 03:43 • -8db
13% Popularity • 48% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 37% Positiveness
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Bersarin Quartett
2287
140 bpm • D Maj • 03:58 • -14.85db
9% Popularity • 48% Danceability • 51% Energy • 6% Liveness
88% Instrumentalness • 2% Positiveness
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Subheim
Sumo Rimi
140 bpm • D Maj • 04:08 • -10.99db
4% Popularity • 26% Danceability • 70% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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AES DANA
Period 02 _ Transverse Axis
140 bpm • A Maj • 06:24 • -21.74db
10% Popularity • 14% Danceability • 21% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Carbon Based Lifeforms
Central Plains
140 bpm • E min • 08:19 • -17.71db
31% Popularity • 40% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Clubroot
Low Pressure Zone
140 bpm • B min • 03:34 • -12.64db
23% Popularity • 48% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
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Cell
Auxin
140 bpm • F min • 07:04 • -22db
15% Popularity • 31% Danceability • 9% Energy • 37% Liveness
91% Instrumentalness • 14% Positiveness
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Bersarin Quartett
Ist es das, was Du willst
140 bpm • C min • 03:16 • -12.6db
8% Popularity • 42% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Subheim
Space Corridor
140 bpm • A# min • 07:07 • -12.99db
8% Popularity • 54% Danceability • 55% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
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MIKTEK
Incompressible Flow
140 bpm • C Maj • 05:19 • -18.82db
17% Popularity • 60% Danceability • 24% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
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Carbon Based Lifeforms
Polyrytmi
140 bpm • A min • 08:48 • -13.59db
30% Popularity • 62% Danceability • 38% Energy • 11% Liveness
72% Instrumentalness • 21% Positiveness
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Eguana
The Heart of a Molecule
140 bpm • G min • 06:34 • -18db
22% Popularity • 28% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Sync24
1n50mn14
140 bpm • G Maj • 07:05 • -19.19db
19% Popularity • 53% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Lesa Listvy
Swarm
140 bpm • C# Maj • 04:57 • -22.66db
12% Popularity • 24% Danceability • 37% Energy • 19% Liveness
86% Instrumentalness • 10% Positiveness
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Subheim
Howl
140 bpm • D Maj • 08:06 • -12.83db
11% Popularity • 41% Danceability • 38% Energy • 30% Liveness
86% Instrumentalness • 6% Positiveness
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MIKTEK
Kinematics
140 bpm • G min • 05:00 • -14db
16% Popularity • 55% Danceability • 45% Energy • 28% Liveness
85% Instrumentalness • 6% Positiveness
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Between Interval
The Dark Light
140 bpm • D min • 07:36 • -13.48db
9% Popularity • 45% Danceability • 33% Energy • 41% Liveness
93% Instrumentalness • 25% Positiveness
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Blackfilm
Mahabharata
140 bpm • D min • 05:25 • -10.54db
9% Popularity • 27% Danceability • 66% Energy • 19% Liveness
49% Instrumentalness • 5% Positiveness
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Carbon Based Lifeforms
Somewhere in Russia
120 bpm • A min • 08:41 • -14db
29% Popularity • 20% Danceability • 41% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Forest Swords
Police
120 bpm • B min • 02:18 • -15.65db
14% Popularity • 64% Danceability • 24% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
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Subheim
Howl
140 bpm • C min • 06:39 • -12.31db
1% Popularity • 52% Danceability • 59% Energy • 37% Liveness
83% Instrumentalness • 18% Positiveness
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Melorman
The Sky out of Your Window
120 bpm • C Maj • 03:20 • -20.18db
34% Popularity • 24% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Brambles
Half​-​Gramme Holiday
120 bpm • G# min • 07:19 • -13db
21% Popularity • 53% Danceability • 41% Energy • 9% Liveness
67% Instrumentalness • 6% Positiveness
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Bvdub
Make The Pain Go Away
120 bpm • F min • 05:51 • -19.01db
17% Popularity • 24% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Carbon Based Lifeforms
20 Minutes
140 bpm • F Maj • 07:28 • -16.69db
35% Popularity • 37% Danceability • 25% Energy • 15% Liveness
93% Instrumentalness • 9% Positiveness
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Deaf Center
New Beginning (Tidal Darkness)
120 bpm • G Maj • 06:18 • -16db
17% Popularity • 20% Danceability • 33% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
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Subheim
Conspiracies
140 bpm • C Maj • 04:54 • -11.32db
4% Popularity • 53% Danceability • 38% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Indian Wells
Night Arp Blues
120 bpm • A# min • 04:01 • -18.39db
36% Popularity • 64% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Felix Rösch
Becoming Ocean
120 bpm • A min • 03:04 • -12db
30% Popularity • 56% Danceability • 70% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
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Aaron Marshall
Escape Into the Storm
120 bpm • F Maj • 05:13 • -28.51db
27% Popularity • 47% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Carbon Based Lifeforms
Epicentre
120 bpm • D min • 06:14 • -13.88db
27% Popularity • 26% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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AUN
Fiat Lux
120 bpm • F min • 05:06 • -12.66db
8% Popularity • 58% Danceability • 67% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Subheim
Streets
140 bpm • F# Maj • 06:16 • -10db
12% Popularity • 24% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Scann-Tec
Ne Viden
120 bpm • G min • 08:47 • -15.21db
13% Popularity • 72% Danceability • 36% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
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AES DANA
Period 04 _ Somewhen
120 bpm • C# Maj • 08:49 • -23.56db
13% Popularity • 19% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Obsidian Kingdom
Last of the Light - Subheim, Poordream R...
120 bpm • C# Maj • 05:05 • -14.53db
0% Popularity • 56% Danceability • 63% Energy • 26% Liveness
85% Instrumentalness • 23% Positiveness
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Carbon Based Lifeforms
Arecibo
120 bpm • G Maj • 09:25 • -19db
36% Popularity • 21% Danceability • 33% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Ascendant
Instasis
120 bpm • G Maj • 05:36 • -17db
25% Popularity • 38% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Subheim
The Veil
120 bpm • E min • 04:51 • -10.66db
3% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Olivier Orand
Hours
120 bpm • F# min • 05:42 • -9.14db
10% Popularity • 66% Danceability • 80% Energy • 18% Liveness
82% Instrumentalness • 25% Positiveness
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At The Edge of the World