Songs like Atlas by The Dip
Based on a tempo of (+/- 10%) and a similar genre
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The Dip
Atlas
162 bpm • A# Maj • 03:47 • -7db
51% Popularity • 44% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 44% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 92% Positiveness
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The Growlers
Going Gets Tough
162 bpm • G# Maj • 03:28 • -6db
63% Popularity • 50% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
63% Popularity • 50% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Ripe
Talk to the Moon
160 bpm • E Maj • 04:03 • -6.32db
37% Popularity • 47% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 47% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Lake Street Dive
Good Kisser
160 bpm • A# Maj • 03:38 • -3.89db
62% Popularity • 48% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 48% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Shinyribs
Who Built the Moon
164 bpm • F# min • 05:09 • -7.37db
45% Popularity • 66% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 66% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Devon Gilfillian
All I Really Wanna Do
164 bpm • F min • 03:42 • -7.02db
42% Popularity • 69% Danceability • 71% Energy • 8% Liveness
6% Instrumentalness • 76% Positiveness
42% Popularity • 69% Danceability • 71% Energy • 8% Liveness
6% Instrumentalness • 76% Positiveness
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The Dip
Atlas (OurVinyl Sessions)
164 bpm • A# Maj • 03:36 • -10.84db
45% Popularity • 44% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 44% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Sammy Rae & The Friends
Kick It to Me - Single Version
160 bpm • D Maj • 04:32 • -6.15db
41% Popularity • 69% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 94% Positiveness
41% Popularity • 69% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 94% Positiveness
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Nigel Hall
Don't Change for Me
164 bpm • G Maj • 03:45 • -6.98db
33% Popularity • 61% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 61% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Wilder Woods
Supply & Demand
160 bpm • G# Maj • 03:16 • -5.05db
50% Popularity • 49% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 49% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Lake Street Dive
Hypotheticals
164 bpm • C# Maj • 03:50 • -6.49db
62% Popularity • 69% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 38% Positiveness
62% Popularity • 69% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 38% Positiveness
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Mt. Joy
Sheep
159 bpm • C# Maj • 03:43 • -8.4db
61% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
61% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Ripe
Young Tom Rose
158 bpm • B min • 05:33 • -4.36db
36% Popularity • 62% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 62% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Sammy Rae & The Friends
Kick It to Me
160 bpm • D Maj • 06:27 • -6.43db
55% Popularity • 60% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
55% Popularity • 60% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Próxima Parada
Desert Bloom II
157 bpm • B Maj • 03:30 • -9.48db
43% Popularity • 57% Danceability • 48% Energy • 10% Liveness
17% Instrumentalness • 72% Positiveness
43% Popularity • 57% Danceability • 48% Energy • 10% Liveness
17% Instrumentalness • 72% Positiveness
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Rayland Baxter
Willy's Song
167 bpm • C# min • 03:43 • -8.2db
50% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Marcus King
Wildflowers & Wine
157 bpm • C Maj • 04:48 • -8.64db
61% Popularity • 45% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 45% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Houndmouth
My Cousin Greg
167 bpm • B Maj • 03:56 • -6.96db
28% Popularity • 27% Danceability • 56% Energy • 85% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 27% Danceability • 56% Energy • 85% Liveness
0% Instrumentalness • 57% Positiveness
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Ripe
Lola (Bonus Track)
166 bpm • A Maj • 03:29 • -3.57db
41% Popularity • 57% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 57% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Lake Street Dive
Bad Self Portraits
168 bpm • G# min • 03:24 • -5.45db
56% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Theo Katzman
Hard Work
157 bpm • D Maj • 03:21 • -5.88db
37% Popularity • 69% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 69% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Sonny Cleveland
If It Ain't Broke
168 bpm • C Maj • 03:27 • -6.23db
43% Popularity • 75% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 75% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Fruit Bats
The Bottom of It
156 bpm • C Maj • 03:01 • -10.73db
64% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
64% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Sister Sparrow
Gold
156 bpm • D# Maj • 03:14 • -4.69db
35% Popularity • 49% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 49% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Charley Crockett
Silver Dagger
156 bpm • D min • 02:26 • -4.82db
56% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Revivalists
It Was A Sin
156 bpm • G Maj • 04:54 • -6.97db
53% Popularity • 43% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 43% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Busty and the Bass
The Real
156 bpm • D Maj • 04:51 • -5.46db
43% Popularity • 48% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 48% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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The Dip
Ángel De Los Muertos
156 bpm • C# min • 06:14 • -7.34db
26% Popularity • 37% Danceability • 55% Energy • 7% Liveness
46% Instrumentalness • 36% Positiveness
26% Popularity • 37% Danceability • 55% Energy • 7% Liveness
46% Instrumentalness • 36% Positiveness
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Mt. Joy
Phenomenon
169 bpm • F min • 02:53 • -9db
50% Popularity • 55% Danceability • 66% Energy • 12% Liveness
72% Instrumentalness • 65% Positiveness
50% Popularity • 55% Danceability • 66% Energy • 12% Liveness
72% Instrumentalness • 65% Positiveness
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Matt Duncan
Soft Times
155 bpm • C Maj • 03:37 • -11.38db
34% Popularity • 78% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 91% Positiveness
34% Popularity • 78% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 91% Positiveness
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Mo Lowda & the Humble
Lunar Guidance
170 bpm • A Maj • 02:45 • -9.14db
52% Popularity • 41% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 41% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Galactic
Going Straight Crazy
170 bpm • C# min • 03:27 • -4.76db
35% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Meltdown
Side By Side
170 bpm • E Maj • 04:16 • -7.68db
55% Popularity • 70% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
55% Popularity • 70% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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The Dip
O.P. Jebediah
169 bpm • G Maj • 04:02 • -6.57db
54% Popularity • 45% Danceability • 61% Energy • 66% Liveness
2% Instrumentalness • 70% Positiveness
54% Popularity • 45% Danceability • 61% Energy • 66% Liveness
2% Instrumentalness • 70% Positiveness
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Mt. Joy
Astrovan
170 bpm • D# Maj • 03:06 • -9.4db
69% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
69% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Dojo Cuts
Rome
154 bpm • B Maj • 03:38 • -8.47db
60% Popularity • 78% Danceability • 50% Energy • 16% Liveness
6% Instrumentalness • 86% Positiveness
60% Popularity • 78% Danceability • 50% Energy • 16% Liveness
6% Instrumentalness • 86% Positiveness
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Rayland Baxter
Yellow Eyes
154 bpm • A# Maj • 03:50 • -7.9db
58% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Vulfpeck
1612
171 bpm • C Maj • 03:19 • -11.33db
58% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Caamp
26
171 bpm • D Maj • 03:55 • -13db
63% Popularity • 49% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
63% Popularity • 49% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Dip
Anyway
153 bpm • C Maj • 02:49 • -7.76db
26% Popularity • 41% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 41% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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The California Honeydrops
Live Learn
172 bpm • B Maj • 04:35 • -6.62db
49% Popularity • 60% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 60% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Melt
Waves
172 bpm • G Maj • 03:05 • -5.7db
43% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Electric Peanut Butter Company
Dreams
152 bpm • A min • 03:01 • -4.69db
43% Popularity • 60% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 60% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Próxima Parada
Resilience
152 bpm • C Maj • 05:43 • -7.91db
15% Popularity • 40% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 40% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Scoundrels
No Soul
151 bpm • G# min • 03:21 • -4.21db
33% Popularity • 51% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 51% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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The Dip
Love Direction
153 bpm • G# min • 03:43 • -6.86db
33% Popularity • 43% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 43% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Houndmouth
Black Gold
151 bpm • D# Maj • 03:40 • -7db
25% Popularity • 40% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 40% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Sir Woman
Party City
174 bpm • D Maj • 04:24 • -6db
36% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Ryan Scott
Love U Like the Sun in June
174 bpm • D min • 03:55 • -4.87db
42% Popularity • 52% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
42% Popularity • 52% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Neal Francis
These Are The Days
150 bpm • C Maj • 03:40 • -5.69db
25% Popularity • 54% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 54% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Nathaniel Rateliff & The Night Sweats
A Little Honey
150 bpm • C Maj • 03:10 • -7db
59% Popularity • 49% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
59% Popularity • 49% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Dip
Candice (In the Morning)
173 bpm • C Maj • 03:54 • -7db
32% Popularity • 57% Danceability • 84% Energy • 10% Liveness
71% Instrumentalness • 93% Positiveness
32% Popularity • 57% Danceability • 84% Energy • 10% Liveness
71% Instrumentalness • 93% Positiveness
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Caamp
Believe
150 bpm • D# Maj • 03:15 • -8.02db
61% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Shakey Graves
Mansion Door
150 bpm • F Maj • 04:30 • -5.68db
47% Popularity • 48% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 48% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Jesse Roper
Does Anybody Know
150 bpm • C# Maj • 03:28 • -6db
50% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Joe Hertler & The Rainbow Seekers
No Money (Jetski)
176 bpm • G Maj • 04:17 • -8.18db
39% Popularity • 64% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 64% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Scoundrels
I Love It When It Rains
176 bpm • F min • 04:50 • -6.59db
27% Popularity • 55% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 55% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Dip
Slow Sipper
174 bpm • D# Maj • 03:00 • -8db
54% Popularity • 56% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 56% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Motenko
On Your Level
176 bpm • C Maj • 02:43 • -6.39db
19% Popularity • 44% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 44% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Caamp
Going to the Country
176 bpm • C# Maj • 04:21 • -9db
47% Popularity • 43% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 43% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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St. Paul & The Broken Bones
Grass Is Greener
176 bpm • G Maj • 04:14 • -7db
46% Popularity • 34% Danceability • 49% Energy • 23% Liveness
4% Instrumentalness • 25% Positiveness
46% Popularity • 34% Danceability • 49% Energy • 23% Liveness
4% Instrumentalness • 25% Positiveness
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Houndmouth
On the Road
177 bpm • C Maj • 02:26 • -7.15db
31% Popularity • 39% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 39% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Anderson East
This Too Shall Last
149 bpm • E Maj • 03:42 • -9db
56% Popularity • 50% Danceability • 49% Energy • 9% Liveness
80% Instrumentalness • 68% Positiveness
56% Popularity • 50% Danceability • 49% Energy • 9% Liveness
80% Instrumentalness • 68% Positiveness
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The Dip
Won't Be Coming Back (OurVinyl Sessions)
174 bpm • B Maj • 04:16 • -12.97db
22% Popularity • 43% Danceability • 49% Energy • 8% Liveness
82% Instrumentalness • 51% Positiveness
22% Popularity • 43% Danceability • 49% Energy • 8% Liveness
82% Instrumentalness • 51% Positiveness
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Mapache
Life On Fire
148 bpm • B Maj • 03:22 • -8.96db
41% Popularity • 65% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
41% Popularity • 65% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
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Dustbowl Revival
Honey I Love You
178 bpm • C Maj • 03:33 • -6.2db
36% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Bahamas
Trick To Happy
178 bpm • D Maj • 03:24 • -9.66db
55% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Brook & The Bluff
Halfway Up
178 bpm • C Maj • 03:55 • -8.84db
58% Popularity • 47% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 47% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Melt
Sour Candy
178 bpm • F Maj • 04:55 • -8.08db
48% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Dip
Spiderweb
178 bpm • C Maj • 03:18 • -8.6db
29% Popularity • 46% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 46% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Mt. Joy
Let Loose
147 bpm • C Maj • 03:41 • -6.94db
59% Popularity • 51% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
59% Popularity • 51% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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St. Paul & The Broken Bones
Half the City
179 bpm • G min • 03:17 • -6db
50% Popularity • 55% Danceability • 68% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
50% Popularity • 55% Danceability • 68% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
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Bahamas
Way With Words
146 bpm • F# min • 04:20 • -7db
53% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Revivalists
Catching Fireflies
146 bpm • B Maj • 05:12 • -4.08db
43% Popularity • 46% Danceability • 88% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 46% Danceability • 88% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
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Brave Baby
Soothsayer
182 bpm • B Maj • 03:50 • -7db
39% Popularity • 58% Danceability • 61% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
39% Popularity • 58% Danceability • 61% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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The Dip
Yellowfinger
147 bpm • D min • 03:32 • -9.49db
23% Popularity • 33% Danceability • 44% Energy • 10% Liveness
84% Instrumentalness • 49% Positiveness
23% Popularity • 33% Danceability • 44% Energy • 10% Liveness
84% Instrumentalness • 49% Positiveness
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Sure Sure
Good Thing
144 bpm • C# min • 03:04 • -7.02db
41% Popularity • 82% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 82% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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St. Paul & The Broken Bones
Broken Bones and Pocket Change
179 bpm • A min • 03:47 • -6.24db
40% Popularity • 30% Danceability • 66% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
40% Popularity • 30% Danceability • 66% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
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Dojo Cuts
I Don't Want to Wait
182 bpm • A Maj • 03:34 • -9db
40% Popularity • 43% Danceability • 34% Energy • 12% Liveness
72% Instrumentalness • 68% Positiveness
40% Popularity • 43% Danceability • 34% Energy • 12% Liveness
72% Instrumentalness • 68% Positiveness
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Houndmouth
Miracle Mile
142 bpm • F# Maj • 03:08 • -9.41db
54% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Scoundrels
Always Get Your Own Way
144 bpm • F# Maj • 03:54 • -6.47db
30% Popularity • 50% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 50% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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The Dip
Sea Snake
180 bpm • D min • 03:01 • -8.5db
28% Popularity • 52% Danceability • 47% Energy • 13% Liveness
81% Instrumentalness • 50% Positiveness
28% Popularity • 52% Danceability • 47% Energy • 13% Liveness
81% Instrumentalness • 50% Positiveness
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Ewan Currie
I'd Like to Live in California
142 bpm • G Maj • 03:05 • -6.77db
24% Popularity • 66% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 66% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Fruition
Baby Let's Go
142 bpm • G Maj • 03:13 • -7.41db
27% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Neal Francis
This Time
186 bpm • C Maj • 04:54 • -7.43db
35% Popularity • 31% Danceability • 91% Energy • 10% Liveness
16% Instrumentalness • 86% Positiveness
35% Popularity • 31% Danceability • 91% Energy • 10% Liveness
16% Instrumentalness • 86% Positiveness
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Próxima Parada
Errs, Trials, & Trials
141 bpm • D# Maj • 03:10 • -5.49db
15% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Houndmouth
Comin' Round Again
141 bpm • F# Maj • 03:39 • -5.44db
29% Popularity • 36% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 36% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Dip
Ready to Go
185 bpm • B Maj • 03:05 • -7.21db
32% Popularity • 28% Danceability • 55% Energy • 17% Liveness
4% Instrumentalness • 57% Positiveness
32% Popularity • 28% Danceability • 55% Energy • 17% Liveness
4% Instrumentalness • 57% Positiveness
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Kendall Street Company
Expiration Date
186 bpm • G Maj • 03:34 • -7.86db
37% Popularity • 47% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 34% Positiveness
37% Popularity • 47% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 34% Positiveness
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Nathaniel Rateliff & The Night Sweats
Say It Louder
141 bpm • G Maj • 03:23 • -7.05db
43% Popularity • 48% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 48% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Devon Gilfillian
Get Out And Get It
187 bpm • F# min • 02:56 • -5db
24% Popularity • 48% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 66% Positiveness
24% Popularity • 48% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 66% Positiveness
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Oh He Dead
Is It My Love
140 bpm • F Maj • 02:03 • -6.28db
54% Popularity • 83% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 83% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Rayland Baxter
Hey Larocco
140 bpm • A# Maj • 04:29 • -5.92db
36% Popularity • 47% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 47% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Dip
I'm Lonely
187 bpm • A min • 03:38 • -7.37db
31% Popularity • 52% Danceability • 64% Energy • 32% Liveness
28% Instrumentalness • 76% Positiveness
31% Popularity • 52% Danceability • 64% Energy • 32% Liveness
28% Instrumentalness • 76% Positiveness
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The Marcus King Band
Where I'm Headed
187 bpm • A Maj • 04:53 • -6.76db
47% Popularity • 24% Danceability • 78% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
47% Popularity • 24% Danceability • 78% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
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The Brook & The Bluff
Rush
140 bpm • C min • 04:12 • -6.54db
40% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Racoma
Country
140 bpm • B Maj • 03:07 • -7.15db
61% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Leon Bridges
Better Man
188 bpm • G Maj • 02:20 • -4.94db
63% Popularity • 40% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 40% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
