Songs like Atletico (The Only One) by Rae Morris
Based on a tempo of (+/- 10%) and a similar genre
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Christine and the Queens
5 dollars
129 bpm • D Maj • 03:28 • -6.2db
43% Popularity • 73% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 73% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Shy Luv
Like a River
129 bpm • C Maj • 03:11 • -6.55db
16% Popularity • 69% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 69% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Theia
Bye Bye
129 bpm • C# min • 03:39 • -8.94db
10% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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HAIM
Little Of Your Love - Wookie Remix
129 bpm • A Maj • 03:46 • -4.88db
9% Popularity • 84% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 84% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Rae Morris
Atletico (The Only One)
129 bpm • F Maj • 03:25 • -4.63db
23% Popularity • 65% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 65% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Petite Meller
Lil' Love
130 bpm • C Maj • 03:32 • -4.23db
18% Popularity • 48% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 48% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 9% Positiveness
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Vera Blue
Overachiever
130 bpm • A Maj • 03:39 • -6.95db
22% Popularity • 55% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 55% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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morgxn
xx
130 bpm • C Maj • 03:35 • -4.98db
21% Popularity • 73% Danceability • 91% Energy • 55% Liveness
92% Instrumentalness • 74% Positiveness
21% Popularity • 73% Danceability • 91% Energy • 55% Liveness
92% Instrumentalness • 74% Positiveness
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Prinze George
This Time
128 bpm • C min • 03:13 • -5.27db
14% Popularity • 63% Danceability • 82% Energy • 51% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 63% Danceability • 82% Energy • 51% Liveness
0% Instrumentalness • 18% Positiveness
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Robinson
Don't You Forget About Me
128 bpm • C# Maj • 03:46 • -5.15db
17% Popularity • 58% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 58% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Rae Morris
Wait for the Rain
129 bpm • A Maj • 03:56 • -5.38db
14% Popularity • 56% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 56% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Le Boom
Don't Need It Now
128 bpm • C min • 04:15 • -4.38db
11% Popularity • 73% Danceability • 78% Energy • 80% Liveness
34% Instrumentalness • 89% Positiveness
11% Popularity • 73% Danceability • 78% Energy • 80% Liveness
34% Instrumentalness • 89% Positiveness
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Kyla La Grange
Love Harder
130 bpm • B Maj • 04:13 • -5.41db
9% Popularity • 77% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 77% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Thea & The Wild
Dark Horse
130 bpm • F# Maj • 03:20 • -7.08db
7% Popularity • 67% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
7% Popularity • 67% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Ardyn
Life Happens
130 bpm • C# Maj • 03:19 • -6db
17% Popularity • 53% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 53% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Ariel Beesley
Slower Than Usual
128 bpm • G Maj • 03:58 • -4db
19% Popularity • 54% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 54% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 24% Positiveness
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Rae Morris
Skyscraper Love
130 bpm • A# Maj • 04:16 • -5.12db
5% Popularity • 52% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
5% Popularity • 52% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Áine
Beauty Is a Lie
127 bpm • D min • 03:18 • -5.38db
9% Popularity • 50% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 50% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Mullally
She Don't Know Me
127 bpm • B min • 03:21 • -6.51db
18% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Anteros
The Beat
127 bpm • A Maj • 03:33 • -3.1db
9% Popularity • 69% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 69% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Will Joseph Cook
Plastic
132 bpm • C# Maj • 02:58 • -6.4db
17% Popularity • 40% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 40% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Kacy Hill
Lion
132 bpm • C Maj • 04:03 • -6db
16% Popularity • 65% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 65% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Rae Morris
Way Back When
128 bpm • F# Maj • 04:03 • -10.17db
11% Popularity • 44% Danceability • 21% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
11% Popularity • 44% Danceability • 21% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Kota Banks
Holiday
126 bpm • G# Maj • 03:23 • -4.72db
13% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Le Boom
Coma
126 bpm • A# min • 03:25 • -8.68db
16% Popularity • 90% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
16% Popularity • 90% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
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Youngr
Ooh Lordy
132 bpm • G# min • 02:49 • -6.56db
29% Popularity • 67% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 67% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Anna Straker
Serious
126 bpm • F# min • 02:51 • -5.7db
10% Popularity • 73% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 73% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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San Scout
LMS
132 bpm • F# Maj • 02:52 • -5.97db
13% Popularity • 33% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 33% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Rae Morris
Eye to the Storm
130 bpm • A Maj • 04:02 • -6db
8% Popularity • 37% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 37% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Let's Eat Grandma
It's Not Just Me
126 bpm • C Maj • 03:55 • -7db
31% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Skott
Stay Off My Mind
126 bpm • A# min • 03:40 • -8.76db
28% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Off Bloom
Golden Dreams
133 bpm • G# Maj • 03:10 • -3.49db
11% Popularity • 64% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 64% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Superorganism
Night Time - Edit
125 bpm • C Maj • 03:12 • -4.19db
21% Popularity • 62% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 62% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Lane 8
No Fun (ABGT486)
125 bpm • E min • 04:58 • -9.96db
2% Popularity • 83% Danceability • 52% Energy • 70% Liveness
0% Instrumentalness • 40% Positiveness
2% Popularity • 83% Danceability • 52% Energy • 70% Liveness
0% Instrumentalness • 40% Positiveness
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Rae Morris
Closer - Redlight Remix
125 bpm • C Maj • 04:37 • -6.11db
9% Popularity • 63% Danceability • 88% Energy • 6% Liveness
33% Instrumentalness • 70% Positiveness
9% Popularity • 63% Danceability • 88% Energy • 6% Liveness
33% Instrumentalness • 70% Positiveness
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Will Joseph Cook
Treat Me Like A Lover
134 bpm • G Maj • 03:33 • -7.05db
25% Popularity • 68% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 68% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Becky Hill
Rude Love
134 bpm • B min • 03:11 • -3.56db
22% Popularity • 53% Danceability • 79% Energy • 56% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 53% Danceability • 79% Energy • 56% Liveness
0% Instrumentalness • 49% Positiveness
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All Tvvins
End of the Day
134 bpm • G Maj • 03:15 • -4.76db
13% Popularity • 58% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 58% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Goldroom
Spread Love
124 bpm • C# Maj • 03:28 • -4.56db
23% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Bien
Confetti
124 bpm • G# min • 05:18 • -9db
28% Popularity • 51% Danceability • 54% Energy • 21% Liveness
79% Instrumentalness • 15% Positiveness
28% Popularity • 51% Danceability • 54% Energy • 21% Liveness
79% Instrumentalness • 15% Positiveness
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Rae Morris
Unguarded
134 bpm • D Maj • 03:54 • -5.15db
17% Popularity • 30% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 30% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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One Bit
My Way
124 bpm • D Maj • 02:52 • -3.56db
39% Popularity • 75% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 75% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Paloma Faith
Kings and Queens
124 bpm • G Maj • 03:51 • -3.29db
27% Popularity • 69% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 69% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Nils Hoffmann
Lonely (Tritonia 437)
124 bpm • E min • 04:54 • -7.72db
2% Popularity • 62% Danceability • 79% Energy • 14% Liveness
7% Instrumentalness • 7% Positiveness
2% Popularity • 62% Danceability • 79% Energy • 14% Liveness
7% Instrumentalness • 7% Positiveness
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Pure Shores
There
124 bpm • B min • 03:04 • -9.24db
10% Popularity • 65% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 65% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Clean Bandit
Disconnect
124 bpm • C min • 04:12 • -7db
44% Popularity • 64% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 64% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Rae Morris
Someone Out There
134 bpm • C# Maj • 03:49 • -7.17db
25% Popularity • 53% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 53% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Lily Allen
Lost My Mind
124 bpm • C# Maj • 03:47 • -7.75db
38% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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RAYE
The Line
124 bpm • C# Maj • 03:19 • -4.44db
35% Popularity • 70% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 70% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Nils Hoffmann
Lonely (Tritonia 441)
124 bpm • E min • 05:26 • -7.67db
5% Popularity • 60% Danceability • 76% Energy • 12% Liveness
9% Instrumentalness • 13% Positiveness
5% Popularity • 60% Danceability • 76% Energy • 12% Liveness
9% Instrumentalness • 13% Positiveness
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Sigrid
Business Dinners
134 bpm • G# Maj • 02:48 • -4.83db
32% Popularity • 64% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 64% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Anteros
Fade to Grey
135 bpm • C Maj • 03:24 • -8db
8% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Rae Morris
Dancing with Character
124 bpm • B Maj • 04:04 • -6.78db
23% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Sälen
So Rude
123 bpm • C# min • 03:31 • -6.8db
13% Popularity • 83% Danceability • 63% Energy • 10% Liveness
24% Instrumentalness • 52% Positiveness
13% Popularity • 83% Danceability • 63% Energy • 10% Liveness
24% Instrumentalness • 52% Positiveness
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Icarus
Dreams Of You
123 bpm • F# min • 04:51 • -4.88db
27% Popularity • 57% Danceability • 96% Energy • 20% Liveness
52% Instrumentalness • 15% Positiveness
27% Popularity • 57% Danceability • 96% Energy • 20% Liveness
52% Instrumentalness • 15% Positiveness
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Daithí
Falling For You
123 bpm • A# Maj • 04:15 • -10.83db
13% Popularity • 64% Danceability • 45% Energy • 34% Liveness
1% Instrumentalness • 16% Positiveness
13% Popularity • 64% Danceability • 45% Energy • 34% Liveness
1% Instrumentalness • 16% Positiveness
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AYLA
Like The Other Kids
123 bpm • A# Maj • 03:07 • -5db
5% Popularity • 61% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
5% Popularity • 61% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
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Maggie Rogers
Split Stones
136 bpm • G Maj • 03:51 • -7.46db
46% Popularity • 71% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 71% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rae Morris
For You
124 bpm • C Maj • 03:50 • -6.49db
36% Popularity • 35% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 35% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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KT Tunstall
It Took Me So Long To Get Here, But Here...
136 bpm • A Maj • 04:18 • -5.07db
16% Popularity • 56% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 56% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Dagny
Backbeat - Acoustic
136 bpm • A# Maj • 03:35 • -5db
21% Popularity • 72% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 72% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Swimming Girls
Back of Your Car
136 bpm • D# Maj • 03:09 • -5.88db
22% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Jerry Williams
Boy Oh Boy - Original
122 bpm • C# min • 03:03 • -6.62db
11% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Daithí
Love's On Top
122 bpm • A min • 04:24 • -6.75db
15% Popularity • 85% Danceability • 62% Energy • 32% Liveness
3% Instrumentalness • 63% Positiveness
15% Popularity • 85% Danceability • 62% Energy • 32% Liveness
3% Instrumentalness • 63% Positiveness
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Rae Morris
Under the Shadows - Waze & Odyssey Remix
124 bpm • A# min • 04:24 • -6.45db
5% Popularity • 74% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 74% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Glassio
Papaya
122 bpm • G# min • 03:09 • -8.97db
13% Popularity • 72% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 72% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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All Tvvins
Anything
122 bpm • G# Maj • 03:12 • -7.23db
20% Popularity • 65% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
20% Popularity • 65% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
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Marlene
Next To Me
122 bpm • G min • 04:11 • -7.99db
11% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Kyla La Grange
Justify
122 bpm • A Maj • 03:36 • -4.57db
13% Popularity • 75% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 75% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Christine and the Queens
Doesn't matter
137 bpm • G# Maj • 04:23 • -6.33db
38% Popularity • 79% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 79% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Rae Morris
This Time
123 bpm • C# Maj • 03:50 • -6.54db
13% Popularity • 41% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 41% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Polo
Gold Horizons
137 bpm • F# min • 03:39 • -4.59db
8% Popularity • 77% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 77% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Lily Allen
What You Waiting For?
121 bpm • D min • 03:06 • -7.05db
38% Popularity • 82% Danceability • 59% Energy • 15% Liveness
2% Instrumentalness • 66% Positiveness
38% Popularity • 82% Danceability • 59% Energy • 15% Liveness
2% Instrumentalness • 66% Positiveness
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NVDES
Dancer from New York
137 bpm • C Maj • 03:12 • -4.15db
12% Popularity • 59% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 59% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Theia
Champagne Supernova
138 bpm • G# min • 03:27 • -7.22db
9% Popularity • 68% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 68% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Montaigne
What You Mean to Me
138 bpm • C# min • 04:02 • -4.53db
23% Popularity • 53% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 53% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Rae Morris
A Table for Two
136 bpm • B Maj • 02:57 • -7.37db
8% Popularity • 52% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 52% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Kacy Hill
Hard To Love
138 bpm • E Maj • 03:24 • -6.41db
22% Popularity • 57% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 57% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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FOURS
Stella
120 bpm • G# Maj • 02:30 • -6.38db
10% Popularity • 64% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 64% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Emeli Sandé
Starlight
120 bpm • C min • 03:01 • -4.83db
23% Popularity • 85% Danceability • 74% Energy • 31% Liveness
6% Instrumentalness • 83% Positiveness
23% Popularity • 85% Danceability • 74% Energy • 31% Liveness
6% Instrumentalness • 83% Positiveness
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Little Giants
Brother
120 bpm • C Maj • 03:51 • -7.01db
12% Popularity • 60% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 60% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Willow Beats
Special
120 bpm • B Maj • 03:14 • -8db
18% Popularity • 85% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
18% Popularity • 85% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Rae Morris
Grow
136 bpm • E min • 04:03 • -11.76db
29% Popularity • 53% Danceability • 27% Energy • 8% Liveness
7% Instrumentalness • 18% Positiveness
29% Popularity • 53% Danceability • 27% Energy • 8% Liveness
7% Instrumentalness • 18% Positiveness
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Janelle Kroll
Barricade
120 bpm • F Maj • 03:48 • -8db
7% Popularity • 72% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 72% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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RIKA
No Need
120 bpm • B min • 03:40 • -5db
10% Popularity • 75% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 75% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Myzica
We Belong Together
120 bpm • E Maj • 03:18 • -5.18db
18% Popularity • 72% Danceability • 82% Energy • 52% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 72% Danceability • 82% Energy • 52% Liveness
0% Instrumentalness • 75% Positiveness
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SUPER CRUEL
Sicklaced
120 bpm • F min • 03:10 • -4.22db
14% Popularity • 67% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 67% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Foxes
Amazing
120 bpm • C# Maj • 03:47 • -3db
32% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Rae Morris
Do It - Acoustic
136 bpm • D# Maj • 04:28 • -11.73db
10% Popularity • 68% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 68% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Petite Meller
Barbaric
120 bpm • A min • 04:02 • -4.62db
19% Popularity • 67% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 67% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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HANNIE
Target
120 bpm • F# Maj • 03:06 • -3.21db
9% Popularity • 69% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 69% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Brendan Maclean
Free to Love
120 bpm • D Maj • 03:09 • -4.79db
19% Popularity • 77% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 77% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Mollie King
Hair Down
120 bpm • F# min • 03:34 • -2.36db
8% Popularity • 60% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 60% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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GRACE
Young, Naive & Reckless
120 bpm • C# Maj • 03:45 • -8.49db
9% Popularity • 75% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
9% Popularity • 75% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Rae Morris
Someone Out There - Acoustic
136 bpm • C# Maj • 03:44 • -12.67db
12% Popularity • 67% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 67% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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SAFIA
Together, Locked Safely
120 bpm • A# min • 04:11 • -6.57db
30% Popularity • 70% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
30% Popularity • 70% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Clean Cut Kid
Leaving You Behind
120 bpm • G Maj • 03:21 • -5db
21% Popularity • 58% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 58% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Jerry Williams
I'm Not In Love With You
120 bpm • G Maj • 03:06 • -6db
12% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
