Songs like Attila the Man by Nick Glennie-Smith
Based on a tempo of (+/- 10%) and a similar genre
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Henry Jackman
To Become a Kingsman
91 bpm • F min • 04:18 • -20.46db
33% Popularity • 11% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 11% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Burkhard Dallwitz
Tibet
91 bpm • E min • 05:26 • -16db
29% Popularity • 13% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Fate Has Smiled Upon Us
91 bpm • E min • 02:02 • -13.98db
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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Thomas Newman
Grand Bazaar, Istanbul
91 bpm • C min • 05:14 • -13db
30% Popularity • 25% Danceability • 63% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 25% Danceability • 63% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Hans Zimmer
503
92 bpm • D min • 02:14 • -11.74db
51% Popularity • 28% Danceability • 48% Energy • 48% Liveness
78% Instrumentalness • 4% Positiveness
51% Popularity • 28% Danceability • 48% Energy • 48% Liveness
78% Instrumentalness • 4% Positiveness
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Basil Poledouris
Two Wives
91 bpm • D# Maj • 02:42 • -29.94db
18% Popularity • 17% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Nathan Furst
Act Of Valor
90 bpm • D min • 02:57 • -17.24db
15% Popularity • 10% Danceability • 23% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 23% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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FELIX MEAGHER
Faraway Downs
90 bpm • G Maj • 04:31 • -9.92db
20% Popularity • 11% Danceability • 33% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
20% Popularity • 11% Danceability • 33% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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John Powell
Man Versus Man
92 bpm • B Maj • 05:45 • -15.56db
22% Popularity • 42% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
22% Popularity • 42% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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Javier Navarrete
Wrath Of The Titans
92 bpm • A# Maj • 02:15 • -14db
17% Popularity • 36% Danceability • 50% Energy • 6% Liveness
89% Instrumentalness • 14% Positiveness
17% Popularity • 36% Danceability • 50% Energy • 6% Liveness
89% Instrumentalness • 14% Positiveness
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Hans Zimmer
God Particle
90 bpm • E min • 05:20 • -16.32db
31% Popularity • 12% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
31% Popularity • 12% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Nick Glennie-Smith
Jack
92 bpm • G# Maj • 00:33 • -21.42db
18% Popularity • 26% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 26% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Rich Douglas
Main Theme / Brothers
90 bpm • C Maj • 03:42 • -12.96db
16% Popularity • 46% Danceability • 48% Energy • 12% Liveness
73% Instrumentalness • 6% Positiveness
16% Popularity • 46% Danceability • 48% Energy • 12% Liveness
73% Instrumentalness • 6% Positiveness
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Immediate
Barbarians at the Gate
92 bpm • C min • 02:11 • -8.57db
24% Popularity • 45% Danceability • 66% Energy • 13% Liveness
96% Instrumentalness • 28% Positiveness
24% Popularity • 45% Danceability • 66% Energy • 13% Liveness
96% Instrumentalness • 28% Positiveness
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Thomas Bergersen
Our Destiny
92 bpm • C min • 03:52 • -6.4db
36% Popularity • 40% Danceability • 79% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
36% Popularity • 40% Danceability • 79% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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John Frizzell
Resolution
92 bpm • C min • 02:29 • -21db
14% Popularity • 32% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 32% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Harald Kloser
You Came For Me
90 bpm • F Maj • 02:06 • -19db
36% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
36% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
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Radu Moon
Virtual Vortex
90 bpm • D Maj • 01:46 • -20.28db
14% Popularity • 35% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 9% Positiveness
14% Popularity • 35% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 9% Positiveness
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John Powell
Chaos / Email
92 bpm • C# Maj • 04:17 • -16.2db
11% Popularity • 32% Danceability • 27% Energy • 39% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 32% Danceability • 27% Energy • 39% Liveness
82% Instrumentalness • 4% Positiveness
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Joe Kraemer
Meet the IMF
90 bpm • A min • 01:47 • -14db
34% Popularity • 18% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Michael Kamen
Band Of Brothers Suite One - Instrumenta...
92 bpm • D Maj • 06:31 • -15.19db
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Graeme Revell
End Credit - Final Chronicle
92 bpm • C min • 04:02 • -12db
11% Popularity • 40% Danceability • 68% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
11% Popularity • 40% Danceability • 68% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
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Steven Price
Gravity
93 bpm • G# min • 04:35 • -15.36db
49% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
49% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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Nick Glennie-Smith
You Are Home (Film Version)
89 bpm • D Maj • 01:58 • -13.64db
6% Popularity • 20% Danceability • 41% Energy • 9% Liveness
98% Instrumentalness • 24% Positiveness
6% Popularity • 20% Danceability • 41% Energy • 9% Liveness
98% Instrumentalness • 24% Positiveness
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Jeff Russo
Season 2 Main Title
89 bpm • D Maj • 01:59 • -10.8db
18% Popularity • 13% Danceability • 48% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 48% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
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Various Artists
Star Trek: Deep Space Nine Main Title - ...
89 bpm • C Maj • 01:54 • -18db
19% Popularity • 25% Danceability • 33% Energy • 16% Liveness
82% Instrumentalness • 16% Positiveness
19% Popularity • 25% Danceability • 33% Energy • 16% Liveness
82% Instrumentalness • 16% Positiveness
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Basil Poledouris
Last Pitch
89 bpm • G# Maj • 04:57 • -15.53db
8% Popularity • 10% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Daniel Pemberton
The Legend of Excalibur
89 bpm • G Maj • 02:43 • -15.03db
37% Popularity • 18% Danceability • 28% Energy • 14% Liveness
61% Instrumentalness • 3% Positiveness
37% Popularity • 18% Danceability • 28% Energy • 14% Liveness
61% Instrumentalness • 3% Positiveness
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Junkie XL
Dark Fate
88 bpm • A# min • 04:19 • -10.23db
28% Popularity • 50% Danceability • 66% Energy • 30% Liveness
92% Instrumentalness • 19% Positiveness
28% Popularity • 50% Danceability • 66% Energy • 30% Liveness
92% Instrumentalness • 19% Positiveness
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John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Joseph Kilna MacKenzie
Flying High/Sgt. MacKenzie
94 bpm • F Maj • 02:51 • -19db
35% Popularity • 15% Danceability • 24% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 24% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Brad Fiedel
It's Over - Remastered 2017
88 bpm • A Maj • 04:39 • -15db
33% Popularity • 16% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Triumph
94 bpm • D min • 02:25 • -14db
34% Popularity • 34% Danceability • 56% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
34% Popularity • 34% Danceability • 56% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Blake Neely
Post Engines, Pre-flight
88 bpm • C Maj • 03:52 • -14.7db
42% Popularity • 9% Danceability • 24% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 9% Danceability • 24% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Puy du Fou
Lettre au poilu
88 bpm • A# Maj • 01:21 • -15.29db
15% Popularity • 14% Danceability • 22% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
15% Popularity • 14% Danceability • 22% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
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John Powell
Whirlpool Of Love
95 bpm • B min • 02:02 • -16.38db
14% Popularity • 16% Danceability • 18% Energy • 61% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 18% Energy • 61% Liveness
93% Instrumentalness • 4% Positiveness
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Nathan Stornetta
El Último Cantar - La Música del Espe...
88 bpm • F# min • 03:22 • -13.12db
14% Popularity • 17% Danceability • 33% Energy • 53% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 33% Energy • 53% Liveness
95% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
Angels in the Yard
88 bpm • G Maj • 02:19 • -23.51db
3% Popularity • 26% Danceability • 6% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
3% Popularity • 26% Danceability • 6% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Hans Zimmer
Immolation
88 bpm • C# min • 03:38 • -19.22db
22% Popularity • 17% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Rob Lane
Leaving For Philadelphia
87 bpm • D min • 02:20 • -12db
19% Popularity • 24% Danceability • 41% Energy • 15% Liveness
73% Instrumentalness • 12% Positiveness
19% Popularity • 24% Danceability • 41% Energy • 15% Liveness
73% Instrumentalness • 12% Positiveness
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Ryan Amon
Fire Up The Shuttle
95 bpm • C Maj • 01:45 • -11db
33% Popularity • 42% Danceability • 89% Energy • 10% Liveness
76% Instrumentalness • 28% Positiveness
33% Popularity • 42% Danceability • 89% Energy • 10% Liveness
76% Instrumentalness • 28% Positiveness
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Steve Jablonsky
Silver Star
95 bpm • A# Maj • 01:56 • -13.29db
38% Popularity • 35% Danceability • 48% Energy • 17% Liveness
91% Instrumentalness • 11% Positiveness
38% Popularity • 35% Danceability • 48% Energy • 17% Liveness
91% Instrumentalness • 11% Positiveness
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Carter Burwell
Follow Your Feet
87 bpm • D Maj • 03:09 • -27db
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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Nick Glennie-Smith
That's A Nice Day
87 bpm • F min • 02:42 • -19.89db
27% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Nathan Stornetta
Le ballet des oiseaux fantômes - extrai...
95 bpm • C Maj • 03:45 • -8.82db
23% Popularity • 12% Danceability • 59% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
23% Popularity • 12% Danceability • 59% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Mark Mothersbaugh
Where To?
95 bpm • F Maj • 02:22 • -17db
29% Popularity • 12% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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M83
Waking Up
96 bpm • C min • 04:09 • -13db
48% Popularity • 40% Danceability • 50% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
48% Popularity • 40% Danceability • 50% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
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Steven Scott Smalley
Wifeing - Theme Of Love Conan The Barbar...
87 bpm • C min • 02:16 • -15.85db
25% Popularity • 20% Danceability • 18% Energy • 28% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 20% Danceability • 18% Energy • 28% Liveness
90% Instrumentalness • 3% Positiveness
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Puy du Fou
L'hiver et les semeuses
87 bpm • A Maj • 02:42 • -15.24db
10% Popularity • 9% Danceability • 36% Energy • 9% Liveness
97% Instrumentalness • 19% Positiveness
10% Popularity • 9% Danceability • 36% Energy • 9% Liveness
97% Instrumentalness • 19% Positiveness
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Michael Kamen
Open Range
96 bpm • C Maj • 02:36 • -16db
26% Popularity • 20% Danceability • 18% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 18% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Fabian Römer
Friedhelm Is Fallen
86 bpm • C min • 02:33 • -23.56db
23% Popularity • 9% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Mark Isham
To Lead
86 bpm • D Maj • 03:40 • -13db
18% Popularity • 16% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Benji Merrison
Dynasties Opening Titles
96 bpm • D min • 02:27 • -11.56db
20% Popularity • 35% Danceability • 51% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
20% Popularity • 35% Danceability • 51% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Future World Music
Victory of Life
86 bpm • F Maj • 02:50 • -10.53db
37% Popularity • 24% Danceability • 50% Energy • 14% Liveness
88% Instrumentalness • 20% Positiveness
37% Popularity • 24% Danceability • 50% Energy • 14% Liveness
88% Instrumentalness • 20% Positiveness
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Nick Glennie-Smith
Passing Stones
86 bpm • A Maj • 02:32 • -21.61db
2% Popularity • 56% Danceability • 2% Energy • 56% Liveness
17% Instrumentalness • 24% Positiveness
2% Popularity • 56% Danceability • 2% Energy • 56% Liveness
17% Instrumentalness • 24% Positiveness
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Michael Kamen
The Mission Begins - Instrumental
86 bpm • D Maj • 05:49 • -15db
27% Popularity • 9% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
27% Popularity • 9% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Tyler Bates
Glory
85 bpm • G Maj • 01:43 • -13.17db
29% Popularity • 21% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
29% Popularity • 21% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Blake Neely
Soar (Main Title Theme from 'Masters of ...
85 bpm • G min • 02:35 • -15.36db
53% Popularity • 9% Danceability • 37% Energy • 18% Liveness
96% Instrumentalness • 11% Positiveness
53% Popularity • 9% Danceability • 37% Energy • 18% Liveness
96% Instrumentalness • 11% Positiveness
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Mark McKenzie
Of My Heart To Thee I Give
85 bpm • C Maj • 01:43 • -18.2db
16% Popularity • 18% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Marco Beltrami
Radio
86 bpm • E Maj • 02:23 • -22.27db
22% Popularity • 11% Danceability • 7% Energy • 11% Liveness
54% Instrumentalness • 3% Positiveness
22% Popularity • 11% Danceability • 7% Energy • 11% Liveness
54% Instrumentalness • 3% Positiveness
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Christophe Beck
No Courage Without Fear
85 bpm • C min • 03:00 • -17.01db
23% Popularity • 20% Danceability • 42% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 42% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
36% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Dario Marianelli
Summit
85 bpm • C# min • 04:57 • -17.13db
25% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Sonny Kompanek
Exercise In Darkness
85 bpm • C min • 04:30 • -15.85db
12% Popularity • 9% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
35% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
35% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Basil Poledouris
Main Titles: Dark Territory
98 bpm • F min • 02:38 • -12.06db
13% Popularity • 17% Danceability • 33% Energy • 20% Liveness
89% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 33% Energy • 20% Liveness
89% Instrumentalness • 5% Positiveness
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Harald Kloser
Mountain Of The Gods
84 bpm • D Maj • 01:56 • -12.97db
9% Popularity • 29% Danceability • 44% Energy • 22% Liveness
74% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 44% Energy • 22% Liveness
74% Instrumentalness • 4% Positiveness
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Thomas Bergersen
The Human Experience - Theme
84 bpm • C Maj • 02:48 • -16.27db
27% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Michael Kamen
Main Titles from the HBO Miniseries Band...
84 bpm • F Maj • 02:24 • -17.62db
46% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
46% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
Baseball on High
84 bpm • D Maj • 00:54 • -19.18db
5% Popularity • 25% Danceability • 14% Energy • 8% Liveness
84% Instrumentalness • 10% Positiveness
5% Popularity • 25% Danceability • 14% Energy • 8% Liveness
84% Instrumentalness • 10% Positiveness
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Thomas Newman
The Inside Out
84 bpm • A# min • 01:20 • -25.21db
25% Popularity • 27% Danceability • 11% Energy • 38% Liveness
92% Instrumentalness • 18% Positiveness
25% Popularity • 27% Danceability • 11% Energy • 38% Liveness
92% Instrumentalness • 18% Positiveness
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Marc Streitenfeld
Charge
99 bpm • E min • 01:18 • -18db
62% Popularity • 18% Danceability • 52% Energy • 63% Liveness
78% Instrumentalness • 10% Positiveness
62% Popularity • 18% Danceability • 52% Energy • 63% Liveness
78% Instrumentalness • 10% Positiveness
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Harald Kloser
Evolet
84 bpm • A min • 02:43 • -27db
26% Popularity • 8% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 8% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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The Meridian Studio Ensemble
BLACK HAWK DOWN: Leave No Man Behind
84 bpm • A min • 05:07 • -16.41db
7% Popularity • 31% Danceability • 17% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
7% Popularity • 31% Danceability • 17% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
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John Powell
Thinking Of Marie
99 bpm • C# min • 03:51 • -29.51db
24% Popularity • 13% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Craig Armstrong
Storm
84 bpm • C min • 03:00 • -9db
30% Popularity • 8% Danceability • 41% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 41% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Stephan Zacharias
Hoffnung am Ende der Welt
84 bpm • D min • 03:21 • -24.57db
19% Popularity • 15% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Rob Lane
Opening Titles
99 bpm • D min • 02:44 • -11.22db
33% Popularity • 47% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
33% Popularity • 47% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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David Newman
Serenity
84 bpm • A# Maj • 00:51 • -16.7db
26% Popularity • 33% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
26% Popularity • 33% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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Marco Beltrami
Father's Funeral
83 bpm • D min • 02:04 • -14.66db
22% Popularity • 13% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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John Powell
Converging in Athens
83 bpm • G Maj • 04:13 • -16.54db
19% Popularity • 49% Danceability • 45% Energy • 12% Liveness
82% Instrumentalness • 15% Positiveness
19% Popularity • 49% Danceability • 45% Energy • 12% Liveness
82% Instrumentalness • 15% Positiveness
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Howard Shore
The Treason of Isengard
83 bpm • A min • 04:00 • -16.07db
47% Popularity • 8% Danceability • 23% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
47% Popularity • 8% Danceability • 23% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
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Joe Kraemer
Suite from Jack Reacher (Digital Bonus T...
83 bpm • E min • 06:48 • -19.62db
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Graeme Revell
One Speed
100 bpm • C min • 03:08 • -12db
19% Popularity • 22% Danceability • 66% Energy • 9% Liveness
96% Instrumentalness • 19% Positiveness
19% Popularity • 22% Danceability • 66% Energy • 9% Liveness
96% Instrumentalness • 19% Positiveness
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Kyle Eastwood and Michael Stevens
End Titles Part 1 - Letters from Iwo Jim...
100 bpm • D min • 02:55 • -14.76db
17% Popularity • 16% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
17% Popularity • 16% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Diverse
The Highlander Theme Highlander - The Fi...
83 bpm • D min • 05:22 • -20.96db
28% Popularity • 20% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Carter Burwell
The Battle Of The Alamo, Part 6 - Score
83 bpm • C Maj • 02:43 • -18.52db
10% Popularity • 19% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Basil Poledouris
Red Route I
100 bpm • A Maj • 03:30 • -19.85db
18% Popularity • 19% Danceability • 7% Energy • 55% Liveness
85% Instrumentalness • 3% Positiveness
18% Popularity • 19% Danceability • 7% Energy • 55% Liveness
85% Instrumentalness • 3% Positiveness
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Joe Kraemer
Main Title
83 bpm • C# Maj • 03:47 • -23db
21% Popularity • 26% Danceability • 6% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 6% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
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Christophe Beck
Theme From "We Are Marshall"
100 bpm • D Maj • 03:14 • -19.82db
19% Popularity • 16% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Elara Blake
Strange Traveler
100 bpm • A# Maj • 01:45 • -18.58db
14% Popularity • 57% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
14% Popularity • 57% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
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Puy du Fou
Les chefs
83 bpm • C# Maj • 01:27 • -9.68db
13% Popularity • 16% Danceability • 43% Energy • 14% Liveness
91% Instrumentalness • 36% Positiveness
13% Popularity • 16% Danceability • 43% Energy • 14% Liveness
91% Instrumentalness • 36% Positiveness
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Stephan Zacharias
Späte Einsicht
100 bpm • F min • 02:13 • -22.17db
9% Popularity • 18% Danceability • 7% Energy • 31% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 7% Energy • 31% Liveness
89% Instrumentalness • 4% Positiveness
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John Beal
Judge Dredd Trailer
100 bpm • D Maj • 00:57 • -10.69db
27% Popularity • 49% Danceability • 52% Energy • 14% Liveness
84% Instrumentalness • 70% Positiveness
27% Popularity • 49% Danceability • 52% Energy • 14% Liveness
84% Instrumentalness • 70% Positiveness
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Nick Glennie-Smith
First Step
83 bpm • D Maj • 02:04 • -18.61db
19% Popularity • 37% Danceability • 26% Energy • 11% Liveness
73% Instrumentalness • 8% Positiveness
19% Popularity • 37% Danceability • 26% Energy • 11% Liveness
73% Instrumentalness • 8% Positiveness
