Songs like Atto di Aristeo: Cavatina "Numi offesi, ombre sdegnate" (Arsiteo) by Christoph Willibald Gluck
Based on a tempo of (+/- 10%) and a similar genre
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Christoph Willibald Gluck
Le cinesi, Wq. 18 (Excerpts): Voli il pi...
109 bpm • D Maj • 05:54 • -15.51db
5% Popularity • 45% Danceability • 23% Energy • 12% Liveness
3% Instrumentalness • 33% Positiveness
5% Popularity • 45% Danceability • 23% Energy • 12% Liveness
3% Instrumentalness • 33% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4, Largo
109 bpm • A min • 02:11 • -25.93db
61% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
61% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS / Orch. Marriner: Was mir behag...
109 bpm • A# Maj • 04:39 • -22.32db
34% Popularity • 25% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
34% Popularity • 25% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Georg Philipp Telemann
Concerto In G Major TWV 40:201, For 4 Vi...
110 bpm • F# Maj • 02:11 • -24.41db
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
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Giovanni Battista Pergolesi
Lo frate 'nnamorato: II. Andante
108 bpm • G min • 02:27 • -22db
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 3: Ahimè...
109 bpm • A min • 01:11 • -20.2db
1% Popularity • 47% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 47% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Franz Schubert
Schwanengesang, D. 957: IV. Ständchen i...
108 bpm • D Maj • 04:31 • -23.31db
40% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
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Tomaso Albinoni
Concerto a 5 in B flat, Op. 7, no.10 for...
107 bpm • A# Maj • 01:36 • -19db
50% Popularity • 59% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
50% Popularity • 59% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Christoph Willibald Gluck
Paride ed Elena, Wq. 39, Act I: Act I Sc...
110 bpm • D# Maj • 03:11 • -21.11db
0% Popularity • 41% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 41% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Mikhail Glinka
Mazurka in C Minor
106 bpm • C min • 02:35 • -31db
40% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
40% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608 - Arr. Cello: 4. Cu...
106 bpm • G min • 05:14 • -27.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
106 bpm • C min • 03:27 • -19db
53% Popularity • 48% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 48% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
112 bpm • D min • 01:54 • -23.16db
50% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
50% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Sonata No.2 in E flat major, BWV 1031 - ...
106 bpm • G min • 03:39 • -29.15db
21% Popularity • 38% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
21% Popularity • 38% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Robert Schumann
Waldszenen, Op. 82: I. Eintritt im Walde
113 bpm • A# Maj • 02:04 • -33.9db
36% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
36% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
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Antonio Vivaldi
Concerto Grosso In G Minor, Op. 3, No. 2...
105 bpm • G min • 04:24 • -15.13db
44% Popularity • 41% Danceability • 25% Energy • 16% Liveness
56% Instrumentalness • 9% Positiveness
44% Popularity • 41% Danceability • 25% Energy • 16% Liveness
56% Instrumentalness • 9% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Janos Sebestyen
Concerto In The Italian Style, BWV 971, ...
105 bpm • F Maj • 03:45 • -20db
53% Popularity • 40% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 86% Positiveness
53% Popularity • 40% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 86% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
56% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
56% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
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Christoph Willibald Gluck
Gluck, Wq.3, Pt. 1, Scena I: I. Credimi,...
113 bpm • F# Maj • 01:53 • -13.18db
0% Popularity • 46% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 46% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Reynaldo Hahn
Douze valses, Le ruban dénoué: No. 1, ...
104 bpm • F# min • 01:26 • -26.49db
53% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
53% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
114 bpm • A min • 03:23 • -17db
50% Popularity • 51% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 51% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
57% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
57% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
103 bpm • B Maj • 01:08 • -19db
53% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
53% Popularity • 42% Danceability • 13% Energy • 55% Liveness
60% Instrumentalness • 58% Positiveness
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Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
116 bpm • G Maj • 01:06 • -19db
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
103 bpm • D# Maj • 06:07 • -26db
49% Popularity • 25% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 25% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 2: Ballo
116 bpm • D# Maj • 01:15 • -21.43db
1% Popularity • 24% Danceability • 4% Energy • 17% Liveness
25% Instrumentalness • 3% Positiveness
1% Popularity • 24% Danceability • 4% Energy • 17% Liveness
25% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Prelude & Fugue in C Major (Well-Tempere...
102 bpm • C Maj • 01:26 • -29.53db
38% Popularity • 29% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
38% Popularity • 29% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
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Georg Philipp Telemann
Sonata for Violin and Basso Continuo in ...
116 bpm • F# Maj • 02:32 • -12db
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Concerto For 4 Violins In D Major, Op. 3...
117 bpm • D Maj • 03:01 • -16db
49% Popularity • 56% Danceability • 34% Energy • 14% Liveness
7% Instrumentalness • 67% Positiveness
49% Popularity • 56% Danceability • 34% Energy • 14% Liveness
7% Instrumentalness • 67% Positiveness
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George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
48% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
48% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 2: Deh! p...
103 bpm • D# Maj • 02:19 • -21.15db
2% Popularity • 39% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 39% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.9/L.413/P....
118 bpm • F Maj • 03:18 • -25.07db
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
► Preview
Johann Sebastian Bach
Prelude in B minor, BWV 855a (Arr. by Al...
100 bpm • B min • 04:01 • -33.75db
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
51% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
51% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
► Preview
Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
100 bpm • G Maj • 01:57 • -35db
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
56% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
56% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Johann Sebastian Bach
Violin Concerto No. 2 in E, BWV 1042: 1....
100 bpm • E Maj • 07:25 • -16db
37% Popularity • 45% Danceability • 33% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
37% Popularity • 45% Danceability • 33% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
► Preview
Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
► Preview
Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
► Preview
Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: Euridi...
117 bpm • C Maj • 01:11 • -23.4db
2% Popularity • 38% Danceability • 4% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 38% Danceability • 4% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
► Preview
Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
► Preview
Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice", Wq. 30...
102 bpm • D min • 03:23 • -25db
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 7% Positiveness
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 7% Positiveness
► Preview
Ralph Vaughan Williams
The Lark Ascending: I. Andante sostenuto
98 bpm • B min • 06:12 • -24db
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
60% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
60% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
► Preview
Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
► Preview
Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
47% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
47% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Paride ed Elena, Wq. 39, Act V: Act V Sc...
120 bpm • C Maj • 02:44 • -20.49db
0% Popularity • 50% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 50% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
49% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
49% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
Aria de la Pastorale en ut mineur BWV 59...
123 bpm • F min • 02:36 • -28.89db
49% Popularity • 25% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
49% Popularity • 25% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
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Maria João Pires
Sonata No. 16 in B Flat Major, II. Adagi...
96 bpm • D# Maj • 06:17 • -30.17db
33% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
33% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Christoph Willibald Gluck
Alceste (Sung in French): Overture
97 bpm • D min • 06:25 • -20db
8% Popularity • 21% Danceability • 8% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
96 bpm • C min • 04:45 • -19db
46% Popularity • 36% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 36% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Berceuse in D Flat Major, Op. 57
95 bpm • C# Maj • 04:52 • -26.42db
41% Popularity • 32% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
41% Popularity • 32% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 1, Ball...
122 bpm • G Maj • 01:56 • -19db
21% Popularity • 39% Danceability • 32% Energy • 58% Liveness
56% Instrumentalness • 38% Positiveness
21% Popularity • 39% Danceability • 32% Energy • 58% Liveness
56% Instrumentalness • 38% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Edvard Grieg
Grieg: Lyric Pieces, Book 1, Op. 12: No....
95 bpm • G min • 01:20 • -38.87db
33% Popularity • 40% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
33% Popularity • 40% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: Cerco ...
97 bpm • F Maj • 01:13 • -23.09db
2% Popularity • 25% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 25% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 15 in D-Flat M...
95 bpm • C# Maj • 04:51 • -26.15db
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act 1: Ballo....
96 bpm • A# Maj • 02:11 • -32.35db
2% Popularity • 13% Danceability • 2% Energy • 13% Liveness
12% Instrumentalness • 6% Positiveness
2% Popularity • 13% Danceability • 2% Energy • 13% Liveness
12% Instrumentalness • 6% Positiveness
