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Au son de l'accordéon
Songs like
Au son de l'accordéon
by
Francis Lemarque
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Chevalier
Paris je t'aime d'amour
149 bpm • G# Maj • 02:21 • -15db
13% Popularity • 44% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Eddy Mitchell
Toujours un coin qui me rappelle
150 bpm • C Maj • 03:21 • -11db
42% Popularity • 57% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Lucienne Delyle
Les quais de la Seine
147 bpm • A# Maj • 02:40 • -13.27db
20% Popularity • 39% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Georges Guétary
Le P'tit bal du samedi soir
147 bpm • G# Maj • 03:04 • -13db
11% Popularity • 67% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Arletty
J'en ai marre
151 bpm • F Maj • 02:00 • -11db
11% Popularity • 58% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Guy Béart
Le chapeau
153 bpm • E Maj • 02:09 • -14db
28% Popularity • 75% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Andre Bourvil
C'était bien (Le petit bal perdu)
145 bpm • C Maj • 03:16 • -15.36db
34% Popularity • 47% Danceability • 24% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Francis Lemarque
Les routiers
145 bpm • D Maj • 02:52 • -14.45db
2% Popularity • 62% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Marie Laforêt
Je suis folle de vous
154 bpm • G# min • 02:05 • -12.86db
36% Popularity • 66% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Ray Ventura
Qu'est-ce qu'on attend pour être heureu...
144 bpm • C Maj • 03:03 • -6.55db
16% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Les Frères Jacques
La confiture
144 bpm • A min • 03:38 • -16.03db
16% Popularity • 46% Danceability • 35% Energy • 94% Liveness
0% Instrumentalness • 83% Positiveness
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Thierry Le Luron
Qu'est-ce qu'on attend pour être heureu...
143 bpm • B Maj • 01:15 • -9db
12% Popularity • 48% Danceability • 56% Energy • 89% Liveness
0% Instrumentalness • 59% Positiveness
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Andre Bourvil
C'était bien (Le p'tit bal perdu)
144 bpm • C Maj • 03:19 • -18.73db
30% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Leny Escudero
Le bohémien
143 bpm • F Maj • 02:47 • -8db
27% Popularity • 44% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Pierre Vassiliu
Pour gagner des sous
156 bpm • G Maj • 02:20 • -7.75db
18% Popularity • 61% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 83% Positiveness
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Ray Ventura
Ça vaut mieux que d'attraper la scarlat...
144 bpm • F Maj • 03:26 • -10db
13% Popularity • 70% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Yves Duteil
Tarentelle
143 bpm • A Maj • 01:58 • -12db
47% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Marie Laforêt
Viens sur la montagne
142 bpm • C# Maj • 02:24 • -11.84db
34% Popularity • 51% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Jean-Michel Defaye
Bastringue
157 bpm • A Maj • 01:53 • -13.3db
1% Popularity • 69% Danceability • 40% Energy • 9% Liveness
98% Instrumentalness • 94% Positiveness
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Magali Noël
Rock Des Petits Cailloux
158 bpm • A# Maj • 02:33 • -8.84db
11% Popularity • 56% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Michèle Arnaud
Ronsard 58
141 bpm • G# Maj • 01:44 • -12db
31% Popularity • 68% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Ray Ventura
Qu'est-ce qu'on attend ? - Pour être he...
143 bpm • A min • 03:04 • -8.11db
19% Popularity • 49% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Patachou
Rue Lepic
141 bpm • C Maj • 02:35 • -8db
14% Popularity • 49% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Jean Sablon
Un baiser
141 bpm • C# Maj • 03:19 • -19db
19% Popularity • 53% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Georgius
Au lycée Papillon
139 bpm • E Maj • 03:19 • -13db
10% Popularity • 81% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Colette Renard
Pigalle
139 bpm • G Maj • 02:42 • -14db
21% Popularity • 47% Danceability • 21% Energy • 59% Liveness
0% Instrumentalness • 50% Positiveness
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Maurice Chevalier
Fleur de Paris
139 bpm • C Maj • 02:33 • -13db
22% Popularity • 71% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Ray Ventura
Ca vaut mieux que d'attraper la scarlati...
139 bpm • F Maj • 03:23 • -7db
19% Popularity • 72% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Les Frères Jacques
Fredo
138 bpm • E min • 03:13 • -14db
16% Popularity • 64% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Jean Ferrat
Regarde-toi Paname
138 bpm • A# min • 02:30 • -8.26db
11% Popularity • 48% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Georges Guétary
La Route fleurie
138 bpm • D Maj • 02:53 • -10.18db
12% Popularity • 50% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Rina Ketty
Sombreros et mantilles
137 bpm • F Maj • 03:00 • -8db
9% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Maurice Chevalier
Valentine
138 bpm • G Maj • 02:31 • -17db
17% Popularity • 73% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Andre Bourvil
La tendresse
137 bpm • E Maj • 03:09 • -14.73db
41% Popularity • 54% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Brigitte Bardot
Sidonie
136 bpm • C Maj • 02:51 • -12.8db
37% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Guy Béart
Le matin je m'éveille en chantant (Pier...
136 bpm • F Maj • 02:19 • -8.92db
21% Popularity • 69% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Fréhel
Où est-il donc ?
136 bpm • G Maj • 03:12 • -12db
12% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Ray Ventura
Tout va très bien madame la marquise
136 bpm • F Maj • 03:25 • -14db
34% Popularity • 73% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Maurice Chevalier
La Chanson du maçon
136 bpm • B Maj • 03:09 • -15.79db
7% Popularity • 80% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Jean Ferrat
Paris Gavroche
135 bpm • G# Maj • 02:30 • -7.01db
11% Popularity • 63% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Marie Laforêt
Frantz
135 bpm • F# Maj • 03:02 • -13db
21% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Guy Béart
Frantz
136 bpm • F# Maj • 03:02 • -16db
19% Popularity • 50% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Boby Lapointe
Framboise
135 bpm • D Maj • 02:40 • -8.56db
31% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Rina Ketty
Sombrero et mantilles
134 bpm • C Maj • 03:06 • -12db
16% Popularity • 64% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Richard Anthony
Nouvelle vague
135 bpm • D min • 02:35 • -10db
21% Popularity • 66% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Marcel Amont
Les bleuets d'azur
166 bpm • D# Maj • 02:51 • -13.15db
13% Popularity • 47% Danceability • 17% Energy • 48% Liveness
0% Instrumentalness • 37% Positiveness
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Fréhel
Ou est-il donc ?
134 bpm • C Maj • 03:13 • -7.73db
10% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Jeanne Moreau
Embrasse-moi
133 bpm • G Maj • 02:15 • -12db
30% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Maurice Chevalier
Ca fait d'excellents français
133 bpm • A# Maj • 03:10 • -13db
9% Popularity • 67% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Jean Gabin
Vive les grosses dames
133 bpm • C Maj • 01:03 • -13.03db
21% Popularity • 79% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Richard Anthony
C'est ma fête
133 bpm • D Maj • 02:12 • -7.46db
19% Popularity • 54% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Lucienne Delyle
Sur les quais du vieux Paris
132 bpm • G# Maj • 03:24 • -16db
20% Popularity • 37% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Georges Milton
La fille du bédouin
132 bpm • F min • 02:57 • -10db
14% Popularity • 68% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Francis Lemarque
La Poupee Magique
132 bpm • B min • 02:28 • -9.28db
0% Popularity • 72% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Gillian Hills
Spécialisation
132 bpm • C Maj • 03:27 • -7.51db
11% Popularity • 58% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Jean Sablon
Paris tu n'as pas changé
169 bpm • F Maj • 03:02 • -10.46db
8% Popularity • 50% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Jean Ferrat
Ta chanson
131 bpm • G# Maj • 02:17 • -6.65db
11% Popularity • 49% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Luis Mariano
Paris Champagne
132 bpm • A# Maj • 02:06 • -6db
17% Popularity • 53% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Line Renaud
Le Bal aux Baléares
131 bpm • A Maj • 02:25 • -7db
19% Popularity • 69% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Les Frères Jacques
La confiture
131 bpm • C Maj • 03:55 • -14db
14% Popularity • 50% Danceability • 43% Energy • 98% Liveness
0% Instrumentalness • 70% Positiveness
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Francis Lemarque
Cette Chanson D'Amour
169 bpm • E min • 02:18 • -13.52db
1% Popularity • 49% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Fréhel
Ohé ! Les copains !
131 bpm • D Maj • 02:23 • -11.47db
9% Popularity • 74% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Lucienne Boyer
Mon p'tit kaki
169 bpm • G# Maj • 03:28 • -18.22db
18% Popularity • 43% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Jean Ferrat
A Brassens
131 bpm • C min • 02:25 • -9.69db
28% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Léo Marjane
Bei mir bist du schön - en français
170 bpm • D min • 02:46 • -11.65db
15% Popularity • 45% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Cora Vaucaire
Le Temps des cerises
170 bpm • B Maj • 03:25 • -12db
16% Popularity • 31% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Marie Laforêt
Saint-tropez blues
170 bpm • G# Maj • 02:19 • -11db
44% Popularity • 49% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Francis Lemarque
Mathilda
170 bpm • C# Maj • 02:37 • -19.49db
2% Popularity • 27% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Luis Mariano
Rossignol
130 bpm • A Maj • 03:19 • -15db
22% Popularity • 43% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Serge Gainsbourg
La nuit d'Octobre
130 bpm • A# min • 03:04 • -10.82db
17% Popularity • 71% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Maurice Chevalier
Paris sera toujours Paris
130 bpm • G Maj • 03:14 • -14.49db
35% Popularity • 61% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Fréhel
La Coco
171 bpm • G Maj • 03:02 • -10.91db
13% Popularity • 38% Danceability • 22% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
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André Claveau
Domino
171 bpm • G Maj • 03:22 • -13db
15% Popularity • 39% Danceability • 15% Energy • 60% Liveness
0% Instrumentalness • 32% Positiveness
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Brigitte Bardot
Ciel de lit
130 bpm • G Maj • 01:43 • -11db
31% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Luis Mariano
Rossignol de mes amours
130 bpm • A Maj • 03:22 • -15db
21% Popularity • 42% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Francis Lemarque
Le Petit Cordonnier
129 bpm • F Maj • 02:49 • -11.76db
0% Popularity • 79% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Maurice Chevalier
Marché de Ménilmontant
129 bpm • C Maj • 02:45 • -11.56db
11% Popularity • 72% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Jean Ferrat
J'entends, J'entends
129 bpm • A Maj • 02:48 • -7.09db
27% Popularity • 44% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Line Renaud
Itsi bitsi petit bikini - Remasterisé e...
129 bpm • G Maj • 02:16 • -9db
18% Popularity • 76% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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François Deguelt
Le p'tit bal de la marine
172 bpm • A min • 02:26 • -7db
10% Popularity • 36% Danceability • 71% Energy • 69% Liveness
0% Instrumentalness • 60% Positiveness
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Sylvie Vartan
2'35 de bonheur
129 bpm • D# Maj • 02:32 • -11.35db
17% Popularity • 65% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Catherine Sauvage
Les rupins
172 bpm • G# Maj • 02:46 • -11db
30% Popularity • 61% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Lucienne Delyle
Le Tango des jours heureux
129 bpm • C# Maj • 02:27 • -11.93db
14% Popularity • 37% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Jean Ferrat
J'entends, j'entends
129 bpm • A Maj • 02:43 • -7.07db
12% Popularity • 46% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Mireille Mathieu
Paris en colère
128 bpm • A# Maj • 02:34 • -5db
29% Popularity • 40% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Line Renaud
Les enchainés - Remasterisé en 2013
128 bpm • G# Maj • 02:21 • -5.4db
13% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Reda Caire
Si Tu Reviens
128 bpm • G Maj • 02:47 • -12db
19% Popularity • 45% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Francis Lemarque
Le petit cordonnier
128 bpm • F Maj • 02:48 • -13db
26% Popularity • 81% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Ray Ventura
A la mi-Aoüt
128 bpm • A min • 02:36 • -5db
16% Popularity • 83% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Jean Ferrat
La matinée
128 bpm • C# Maj • 02:53 • -8db
34% Popularity • 23% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Colette Renard
Ça, c'est Paris
128 bpm • D# Maj • 01:51 • -13db
26% Popularity • 37% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Line Renaud
Quand Madelon (du film "La Madelon") - R...
127 bpm • A# Maj • 03:04 • -2db
16% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Jean Constantin
Le pacha
127 bpm • D Maj • 02:38 • -10db
29% Popularity • 84% Danceability • 71% Energy • 49% Liveness
0% Instrumentalness • 94% Positiveness
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Francis Lemarque
La Mistoufle
175 bpm • G# Maj • 02:33 • -10db
0% Popularity • 57% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Henri Garat
Avoir un bon copain
127 bpm • A min • 02:34 • -13db
24% Popularity • 76% Danceability • 40% Energy • 14% Liveness
27% Instrumentalness • 74% Positiveness
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Luis Mariano
C'est magnifique
176 bpm • C Maj • 02:31 • -11db
28% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Guy Béart
La vérité - Version 1973
178 bpm • D Maj • 03:41 • -15db
25% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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François Deguelt
Que sera, sera - Remasterisé en 2019
179 bpm • A# Maj • 02:39 • -6db
15% Popularity • 36% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 71% Positiveness
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Cora Vaucaire
Trois petites notes de musique
180 bpm • D# Maj • 04:07 • -14db
18% Popularity • 29% Danceability • 21% Energy • 11% Liveness
8% Instrumentalness • 37% Positiveness
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Francis Lemarque
Cornet De Frites
175 bpm • D min • 03:28 • -12.91db
1% Popularity • 44% Danceability • 20% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Au son de l'accordéon