Songs like Audeeis by Mauricio Sotelo
Based on a tempo of (+/- 10%) and a similar genre
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Mauricio Sotelo
Audeeis
153 bpm • C# Maj • 23:03 • -23.23db
0% Popularity • 33% Danceability • 14% Energy • 44% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 33% Danceability • 14% Energy • 44% Liveness
0% Instrumentalness • 8% Positiveness
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Morton Feldman
Jackson Pollock (1950-51) for two Cellos...
154 bpm • D Maj • 01:22 • -47.69db
21% Popularity • 31% Danceability • 4% Energy • 19% Liveness
67% Instrumentalness • 23% Positiveness
21% Popularity • 31% Danceability • 4% Energy • 19% Liveness
67% Instrumentalness • 23% Positiveness
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Maya Badian
Concerto Grosso: III. Toccata
152 bpm • C Maj • 03:42 • -25db
4% Popularity • 38% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
4% Popularity • 38% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
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Lou Harrison
Concerto for Violin & Percussion Orchest...
151 bpm • B min • 04:29 • -12.65db
10% Popularity • 44% Danceability • 42% Energy • 25% Liveness
32% Instrumentalness • 23% Positiveness
10% Popularity • 44% Danceability • 42% Energy • 25% Liveness
32% Instrumentalness • 23% Positiveness
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Dmitri Shostakovich
String Quartet No. 9 in E-Flat Major, Op...
152 bpm • E min • 03:53 • -23.95db
13% Popularity • 48% Danceability • 10% Energy • 9% Liveness
76% Instrumentalness • 33% Positiveness
13% Popularity • 48% Danceability • 10% Energy • 9% Liveness
76% Instrumentalness • 33% Positiveness
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Franklin Olsen
Think of Skies
150 bpm • G Maj • 01:02 • -28.72db
12% Popularity • 58% Danceability • 32% Energy • 14% Liveness
94% Instrumentalness • 30% Positiveness
12% Popularity • 58% Danceability • 32% Energy • 14% Liveness
94% Instrumentalness • 30% Positiveness
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Yngve Slettholm
Blå Skygge - Blue Shadow: Preludium
150 bpm • C# Maj • 01:00 • -39.45db
14% Popularity • 28% Danceability • 0% Energy • 7% Liveness
10% Instrumentalness • 10% Positiveness
14% Popularity • 28% Danceability • 0% Energy • 7% Liveness
10% Instrumentalness • 10% Positiveness
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Vanessa Lann
DD (Double D)
149 bpm • B min • 01:00 • -26.38db
14% Popularity • 58% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 84% Positiveness
14% Popularity • 58% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 84% Positiveness
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Kathleen Tagg
Second Time Around
149 bpm • C# Maj • 05:41 • -19.46db
10% Popularity • 48% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 62% Positiveness
10% Popularity • 48% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 62% Positiveness
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Olivier Messiaen
Turangalîla-Symphony: I. Introduction. ...
148 bpm • A# min • 06:08 • -19.2db
17% Popularity • 26% Danceability • 42% Energy • 38% Liveness
65% Instrumentalness • 8% Positiveness
17% Popularity • 26% Danceability • 42% Energy • 38% Liveness
65% Instrumentalness • 8% Positiveness
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Dmitri Shostakovich
Shostakovich: Violin Concerto No. 1 in A...
158 bpm • A# Maj • 04:51 • -20.87db
13% Popularity • 48% Danceability • 26% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
13% Popularity • 48% Danceability • 26% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
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John Cage
Amores: III. Trio (7 woodblocks, not Chi...
146 bpm • F min • 01:25 • -33.41db
12% Popularity • 52% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 31% Positiveness
12% Popularity • 52% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 31% Positiveness
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KiriVi
Up in the Night Sky
160 bpm • C min • 01:39 • -42.56db
14% Popularity • 41% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 55% Positiveness
14% Popularity • 41% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 55% Positiveness
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Upside Down Upright Bass
Metropolis soundscape experience
146 bpm • G Maj • 02:13 • -25.74db
21% Popularity • 28% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Aigars Raumanis
The Closed Courtyard
144 bpm • C min • 09:18 • -21.57db
12% Popularity • 44% Danceability • 14% Energy • 14% Liveness
60% Instrumentalness • 7% Positiveness
12% Popularity • 44% Danceability • 14% Energy • 14% Liveness
60% Instrumentalness • 7% Positiveness
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Olivier Messiaen
Messiaen: Éclairs sur l'au-delà...: V....
146 bpm • A# Maj • 10:10 • -38.01db
14% Popularity • 13% Danceability • 1% Energy • 8% Liveness
10% Instrumentalness • 2% Positiveness
14% Popularity • 13% Danceability • 1% Energy • 8% Liveness
10% Instrumentalness • 2% Positiveness
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Mitar Popescu
Clarinet Serenade: Gypsy Lament
144 bpm • B min • 01:29 • -23.17db
15% Popularity • 29% Danceability • 6% Energy • 23% Liveness
84% Instrumentalness • 7% Positiveness
15% Popularity • 29% Danceability • 6% Energy • 23% Liveness
84% Instrumentalness • 7% Positiveness
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Mieczysław Weinberg
Trumpet Concerto in B-Flat Major, Op. 94...
144 bpm • F Maj • 01:01 • -14.16db
18% Popularity • 54% Danceability • 35% Energy • 46% Liveness
90% Instrumentalness • 62% Positiveness
18% Popularity • 54% Danceability • 35% Energy • 46% Liveness
90% Instrumentalness • 62% Positiveness
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Per Egland
Un Diablo Dormido: II Paladomp
143 bpm • A Maj • 04:56 • -18.47db
1% Popularity • 18% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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TEWE
Simple Past
143 bpm • A min • 01:06 • -30.81db
14% Popularity • 52% Danceability • 40% Energy • 7% Liveness
96% Instrumentalness • 96% Positiveness
14% Popularity • 52% Danceability • 40% Energy • 7% Liveness
96% Instrumentalness • 96% Positiveness
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George Crumb
Kronos-Kryptos (Version for Percussion Q...
144 bpm • C# min • 02:37 • -15.27db
15% Popularity • 42% Danceability • 65% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
15% Popularity • 42% Danceability • 65% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
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György Ligeti
String Quartet No. 1 "Métamorphoses noc...
164 bpm • C Maj • 02:52 • -26.74db
8% Popularity • 35% Danceability • 5% Energy • 47% Liveness
14% Instrumentalness • 18% Positiveness
8% Popularity • 35% Danceability • 5% Energy • 47% Liveness
14% Instrumentalness • 18% Positiveness
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Claude Debussy
Préludes, Book 1, L. 117: No. 11, La da...
143 bpm • F min • 03:04 • -27.62db
10% Popularity • 29% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 29% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Marc-André Hamelin
Variation diabellique sur des thèmes de...
143 bpm • F min • 02:22 • -22.14db
7% Popularity • 50% Danceability • 15% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
7% Popularity • 50% Danceability • 15% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Ralph Vaughan Williams
Violin Concerto in D Minor "Accademico":...
164 bpm • G Maj • 04:08 • -19.92db
8% Popularity • 27% Danceability • 26% Energy • 18% Liveness
80% Instrumentalness • 34% Positiveness
8% Popularity • 27% Danceability • 26% Energy • 18% Liveness
80% Instrumentalness • 34% Positiveness
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Upside Down Upright Bass
Overture of the plastic flute
142 bpm • E Maj • 01:11 • -20.49db
21% Popularity • 24% Danceability • 6% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 6% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
Tohoku Youth Orchestra with Otomo Yoshih...
165 bpm • D# Maj • 05:52 • -20.8db
18% Popularity • 12% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 4% Positiveness
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Takashi Kako
狂気の影
142 bpm • D Maj • 02:22 • -12.22db
8% Popularity • 22% Danceability • 44% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 44% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Julianus Nunes
Angustioso
166 bpm • D min • 03:21 • -22.14db
17% Popularity • 32% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
17% Popularity • 32% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Ulrich Leyendecker
Bass Clarinet Quintet: I. —
141 bpm • G Maj • 06:14 • -21.48db
8% Popularity • 20% Danceability • 5% Energy • 12% Liveness
49% Instrumentalness • 3% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 12% Liveness
49% Instrumentalness • 3% Positiveness
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Erwin Schulhoff
String Quartet No. 1: IV. Andante molto ...
166 bpm • D min • 06:50 • -24.32db
17% Popularity • 13% Danceability • 4% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 4% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
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Mauricio Sotelo
Urrutiko urdin
141 bpm • A Maj • 07:20 • -20.02db
0% Popularity • 21% Danceability • 25% Energy • 66% Liveness
53% Instrumentalness • 6% Positiveness
0% Popularity • 21% Danceability • 25% Energy • 66% Liveness
53% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Piano Concerto No. 2 in G Minor, Op. 16:...
166 bpm • D min • 02:21 • -24db
8% Popularity • 31% Danceability • 16% Energy • 19% Liveness
84% Instrumentalness • 50% Positiveness
8% Popularity • 31% Danceability • 16% Energy • 19% Liveness
84% Instrumentalness • 50% Positiveness
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Jeremymus
A
141 bpm • F# min • 01:32 • -31.83db
10% Popularity • 21% Danceability • 0% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 21% Danceability • 0% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
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Alberto Ginastera
Estancia, Op. 8: Scene 5, El Amanecer - ...
140 bpm • A# Maj • 01:14 • -23.23db
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
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Antonín Dvořák
Partita Suite No. 1 for String Orchestra...
167 bpm • E min • 02:36 • -18db
8% Popularity • 35% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 64% Positiveness
8% Popularity • 35% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 64% Positiveness
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György Ligeti
String Quartet No. 1 "Métamorphoses noc...
167 bpm • F Maj • 03:05 • -34.21db
11% Popularity • 11% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Karsten Masch
Opus No. 5 Karsten Masch - Tubae Spei - ...
140 bpm • C# min • 03:12 • -16.48db
30% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
30% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
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Erik Satie
Variations on leitmotiv du "Panthée" (E...
168 bpm • B min • 00:57 • -42.08db
8% Popularity • 45% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 0% Positiveness
8% Popularity • 45% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 0% Positiveness
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Maurice Ravel
Sonata for Violin and Cello (1920-22) / ...
168 bpm • D min • 03:35 • -22db
7% Popularity • 38% Danceability • 8% Energy • 11% Liveness
66% Instrumentalness • 24% Positiveness
7% Popularity • 38% Danceability • 8% Energy • 11% Liveness
66% Instrumentalness • 24% Positiveness
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Sergei Prokofiev
10 Pieces from Romeo and Juliet, Op. 75:...
139 bpm • A# Maj • 02:22 • -21.04db
10% Popularity • 58% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
10% Popularity • 58% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
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Béla Bartók
Bartók: 14 Bagatelles, Op. 6, Sz. 38: N...
168 bpm • F# min • 01:16 • -45.73db
9% Popularity • 6% Danceability • 0% Energy • 16% Liveness
88% Instrumentalness • 29% Positiveness
9% Popularity • 6% Danceability • 0% Energy • 16% Liveness
88% Instrumentalness • 29% Positiveness
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Jörgen Dafgård
Quartet I
169 bpm • A# Maj • 10:31 • -23.45db
11% Popularity • 17% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Christian Lindberg
Frustration
138 bpm • G min • 01:48 • -28.75db
16% Popularity • 15% Danceability • 8% Energy • 34% Liveness
95% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 8% Energy • 34% Liveness
95% Instrumentalness • 3% Positiveness
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Samuel Dushkin
The Firebird: Berceuse (arr. S. Dushkin ...
138 bpm • G# min • 02:09 • -18.3db
10% Popularity • 21% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
10% Popularity • 21% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
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Bryce Dessner
Murder Ballades for Chamber Ensemble 7 T...
170 bpm • C min • 02:53 • -17.16db
7% Popularity • 59% Danceability • 49% Energy • 4% Liveness
89% Instrumentalness • 90% Positiveness
7% Popularity • 59% Danceability • 49% Energy • 4% Liveness
89% Instrumentalness • 90% Positiveness
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Arnold Schoenberg
Pelleas und Melisande, Op. 5: Die ? ein ...
170 bpm • A Maj • 01:26 • -38.43db
8% Popularity • 8% Danceability • 0% Energy • 37% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 0% Energy • 37% Liveness
95% Instrumentalness • 4% Positiveness
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Ernest Bloch
From Jewish Life, B. 54: III. No. 3 Jewi...
137 bpm • F Maj • 02:16 • -20.64db
9% Popularity • 30% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 11% Positiveness
9% Popularity • 30% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 11% Positiveness
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Toru Takemitsu
Lento in due movimenti: I. Adagio
137 bpm • F min • 04:27 • -33db
13% Popularity • 50% Danceability • 0% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
13% Popularity • 50% Danceability • 0% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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Midori Takada
Tayurani
170 bpm • G# min • 07:43 • -17.72db
7% Popularity • 39% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
7% Popularity • 39% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
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Charlotte Seither
Gran passo (2006) for Piano: Gran passo ...
137 bpm • C Maj • 10:21 • -34.63db
7% Popularity • 30% Danceability • 1% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
7% Popularity • 30% Danceability • 1% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
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Yi Chen
Memory for solo viola
171 bpm • A# Maj • 04:02 • -15.55db
12% Popularity • 23% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 11% Positiveness
12% Popularity • 23% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 11% Positiveness
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Sergei Prokofiev
Prokofiev: Violin Concerto No. 1 in D Ma...
137 bpm • A min • 03:57 • -26.75db
17% Popularity • 52% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 47% Positiveness
17% Popularity • 52% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 47% Positiveness
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Aurelio Scotto
Painting VIII: BACH
171 bpm • G Maj • 01:02 • -21.66db
20% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Toru Takemitsu
Piano Distance
137 bpm • F Maj • 04:17 • -24db
10% Popularity • 62% Danceability • 0% Energy • 8% Liveness
27% Instrumentalness • 25% Positiveness
10% Popularity • 62% Danceability • 0% Energy • 8% Liveness
27% Instrumentalness • 25% Positiveness
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Paul Schoenfield
Trio for Clarinet, Violin & Piano: III. ...
137 bpm • F Maj • 04:55 • -22.43db
8% Popularity • 18% Danceability • 3% Energy • 13% Liveness
18% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 13% Liveness
18% Instrumentalness • 3% Positiveness
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Dane Rudhyar
Advent: III. Tragic Vision
136 bpm • C min • 04:49 • -26.13db
9% Popularity • 20% Danceability • 6% Energy • 38% Liveness
69% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 6% Energy • 38% Liveness
69% Instrumentalness • 7% Positiveness
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![Ólafur Liljurós: [Crotchet = c. 96] cover art](https://i.scdn.co/image/ab67616d00001e0233c5d178cecc0ab03656565b)
Jórunn Viðar
Ólafur Liljurós: [Crotchet = c. 96]
136 bpm • C Maj • 01:19 • -24.57db
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Petrushka, K12 (1947 Version): IVd. The ...
136 bpm • C Maj • 01:12 • -20.35db
14% Popularity • 41% Danceability • 27% Energy • 30% Liveness
94% Instrumentalness • 35% Positiveness
14% Popularity • 41% Danceability • 27% Energy • 30% Liveness
94% Instrumentalness • 35% Positiveness
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Max Richter
Recomposed: Vivaldi - The Four Seasons: ...
172 bpm • A# min • 03:18 • -32.74db
19% Popularity • 10% Danceability • 9% Energy • 49% Liveness
18% Instrumentalness • 10% Positiveness
19% Popularity • 10% Danceability • 9% Energy • 49% Liveness
18% Instrumentalness • 10% Positiveness
► Preview
Efrem Podgaits
Triple Concerto for Violin, Cello, Piano...
172 bpm • G min • 05:58 • -28.42db
8% Popularity • 12% Danceability • 4% Energy • 10% Liveness
15% Instrumentalness • 3% Positiveness
8% Popularity • 12% Danceability • 4% Energy • 10% Liveness
15% Instrumentalness • 3% Positiveness
► Preview
Benjamin Britten
Sinfonia da Requiem, Op. 20: III. Requie...
136 bpm • G Maj • 06:06 • -28.19db
38% Popularity • 15% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Samy Moussa
Orpheus in Nunavut
136 bpm • F# Maj • 04:11 • -35.32db
7% Popularity • 26% Danceability • 4% Energy • 26% Liveness
17% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 4% Energy • 26% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
Morton Feldman
Samoa (1968) for flute, horn, trumpet, h...
136 bpm • D Maj • 01:33 • -40db
29% Popularity • 45% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
29% Popularity • 45% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
► Preview
Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 2 "T...
136 bpm • D Maj • 03:16 • -36.33db
8% Popularity • 15% Danceability • 1% Energy • 51% Liveness
55% Instrumentalness • 6% Positiveness
8% Popularity • 15% Danceability • 1% Energy • 51% Liveness
55% Instrumentalness • 6% Positiveness
► Preview
Mauricio Sotelo
Muros de Dolor...I
136 bpm • C Maj • 05:17 • -11.04db
0% Popularity • 31% Danceability • 9% Energy • 10% Liveness
87% Instrumentalness • 27% Positiveness
0% Popularity • 31% Danceability • 9% Energy • 10% Liveness
87% Instrumentalness • 27% Positiveness
► Preview
Traditional
Kartsilamades: No. 3, Allegro (Arr. Soll...
135 bpm • F# Maj • 02:01 • -14.02db
16% Popularity • 42% Danceability • 42% Energy • 6% Liveness
92% Instrumentalness • 57% Positiveness
16% Popularity • 42% Danceability • 42% Energy • 6% Liveness
92% Instrumentalness • 57% Positiveness
► Preview
John Mackey
Divine Mischief: Concerto for Clarinet: ...
173 bpm • C# Maj • 06:32 • -19.99db
8% Popularity • 21% Danceability • 10% Energy • 30% Liveness
40% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 30% Liveness
40% Instrumentalness • 4% Positiveness
► Preview
Mieczysław Weinberg
Piano Trio in A Minor, Op. 24: I. Prelud...
135 bpm • D Maj • 05:07 • -21.24db
7% Popularity • 29% Danceability • 6% Energy • 10% Liveness
13% Instrumentalness • 9% Positiveness
7% Popularity • 29% Danceability • 6% Energy • 10% Liveness
13% Instrumentalness • 9% Positiveness
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Morton Feldman
Intermission 1
135 bpm • G min • 01:51 • -48db
10% Popularity • 61% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 0% Positiveness
10% Popularity • 61% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 0% Positiveness
► Preview
Maurice Ravel
Ravel: Ma mère l'Oye, M. 62: I. Prélud...
173 bpm • A min • 03:14 • -25.19db
9% Popularity • 9% Danceability • 3% Energy • 43% Liveness
75% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 3% Energy • 43% Liveness
75% Instrumentalness • 3% Positiveness
► Preview
Edmund Finnis
Youth: IX. Heath
135 bpm • A# min • 02:04 • -23.86db
24% Popularity • 60% Danceability • 0% Energy • 7% Liveness
61% Instrumentalness • 35% Positiveness
24% Popularity • 60% Danceability • 0% Energy • 7% Liveness
61% Instrumentalness • 35% Positiveness
► Preview
Milo Paulus
Proving the Existence of Folkloric Creat...
135 bpm • A min • 03:17 • -21.72db
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
► Preview
György Ligeti
II. Mesto, rigido e cerimoniale
135 bpm • C# Maj • 03:59 • -33db
8% Popularity • 48% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 48% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Lucia Micarelli
Sonata for Violin and Cello - Très Vif
174 bpm • F Maj • 03:23 • -10.64db
9% Popularity • 47% Danceability • 24% Energy • 7% Liveness
65% Instrumentalness • 38% Positiveness
9% Popularity • 47% Danceability • 24% Energy • 7% Liveness
65% Instrumentalness • 38% Positiveness
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Rolf Wallin
Whirld: IV. Rubedo
135 bpm • G Maj • 05:57 • -26.01db
14% Popularity • 33% Danceability • 16% Energy • 46% Liveness
21% Instrumentalness • 10% Positiveness
14% Popularity • 33% Danceability • 16% Energy • 46% Liveness
21% Instrumentalness • 10% Positiveness
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Peter Eötvös
Speaking Drums: I. Tanzlied / Dance Song...
134 bpm • F# Maj • 04:41 • -19db
11% Popularity • 55% Danceability • 21% Energy • 16% Liveness
57% Instrumentalness • 12% Positiveness
11% Popularity • 55% Danceability • 21% Energy • 16% Liveness
57% Instrumentalness • 12% Positiveness
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Igor Stravinsky
Petrushka, K12 (1947 Version): IVh. Deat...
134 bpm • G Maj • 00:56 • -41db
13% Popularity • 16% Danceability • 1% Energy • 45% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 1% Energy • 45% Liveness
0% Instrumentalness • 3% Positiveness
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VMF!
Gå och lägg dig klockan är mycket
134 bpm • C# min • 01:08 • -54.82db
10% Popularity • 18% Danceability • 0% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 0% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Béla Bartók
Violin Rhapsody No. 1, Sz. 87 (Version f...
134 bpm • G Maj • 10:06 • -11.2db
21% Popularity • 44% Danceability • 30% Energy • 8% Liveness
3% Instrumentalness • 26% Positiveness
21% Popularity • 44% Danceability • 30% Energy • 8% Liveness
3% Instrumentalness • 26% Positiveness
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Sergei Prokofiev
Prokofiev: Violin Concerto No. 1 in D Ma...
134 bpm • G Maj • 10:09 • -30.33db
13% Popularity • 32% Danceability • 7% Energy • 6% Liveness
8% Instrumentalness • 7% Positiveness
13% Popularity • 32% Danceability • 7% Energy • 6% Liveness
8% Instrumentalness • 7% Positiveness
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Luciano Berio
Six Encores: Erdenklavier
175 bpm • C min • 01:17 • -29db
15% Popularity • 40% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 53% Positiveness
15% Popularity • 40% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 53% Positiveness
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Radoslaw Pallarz
Ephesiaka V (Live)
133 bpm • E Maj • 02:13 • -28.7db
7% Popularity • 27% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 27% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Taipei New Dynasty Philharmonic & Chorus
Transcendental Symphony Part IV. Finale ...
133 bpm • G# Maj • 08:56 • -20.78db
7% Popularity • 20% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Christian Lindberg
Final Ride
133 bpm • A# Maj • 01:47 • -17.08db
15% Popularity • 32% Danceability • 82% Energy • 66% Liveness
82% Instrumentalness • 7% Positiveness
15% Popularity • 32% Danceability • 82% Energy • 66% Liveness
82% Instrumentalness • 7% Positiveness
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Béla Bartók
Bartók: 14 Bagatelles, Op. 6, Sz. 38: N...
175 bpm • C# Maj • 00:53 • -24.62db
9% Popularity • 39% Danceability • 23% Energy • 9% Liveness
83% Instrumentalness • 30% Positiveness
9% Popularity • 39% Danceability • 23% Energy • 9% Liveness
83% Instrumentalness • 30% Positiveness
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Frédéric Chopin
Chopin: Piano Sonata No. 2 in B-Flat Min...
133 bpm • A# min • 06:29 • -21.3db
0% Popularity • 50% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 50% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Olivier Messiaen
Messiaen: Éclairs sur l'au-delà...: VI...
176 bpm • E min • 03:31 • -39.42db
14% Popularity • 11% Danceability • 0% Energy • 34% Liveness
32% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 0% Energy • 34% Liveness
32% Instrumentalness • 4% Positiveness
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Arvo Pärt
Lamentate: III. Fragile
133 bpm • A# Maj • 00:47 • -46.53db
7% Popularity • 19% Danceability • 0% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 19% Danceability • 0% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: II...
133 bpm • D# Maj • 07:00 • -26.09db
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
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Brian Ferneyhough
Sonatas for String Quartet: I. Alpha
176 bpm • G min • 02:03 • -27db
10% Popularity • 23% Danceability • 1% Energy • 12% Liveness
36% Instrumentalness • 11% Positiveness
10% Popularity • 23% Danceability • 1% Energy • 12% Liveness
36% Instrumentalness • 11% Positiveness
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Giovanni Sollima
Sollima: Improvisation III
133 bpm • B Maj • 00:49 • -34.24db
13% Popularity • 33% Danceability • 0% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
13% Popularity • 33% Danceability • 0% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
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Christian Lindberg
Devils Train
133 bpm • F# Maj • 01:26 • -19.15db
18% Popularity • 41% Danceability • 48% Energy • 40% Liveness
92% Instrumentalness • 46% Positiveness
18% Popularity • 41% Danceability • 48% Energy • 40% Liveness
92% Instrumentalness • 46% Positiveness
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Olivier Messiaen
Turangalîla-Symphony: II. Chant d'amour...
176 bpm • C# Maj • 07:35 • -18.08db
13% Popularity • 18% Danceability • 36% Energy • 25% Liveness
86% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 36% Energy • 25% Liveness
86% Instrumentalness • 4% Positiveness
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Kazimierz Serocki
Suite of Preludes: No. 1, Animato
177 bpm • C Maj • 01:18 • -21db
11% Popularity • 45% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 96% Positiveness
11% Popularity • 45% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 96% Positiveness
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Rihards Dubra
Lux Aeterna: IV. Allegro Presto Andantin...
133 bpm • C Maj • 01:39 • -19db
10% Popularity • 36% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
10% Popularity • 36% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Peter Eötvös
DoReMi, Violin Concerto No. 2: I. First ...
132 bpm • D Maj • 07:19 • -18db
8% Popularity • 37% Danceability • 22% Energy • 36% Liveness
14% Instrumentalness • 9% Positiveness
8% Popularity • 37% Danceability • 22% Energy • 36% Liveness
14% Instrumentalness • 9% Positiveness
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Soeui Lee
Three Bagatelles: No. 2, Divertimenti in...
132 bpm • A# min • 03:57 • -18.35db
19% Popularity • 27% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
19% Popularity • 27% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
