Songs like Aujourd'hui c'est toi - Instrumental by Francis Lai
Based on a tempo of (+/- 10%) and a similar genre
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Francis Lai
Aujourd'hui c'est toi - Instrumental
115 bpm • F Maj • 02:34 • -8db
27% Popularity • 44% Danceability • 84% Energy • 16% Liveness
79% Instrumentalness • 45% Positiveness
27% Popularity • 44% Danceability • 84% Energy • 16% Liveness
79% Instrumentalness • 45% Positiveness
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Bruno Nicolai
Labirinto - Film Version
115 bpm • G# Maj • 02:09 • -15.06db
23% Popularity • 50% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 52% Positiveness
23% Popularity • 50% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 52% Positiveness
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Riz Ortolani
Life Savers Girls
115 bpm • G Maj • 02:49 • -4.97db
9% Popularity • 32% Danceability • 71% Energy • 30% Liveness
95% Instrumentalness • 77% Positiveness
9% Popularity • 32% Danceability • 71% Energy • 30% Liveness
95% Instrumentalness • 77% Positiveness
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Murry Wilson
The Warmth Of The Sun
114 bpm • C# Maj • 02:48 • -17.79db
38% Popularity • 44% Danceability • 16% Energy • 6% Liveness
25% Instrumentalness • 40% Positiveness
38% Popularity • 44% Danceability • 16% Energy • 6% Liveness
25% Instrumentalness • 40% Positiveness
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Los Indios Tabajaras
Amapola
114 bpm • B Maj • 02:16 • -14.93db
35% Popularity • 76% Danceability • 38% Energy • 33% Liveness
85% Instrumentalness • 94% Positiveness
35% Popularity • 76% Danceability • 38% Energy • 33% Liveness
85% Instrumentalness • 94% Positiveness
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Fred Bongusto
Funny People
114 bpm • A# Maj • 02:06 • -20.33db
23% Popularity • 67% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 82% Positiveness
23% Popularity • 67% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 82% Positiveness
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Francis Lai
Générique (de "Bilitis")
115 bpm • C# Maj • 03:26 • -25.37db
39% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Bruno Nicolai
Barlington - Version 2
116 bpm • G# Maj • 01:03 • -16db
26% Popularity • 52% Danceability • 35% Energy • 14% Liveness
90% Instrumentalness • 31% Positiveness
26% Popularity • 52% Danceability • 35% Energy • 14% Liveness
90% Instrumentalness • 31% Positiveness
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François de Roubaix
Opération FR1
114 bpm • G min • 03:05 • -13.93db
17% Popularity • 39% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 39% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Riz Ortolani
Phantom Of Love - Main Title
114 bpm • A min • 02:41 • -16.38db
11% Popularity • 28% Danceability • 18% Energy • 13% Liveness
50% Instrumentalness • 16% Positiveness
11% Popularity • 28% Danceability • 18% Energy • 13% Liveness
50% Instrumentalness • 16% Positiveness
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Antoine Duhamel
Pierrot - Bande originale du film "Pierr...
116 bpm • D min • 05:54 • -9.46db
7% Popularity • 30% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
7% Popularity • 30% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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The Melachrino Strings
Mam'selle
116 bpm • A min • 03:18 • -21.34db
39% Popularity • 30% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
39% Popularity • 30% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Orchestra Sinfonica Di Milano
Prelude - Excerpt from Blow Out
116 bpm • G min • 03:05 • -15.87db
21% Popularity • 30% Danceability • 13% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 30% Danceability • 13% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
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Nino Nardini
Bagheera
116 bpm • B min • 02:18 • -10.52db
24% Popularity • 28% Danceability • 37% Energy • 12% Liveness
65% Instrumentalness • 20% Positiveness
24% Popularity • 28% Danceability • 37% Energy • 12% Liveness
65% Instrumentalness • 20% Positiveness
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Marc Durst
Cinnecitta nostalgia
117 bpm • D min • 01:05 • -9.87db
32% Popularity • 85% Danceability • 29% Energy • 10% Liveness
95% Instrumentalness • 70% Positiveness
32% Popularity • 85% Danceability • 29% Energy • 10% Liveness
95% Instrumentalness • 70% Positiveness
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Claude Bolling
Borsalino Slow - Version originale 1974 ...
117 bpm • C# Maj • 02:33 • -14.92db
25% Popularity • 58% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 33% Positiveness
25% Popularity • 58% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 33% Positiveness
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Alain Romans
Gelmosina From The Film - La Strada
113 bpm • F min • 02:19 • -9.48db
13% Popularity • 69% Danceability • 28% Energy • 28% Liveness
78% Instrumentalness • 49% Positiveness
13% Popularity • 69% Danceability • 28% Energy • 28% Liveness
78% Instrumentalness • 49% Positiveness
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Neil Richardson
The Riviera Affair
113 bpm • C min • 01:34 • -9.41db
38% Popularity • 41% Danceability • 61% Energy • 8% Liveness
83% Instrumentalness • 92% Positiveness
38% Popularity • 41% Danceability • 61% Energy • 8% Liveness
83% Instrumentalness • 92% Positiveness
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Armando Trovajoli
Le voila
113 bpm • F Maj • 01:50 • -15.74db
21% Popularity • 79% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 46% Positiveness
21% Popularity • 79% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 46% Positiveness
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Fred Bongusto
You lie
117 bpm • G# Maj • 01:57 • -23db
24% Popularity • 46% Danceability • 17% Energy • 12% Liveness
73% Instrumentalness • 34% Positiveness
24% Popularity • 46% Danceability • 17% Energy • 12% Liveness
73% Instrumentalness • 34% Positiveness
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Martial Solal
L'amour la mort - Bande originale du fil...
117 bpm • C Maj • 02:06 • -15.46db
23% Popularity • 41% Danceability • 21% Energy • 31% Liveness
66% Instrumentalness • 18% Positiveness
23% Popularity • 41% Danceability • 21% Energy • 31% Liveness
66% Instrumentalness • 18% Positiveness
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Sven Libaek
Is That All There Is?
118 bpm • D# Maj • 04:15 • -10.98db
13% Popularity • 32% Danceability • 44% Energy • 24% Liveness
75% Instrumentalness • 30% Positiveness
13% Popularity • 32% Danceability • 44% Energy • 24% Liveness
75% Instrumentalness • 30% Positiveness
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Antoine Duhamel
Ferdinand - Bande originale du film "Pie...
118 bpm • D min • 07:46 • -12db
16% Popularity • 17% Danceability • 32% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 32% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Burt Bacharach
The Sundance Kid
118 bpm • E min • 02:14 • -17.22db
30% Popularity • 66% Danceability • 24% Energy • 23% Liveness
90% Instrumentalness • 72% Positiveness
30% Popularity • 66% Danceability • 24% Energy • 23% Liveness
90% Instrumentalness • 72% Positiveness
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Bruno Nicolai
Poema
118 bpm • F min • 02:08 • -22.61db
11% Popularity • 24% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
11% Popularity • 24% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Fred Bongusto
L'artista e io
113 bpm • B min • 01:08 • -27db
44% Popularity • 36% Danceability • 8% Energy • 23% Liveness
92% Instrumentalness • 28% Positiveness
44% Popularity • 36% Danceability • 8% Energy • 23% Liveness
92% Instrumentalness • 28% Positiveness
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Martial Solal
La mort - Bande originale du film "À bo...
118 bpm • D# Maj • 02:08 • -9.79db
13% Popularity • 36% Danceability • 41% Energy • 34% Liveness
2% Instrumentalness • 29% Positiveness
13% Popularity • 36% Danceability • 41% Energy • 34% Liveness
2% Instrumentalness • 29% Positiveness
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Milva
Un Uomo Una Donna
118 bpm • G min • 01:27 • -21.93db
11% Popularity • 48% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
11% Popularity • 48% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
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Francis Lai
Générique - 2011 Remastered Version
118 bpm • D min • 03:26 • -10.82db
10% Popularity • 47% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 47% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Billy May
A Man And A Woman/Live For Life
118 bpm • E min • 05:26 • -15db
23% Popularity • 57% Danceability • 26% Energy • 40% Liveness
15% Instrumentalness • 41% Positiveness
23% Popularity • 57% Danceability • 26% Energy • 40% Liveness
15% Instrumentalness • 41% Positiveness
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Peter Thomas Sound Orchester
Playboy
118 bpm • D# Maj • 01:29 • -16.14db
22% Popularity • 56% Danceability • 36% Energy • 27% Liveness
94% Instrumentalness • 80% Positiveness
22% Popularity • 56% Danceability • 36% Energy • 27% Liveness
94% Instrumentalness • 80% Positiveness
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Carlo Rustichelli
Atelier (Titoli)
112 bpm • A# Maj • 02:13 • -10db
15% Popularity • 50% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 70% Positiveness
15% Popularity • 50% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 70% Positiveness
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Dave Grusin
Sunporch Cha-Cha-Cha
118 bpm • F Maj • 02:50 • -11.25db
27% Popularity • 62% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 62% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Alain Romans
Pianissimo - Les vacances de M. Hulot
118 bpm • D# Maj • 01:20 • -21.74db
20% Popularity • 70% Danceability • 3% Energy • 7% Liveness
70% Instrumentalness • 70% Positiveness
20% Popularity • 70% Danceability • 3% Energy • 7% Liveness
70% Instrumentalness • 70% Positiveness
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Alessandro Alessandroni
Jazz Whistler
112 bpm • G# Maj • 02:45 • -10.11db
33% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
33% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
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Berto Pisano
Voice in the Night - Version 2
111 bpm • F Maj • 03:04 • -10.97db
12% Popularity • 43% Danceability • 31% Energy • 11% Liveness
66% Instrumentalness • 72% Positiveness
12% Popularity • 43% Danceability • 31% Energy • 11% Liveness
66% Instrumentalness • 72% Positiveness
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Trevor Duncan
Windshift
119 bpm • G min • 03:07 • -17db
14% Popularity • 38% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
14% Popularity • 38% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
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Piero Umiliani
L' Arcangelo - Seq. 12
119 bpm • C Maj • 01:33 • -18.65db
11% Popularity • 50% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 50% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Alex North
A Streetcar Named Desire: Blanche
111 bpm • F min • 02:32 • -29.37db
23% Popularity • 17% Danceability • 5% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 5% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
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Alain Romans
Quel temps fait-il à Paris ? - Les vaca...
118 bpm • D# Maj • 02:17 • -18.03db
31% Popularity • 58% Danceability • 19% Energy • 24% Liveness
93% Instrumentalness • 42% Positiveness
31% Popularity • 58% Danceability • 19% Energy • 24% Liveness
93% Instrumentalness • 42% Positiveness
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Lalo Schifrin
The Aftermath of Love
111 bpm • A min • 02:49 • -23.12db
24% Popularity • 55% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 63% Positiveness
24% Popularity • 55% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 63% Positiveness
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Martial Solal
Duo - Bande originale du film "À bout d...
119 bpm • D# min • 02:24 • -11.56db
22% Popularity • 72% Danceability • 33% Energy • 9% Liveness
8% Instrumentalness • 50% Positiveness
22% Popularity • 72% Danceability • 33% Energy • 9% Liveness
8% Instrumentalness • 50% Positiveness
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Eric Demarsan
Le cercle rouge - BOF "Le cercle rouge"
119 bpm • D min • 01:51 • -11.38db
14% Popularity • 34% Danceability • 40% Energy • 8% Liveness
41% Instrumentalness • 38% Positiveness
14% Popularity • 34% Danceability • 40% Energy • 8% Liveness
41% Instrumentalness • 38% Positiveness
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Piero Umiliani
Luna d'agosto - Con clavicembalo
119 bpm • C# Maj • 02:36 • -17.84db
44% Popularity • 53% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
44% Popularity • 53% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Jean Constantin
Comment Voulez-Vous
119 bpm • C Maj • 01:38 • -14.51db
20% Popularity • 52% Danceability • 43% Energy • 18% Liveness
4% Instrumentalness • 61% Positiveness
20% Popularity • 52% Danceability • 43% Energy • 18% Liveness
4% Instrumentalness • 61% Positiveness
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François de Roubaix
La scoumoune - Thème principal
119 bpm • A# min • 02:28 • -19db
28% Popularity • 35% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
28% Popularity • 35% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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John Williams
Chance Meeting
111 bpm • A# Maj • 02:32 • -16.19db
14% Popularity • 43% Danceability • 29% Energy • 11% Liveness
67% Instrumentalness • 67% Positiveness
14% Popularity • 43% Danceability • 29% Energy • 11% Liveness
67% Instrumentalness • 67% Positiveness
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Burt Bacharach
Nikki
111 bpm • F Maj • 02:27 • -12.3db
32% Popularity • 55% Danceability • 35% Energy • 8% Liveness
95% Instrumentalness • 57% Positiveness
32% Popularity • 55% Danceability • 35% Energy • 8% Liveness
95% Instrumentalness • 57% Positiveness
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Frank Chacksfield
I'll Be There
119 bpm • G# Maj • 02:37 • -14db
20% Popularity • 36% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
20% Popularity • 36% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Nino Nardini
Tropical Call
119 bpm • D# Maj • 02:35 • -12.64db
16% Popularity • 38% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
16% Popularity • 38% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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Francis Lai
Thème
119 bpm • E min • 02:29 • -10.04db
13% Popularity • 43% Danceability • 49% Energy • 9% Liveness
20% Instrumentalness • 45% Positiveness
13% Popularity • 43% Danceability • 49% Energy • 9% Liveness
20% Instrumentalness • 45% Positiveness
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François de Roubaix
Générique - BOF "L'homme orchestre"
119 bpm • D min • 02:17 • -11.23db
16% Popularity • 68% Danceability • 60% Energy • 26% Liveness
18% Instrumentalness • 95% Positiveness
16% Popularity • 68% Danceability • 60% Energy • 26% Liveness
18% Instrumentalness • 95% Positiveness
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The Melachrino Strings and Orchestra
Violins in the Night
111 bpm • D Maj • 02:49 • -12db
38% Popularity • 32% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 34% Positiveness
38% Popularity • 32% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 34% Positiveness
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Bruno Nicolai
Un uomo innamorato
111 bpm • D Maj • 03:50 • -16.08db
4% Popularity • 23% Danceability • 17% Energy • 8% Liveness
72% Instrumentalness • 17% Positiveness
4% Popularity • 23% Danceability • 17% Energy • 8% Liveness
72% Instrumentalness • 17% Positiveness
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Martial Solal
Poursuite - Version 2 / Bande originale ...
119 bpm • F min • 02:22 • -12.46db
15% Popularity • 60% Danceability • 31% Energy • 11% Liveness
11% Instrumentalness • 24% Positiveness
15% Popularity • 60% Danceability • 31% Energy • 11% Liveness
11% Instrumentalness • 24% Positiveness
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Fred Bongusto
Motivo di Giorgia, pt. 2
111 bpm • D# Maj • 01:20 • -19db
47% Popularity • 46% Danceability • 18% Energy • 20% Liveness
74% Instrumentalness • 55% Positiveness
47% Popularity • 46% Danceability • 18% Energy • 20% Liveness
74% Instrumentalness • 55% Positiveness
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Sandro Brugnolini
Silvana
119 bpm • G min • 03:53 • -17db
22% Popularity • 52% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
22% Popularity • 52% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 35% Positiveness
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Lesiman
Confronto
119 bpm • F min • 02:18 • -14.72db
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
23% Popularity • 57% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 55% Positiveness
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Gianni Marchetti
Una bossa piccola piccola 1
120 bpm • F Maj • 01:41 • -21db
32% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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François de Roubaix
Xavier à la maison d’arrêt - Thème ...
120 bpm • A# min • 02:36 • -27.38db
16% Popularity • 83% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 38% Positiveness
16% Popularity • 83% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 38% Positiveness
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Alain Romans
How Is the Weather In Paris
120 bpm • C min • 02:14 • -23db
37% Popularity • 57% Danceability • 11% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
37% Popularity • 57% Danceability • 11% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
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Fred Bongusto
Motivo di Giorgia
110 bpm • D# Maj • 01:20 • -25db
48% Popularity • 39% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
48% Popularity • 39% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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![Largo [Harpsichord Concerto No. 5 in F minor BWV 1056] cover art](https://i.scdn.co/image/ab67616d00001e02ed9b4f10e876ae7120ae4231)
The Swingle Singers
Largo [Harpsichord Concerto No. 5 in F m...
110 bpm • C# Maj • 03:00 • -15.13db
31% Popularity • 46% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 46% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Carlo Rustichelli
La Ragazza Di Bube
120 bpm • F min • 02:57 • -10.13db
7% Popularity • 24% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
7% Popularity • 24% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
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Tony Mottola
Love Is Blue
110 bpm • E min • 02:48 • -15.27db
34% Popularity • 64% Danceability • 14% Energy • 10% Liveness
65% Instrumentalness • 76% Positiveness
34% Popularity • 64% Danceability • 14% Energy • 10% Liveness
65% Instrumentalness • 76% Positiveness
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Victor Silvester
No Other Love
121 bpm • D Maj • 02:23 • -14.07db
37% Popularity • 35% Danceability • 27% Energy • 58% Liveness
92% Instrumentalness • 39% Positiveness
37% Popularity • 35% Danceability • 27% Energy • 58% Liveness
92% Instrumentalness • 39% Positiveness
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Michel Magne
Palm Beach
121 bpm • A# Maj • 02:29 • -12.26db
24% Popularity • 44% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 44% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Alain Romans
Quel temps fait-il à Paris
121 bpm • C min • 02:12 • -13.1db
12% Popularity • 67% Danceability • 30% Energy • 30% Liveness
91% Instrumentalness • 61% Positiveness
12% Popularity • 67% Danceability • 30% Energy • 30% Liveness
91% Instrumentalness • 61% Positiveness
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François de Roubaix
Jeanne et Marceau - Bande originale du f...
110 bpm • G Maj • 02:02 • -17.57db
29% Popularity • 63% Danceability • 6% Energy • 12% Liveness
79% Instrumentalness • 29% Positiveness
29% Popularity • 63% Danceability • 6% Energy • 12% Liveness
79% Instrumentalness • 29% Positiveness
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Martial Solal
Thème d'amour - Bande originale du film...
109 bpm • D min • 01:33 • -14.15db
18% Popularity • 31% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 36% Positiveness
18% Popularity • 31% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 36% Positiveness
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Francis Lai
Le thème d'Emmanuelle
121 bpm • F# Maj • 05:35 • -19.02db
15% Popularity • 30% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
15% Popularity • 30% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Armando Trovajoli
Waltz Theme
109 bpm • D# Maj • 01:50 • -11.69db
10% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Michel Magne
Fantômas flirte - Bande originale du fi...
121 bpm • E min • 02:29 • -12.08db
14% Popularity • 36% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 27% Positiveness
14% Popularity • 36% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 27% Positiveness
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Sergio Pérez
Tema de la Zorra
121 bpm • C min • 02:17 • -22db
21% Popularity • 41% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
21% Popularity • 41% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Roger Williams
Autumn Leaves
109 bpm • D min • 02:53 • -7.92db
38% Popularity • 29% Danceability • 48% Energy • 13% Liveness
19% Instrumentalness • 24% Positiveness
38% Popularity • 29% Danceability • 48% Energy • 13% Liveness
19% Instrumentalness • 24% Positiveness
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Nicola Piovani
Ginger e Fred (Main Theme)
121 bpm • D min • 02:49 • -12.93db
22% Popularity • 31% Danceability • 29% Energy • 15% Liveness
80% Instrumentalness • 22% Positiveness
22% Popularity • 31% Danceability • 29% Energy • 15% Liveness
80% Instrumentalness • 22% Positiveness
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Syd Dale
Perfume from Panama
109 bpm • G Maj • 02:36 • -13.72db
30% Popularity • 46% Danceability • 43% Energy • 38% Liveness
89% Instrumentalness • 65% Positiveness
30% Popularity • 46% Danceability • 43% Energy • 38% Liveness
89% Instrumentalness • 65% Positiveness
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Sven Libaek
Nature Waltz
109 bpm • G Maj • 02:35 • -27db
32% Popularity • 48% Danceability • 9% Energy • 27% Liveness
88% Instrumentalness • 57% Positiveness
32% Popularity • 48% Danceability • 9% Energy • 27% Liveness
88% Instrumentalness • 57% Positiveness
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Roberto Pregadio
Erika, Seq. 3
122 bpm • A min • 03:07 • -23.21db
15% Popularity • 40% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 56% Positiveness
15% Popularity • 40% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 56% Positiveness
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Karl-Heinz Schäfer
La Victime
109 bpm • G Maj • 03:39 • -14.43db
19% Popularity • 31% Danceability • 42% Energy • 15% Liveness
83% Instrumentalness • 20% Positiveness
19% Popularity • 31% Danceability • 42% Energy • 15% Liveness
83% Instrumentalness • 20% Positiveness
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Pepe Jaramillo
Green Eyes
122 bpm • D min • 02:19 • -14.7db
38% Popularity • 74% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 94% Positiveness
38% Popularity • 74% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 94% Positiveness
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François de Roubaix
Adieu l'ami
122 bpm • A# Maj • 03:08 • -12.96db
11% Popularity • 50% Danceability • 52% Energy • 18% Liveness
90% Instrumentalness • 39% Positiveness
11% Popularity • 50% Danceability • 52% Energy • 18% Liveness
90% Instrumentalness • 39% Positiveness
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Billy May & His Orchestra
The Odd Couple
109 bpm • E Maj • 02:17 • -17db
39% Popularity • 73% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 45% Positiveness
39% Popularity • 73% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 45% Positiveness
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Francis Lai
Un homme qui me plaît - Orchestral
122 bpm • C# min • 03:04 • -16.57db
13% Popularity • 39% Danceability • 26% Energy • 8% Liveness
71% Instrumentalness • 45% Positiveness
13% Popularity • 39% Danceability • 26% Energy • 8% Liveness
71% Instrumentalness • 45% Positiveness
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Alessandro Alessandroni
Operazione Ricchezza - Bossa Nova
108 bpm • A# min • 01:27 • -11.23db
23% Popularity • 44% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 44% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Fred Bongusto
Matrimonio combinato
108 bpm • G Maj • 01:20 • -23db
45% Popularity • 36% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
45% Popularity • 36% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Carlo Rustichelli
Traffico
108 bpm • F Maj • 01:09 • -23.9db
30% Popularity • 78% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
30% Popularity • 78% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Elmer Bernstein
The Man With The Golden Arm
123 bpm • F min • 02:50 • -15.07db
10% Popularity • 52% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
10% Popularity • 52% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
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Stan Getz
Dans le regard d'Alain Delon
107 bpm • D min • 02:58 • -9.23db
8% Popularity • 32% Danceability • 41% Energy • 19% Liveness
31% Instrumentalness • 20% Positiveness
8% Popularity • 32% Danceability • 41% Energy • 19% Liveness
31% Instrumentalness • 20% Positiveness
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Francis Lai
La séduction de l'île de Bali
122 bpm • B min • 02:06 • -18.98db
17% Popularity • 36% Danceability • 14% Energy • 29% Liveness
1% Instrumentalness • 41% Positiveness
17% Popularity • 36% Danceability • 14% Energy • 29% Liveness
1% Instrumentalness • 41% Positiveness
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Edmundo Ros & His Orchestra
A Felicidade
123 bpm • C min • 03:12 • -14db
40% Popularity • 51% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 52% Positiveness
40% Popularity • 51% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 52% Positiveness
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Gillian Hills
Près de la cascade
123 bpm • C# Maj • 02:17 • -7db
28% Popularity • 69% Danceability • 71% Energy • 36% Liveness
94% Instrumentalness • 66% Positiveness
28% Popularity • 69% Danceability • 71% Energy • 36% Liveness
94% Instrumentalness • 66% Positiveness
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Gato Barbieri
Vuelta
107 bpm • G min • 03:05 • -8.72db
15% Popularity • 34% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
15% Popularity • 34% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Franco Micalizzi
M2
123 bpm • D min • 02:24 • -11db
13% Popularity • 36% Danceability • 46% Energy • 29% Liveness
97% Instrumentalness • 17% Positiveness
13% Popularity • 36% Danceability • 46% Energy • 29% Liveness
97% Instrumentalness • 17% Positiveness
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Hollyridge Strings
Wendy
107 bpm • A# min • 02:19 • -9.87db
30% Popularity • 22% Danceability • 35% Energy • 8% Liveness
91% Instrumentalness • 32% Positiveness
30% Popularity • 22% Danceability • 35% Energy • 8% Liveness
91% Instrumentalness • 32% Positiveness
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Francis Lai
Thème Mellie (Reprise)
108 bpm • D min • 01:05 • -13.02db
24% Popularity • 51% Danceability • 17% Energy • 15% Liveness
88% Instrumentalness • 30% Positiveness
24% Popularity • 51% Danceability • 17% Energy • 15% Liveness
88% Instrumentalness • 30% Positiveness
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Brigitte Bardot
No Quiero Sufrir
124 bpm • F Maj • 01:42 • -14.23db
14% Popularity • 53% Danceability • 30% Energy • 11% Liveness
72% Instrumentalness • 22% Positiveness
14% Popularity • 53% Danceability • 30% Energy • 11% Liveness
72% Instrumentalness • 22% Positiveness
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André Popp
Les papillons
124 bpm • F Maj • 02:30 • -6db
45% Popularity • 61% Danceability • 65% Energy • 10% Liveness
83% Instrumentalness • 71% Positiveness
45% Popularity • 61% Danceability • 65% Energy • 10% Liveness
83% Instrumentalness • 71% Positiveness
