Songs like Auld Lang Syne (Glass Harmonica) by Andrew Knox
Based on a tempo of (+/- 10%) and a similar genre
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Filip Fiebiger
Hymn
72 bpm • D Maj • 03:16 • -18.87db
27% Popularity • 50% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
27% Popularity • 50% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
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Hayden Phoenix
After the fact
73 bpm • A Maj • 01:57 • -18.49db
11% Popularity • 61% Danceability • 6% Energy • 12% Liveness
30% Instrumentalness • 12% Positiveness
11% Popularity • 61% Danceability • 6% Energy • 12% Liveness
30% Instrumentalness • 12% Positiveness
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Andrew S Knox
World Dialogue
72 bpm • A# Maj • 01:25 • -17.01db
0% Popularity • 40% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
0% Popularity • 40% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
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Jeff Peterson
You Will Thrive
73 bpm • D Maj • 04:07 • -16.51db
12% Popularity • 54% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
12% Popularity • 54% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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EMIL STARLING
Brooke Mask
73 bpm • F Maj • 02:47 • -13.8db
9% Popularity • 65% Danceability • 16% Energy • 9% Liveness
79% Instrumentalness • 33% Positiveness
9% Popularity • 65% Danceability • 16% Energy • 9% Liveness
79% Instrumentalness • 33% Positiveness
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Robert Dahlström
Ampes
70 bpm • E min • 02:22 • -21.44db
31% Popularity • 54% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
31% Popularity • 54% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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榊原長紀
虹の彼方に (映画『オズの魔�...
74 bpm • C Maj • 02:54 • -16.15db
16% Popularity • 49% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
16% Popularity • 49% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Gontiti
待ちぼうけ
74 bpm • F# min • 02:19 • -13.86db
20% Popularity • 85% Danceability • 3% Energy • 13% Liveness
25% Instrumentalness • 38% Positiveness
20% Popularity • 85% Danceability • 3% Energy • 13% Liveness
25% Instrumentalness • 38% Positiveness
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Benjamin Bonum Nocte
Nattasang - Gitar
75 bpm • E Maj • 01:33 • -16.74db
16% Popularity • 77% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 37% Positiveness
16% Popularity • 77% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 37% Positiveness
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Calm Chords
Daffodils
75 bpm • E Maj • 02:12 • -26.65db
27% Popularity • 51% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 20% Positiveness
27% Popularity • 51% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 20% Positiveness
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EMIL STARLING
Soft touch on you
73 bpm • A# Maj • 02:47 • -14.44db
9% Popularity • 64% Danceability • 22% Energy • 10% Liveness
74% Instrumentalness • 16% Positiveness
9% Popularity • 64% Danceability • 22% Energy • 10% Liveness
74% Instrumentalness • 16% Positiveness
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内澤崇仁
糸電話 - ～つなぐ手～
75 bpm • A Maj • 01:05 • -16.58db
22% Popularity • 54% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 30% Positiveness
22% Popularity • 54% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 30% Positiveness
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Musique de Massage Classiques
Capable - Souvenirs
69 bpm • F Maj • 02:05 • -16.95db
11% Popularity • 71% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
11% Popularity • 71% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
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Sunny Arora
Tears of Love
75 bpm • E min • 01:46 • -19.4db
17% Popularity • 40% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
17% Popularity • 40% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Benjamin Bonum Nocte
Brahms Vaggvisa - Gitarr
75 bpm • E Maj • 01:33 • -16.73db
20% Popularity • 77% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
20% Popularity • 77% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
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Raffy Lata
Kailangan Ko'y Ikaw
75 bpm • C Maj • 03:13 • -18.66db
16% Popularity • 42% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
16% Popularity • 42% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Marino Calle
Coldwater Lake
75 bpm • D Maj • 02:41 • -15.68db
39% Popularity • 67% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 39% Positiveness
39% Popularity • 67% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 39% Positiveness
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Rafaela Moreno
If it wasn’t for you
76 bpm • C# Maj • 02:10 • -19.45db
39% Popularity • 66% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
39% Popularity • 66% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
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Pascal Flores
Julia Florida
76 bpm • D Maj • 04:21 • -12.88db
28% Popularity • 43% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
28% Popularity • 43% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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BeatMovie
Anderson
76 bpm • A Maj • 01:24 • -12.82db
21% Popularity • 50% Danceability • 16% Energy • 21% Liveness
89% Instrumentalness • 25% Positiveness
21% Popularity • 50% Danceability • 16% Energy • 21% Liveness
89% Instrumentalness • 25% Positiveness
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Armand Beck
Misterioso
77 bpm • D Maj • 02:25 • -24.34db
22% Popularity • 53% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
22% Popularity • 53% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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榊原長紀
戦場のメリークリスマス (映�...
77 bpm • E min • 03:28 • -15.75db
10% Popularity • 56% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
10% Popularity • 56% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Glenn Roth
Stompin' at the Savoy
77 bpm • D Maj • 01:54 • -17.28db
10% Popularity • 51% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 70% Positiveness
10% Popularity • 51% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 70% Positiveness
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Raffy Lata
Kahit Ika'y Panaginip Lang
77 bpm • A Maj • 04:05 • -21.93db
14% Popularity • 58% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 51% Positiveness
14% Popularity • 58% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 51% Positiveness
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Will Harrison
Here We Are Again
77 bpm • C Maj • 03:00 • -15.9db
16% Popularity • 76% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
16% Popularity • 76% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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The Candlelight Guitarist
Oh, Sleepy Boy (Danny Boy)
78 bpm • D Maj • 02:31 • -23.17db
14% Popularity • 55% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 25% Positiveness
14% Popularity • 55% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 25% Positiveness
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Gabriel Sellier
Now's Not The Time
78 bpm • D Maj • 02:58 • -20.42db
54% Popularity • 60% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
54% Popularity • 60% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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榊原長紀
人生のメリーゴーランド 「ハ...
77 bpm • G Maj • 04:37 • -12.06db
11% Popularity • 48% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
11% Popularity • 48% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Andreas Horschel
Retrouvailles
78 bpm • C# min • 02:16 • -17db
15% Popularity • 59% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
15% Popularity • 59% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Roy Permana
When - Acoustic
78 bpm • F# min • 01:23 • -18.43db
11% Popularity • 75% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 71% Positiveness
11% Popularity • 75% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 71% Positiveness
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Nylon & Cedar
Bayside
78 bpm • A min • 02:57 • -22.31db
34% Popularity • 50% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
34% Popularity • 50% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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William Bilford
Sleepy Joe
79 bpm • A Maj • 02:30 • -18.74db
12% Popularity • 69% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
12% Popularity • 69% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
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Ceriumidis
Burnished sands
79 bpm • A Maj • 02:11 • -21.37db
26% Popularity • 48% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 49% Positiveness
26% Popularity • 48% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 49% Positiveness
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Cim Frode
Midsummer Tempest
79 bpm • D Maj • 01:29 • -19.44db
18% Popularity • 53% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
18% Popularity • 53% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
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Andreas Horschel
The hourglass
78 bpm • G Maj • 02:30 • -15.46db
23% Popularity • 70% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 48% Positiveness
23% Popularity • 70% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 48% Positiveness
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Hondenmuziek Play List
Hoffelijk, Slapende Honden
79 bpm • C Maj • 01:49 • -13.41db
21% Popularity • 64% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
21% Popularity • 64% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Las Penas
Litoral
79 bpm • G Maj • 02:47 • -17db
17% Popularity • 50% Danceability • 9% Energy • 11% Liveness
50% Instrumentalness • 32% Positiveness
17% Popularity • 50% Danceability • 9% Energy • 11% Liveness
50% Instrumentalness • 32% Positiveness
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Stephen Jones/Bryan Kessler
Midnight Bossa
80 bpm • A min • 05:41 • -20.6db
21% Popularity • 77% Danceability • 20% Energy • 53% Liveness
93% Instrumentalness • 28% Positiveness
21% Popularity • 77% Danceability • 20% Energy • 53% Liveness
93% Instrumentalness • 28% Positiveness
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P. Coldrick
Lament
65 bpm • D Maj • 03:08 • -18.5db
9% Popularity • 41% Danceability • 10% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
9% Popularity • 41% Danceability • 10% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
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Jubing Kristianto
Prasasti
80 bpm • E Maj • 04:32 • -11.79db
17% Popularity • 67% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
17% Popularity • 67% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
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Rob McCoy
Cruisin'
80 bpm • E Maj • 04:03 • -11.56db
12% Popularity • 73% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
12% Popularity • 73% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
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The Candlelight Guitarist
Pure in Heart
80 bpm • G Maj • 01:59 • -24.79db
14% Popularity • 50% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
14% Popularity • 50% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Judith Gardet
Pour des voyages de l'esprit
80 bpm • D Maj • 03:44 • -25.18db
18% Popularity • 67% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
18% Popularity • 67% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Pieter Nanne
Sybren
80 bpm • D Maj • 03:13 • -15.28db
21% Popularity • 72% Danceability • 12% Energy • 9% Liveness
79% Instrumentalness • 26% Positiveness
21% Popularity • 72% Danceability • 12% Energy • 9% Liveness
79% Instrumentalness • 26% Positiveness
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Andrew Knox
World Monks
81 bpm • G# min • 02:33 • -15.6db
0% Popularity • 39% Danceability • 62% Energy • 12% Liveness
95% Instrumentalness • 82% Positiveness
0% Popularity • 39% Danceability • 62% Energy • 12% Liveness
95% Instrumentalness • 82% Positiveness
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Roy De Paz
Felicia
81 bpm • D Maj • 02:12 • -15.4db
29% Popularity • 57% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
29% Popularity • 57% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Jens Hausmann
Glazed Donut
81 bpm • D min • 05:26 • -16.3db
9% Popularity • 54% Danceability • 10% Energy • 20% Liveness
93% Instrumentalness • 27% Positiveness
9% Popularity • 54% Danceability • 10% Energy • 20% Liveness
93% Instrumentalness • 27% Positiveness
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G. Jerez
Joy
82 bpm • A Maj • 01:25 • -15.7db
12% Popularity • 67% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
12% Popularity • 67% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
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Pascal Flores
Pasatiempos
82 bpm • A Maj • 01:58 • -18.63db
30% Popularity • 48% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
30% Popularity • 48% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
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Pieter Nanne
El Testament d'Amèlia
81 bpm • D min • 01:59 • -19.1db
17% Popularity • 47% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
17% Popularity • 47% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Muziek voor Katten Achtergrondmuziek
Meeslepend
82 bpm • A# Maj • 01:55 • -15db
20% Popularity • 50% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 49% Positiveness
20% Popularity • 50% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 49% Positiveness
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Klaus Trabitsch
König Winter
82 bpm • G Maj • 01:21 • -23.81db
17% Popularity • 51% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
17% Popularity • 51% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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Yoshihiro Koseki
牧人ひつじを
82 bpm • A Maj • 02:01 • -16.9db
8% Popularity • 52% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
8% Popularity • 52% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Jamie Rock
Eres la unica
82 bpm • G# Maj • 03:06 • -10.67db
14% Popularity • 67% Danceability • 31% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
14% Popularity • 67% Danceability • 31% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
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Daria Semikina
Hurt
82 bpm • G Maj • 04:20 • -17.82db
10% Popularity • 50% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
10% Popularity • 50% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Pieter Nanne
Lágrima
82 bpm • B min • 01:42 • -17.77db
26% Popularity • 45% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
26% Popularity • 45% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Pascal Flores
Cruisin' Baja California
82 bpm • G# min • 02:05 • -11.85db
29% Popularity • 56% Danceability • 26% Energy • 10% Liveness
87% Instrumentalness • 57% Positiveness
29% Popularity • 56% Danceability • 26% Energy • 10% Liveness
87% Instrumentalness • 57% Positiveness
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Rick Cyge
American Tune - Instrumental Version
82 bpm • C Maj • 03:54 • -16.45db
16% Popularity • 71% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 79% Positiveness
16% Popularity • 71% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 79% Positiveness
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Tommy Berre
Turquoise Sand
82 bpm • C Maj • 02:05 • -14.43db
39% Popularity • 75% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
39% Popularity • 75% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
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Tim Hans
Taormina
82 bpm • D Maj • 02:02 • -19.97db
17% Popularity • 61% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
17% Popularity • 61% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Tobias Eichhorn
The Turning Point
82 bpm • D Maj • 02:20 • -17db
25% Popularity • 43% Danceability • 13% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
25% Popularity • 43% Danceability • 13% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
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Jürg Kindle
Rebirth
82 bpm • D min • 03:00 • -21.1db
35% Popularity • 40% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
35% Popularity • 40% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Robert D Boman
Waterfront
83 bpm • E Maj • 01:32 • -21.91db
28% Popularity • 59% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
28% Popularity • 59% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
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Salvatore Nanè
Valsa Guinghiana
83 bpm • C min • 02:24 • -18.65db
10% Popularity • 51% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
10% Popularity • 51% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en-l'air
63 bpm • D Maj • 02:08 • -18.38db
12% Popularity • 55% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
12% Popularity • 55% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
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Des Reid
Lazy Daze
83 bpm • G Maj • 04:12 • -18.07db
17% Popularity • 51% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
17% Popularity • 51% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
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Ciara Lowry
Snowflakes
83 bpm • A min • 02:27 • -19.98db
19% Popularity • 63% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
19% Popularity • 63% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Bong Rosario
Huwag Kang Mangamba - Instrumental
83 bpm • C Maj • 04:32 • -20.28db
10% Popularity • 44% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
10% Popularity • 44% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Klaus Trabitsch
2 Step
83 bpm • G Maj • 02:33 • -22.74db
9% Popularity • 47% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
9% Popularity • 47% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
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Luiz Bonfá
Sambalamento
83 bpm • F Maj • 01:25 • -23.29db
18% Popularity • 52% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
18% Popularity • 52% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
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Carlos Mateo
Honey Pie
83 bpm • G Maj • 01:49 • -17.72db
37% Popularity • 46% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
37% Popularity • 46% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
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Elliot Miles
Nightfall Sky
83 bpm • G Maj • 02:21 • -17.39db
17% Popularity • 56% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 75% Positiveness
17% Popularity • 56% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 75% Positiveness
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TimmyDzi
Bến Vắng - HQ Remastered
62 bpm • C Maj • 04:23 • -24.65db
10% Popularity • 69% Danceability • 7% Energy • 9% Liveness
75% Instrumentalness • 34% Positiveness
10% Popularity • 69% Danceability • 7% Energy • 9% Liveness
75% Instrumentalness • 34% Positiveness
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Sam Pedro
Every Little Thing She Does Is Magic (Gu...
84 bpm • D Maj • 02:40 • -12.33db
32% Popularity • 60% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
32% Popularity • 60% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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Klaus Trabitsch
Irisch
83 bpm • D Maj • 02:20 • -23.21db
10% Popularity • 49% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
10% Popularity • 49% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Magnus Strömberg
Eftertänk
84 bpm • C Maj • 00:59 • -21.12db
21% Popularity • 55% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
21% Popularity • 55% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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Giannis Venizelos
Open view
84 bpm • A min • 02:12 • -15.38db
23% Popularity • 66% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
23% Popularity • 66% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
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Ciara Lowry
Confessions
62 bpm • G Maj • 02:07 • -18.22db
16% Popularity • 72% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
16% Popularity • 72% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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お洒落ボサノバClub
ゆったり読書BGM
84 bpm • D Maj • 03:01 • -21.71db
18% Popularity • 56% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
18% Popularity • 56% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
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榊原長紀
ラヴィン・ユー
84 bpm • G Maj • 04:30 • -18.02db
7% Popularity • 52% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
7% Popularity • 52% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Oliver Young
Gentle On My Mind
84 bpm • D Maj • 03:01 • -17.33db
17% Popularity • 55% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 67% Positiveness
17% Popularity • 55% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 67% Positiveness
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Adam Felix
Rivers
84 bpm • D Maj • 03:44 • -22.61db
6% Popularity • 61% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
6% Popularity • 61% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Fredrik Johansson
Longing
84 bpm • A Maj • 02:16 • -9.64db
20% Popularity • 69% Danceability • 31% Energy • 9% Liveness
85% Instrumentalness • 85% Positiveness
20% Popularity • 69% Danceability • 31% Energy • 9% Liveness
85% Instrumentalness • 85% Positiveness
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Frederic Dupont
Walcot
84 bpm • C Maj • 02:38 • -14db
19% Popularity • 45% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
19% Popularity • 45% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
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Liv Mattinen
Auld Lang Syne
84 bpm • D Maj • 02:11 • -20.4db
29% Popularity • 54% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
29% Popularity • 54% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Javier Miño
Nina Bobo
84 bpm • E Maj • 02:02 • -20.63db
17% Popularity • 52% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
17% Popularity • 52% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
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甘い夜のジャズ
大人の愛のジャズ
61 bpm • F Maj • 03:02 • -26.96db
11% Popularity • 58% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
11% Popularity • 58% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Pieter Nanne
Reluctant Bride
84 bpm • E min • 01:43 • -17.71db
26% Popularity • 48% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
26% Popularity • 48% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Michelle Qureshi
With Tenderness
61 bpm • G Maj • 02:43 • -22.83db
19% Popularity • 44% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
19% Popularity • 44% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Per-Olov Kindgren
I'll be there
85 bpm • A# Maj • 02:42 • -19.02db
15% Popularity • 35% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
15% Popularity • 35% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Liv Mattinen
No Talking, Just Walking
84 bpm • B min • 03:02 • -20.4db
17% Popularity • 43% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
17% Popularity • 43% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
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Lance Takamiya
Rest Assured
85 bpm • E Maj • 02:28 • -18.21db
30% Popularity • 72% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 60% Positiveness
30% Popularity • 72% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 60% Positiveness
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Chris Sidwell
Too Much Heaven (Instrumental)
85 bpm • D Maj • 03:26 • -16.93db
22% Popularity • 63% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 48% Positiveness
22% Popularity • 63% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 48% Positiveness
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Alexa Popov
Deepend
85 bpm • C min • 02:10 • -15.34db
18% Popularity • 75% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
18% Popularity • 75% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Jack Black
Truco romantico
85 bpm • A Maj • 06:28 • -16.24db
16% Popularity • 42% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
16% Popularity • 42% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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David Albornoz
Quiet Lament
86 bpm • A Maj • 01:52 • -14.09db
33% Popularity • 50% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
33% Popularity • 50% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Liv Mattinen
Inertia
85 bpm • C# min • 02:12 • -19.24db
28% Popularity • 39% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
28% Popularity • 39% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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Andrew S Knox
Spring
86 bpm • F Maj • 02:20 • -19.26db
0% Popularity • 63% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
0% Popularity • 63% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
