Songs like Aussie Drone by Amelito Bokayo
Based on a tempo of (+/- 10%) and a similar genre
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Cyril Sorongon
Afrotrance
135 bpm • C Maj • 03:27 • -6.79db
0% Popularity • 68% Danceability • 84% Energy • 9% Liveness
42% Instrumentalness • 80% Positiveness
0% Popularity • 68% Danceability • 84% Energy • 9% Liveness
42% Instrumentalness • 80% Positiveness
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Ran Bagno
Masculine
135 bpm • D Maj • 09:28 • -13.49db
12% Popularity • 79% Danceability • 38% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
12% Popularity • 79% Danceability • 38% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Amelito Bokayo
Asiatica
135 bpm • G min • 03:19 • -6.17db
0% Popularity • 52% Danceability • 83% Energy • 31% Liveness
35% Instrumentalness • 56% Positiveness
0% Popularity • 52% Danceability • 83% Energy • 31% Liveness
35% Instrumentalness • 56% Positiveness
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Norki Reyes
Patakha Mambo
135 bpm • A# min • 02:40 • -2.8db
14% Popularity • 92% Danceability • 92% Energy • 7% Liveness
46% Instrumentalness • 75% Positiveness
14% Popularity • 92% Danceability • 92% Energy • 7% Liveness
46% Instrumentalness • 75% Positiveness
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The Otherside
Double Damage
136 bpm • G min • 08:31 • -6db
15% Popularity • 70% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 70% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Auni
Twinkling Lights (Reimagined)
134 bpm • D Maj • 02:01 • -13.6db
45% Popularity • 37% Danceability • 22% Energy • 12% Liveness
13% Instrumentalness • 9% Positiveness
45% Popularity • 37% Danceability • 22% Energy • 12% Liveness
13% Instrumentalness • 9% Positiveness
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Joel Francisco Perri
Tarantella Di Napoli
136 bpm • A Maj • 03:01 • -9.56db
36% Popularity • 51% Danceability • 57% Energy • 37% Liveness
91% Instrumentalness • 96% Positiveness
36% Popularity • 51% Danceability • 57% Energy • 37% Liveness
91% Instrumentalness • 96% Positiveness
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Uno Helmersson
The End
136 bpm • D Maj • 02:07 • -14.62db
10% Popularity • 15% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Amelito Bokayo
Pating
136 bpm • C Maj • 01:16 • -16.3db
0% Popularity • 22% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 22% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Coco Bee
Kauai Oo's Last Song
136 bpm • D min • 07:46 • -26.44db
8% Popularity • 40% Danceability • 4% Energy • 20% Liveness
13% Instrumentalness • 23% Positiveness
8% Popularity • 40% Danceability • 4% Energy • 20% Liveness
13% Instrumentalness • 23% Positiveness
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Kristian Eidnes Andersen
Sacking
134 bpm • G Maj • 01:11 • -14.01db
10% Popularity • 54% Danceability • 12% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
10% Popularity • 54% Danceability • 12% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
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Al Lethbridge
The HIgh Pass
137 bpm • D min • 02:00 • -18.27db
8% Popularity • 33% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 15% Positiveness
8% Popularity • 33% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 15% Positiveness
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Khaled Elgabry
Back to Back
133 bpm • A min • 01:22 • -18.01db
20% Popularity • 74% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
20% Popularity • 74% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
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Rafael Krux
Mysterious Magical Piano
137 bpm • C min • 02:09 • -20.65db
10% Popularity • 19% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
10% Popularity • 19% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Amelito Bokayo
Duyug
136 bpm • B Maj • 01:33 • -12.64db
0% Popularity • 56% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
0% Popularity • 56% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
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Akshay Sreeram
Earth Song - Orchestral Version
133 bpm • D min • 04:25 • -15db
34% Popularity • 18% Danceability • 32% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
34% Popularity • 18% Danceability • 32% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
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Kevin MacLeod
Tafi Maradi
133 bpm • C# Maj • 02:38 • -10.71db
26% Popularity • 91% Danceability • 88% Energy • 9% Liveness
36% Instrumentalness • 41% Positiveness
26% Popularity • 91% Danceability • 88% Energy • 9% Liveness
36% Instrumentalness • 41% Positiveness
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Deskant
Bliksem Beat
133 bpm • G# min • 01:53 • -6.65db
33% Popularity • 75% Danceability • 98% Energy • 25% Liveness
86% Instrumentalness • 52% Positiveness
33% Popularity • 75% Danceability • 98% Energy • 25% Liveness
86% Instrumentalness • 52% Positiveness
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Z M Taiwan
Green Light Forest
137 bpm • D Maj • 09:27 • -26.37db
15% Popularity • 39% Danceability • 9% Energy • 74% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 39% Danceability • 9% Energy • 74% Liveness
0% Instrumentalness • 10% Positiveness
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Dracia
Sands of the Orient
137 bpm • A min • 01:58 • -9.25db
19% Popularity • 68% Danceability • 34% Energy • 13% Liveness
61% Instrumentalness • 71% Positiveness
19% Popularity • 68% Danceability • 34% Energy • 13% Liveness
61% Instrumentalness • 71% Positiveness
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Amelito Bokayo
Tubub
136 bpm • A# min • 01:12 • -9.81db
0% Popularity • 55% Danceability • 68% Energy • 13% Liveness
98% Instrumentalness • 69% Positiveness
0% Popularity • 55% Danceability • 68% Energy • 13% Liveness
98% Instrumentalness • 69% Positiveness
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Delphine Malaussena
Sans lui
138 bpm • A min • 01:17 • -30.84db
15% Popularity • 23% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
15% Popularity • 23% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Renato Di Prinzio
Cueva de la yedra - Instrumental
132 bpm • D min • 03:13 • -20.43db
8% Popularity • 53% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
8% Popularity • 53% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Subham jossi
Flute Of Jungle
138 bpm • D Maj • 01:18 • -14.87db
23% Popularity • 29% Danceability • 18% Energy • 14% Liveness
78% Instrumentalness • 44% Positiveness
23% Popularity • 29% Danceability • 18% Energy • 14% Liveness
78% Instrumentalness • 44% Positiveness
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Óscar Carrillo
San achika ye nikan
138 bpm • F# Maj • 05:30 • -22.32db
10% Popularity • 46% Danceability • 21% Energy • 68% Liveness
30% Instrumentalness • 18% Positiveness
10% Popularity • 46% Danceability • 21% Energy • 68% Liveness
30% Instrumentalness • 18% Positiveness
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Nitin Sawhney
Playtime
138 bpm • A# Maj • 01:28 • -12.61db
10% Popularity • 80% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
10% Popularity • 80% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
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Amelito Bokayo
Woman of Pasig
133 bpm • B Maj • 01:46 • -10.96db
1% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Gierto
Laguna
138 bpm • F# min • 06:15 • -5.88db
12% Popularity • 31% Danceability • 97% Energy • 6% Liveness
94% Instrumentalness • 17% Positiveness
12% Popularity • 31% Danceability • 97% Energy • 6% Liveness
94% Instrumentalness • 17% Positiveness
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The Toxic Avenger
Bad Girls Need Love Too - Extended Versi...
132 bpm • G Maj • 04:54 • -4.94db
35% Popularity • 82% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 82% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Cyril Sorongon
Set Your Soul on Fire
138 bpm • B min • 02:40 • -7.68db
0% Popularity • 58% Danceability • 88% Energy • 7% Liveness
81% Instrumentalness • 65% Positiveness
0% Popularity • 58% Danceability • 88% Energy • 7% Liveness
81% Instrumentalness • 65% Positiveness
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Hindustani DJ
Indian Techno Music
132 bpm • E min • 05:50 • -5.92db
7% Popularity • 63% Danceability • 93% Energy • 27% Liveness
82% Instrumentalness • 60% Positiveness
7% Popularity • 63% Danceability • 93% Energy • 27% Liveness
82% Instrumentalness • 60% Positiveness
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Brian Cua
Irish Pride
132 bpm • A min • 03:31 • -7.69db
1% Popularity • 55% Danceability • 92% Energy • 14% Liveness
24% Instrumentalness • 55% Positiveness
1% Popularity • 55% Danceability • 92% Energy • 14% Liveness
24% Instrumentalness • 55% Positiveness
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Amelito Bokayo
Tibetan Mood
133 bpm • G Maj • 01:38 • -12.79db
0% Popularity • 27% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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moon blues
Halloween Waltz
132 bpm • A min • 01:08 • -10.16db
20% Popularity • 95% Danceability • 28% Energy • 9% Liveness
10% Instrumentalness • 58% Positiveness
20% Popularity • 95% Danceability • 28% Energy • 9% Liveness
10% Instrumentalness • 58% Positiveness
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Jerzy Rogiewicz
Pater Viperae
132 bpm • D Maj • 01:49 • -19.19db
9% Popularity • 70% Danceability • 4% Energy • 13% Liveness
49% Instrumentalness • 8% Positiveness
9% Popularity • 70% Danceability • 4% Energy • 13% Liveness
49% Instrumentalness • 8% Positiveness
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FalstaFF
Spirto
132 bpm • E Maj • 02:25 • -11db
13% Popularity • 59% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 59% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Cyril Sorongon
Banglah
139 bpm • D Maj • 02:52 • -6.71db
0% Popularity • 62% Danceability • 81% Energy • 27% Liveness
48% Instrumentalness • 60% Positiveness
0% Popularity • 62% Danceability • 81% Energy • 27% Liveness
48% Instrumentalness • 60% Positiveness
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Floraleda Sacchi
Mission
139 bpm • D Maj • 03:36 • -10.89db
17% Popularity • 41% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
17% Popularity • 41% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
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Amelito Bokayo
Bitangoc
139 bpm • A# min • 01:26 • -10.83db
0% Popularity • 57% Danceability • 62% Energy • 11% Liveness
98% Instrumentalness • 54% Positiveness
0% Popularity • 57% Danceability • 62% Energy • 11% Liveness
98% Instrumentalness • 54% Positiveness
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John Kenny
Loughnashade Lament
139 bpm • D# Maj • 05:17 • -32.35db
10% Popularity • 14% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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The Gyuto Monks Tantric Choir
Praising the Deity
131 bpm • C Maj • 07:49 • -15db
26% Popularity • 18% Danceability • 39% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 39% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Hanu Dixit
Dreams Of River Ganga
139 bpm • A# min • 02:22 • -10.92db
10% Popularity • 28% Danceability • 48% Energy • 15% Liveness
54% Instrumentalness • 63% Positiveness
10% Popularity • 28% Danceability • 48% Energy • 15% Liveness
54% Instrumentalness • 63% Positiveness
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United States Air Force Band
Air
139 bpm • D Maj • 03:02 • -20.57db
15% Popularity • 14% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
15% Popularity • 14% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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xxxCr3
Broken
140 bpm • G# Maj • 01:59 • -19.74db
16% Popularity • 90% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 65% Positiveness
16% Popularity • 90% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 65% Positiveness
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David Mindel
Air Dancing
140 bpm • A min • 02:37 • -16.7db
13% Popularity • 50% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
13% Popularity • 50% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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怜乐
云野有禅音 - 古风纯音乐
130 bpm • B min • 02:36 • -25.2db
13% Popularity • 43% Danceability • 3% Energy • 35% Liveness
67% Instrumentalness • 14% Positiveness
13% Popularity • 43% Danceability • 3% Energy • 35% Liveness
67% Instrumentalness • 14% Positiveness
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Eitan Epstein Music
Sneaky Friends
130 bpm • G min • 01:06 • -20.64db
24% Popularity • 94% Danceability • 10% Energy • 10% Liveness
31% Instrumentalness • 91% Positiveness
24% Popularity • 94% Danceability • 10% Energy • 10% Liveness
31% Instrumentalness • 91% Positiveness
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Medité
Godfather
140 bpm • F min • 01:59 • -13.71db
22% Popularity • 32% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
22% Popularity • 32% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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The Highlander
Emotional Overload - Shed a Tear Mix
140 bpm • A min • 09:40 • -6.45db
17% Popularity • 63% Danceability • 87% Energy • 19% Liveness
69% Instrumentalness • 55% Positiveness
17% Popularity • 63% Danceability • 87% Energy • 19% Liveness
69% Instrumentalness • 55% Positiveness
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Renato Di Prinzio
Onward to the edge of eternity
140 bpm • A min • 03:57 • -25.47db
11% Popularity • 49% Danceability • 8% Energy • 18% Liveness
4% Instrumentalness • 38% Positiveness
11% Popularity • 49% Danceability • 8% Energy • 18% Liveness
4% Instrumentalness • 38% Positiveness
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Vernex
Sioux
140 bpm • F Maj • 03:32 • -8db
16% Popularity • 80% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 80% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Brian Cua
War Trance
140 bpm • A# min • 03:05 • -7.35db
0% Popularity • 56% Danceability • 87% Energy • 30% Liveness
45% Instrumentalness • 38% Positiveness
0% Popularity • 56% Danceability • 87% Energy • 30% Liveness
45% Instrumentalness • 38% Positiveness
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Matteo Ceccarini
Pulsion
140 bpm • C# Maj • 03:28 • -15.11db
8% Popularity • 84% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 84% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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spëcht
2.1
130 bpm • G# min • 06:15 • -15.93db
9% Popularity • 54% Danceability • 63% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
9% Popularity • 54% Danceability • 63% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Tiberio Gracco
So Rain - Guitar Version
140 bpm • A min • 01:12 • -22.71db
26% Popularity • 60% Danceability • 44% Energy • 85% Liveness
98% Instrumentalness • 14% Positiveness
26% Popularity • 60% Danceability • 44% Energy • 85% Liveness
98% Instrumentalness • 14% Positiveness
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Gold-Tiger
Funny
130 bpm • C min • 01:25 • -13db
35% Popularity • 93% Danceability • 32% Energy • 12% Liveness
83% Instrumentalness • 56% Positiveness
35% Popularity • 93% Danceability • 32% Energy • 12% Liveness
83% Instrumentalness • 56% Positiveness
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KUDRIAVYI
Mystery Mask
130 bpm • D Maj • 02:20 • -22.98db
12% Popularity • 79% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
12% Popularity • 79% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Brian Cua
Neon Beats
140 bpm • G min • 02:55 • -6.07db
2% Popularity • 55% Danceability • 75% Energy • 5% Liveness
80% Instrumentalness • 72% Positiveness
2% Popularity • 55% Danceability • 75% Energy • 5% Liveness
80% Instrumentalness • 72% Positiveness
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Mike Chibante
Halloween Theme (Opening)
130 bpm • B Maj • 01:37 • -14.8db
14% Popularity • 60% Danceability • 79% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
14% Popularity • 60% Danceability • 79% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
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Dj Marx
Sweet Satisfaction (Bootleg)
130 bpm • G# min • 07:01 • -3.68db
17% Popularity • 79% Danceability • 96% Energy • 6% Liveness
74% Instrumentalness • 43% Positiveness
17% Popularity • 79% Danceability • 96% Energy • 6% Liveness
74% Instrumentalness • 43% Positiveness
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NADiA KOSSINSKAJA
Fragile Lullaby
130 bpm • E min • 02:12 • -11.72db
14% Popularity • 38% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
14% Popularity • 38% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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ITSU
Cathedral
130 bpm • D Maj • 03:28 • -16.07db
19% Popularity • 21% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Cinematic Delirium
Training Day
130 bpm • C# Maj • 01:23 • -20.39db
11% Popularity • 89% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
11% Popularity • 89% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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Brian Cua
Global Diversity
130 bpm • C# Maj • 03:02 • -8.2db
2% Popularity • 66% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 24% Positiveness
2% Popularity • 66% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 24% Positiveness
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Cyril Sorongon
Open to the World
130 bpm • A# min • 03:05 • -8.38db
7% Popularity • 65% Danceability • 70% Energy • 21% Liveness
87% Instrumentalness • 70% Positiveness
7% Popularity • 65% Danceability • 70% Energy • 21% Liveness
87% Instrumentalness • 70% Positiveness
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Teddy Katigbak
Children of Peace
130 bpm • E Maj • 02:49 • -10.25db
0% Popularity • 64% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
0% Popularity • 64% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Ana Krstajic
Oj dodo, dodole!
130 bpm • D min • 01:12 • -12.81db
14% Popularity • 65% Danceability • 28% Energy • 7% Liveness
2% Instrumentalness • 35% Positiveness
14% Popularity • 65% Danceability • 28% Energy • 7% Liveness
2% Instrumentalness • 35% Positiveness
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Evan Tower
Hoja De Peringa
129 bpm • G min • 03:30 • -20.91db
9% Popularity • 60% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
9% Popularity • 60% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
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Wisley Vilela
Cleópatra, Rainha do Egito
141 bpm • G Maj • 04:17 • -17.75db
8% Popularity • 47% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
8% Popularity • 47% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Hamza Bouchnak
Abdallah
141 bpm • F min • 02:56 • -25.12db
10% Popularity • 23% Danceability • 28% Energy • 15% Liveness
75% Instrumentalness • 12% Positiveness
10% Popularity • 23% Danceability • 28% Energy • 15% Liveness
75% Instrumentalness • 12% Positiveness
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Cyril Sorongon
Blood and Tears
130 bpm • E Maj • 02:01 • -17.16db
0% Popularity • 24% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Mirko Dukanovic
Laura's Dance - Slowed
141 bpm • D# min • 01:57 • -29.31db
32% Popularity • 34% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
32% Popularity • 34% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
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巫娜
薄雾晨熙
141 bpm • G Maj • 05:21 • -11.12db
7% Popularity • 27% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 10% Positiveness
7% Popularity • 27% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 10% Positiveness
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Amelito Bokayo
Kundiman Mood
129 bpm • C Maj • 01:55 • -25.04db
1% Popularity • 54% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
1% Popularity • 54% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
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Handpan Joe
Return Of The Light
129 bpm • D min • 03:22 • -30.63db
19% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 58% Positiveness
19% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 58% Positiveness
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Jean-Marc Staehle
Memories of Atlantis
129 bpm • C min • 03:50 • -20db
40% Popularity • 26% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
40% Popularity • 26% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
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Cyril Sorongon
Desert Dance
141 bpm • D Maj • 03:34 • -6.27db
0% Popularity • 65% Danceability • 68% Energy • 14% Liveness
33% Instrumentalness • 30% Positiveness
0% Popularity • 65% Danceability • 68% Energy • 14% Liveness
33% Instrumentalness • 30% Positiveness
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Kelly T Nguyen
Bad Friend
142 bpm • C# Maj • 01:33 • -4.68db
25% Popularity • 68% Danceability • 87% Energy • 11% Liveness
83% Instrumentalness • 79% Positiveness
25% Popularity • 68% Danceability • 87% Energy • 11% Liveness
83% Instrumentalness • 79% Positiveness
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Drosi mikanam
Bevi
128 bpm • B min • 04:46 • -18.63db
33% Popularity • 84% Danceability • 46% Energy • 10% Liveness
76% Instrumentalness • 92% Positiveness
33% Popularity • 84% Danceability • 46% Energy • 10% Liveness
76% Instrumentalness • 92% Positiveness
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究極のチベットヒーリング
チベットマントラ音楽
142 bpm • C min • 05:55 • -17.78db
8% Popularity • 66% Danceability • 54% Energy • 11% Liveness
21% Instrumentalness • 45% Positiveness
8% Popularity • 66% Danceability • 54% Energy • 11% Liveness
21% Instrumentalness • 45% Positiveness
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Brian Cua
Oriental Funk
128 bpm • C min • 03:07 • -7.53db
1% Popularity • 56% Danceability • 94% Energy • 30% Liveness
93% Instrumentalness • 70% Positiveness
1% Popularity • 56% Danceability • 94% Energy • 30% Liveness
93% Instrumentalness • 70% Positiveness
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巫娜
一叶知心
128 bpm • D min • 05:22 • -12.46db
9% Popularity • 50% Danceability • 12% Energy • 6% Liveness
70% Instrumentalness • 15% Positiveness
9% Popularity • 50% Danceability • 12% Energy • 6% Liveness
70% Instrumentalness • 15% Positiveness
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Jesse Solomon Clark
aBiogenesis
142 bpm • A Maj • 01:22 • -24.58db
15% Popularity • 19% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Angelo Dore
The Greatest Trick - Original Mix
128 bpm • A Maj • 05:45 • -4.31db
15% Popularity • 80% Danceability • 68% Energy • 36% Liveness
83% Instrumentalness • 44% Positiveness
15% Popularity • 80% Danceability • 68% Energy • 36% Liveness
83% Instrumentalness • 44% Positiveness
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Doublekick
Porn District
128 bpm • A Maj • 06:11 • -0.77db
11% Popularity • 81% Danceability • 75% Energy • 62% Liveness
70% Instrumentalness • 54% Positiveness
11% Popularity • 81% Danceability • 75% Energy • 62% Liveness
70% Instrumentalness • 54% Positiveness
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Leo Birenberg & Zach Robinson
Raid Begins
128 bpm • B Maj • 03:29 • -12.04db
15% Popularity • 58% Danceability • 72% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
15% Popularity • 58% Danceability • 72% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Cyril Sorongon
House Delight
129 bpm • A min • 03:32 • -6.99db
1% Popularity • 64% Danceability • 70% Energy • 31% Liveness
78% Instrumentalness • 54% Positiveness
1% Popularity • 64% Danceability • 70% Energy • 31% Liveness
78% Instrumentalness • 54% Positiveness
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Brian Cua
Ebony Electro
128 bpm • A min • 02:36 • -7.05db
0% Popularity • 67% Danceability • 77% Energy • 12% Liveness
58% Instrumentalness • 87% Positiveness
0% Popularity • 67% Danceability • 77% Energy • 12% Liveness
58% Instrumentalness • 87% Positiveness
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Artem Uzunov
It’s Time to Play
128 bpm • G# Maj • 03:22 • -3.98db
27% Popularity • 81% Danceability • 99% Energy • 19% Liveness
49% Instrumentalness • 59% Positiveness
27% Popularity • 81% Danceability • 99% Energy • 19% Liveness
49% Instrumentalness • 59% Positiveness
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Amelito Bokayo
Ugong
142 bpm • G# min • 00:59 • -23.35db
0% Popularity • 45% Danceability • 24% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
0% Popularity • 45% Danceability • 24% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
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Pablo Samonta
The Search
128 bpm • B min • 01:07 • -18.15db
12% Popularity • 69% Danceability • 80% Energy • 35% Liveness
97% Instrumentalness • 86% Positiveness
12% Popularity • 69% Danceability • 80% Energy • 35% Liveness
97% Instrumentalness • 86% Positiveness
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Renato Di Prinzio
Ancient Greek Music Lament for the death...
143 bpm • D min • 04:25 • -20.78db
9% Popularity • 62% Danceability • 7% Energy • 10% Liveness
55% Instrumentalness • 9% Positiveness
9% Popularity • 62% Danceability • 7% Energy • 10% Liveness
55% Instrumentalness • 9% Positiveness
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Cyril Sorongon
Tweaky
129 bpm • C Maj • 03:07 • -6.13db
1% Popularity • 61% Danceability • 76% Energy • 70% Liveness
3% Instrumentalness • 72% Positiveness
1% Popularity • 61% Danceability • 76% Energy • 70% Liveness
3% Instrumentalness • 72% Positiveness
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Christophe Beck
Be Useful
128 bpm • E Maj • 01:09 • -31.17db
14% Popularity • 81% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
14% Popularity • 81% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Andrea Chiarini
Asturias
143 bpm • C# Maj • 02:26 • -7.94db
23% Popularity • 49% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
23% Popularity • 49% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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Amelito Bokayo
Courtship
142 bpm • D Maj • 01:56 • -13.94db
0% Popularity • 67% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 55% Positiveness
0% Popularity • 67% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 55% Positiveness
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Action Alexi
Middle East
128 bpm • C# Maj • 03:02 • -18.98db
13% Popularity • 18% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Out of Flux
MAXIMUM - Instrumental Version
127 bpm • G# Maj • 01:16 • -10.57db
33% Popularity • 80% Danceability • 72% Energy • 9% Liveness
70% Instrumentalness • 30% Positiveness
33% Popularity • 80% Danceability • 72% Energy • 9% Liveness
70% Instrumentalness • 30% Positiveness