Songs like Austin - Acoustic by Blake Shelton
Based on a tempo of (+/- 10%) and a similar genre
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Jameson Rodgers
Porch with a View
120 bpm • F# min • 02:43 • -6db
35% Popularity • 60% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 60% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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The Reklaws
11 Beers
120 bpm • G Maj • 03:24 • -3db
43% Popularity • 59% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
43% Popularity • 59% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Lily Rose
Someone New In Town
120 bpm • C# Maj • 03:41 • -4.99db
26% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Canaan Smith
Mason Jars & Fireflies
120 bpm • B min • 03:07 • -5.65db
35% Popularity • 61% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 61% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Rhett
Anything Cold
120 bpm • G Maj • 02:46 • -5.52db
37% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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LOCASH
Sippin Sunsets
120 bpm • G# Maj • 03:07 • -4.55db
29% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Aaron Watson
Nothing On You
120 bpm • G Maj • 03:13 • -5.91db
23% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Zac Brown Band
Slow Burn
120 bpm • C# Maj • 03:31 • -2.89db
39% Popularity • 57% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 57% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Eli Young Band
Break Up In A Bar
120 bpm • E Maj • 03:36 • -4.89db
26% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Blake Shelton
Austin - Acoustic
120 bpm • G Maj • 03:46 • -7.96db
33% Popularity • 68% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 68% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Brad Paisley
Don't Drink the Water
121 bpm • G Maj • 03:46 • -3.7db
33% Popularity • 56% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 56% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Ty Herndon
Dents On A Chevy
119 bpm • D# Maj • 03:17 • -2.11db
26% Popularity • 59% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 59% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Randy Houser
Country Round Here Tonight
119 bpm • F min • 03:36 • -6db
51% Popularity • 67% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 67% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Colton Chapman
Livin Like Im Dyin
121 bpm • G Maj • 02:54 • -5.18db
21% Popularity • 62% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 70% Positiveness
21% Popularity • 62% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 70% Positiveness
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Chayce Beckham
I'll Take The Bar
121 bpm • D Maj • 04:04 • -5.57db
36% Popularity • 66% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 66% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Nate Barnes
If This Ain't Heaven
119 bpm • D min • 03:16 • -4.98db
17% Popularity • 58% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 58% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Kip Moore
Crazy One More Time - Revisited
119 bpm • F Maj • 03:51 • -7.41db
40% Popularity • 67% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 67% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Chad Cooke Band
I Just Want You
122 bpm • C Maj • 03:44 • -6.44db
33% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Easton Corbin
Between You and Me
118 bpm • G Maj • 03:32 • -5.33db
32% Popularity • 74% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 74% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Eric Church
Bright Side Girl
122 bpm • F Maj • 03:02 • -11.68db
34% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Deana Carter
Strawberry Wine - 2021 Version
122 bpm • B Maj • 05:19 • -6.09db
35% Popularity • 56% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 56% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Hood
Harder Stuff
122 bpm • G Maj • 04:32 • -12.4db
28% Popularity • 65% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 65% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Blake Shelton
All About Tonight
118 bpm • C Maj • 03:25 • -3.41db
45% Popularity • 67% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 67% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
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Tucker Beathard
Prayin' For You
118 bpm • D Maj • 03:49 • -7.81db
28% Popularity • 59% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 59% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Zac Brown Band
Don't Let Your Heart
122 bpm • B Maj • 03:18 • -3.51db
30% Popularity • 68% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 68% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Elvie Shane
Love, Cold Beer, Cheap Smoke
122 bpm • A Maj • 03:19 • -3.75db
39% Popularity • 69% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 69% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Ben Gallaher
Every Small Town
118 bpm • G Maj • 03:22 • -4.41db
24% Popularity • 59% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 59% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Lane
Dancin' In The Moonlight
122 bpm • G# min • 03:19 • -4.86db
59% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Jon Langston
When You're Lonely
118 bpm • F# Maj • 03:14 • -4.77db
40% Popularity • 56% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 56% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Austin Burke
Changed Everything
122 bpm • F# Maj • 03:46 • -6.51db
36% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Tim Hicks
Dodge Out Of Hell
122 bpm • G# Maj • 03:12 • -4.46db
38% Popularity • 59% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 59% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Dan Alley
Fall A Little Deeper
122 bpm • D Maj • 03:40 • -5.6db
18% Popularity • 59% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 59% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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BRELAND
Strawberry Wine - Spotify Singles
122 bpm • A Maj • 04:20 • -8.27db
40% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Lane
Howdy
122 bpm • F# Maj • 03:39 • -5.89db
25% Popularity • 55% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 55% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Brad Cox
Lake House - Acoustic
118 bpm • A Maj • 03:43 • -5.99db
33% Popularity • 61% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 61% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Brett Eldredge
Hideaway - Studio Version
122 bpm • G# Maj • 02:56 • -6.58db
44% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Filmore
Johnny Got A Girl
122 bpm • A Maj • 03:21 • -6.25db
6% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
6% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Lady A
What A Song Can Do
117 bpm • D# Maj • 03:41 • -5.41db
47% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Restless Road
Took One Look at Her Momma
117 bpm • G# Maj • 03:12 • -3.41db
35% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Dillon Carmichael
Son Of A (Acoustic)
124 bpm • C Maj • 03:16 • -8.18db
16% Popularity • 72% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 72% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Chayce Beckham
Can't Do Without Me
123 bpm • C# Maj • 03:21 • -3.6db
48% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Nicky James
Goin' Through
116 bpm • E Maj • 02:54 • -5.27db
12% Popularity • 64% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 64% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Jake Hoot
Wherever Time Goes
124 bpm • A# Maj • 03:43 • -8.41db
13% Popularity • 52% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 52% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Brett Eldredge
Hideaway
124 bpm • G# Maj • 02:43 • -5.57db
42% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Tebey
What Was I Drinking
116 bpm • E min • 02:57 • -3db
35% Popularity • 64% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 64% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Dillon Carmichael
Son Of A
124 bpm • C Maj • 03:13 • -7.54db
46% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Catie Offerman
Happyland Trailer Park
116 bpm • G# Maj • 04:03 • -5db
27% Popularity • 53% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 53% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Joe Nichols
Brokenhearted
116 bpm • G# Maj • 03:13 • -4.22db
25% Popularity • 58% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 58% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Craig Campbell
Outskirts of Heaven (Acoustic)
116 bpm • B Maj • 04:24 • -8.07db
33% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Aaron Watson
Dancing Around The Truth
116 bpm • G Maj • 04:14 • -4.77db
25% Popularity • 51% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 51% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ian Flanigan
Under a Southern Sky
125 bpm • E Maj • 03:36 • -4.24db
15% Popularity • 60% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 60% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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James Barker Band
Over All Over Again
115 bpm • G# Maj • 03:21 • -3.34db
36% Popularity • 58% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 58% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Eric Church
Love Shine Down
125 bpm • C# Maj • 02:46 • -6.11db
36% Popularity • 72% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 72% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Chris Janson
All In
115 bpm • G Maj • 03:00 • -4db
28% Popularity • 62% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 62% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Joe Nichols
I Got Friends That Do
115 bpm • G Maj • 03:15 • -4.71db
30% Popularity • 67% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 67% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Dustin Lynch
Fish In The Sea
126 bpm • F# Maj • 02:49 • -3.87db
39% Popularity • 68% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 68% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Ashley Cooke
Gettin' Somewhere
126 bpm • E Maj • 03:16 • -6.63db
35% Popularity • 64% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 64% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Rodell Duff
Red Dirt Cursed
126 bpm • G Maj • 03:56 • -5db
19% Popularity • 56% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 56% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Ray Fulcher
Anything Like You Dance (Radio Mix)
114 bpm • B Maj • 03:18 • -5.37db
15% Popularity • 67% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 67% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Jordan Fletcher
Death and Taxes
126 bpm • G Maj • 03:47 • -5db
15% Popularity • 61% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 61% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Mitch Rossell
Seeing Her
114 bpm • F# Maj • 03:06 • -4.62db
28% Popularity • 51% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
28% Popularity • 51% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Dustin Lynch
Party Mode
114 bpm • A# min • 03:31 • -2.75db
55% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Easton Corbin
Somebody's Gotta Be Country
114 bpm • G# Maj • 02:58 • -4.22db
26% Popularity • 72% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 72% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Ronnie Dunn
Good Bartender
114 bpm • G Maj • 03:08 • -4.89db
20% Popularity • 59% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 59% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Blake Shelton
Monday Mornin' Missin' You
114 bpm • D# Maj • 03:40 • -4.8db
29% Popularity • 66% Danceability • 84% Energy • 31% Liveness
3% Instrumentalness • 61% Positiveness
29% Popularity • 66% Danceability • 84% Energy • 31% Liveness
3% Instrumentalness • 61% Positiveness
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Ray Fulcher
Anything Like You Dance - Stripped
114 bpm • B Maj • 03:19 • -3.86db
27% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Jeremy McComb
Back Before I Knew Ya
114 bpm • F Maj • 02:42 • -4.5db
26% Popularity • 62% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 62% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Ian Munsick
Dreams - Stripped
114 bpm • D Maj • 03:31 • -6db
33% Popularity • 59% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 59% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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![You Ain't Dolly (And You Ain't Porter) [Duet with Blake Shelton] cover art](https://i.scdn.co/image/ab67616d00001e024ba7148c8180d602aecf204b)
Ashley Monroe
You Ain't Dolly (And You Ain't Porter) [...
127 bpm • E Maj • 04:03 • -6db
41% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Ronnie Dunn
Broken Neon Hearts
114 bpm • A Maj • 03:21 • -5.11db
27% Popularity • 63% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 63% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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A Thousand Horses
When I Hear Your Name
127 bpm • G min • 03:30 • -4.67db
24% Popularity • 56% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 56% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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LANCO
Low Class Lovers
127 bpm • F Maj • 04:39 • -5.72db
22% Popularity • 60% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 60% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jon Langston
Back Words
127 bpm • G# Maj • 03:19 • -5.11db
38% Popularity • 59% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 59% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Zac Brown Band
The Comeback
113 bpm • F# Maj • 03:19 • -3db
42% Popularity • 66% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 66% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Mitchell Tenpenny
Don't Make Me Choose
128 bpm • B Maj • 04:36 • -4.63db
34% Popularity • 65% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 65% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Restless Road
Hometown Tonight
128 bpm • C min • 02:48 • -5.06db
36% Popularity • 53% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 53% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Mitch Rossell
A Girl Does
113 bpm • E Maj • 03:24 • -4.42db
27% Popularity • 61% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 61% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Tyler Braden
What Do They Know
128 bpm • C# Maj • 03:52 • -5.98db
37% Popularity • 51% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 51% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Hurd
The Knife or the Hatchet
128 bpm • D Maj • 03:34 • -6.81db
24% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ryan Lindsay
If Your Heart Ain't In It
112 bpm • G# Maj • 02:57 • -7db
5% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
5% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Thomas Rhett
Half Of Me - Acoustic
112 bpm • G Maj • 02:55 • -5.26db
45% Popularity • 69% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 69% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Blake Shelton
Whatcha Doin' Tomorrow
112 bpm • C# Maj • 02:41 • -5.68db
27% Popularity • 76% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 76% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Clay Walker
Cowboy Loves A Woman
112 bpm • E Maj • 03:30 • -9.26db
23% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Tyler Braden
What Do They Know - Gravel Drive Sounds
128 bpm • C# Maj • 03:48 • -6.19db
27% Popularity • 55% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 55% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Aaron Lewis
One In The Same
112 bpm • D# Maj • 04:28 • -6.57db
31% Popularity • 52% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 52% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Dylan Wheeler
Hey Baby (Acoustic)
130 bpm • F Maj • 05:24 • -9.67db
28% Popularity • 59% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 59% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Thomas Rhett
Things Dads Do
112 bpm • E Maj • 04:09 • -7.31db
37% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ryan Hurd
Tab with My Name on It
111 bpm • A Maj • 04:18 • -7db
26% Popularity • 55% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 55% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Everette
Gonna Be A Problem
111 bpm • D Maj • 03:02 • -6.08db
21% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Blake Shelton
Neon Time
111 bpm • A Maj • 03:45 • -4.59db
24% Popularity • 73% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 73% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Mitch Rossell
Ran into You
130 bpm • D Maj • 03:33 • -6.09db
44% Popularity • 65% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 65% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Gary Allan
Ruthless
130 bpm • A# Maj • 03:37 • -6db
38% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Aaron Lewis
Again
111 bpm • G Maj • 04:03 • -5.02db
42% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Eric Church
Through My Ray-Bans
110 bpm • F Maj • 04:33 • -11.39db
44% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Midland
Sunrise Tells The Story - Acoustic
110 bpm • C Maj • 03:25 • -7.24db
31% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Blake Shelton
A Girl
130 bpm • D# Maj • 03:35 • -7db
27% Popularity • 74% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 74% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Jon Wayne Hatfield
Ring You Up
110 bpm • G Maj • 03:43 • -4.84db
16% Popularity • 64% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 64% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Dustin Lynch
Pasadena
110 bpm • D# Maj • 03:35 • -4.09db
32% Popularity • 63% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 63% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
