Songs like Autopsy by Fairport Convention
Based on a tempo of (+/- 10%) and a similar genre
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Shelagh Mcdonald
Peacock Lady
68 bpm • C min • 03:29 • -14.69db
7% Popularity • 36% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 36% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Dr. Strangely Strange
Dark Haired Lady
68 bpm • G# Maj • 02:56 • -13.91db
9% Popularity • 57% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 57% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Mimi And Richard Farina
Bold Marauder
68 bpm • F# Maj • 04:07 • -13.2db
11% Popularity • 33% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 33% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Fairport Convention
Autopsy
67 bpm • G min • 04:24 • -16.68db
31% Popularity • 59% Danceability • 18% Energy • 19% Liveness
6% Instrumentalness • 33% Positiveness
31% Popularity • 59% Danceability • 18% Energy • 19% Liveness
6% Instrumentalness • 33% Positiveness
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Ewan MacColl
The First Time Ever I Saw Your Face
67 bpm • D Maj • 02:34 • -19db
14% Popularity • 43% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 43% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Tom Rush
Urge for Going - Single Version
67 bpm • F Maj • 03:37 • -15.04db
9% Popularity • 47% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
9% Popularity • 47% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
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Harry Nilsson
The Moonbeam Song
69 bpm • G Maj • 03:22 • -21db
35% Popularity • 39% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 39% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Band
Whispering Pines
70 bpm • F Maj • 03:57 • -13db
34% Popularity • 40% Danceability • 32% Energy • 8% Liveness
26% Instrumentalness • 16% Positiveness
34% Popularity • 40% Danceability • 32% Energy • 8% Liveness
26% Instrumentalness • 16% Positiveness
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Dillard & Clark
In The Plan
72 bpm • F# min • 03:00 • -15.16db
26% Popularity • 43% Danceability • 37% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 43% Danceability • 37% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
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Fairport Convention
Meet On The Ledge
70 bpm • D Maj • 02:50 • -11.9db
32% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Kate & Anna McGarrigle
Go Leave
73 bpm • D# Maj • 03:23 • -23.03db
21% Popularity • 39% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 39% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Tom Rush
Lost My Drivin' Wheel
73 bpm • C Maj • 05:20 • -15db
21% Popularity • 35% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 35% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 27% Positiveness
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Townes Van Zandt
To Live Is To Fly
74 bpm • D Maj • 03:15 • -18.29db
43% Popularity • 67% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 67% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Roy Harper
When an Old Cricketer Leaves the Crease
74 bpm • A# Maj • 07:22 • -11db
22% Popularity • 26% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
22% Popularity • 26% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Tim Hardin
Green Rocky Road
75 bpm • A min • 02:18 • -17.63db
36% Popularity • 60% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 60% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Richard & Linda Thompson
Walking on a Wire
62 bpm • G Maj • 05:28 • -15.8db
22% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Nic Jones
Clyde Water
75 bpm • A# Maj • 06:03 • -5db
15% Popularity • 33% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 33% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Joan Armatrading
My Family - 2015 Remastered Version
76 bpm • G Maj • 03:09 • -9.99db
22% Popularity • 64% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 64% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Gene Clark
Tears Of Rage
76 bpm • E Maj • 04:12 • -10db
21% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Barbara Keith
Detroit or Buffalo
76 bpm • C Maj • 04:31 • -11db
34% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Dave Van Ronk
He Was A Friend Of Mine
76 bpm • F# Maj • 03:21 • -17.01db
36% Popularity • 45% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 45% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 54% Positiveness
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Richard & Linda Thompson
When I Get To The Border
76 bpm • C Maj • 03:27 • -10.19db
29% Popularity • 52% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
29% Popularity • 52% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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Tim Hardin
Don't Make Promises
76 bpm • A Maj • 02:26 • -13.61db
32% Popularity • 65% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 65% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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John Cale
Half Past France
76 bpm • D Maj • 04:19 • -15.46db
27% Popularity • 33% Danceability • 32% Energy • 9% Liveness
76% Instrumentalness • 33% Positiveness
27% Popularity • 33% Danceability • 32% Energy • 9% Liveness
76% Instrumentalness • 33% Positiveness
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Trader Horne
Morning Way
77 bpm • F Maj • 04:35 • -15.1db
12% Popularity • 35% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 35% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Kate & Anna McGarrigle
Talk to Me of Mendocino
77 bpm • F Maj • 03:10 • -19.15db
27% Popularity • 20% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 20% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Janis Ian
On The Train
77 bpm • A# min • 01:36 • -22.94db
37% Popularity • 55% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
37% Popularity • 55% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
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Gene Clark
Silver Raven
78 bpm • E min • 04:53 • -17.46db
29% Popularity • 37% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
29% Popularity • 37% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Heron
Upon Reflection
78 bpm • D Maj • 02:38 • -13.67db
11% Popularity • 35% Danceability • 31% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 35% Danceability • 31% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Judee Sill
The Kiss - Remastered
78 bpm • C Maj • 04:36 • -11.71db
34% Popularity • 19% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 19% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Tim Hardin
Black Sheep Boy
78 bpm • C# Maj • 01:53 • -12db
45% Popularity • 57% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 57% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Dillard & Clark
Polly
78 bpm • E min • 04:20 • -15.41db
31% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Pearls Before Swine
There Was a Man
78 bpm • A# Maj • 02:57 • -18.92db
24% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Andy Irvine
Arthur McBride
78 bpm • G Maj • 07:05 • -12.21db
35% Popularity • 55% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 55% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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The Albion Band
Ragged Heroes - 2003 Remaster
79 bpm • C Maj • 03:20 • -6.7db
12% Popularity • 46% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 46% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Alan Hull
One More Bottle of Wine
79 bpm • C Maj • 04:11 • -9.95db
14% Popularity • 50% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 50% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Tim Hardin
A Satisfied Mind
79 bpm • C Maj • 02:07 • -17.3db
20% Popularity • 35% Danceability • 10% Energy • 12% Liveness
16% Instrumentalness • 12% Positiveness
20% Popularity • 35% Danceability • 10% Energy • 12% Liveness
16% Instrumentalness • 12% Positiveness
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Martin Simpson
Never Any Good
79 bpm • D Maj • 05:26 • -9.31db
20% Popularity • 45% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 45% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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The Flying Burrito Brothers
Dark End Of The Street
79 bpm • G Maj • 03:50 • -11.54db
36% Popularity • 42% Danceability • 50% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
36% Popularity • 42% Danceability • 50% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
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Trees
The Garden of Jane Delawney
79 bpm • D min • 04:05 • -14.08db
30% Popularity • 42% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 42% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Steve Tilston
I Really Wanted You
80 bpm • E Maj • 03:55 • -18.7db
12% Popularity • 41% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 41% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Alan Hull
United States Of Mind - 2005 Digital Rem...
79 bpm • D Maj • 03:07 • -17.76db
20% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Kate & Anna McGarrigle
Blues in D
80 bpm • D Maj • 02:43 • -13.78db
21% Popularity • 53% Danceability • 16% Energy • 9% Liveness
14% Instrumentalness • 40% Positiveness
21% Popularity • 53% Danceability • 16% Energy • 9% Liveness
14% Instrumentalness • 40% Positiveness
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The Humblebums
Patrick
80 bpm • A Maj • 02:23 • -10.39db
13% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Phil Ochs
When I'm Gone
80 bpm • D# Maj • 04:13 • -19.04db
41% Popularity • 40% Danceability • 9% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 40% Danceability • 9% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
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Norma Waterson
Black Muddy Water
80 bpm • C Maj • 04:21 • -11.76db
16% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Tim Hardin
Red Balloon
80 bpm • G Maj • 02:33 • -23.2db
32% Popularity • 71% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 71% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Pearls Before Swine
The Jeweler
81 bpm • G Maj • 02:48 • -14db
17% Popularity • 41% Danceability • 30% Energy • 10% Liveness
10% Instrumentalness • 22% Positiveness
17% Popularity • 41% Danceability • 30% Energy • 10% Liveness
10% Instrumentalness • 22% Positiveness
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Iain Matthews
These Days
81 bpm • E Maj • 04:23 • -12.86db
18% Popularity • 45% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 45% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Roy Harper
Another Day
81 bpm • F Maj • 02:58 • -16.58db
27% Popularity • 50% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
27% Popularity • 50% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Van Morrison
Astral Weeks - 1999 Remaster
81 bpm • A Maj • 07:06 • -14.81db
50% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Family
My Friend The Sun - 2023 Remaster
81 bpm • A min • 04:21 • -16.97db
33% Popularity • 64% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 64% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Tim Hardin
First Love Song
81 bpm • A min • 04:25 • -21db
12% Popularity • 52% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 52% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Fairport Convention
Reynardine
81 bpm • G Maj • 04:33 • -17.7db
22% Popularity • 19% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
22% Popularity • 19% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Townes Van Zandt
Fare Thee Well, Miss Carousel
81 bpm • E Maj • 05:22 • -13.55db
46% Popularity • 55% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 55% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Gene Clark
White Light
81 bpm • E Maj • 03:37 • -8.95db
22% Popularity • 43% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 43% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Traffic
John Barleycorn (Must Die) - Remastered ...
82 bpm • D Maj • 06:22 • -11db
36% Popularity • 43% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 43% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Warren Zevon
Tule's Blues
82 bpm • G Maj • 03:02 • -12.64db
30% Popularity • 47% Danceability • 34% Energy • 16% Liveness
41% Instrumentalness • 45% Positiveness
30% Popularity • 47% Danceability • 34% Energy • 16% Liveness
41% Instrumentalness • 45% Positiveness
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Tim Hardin
While You're On Your Way
81 bpm • F Maj • 02:16 • -17.3db
26% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Judee Sill
My Man on Love - Remastered
82 bpm • G# Maj • 03:29 • -14.82db
29% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Anne Briggs
Go Your Way
82 bpm • G# Maj • 04:14 • -19.72db
24% Popularity • 42% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 42% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Maddy Prior & Tim Hart
False Knight on the Road
82 bpm • E Maj • 03:01 • -11db
22% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Tom Paxton
The Last Thing on My Mind
82 bpm • A Maj • 03:06 • -15db
41% Popularity • 58% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 58% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Chapman
One Time Thing - 2011 Remaster
82 bpm • F# min • 04:51 • -9.71db
10% Popularity • 47% Danceability • 46% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
10% Popularity • 47% Danceability • 46% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
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Tim Hardin
Reason To Believe
82 bpm • C Maj • 01:59 • -16.86db
52% Popularity • 65% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 65% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Richard & Linda Thompson
Dimming Of The Day / Dargai - Edit
83 bpm • D# Maj • 03:48 • -21.25db
36% Popularity • 38% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
36% Popularity • 38% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Gene Clark
Lady of the North
83 bpm • D Maj • 06:04 • -15.12db
22% Popularity • 34% Danceability • 27% Energy • 9% Liveness
44% Instrumentalness • 19% Positiveness
22% Popularity • 34% Danceability • 27% Energy • 9% Liveness
44% Instrumentalness • 19% Positiveness
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Davy Graham
Anji
83 bpm • A min • 01:27 • -5.74db
19% Popularity • 60% Danceability • 54% Energy • 9% Liveness
88% Instrumentalness • 81% Positiveness
19% Popularity • 60% Danceability • 54% Energy • 9% Liveness
88% Instrumentalness • 81% Positiveness
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Anne Briggs
Sandman's Song - Remastered
83 bpm • C# min • 05:03 • -16.76db
15% Popularity • 54% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 54% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tom Paxton
I Can't Help but Wonder Where I'm Bound
84 bpm • D Maj • 03:41 • -9db
32% Popularity • 61% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 61% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Iain Matthews
Knowing the Game
84 bpm • G# Maj • 02:36 • -11.92db
15% Popularity • 45% Danceability • 48% Energy • 10% Liveness
15% Instrumentalness • 60% Positiveness
15% Popularity • 45% Danceability • 48% Energy • 10% Liveness
15% Instrumentalness • 60% Positiveness
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Tim Hardin
Shiloh Town
84 bpm • G Maj • 03:09 • -12.1db
27% Popularity • 66% Danceability • 48% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
27% Popularity • 66% Danceability • 48% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
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Pearls Before Swine
Song About a Rose
84 bpm • G# min • 02:21 • -14.7db
13% Popularity • 54% Danceability • 30% Energy • 7% Liveness
4% Instrumentalness • 39% Positiveness
13% Popularity • 54% Danceability • 30% Energy • 7% Liveness
4% Instrumentalness • 39% Positiveness
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Bridget St John
Fly High
85 bpm • F Maj • 03:23 • -15.71db
11% Popularity • 26% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 26% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Judee Sill
There's a Rugged Road - Remastered
85 bpm • A Maj • 03:44 • -13db
32% Popularity • 20% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 20% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Tom Rush
These Days
84 bpm • C Maj • 02:38 • -19.7db
22% Popularity • 48% Danceability • 27% Energy • 24% Liveness
11% Instrumentalness • 29% Positiveness
22% Popularity • 48% Danceability • 27% Energy • 24% Liveness
11% Instrumentalness • 29% Positiveness
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Roy Harper
Tom Tiddler's Ground
86 bpm • E Maj • 06:49 • -10.84db
13% Popularity • 36% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 36% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Anne Briggs
Step Right Up - Remastered
86 bpm • F Maj • 03:09 • -10.86db
9% Popularity • 49% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 49% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Ralph McTell
Wait Until the Snow
85 bpm • E Maj • 03:06 • -12.94db
7% Popularity • 53% Danceability • 39% Energy • 9% Liveness
2% Instrumentalness • 38% Positiveness
7% Popularity • 53% Danceability • 39% Energy • 9% Liveness
2% Instrumentalness • 38% Positiveness
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Richard & Linda Thompson
Withered And Died
86 bpm • C Maj • 03:26 • -14.13db
28% Popularity • 46% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
28% Popularity • 46% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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The Incredible String Band
The Water Song - 2010 Remaster
87 bpm • C Maj • 02:47 • -13db
16% Popularity • 38% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 38% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 13% Positiveness
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Van Morrison
Sweet Thing - 1999 Remaster
87 bpm • E Maj • 04:25 • -14.64db
57% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
57% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Martin Simpson
Lakes of Champlain
87 bpm • D Maj • 04:39 • -10.97db
15% Popularity • 37% Danceability • 38% Energy • 17% Liveness
7% Instrumentalness • 63% Positiveness
15% Popularity • 37% Danceability • 38% Energy • 17% Liveness
7% Instrumentalness • 63% Positiveness
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Eric Andersen
Violets Of Dawn
88 bpm • D Maj • 03:50 • -17.8db
26% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Paul Kantner
Sketches of China - 2020 Remaster
88 bpm • C Maj • 05:15 • -15.45db
24% Popularity • 38% Danceability • 42% Energy • 64% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 38% Danceability • 42% Energy • 64% Liveness
0% Instrumentalness • 44% Positiveness
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Anne Briggs
Tangled Man - Remastered
89 bpm • F# Maj • 03:21 • -18.6db
13% Popularity • 51% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 51% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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The Incredible String Band
Job's Tears - 2010 Remaster
89 bpm • E Maj • 06:44 • -13.86db
16% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Fairport Convention
If (Stomp)
89 bpm • D Maj • 02:45 • -13.24db
21% Popularity • 59% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 59% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Lal Waterson
Some Old Salty
89 bpm • A# Maj • 02:47 • -12db
18% Popularity • 39% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 39% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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McGuinness Flint
Dream Darling Dream - Remastered
89 bpm • E Maj • 01:45 • -21.67db
24% Popularity • 55% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 55% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Roy Harper
Feeling All the Saturday
89 bpm • A# Maj • 01:56 • -15.8db
26% Popularity • 66% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 66% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Pentangle
Light Flight
89 bpm • G min • 03:14 • -11.08db
36% Popularity • 52% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
36% Popularity • 52% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
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The Incredible String Band
October Song - 2010 Remaster
89 bpm • F# Maj • 04:08 • -14db
19% Popularity • 47% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 47% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Fairport Convention
Book Song
90 bpm • G Maj • 03:13 • -15.11db
21% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Davy Graham
She Moved Through The Fair
90 bpm • G# Maj • 03:14 • -20.49db
21% Popularity • 44% Danceability • 20% Energy • 66% Liveness
89% Instrumentalness • 52% Positiveness
21% Popularity • 44% Danceability • 20% Energy • 66% Liveness
89% Instrumentalness • 52% Positiveness
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Karen Dalton
Are You Leaving for the Country
90 bpm • D Maj • 03:14 • -12.77db
21% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Matthews' Southern Comfort
And When She Smiles (She Makes the Sun S...
90 bpm • G Maj • 02:13 • -16.85db
20% Popularity • 58% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 58% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Anne Briggs
Fire and Wine - Remastered
91 bpm • D Maj • 03:28 • -11.54db
11% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
