Songs like Avainsana by Cucina Povera
Based on a tempo of (+/- 10%) and a similar genre
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Tomaga
Reverie for Fragile Houseplants
142 bpm • C Maj • 04:29 • -11.13db
27% Popularity • 29% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
27% Popularity • 29% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Cucina Povera
ZOOM0010
142 bpm • A Maj • 04:54 • -14.32db
2% Popularity • 80% Danceability • 3% Energy • 28% Liveness
1% Instrumentalness • 39% Positiveness
2% Popularity • 80% Danceability • 3% Energy • 28% Liveness
1% Instrumentalness • 39% Positiveness
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Josiah Steinbrick
(Five Synthesizers)
142 bpm • D# min • 02:31 • -23.39db
31% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 77% Positiveness
31% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 77% Positiveness
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Felicia Atkinson
I’m Following You
142 bpm • A min • 03:43 • -35db
11% Popularity • 15% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Kelly Moran
Red Storm
143 bpm • B Maj • 01:50 • -14.56db
19% Popularity • 13% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
19% Popularity • 13% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Astrid Sonne
To Change Is to Continue
141 bpm • C min • 03:57 • -7.5db
13% Popularity • 14% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Pablo's Eye
Blind And Quiet
143 bpm • D Maj • 01:27 • -19.95db
22% Popularity • 19% Danceability • 38% Energy • 15% Liveness
98% Instrumentalness • 6% Positiveness
22% Popularity • 19% Danceability • 38% Energy • 15% Liveness
98% Instrumentalness • 6% Positiveness
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Cucina Povera
Kärpässieni
142 bpm • C min • 09:23 • -16.44db
6% Popularity • 40% Danceability • 34% Energy • 14% Liveness
15% Instrumentalness • 28% Positiveness
6% Popularity • 40% Danceability • 34% Energy • 14% Liveness
15% Instrumentalness • 28% Positiveness
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Perko
Sisu
141 bpm • E Maj • 04:27 • -16.99db
9% Popularity • 14% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Sofie Birch
Loph
141 bpm • C min • 04:32 • -12.42db
15% Popularity • 24% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
15% Popularity • 24% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Jeremiah Chiu
By Foot By Sea
141 bpm • A# min • 06:32 • -18db
18% Popularity • 20% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
18% Popularity • 20% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
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Morita Vargas
Deysa
140 bpm • E min • 03:46 • -10.87db
11% Popularity • 46% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
11% Popularity • 46% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Faten Kanaan
The Heron
140 bpm • C Maj • 01:10 • -27.27db
25% Popularity • 56% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 56% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Cucina Povera
Avainsana
142 bpm • G Maj • 06:41 • -20.36db
7% Popularity • 68% Danceability • 22% Energy • 32% Liveness
8% Instrumentalness • 34% Positiveness
7% Popularity • 68% Danceability • 22% Energy • 32% Liveness
8% Instrumentalness • 34% Positiveness
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Bendik Giske
Cruising
144 bpm • A# min • 10:26 • -11.46db
32% Popularity • 33% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 60% Positiveness
32% Popularity • 33% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 60% Positiveness
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Felicia Atkinson
Aberdeen
144 bpm • D min • 05:55 • -20.56db
12% Popularity • 21% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
12% Popularity • 21% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Cool Maritime
Engage
140 bpm • D# Maj • 01:01 • -13.45db
17% Popularity • 50% Danceability • 32% Energy • 37% Liveness
86% Instrumentalness • 40% Positiveness
17% Popularity • 50% Danceability • 32% Energy • 37% Liveness
86% Instrumentalness • 40% Positiveness
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Elori Saxl
Blue
144 bpm • G min • 09:56 • -15.55db
18% Popularity • 38% Danceability • 39% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
18% Popularity • 38% Danceability • 39% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Loke Rahbek
Scarlett
140 bpm • A# Maj • 08:04 • -9.02db
12% Popularity • 53% Danceability • 46% Energy • 21% Liveness
80% Instrumentalness • 51% Positiveness
12% Popularity • 53% Danceability • 46% Energy • 21% Liveness
80% Instrumentalness • 51% Positiveness
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Cucina Povera
Pullo
143 bpm • A# min • 05:05 • -13.96db
2% Popularity • 53% Danceability • 62% Energy • 13% Liveness
84% Instrumentalness • 27% Positiveness
2% Popularity • 53% Danceability • 62% Energy • 13% Liveness
84% Instrumentalness • 27% Positiveness
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Molero
Selvas De Ewaipanomas
140 bpm • F min • 06:00 • -16db
14% Popularity • 42% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
14% Popularity • 42% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Ana Roxanne
- - -
140 bpm • D Maj • 05:15 • -21.34db
31% Popularity • 51% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
31% Popularity • 51% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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Lucrecia Dalt
Atmospheres Touch
140 bpm • G# Maj • 03:29 • -16.4db
11% Popularity • 51% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
11% Popularity • 51% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Astrid Sonne
Mirror Behaviour
140 bpm • A min • 03:05 • -10.36db
21% Popularity • 90% Danceability • 42% Energy • 8% Liveness
75% Instrumentalness • 37% Positiveness
21% Popularity • 90% Danceability • 42% Energy • 8% Liveness
75% Instrumentalness • 37% Positiveness
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Josiah Steinbrick
(Vibraphone, Marimbaphone, Malleted Wood...
144 bpm • C Maj • 03:50 • -23.45db
27% Popularity • 38% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 38% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Cucina Povera
Elektra
139 bpm • G# min • 05:32 • -12.33db
6% Popularity • 91% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
6% Popularity • 91% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Molero
Phasma Gigas
140 bpm • A min • 04:29 • -12.83db
21% Popularity • 36% Danceability • 40% Energy • 6% Liveness
55% Instrumentalness • 13% Positiveness
21% Popularity • 36% Danceability • 40% Energy • 6% Liveness
55% Instrumentalness • 13% Positiveness
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Arushi Jain
Richer Than Blood
139 bpm • A# Maj • 03:35 • -12.37db
23% Popularity • 16% Danceability • 32% Energy • 15% Liveness
49% Instrumentalness • 34% Positiveness
23% Popularity • 16% Danceability • 32% Energy • 15% Liveness
49% Instrumentalness • 34% Positiveness
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Benjamin Lew
Profondeurs des eaux des laques
138 bpm • F# min • 03:38 • -18.65db
14% Popularity • 25% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Dali Muru & The Polyphonic Swarm
Finest Escape
138 bpm • A min • 07:26 • -17.13db
14% Popularity • 43% Danceability • 35% Energy • 9% Liveness
20% Instrumentalness • 29% Positiveness
14% Popularity • 43% Danceability • 35% Energy • 9% Liveness
20% Instrumentalness • 29% Positiveness
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Josiah Steinbrick
Moonglow
137 bpm • D# Maj • 01:38 • -17.73db
42% Popularity • 27% Danceability • 15% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
42% Popularity • 27% Danceability • 15% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
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Lucrecia Dalt
Indifferent Universe
147 bpm • G min • 01:42 • -23.91db
14% Popularity • 78% Danceability • 29% Energy • 12% Liveness
78% Instrumentalness • 69% Positiveness
14% Popularity • 78% Danceability • 29% Energy • 12% Liveness
78% Instrumentalness • 69% Positiveness
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Bendik Giske
Matter (part 3)
137 bpm • C min • 06:12 • -15.73db
12% Popularity • 40% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
12% Popularity • 40% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
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Roméo Poirier
Muscle de sable
137 bpm • G min • 04:01 • -19.63db
19% Popularity • 41% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
19% Popularity • 41% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Lucy Liyou
You are every memory
136 bpm • C# Maj • 03:18 • -25db
9% Popularity • 26% Danceability • 21% Energy • 26% Liveness
32% Instrumentalness • 7% Positiveness
9% Popularity • 26% Danceability • 21% Energy • 26% Liveness
32% Instrumentalness • 7% Positiveness
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Six Organs Of Admittance
Pacific
136 bpm • A Maj • 01:50 • -14.78db
28% Popularity • 15% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
28% Popularity • 15% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Caterina Barbieri
The Landscape Listens
148 bpm • A min • 08:17 • -13db
19% Popularity • 12% Danceability • 32% Energy • 9% Liveness
18% Instrumentalness • 10% Positiveness
19% Popularity • 12% Danceability • 32% Energy • 9% Liveness
18% Instrumentalness • 10% Positiveness
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Josiah Steinbrick
Interior Districts of the Spirit World
148 bpm • B min • 03:34 • -18.56db
26% Popularity • 64% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
26% Popularity • 64% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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K.S. Eden
...In Open Country
136 bpm • D# Maj • 04:12 • -23.94db
12% Popularity • 15% Danceability • 7% Energy • 19% Liveness
94% Instrumentalness • 5% Positiveness
12% Popularity • 15% Danceability • 7% Energy • 19% Liveness
94% Instrumentalness • 5% Positiveness
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Soho Rezanejad
The Garden, Deflowered
136 bpm • A# min • 02:42 • -15.32db
16% Popularity • 17% Danceability • 19% Energy • 10% Liveness
57% Instrumentalness • 20% Positiveness
16% Popularity • 17% Danceability • 19% Energy • 10% Liveness
57% Instrumentalness • 20% Positiveness
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Tomaga
More Flowers
148 bpm • C# Maj • 04:55 • -9.36db
18% Popularity • 63% Danceability • 85% Energy • 7% Liveness
83% Instrumentalness • 54% Positiveness
18% Popularity • 63% Danceability • 85% Energy • 7% Liveness
83% Instrumentalness • 54% Positiveness
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Pablo's Eye
Different Observers
136 bpm • F# min • 05:59 • -21.2db
7% Popularity • 34% Danceability • 30% Energy • 7% Liveness
82% Instrumentalness • 26% Positiveness
7% Popularity • 34% Danceability • 30% Energy • 7% Liveness
82% Instrumentalness • 26% Positiveness
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Cucina Povera
Tuuli Pajuissa
136 bpm • A min • 09:56 • -11.47db
1% Popularity • 22% Danceability • 40% Energy • 7% Liveness
89% Instrumentalness • 12% Positiveness
1% Popularity • 22% Danceability • 40% Energy • 7% Liveness
89% Instrumentalness • 12% Positiveness
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Sam Gendel
Mouthfeel 2
136 bpm • B min • 03:36 • -17.28db
20% Popularity • 82% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 74% Positiveness
20% Popularity • 82% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 74% Positiveness
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Ulla
Falling Water Lullaby
136 bpm • G Maj • 06:40 • -29.68db
23% Popularity • 25% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
23% Popularity • 25% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Michel Banabila
Zoosemiotics - Short Mix
149 bpm • B min • 07:11 • -15.11db
8% Popularity • 36% Danceability • 58% Energy • 37% Liveness
45% Instrumentalness • 28% Positiveness
8% Popularity • 36% Danceability • 58% Energy • 37% Liveness
45% Instrumentalness • 28% Positiveness
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Roberto Musci
Nexus On The Beach
150 bpm • F min • 06:09 • -17.8db
32% Popularity • 33% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 33% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Dylan Henner
A New Living Being Opens Its Eyes For th...
135 bpm • F min • 04:44 • -14.4db
22% Popularity • 26% Danceability • 27% Energy • 23% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 27% Energy • 23% Liveness
86% Instrumentalness • 4% Positiveness
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Space Afrika
Lose You Beau
135 bpm • D# min • 02:00 • -15.18db
18% Popularity • 24% Danceability • 45% Energy • 13% Liveness
17% Instrumentalness • 34% Positiveness
18% Popularity • 24% Danceability • 45% Energy • 13% Liveness
17% Instrumentalness • 34% Positiveness
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Dialect
Three Sisters Theme
150 bpm • G Maj • 01:35 • -7.1db
16% Popularity • 61% Danceability • 50% Energy • 48% Liveness
98% Instrumentalness • 54% Positiveness
16% Popularity • 61% Danceability • 50% Energy • 48% Liveness
98% Instrumentalness • 54% Positiveness
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Loke Rahbek
Solina
134 bpm • C Maj • 03:34 • -12.38db
12% Popularity • 36% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 36% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Christina Vantzou
Stone Circle
134 bpm • D# Maj • 04:28 • -18.94db
11% Popularity • 35% Danceability • 11% Energy • 10% Liveness
55% Instrumentalness • 5% Positiveness
11% Popularity • 35% Danceability • 11% Energy • 10% Liveness
55% Instrumentalness • 5% Positiveness
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Susumu Yokota
Implications of Karma
150 bpm • G# min • 03:32 • -18.19db
14% Popularity • 56% Danceability • 54% Energy • 16% Liveness
91% Instrumentalness • 32% Positiveness
14% Popularity • 56% Danceability • 54% Energy • 16% Liveness
91% Instrumentalness • 32% Positiveness
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Dylan Henner
With Her First Ever Steps She Walked To ...
150 bpm • G# Maj • 02:31 • -15.53db
39% Popularity • 56% Danceability • 43% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
39% Popularity • 56% Danceability • 43% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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Kaitlyn Aurelia Smith
Understanding Body Messages
133 bpm • C# min • 01:24 • -24db
45% Popularity • 93% Danceability • 37% Energy • 14% Liveness
62% Instrumentalness • 98% Positiveness
45% Popularity • 93% Danceability • 37% Energy • 14% Liveness
62% Instrumentalness • 98% Positiveness
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Ana Roxanne
A Study in Vastness
134 bpm • A min • 06:50 • -22db
28% Popularity • 20% Danceability • 9% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 9% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Läuten der Seele
Das Biotop im Traum und in der Wirklichk...
133 bpm • C# Maj • 03:40 • -16.82db
22% Popularity • 18% Danceability • 12% Energy • 13% Liveness
62% Instrumentalness • 5% Positiveness
22% Popularity • 18% Danceability • 12% Energy • 13% Liveness
62% Instrumentalness • 5% Positiveness
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Sarah Davachi
Evensong
133 bpm • D# Maj • 05:27 • -24.9db
17% Popularity • 25% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 25% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Not Waving
Tropic Of Desire
133 bpm • F# min • 06:13 • -13.16db
9% Popularity • 16% Danceability • 61% Energy • 48% Liveness
92% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 61% Energy • 48% Liveness
92% Instrumentalness • 8% Positiveness
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Tomaga
The Inexorable Sadness of Pencils
133 bpm • A min • 04:37 • -10.2db
14% Popularity • 58% Danceability • 60% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
14% Popularity • 58% Danceability • 60% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
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LI YILEI
YAN / 言
152 bpm • D Maj • 02:20 • -21.59db
30% Popularity • 40% Danceability • 35% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
30% Popularity • 40% Danceability • 35% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Christina Vantzou
Enter
132 bpm • A Maj • 03:40 • -19.82db
10% Popularity • 26% Danceability • 41% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 26% Danceability • 41% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Felicia Atkinson
And All The Spirals Of The World
132 bpm • A min • 06:08 • -26.8db
22% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Sarah Davachi
Chorus Scene
133 bpm • C min • 02:47 • -21.91db
18% Popularity • 51% Danceability • 2% Energy • 15% Liveness
87% Instrumentalness • 29% Positiveness
18% Popularity • 51% Danceability • 2% Energy • 15% Liveness
87% Instrumentalness • 29% Positiveness
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K. Leimer
From A Common Center
132 bpm • E min • 02:20 • -12.06db
34% Popularity • 20% Danceability • 35% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 35% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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Emily A. Sprague
Huckleberry
131 bpm • F Maj • 03:03 • -18.05db
31% Popularity • 38% Danceability • 32% Energy • 61% Liveness
87% Instrumentalness • 28% Positiveness
31% Popularity • 38% Danceability • 32% Energy • 61% Liveness
87% Instrumentalness • 28% Positiveness
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Jon Hassell
Fearless
154 bpm • G Maj • 08:02 • -11.41db
23% Popularity • 59% Danceability • 45% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
23% Popularity • 59% Danceability • 45% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
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Sofie Birch
Sugi
130 bpm • F min • 03:52 • -17.54db
25% Popularity • 30% Danceability • 18% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
25% Popularity • 30% Danceability • 18% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
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Bendik Giske
High
130 bpm • D min • 04:05 • -11.35db
14% Popularity • 48% Danceability • 50% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
14% Popularity • 48% Danceability • 50% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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June11
Who Is Still Dreaming?
131 bpm • B min • 03:32 • -19db
30% Popularity • 24% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Roméo Poirier
Les encombres
130 bpm • D Maj • 03:31 • -20.37db
11% Popularity • 26% Danceability • 37% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
11% Popularity • 26% Danceability • 37% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
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Cucina Povera
Jolkottelureitti
155 bpm • A# Maj • 08:16 • -17.59db
3% Popularity • 43% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
3% Popularity • 43% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Ian William Craig
Before Meaning Comes
130 bpm • B Maj • 03:12 • -27db
21% Popularity • 30% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
21% Popularity • 30% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Debit
1st Day
129 bpm • C Maj • 02:21 • -27db
18% Popularity • 30% Danceability • 1% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
18% Popularity • 30% Danceability • 1% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
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Cybe
Can You Hear The Rooster Crow
129 bpm • G# Maj • 01:11 • -11.04db
29% Popularity • 20% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 20% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Tomaga
Tuscan Metalwork
129 bpm • C min • 03:58 • -8.67db
17% Popularity • 64% Danceability • 82% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
17% Popularity • 64% Danceability • 82% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Oren Ambarchi
Song of Separation Part 5
129 bpm • C Maj • 01:26 • -20.4db
19% Popularity • 18% Danceability • 1% Energy • 11% Liveness
60% Instrumentalness • 56% Positiveness
19% Popularity • 18% Danceability • 1% Energy • 11% Liveness
60% Instrumentalness • 56% Positiveness
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Lucrecia Dalt
Alien Lullaby
129 bpm • D Maj • 01:22 • -21.48db
19% Popularity • 28% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
19% Popularity • 28% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Patrick Belaga
Grey Eye
128 bpm • A# Maj • 04:28 • -18.15db
7% Popularity • 28% Danceability • 19% Energy • 14% Liveness
84% Instrumentalness • 7% Positiveness
7% Popularity • 28% Danceability • 19% Energy • 14% Liveness
84% Instrumentalness • 7% Positiveness
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Wraetlic
Rapture Logic - Cucina Povera Remix
157 bpm • G min • 05:08 • -21db
0% Popularity • 37% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
0% Popularity • 37% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Cucina Povera
Kullan
128 bpm • B min • 07:19 • -13.44db
1% Popularity • 46% Danceability • 53% Energy • 40% Liveness
59% Instrumentalness • 9% Positiveness
1% Popularity • 46% Danceability • 53% Energy • 40% Liveness
59% Instrumentalness • 9% Positiveness
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Felicia Atkinson
Joan
128 bpm • A min • 06:44 • -25.1db
7% Popularity • 24% Danceability • 6% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 6% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Carla dal Forno
Hype Sleep
128 bpm • A min • 03:48 • -15db
27% Popularity • 74% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
27% Popularity • 74% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
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Kara-Lis Coverdale
Informant
128 bpm • D Maj • 07:06 • -15.18db
7% Popularity • 25% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
7% Popularity • 25% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Flora Yin-Wong
Bitterness
127 bpm • D min • 03:56 • -18.06db
8% Popularity • 32% Danceability • 46% Energy • 15% Liveness
82% Instrumentalness • 9% Positiveness
8% Popularity • 32% Danceability • 46% Energy • 15% Liveness
82% Instrumentalness • 9% Positiveness
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Cybe
The Running Water
128 bpm • C Maj • 04:18 • -16.75db
21% Popularity • 33% Danceability • 30% Energy • 97% Liveness
92% Instrumentalness • 7% Positiveness
21% Popularity • 33% Danceability • 30% Energy • 97% Liveness
92% Instrumentalness • 7% Positiveness
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Cucina Povera
Riffittelyä II
127 bpm • G min • 07:34 • -25.08db
2% Popularity • 25% Danceability • 18% Energy • 32% Liveness
78% Instrumentalness • 6% Positiveness
2% Popularity • 25% Danceability • 18% Energy • 32% Liveness
78% Instrumentalness • 6% Positiveness
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Dali Muru & The Polyphonic Swarm
Swaddledidaf Rosé
159 bpm • G Maj • 01:49 • -25.96db
25% Popularity • 16% Danceability • 5% Energy • 18% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 5% Energy • 18% Liveness
93% Instrumentalness • 4% Positiveness
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Sofie Birch
Portal Of
127 bpm • G min • 01:42 • -20db
40% Popularity • 22% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 22% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ana Roxanne
Venus
127 bpm • F Maj • 07:57 • -19.63db
23% Popularity • 27% Danceability • 26% Energy • 38% Liveness
70% Instrumentalness • 14% Positiveness
23% Popularity • 27% Danceability • 26% Energy • 38% Liveness
70% Instrumentalness • 14% Positiveness
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Flora Yin-Wong
Tirta Empul
127 bpm • G# min • 04:00 • -20.61db
8% Popularity • 36% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 13% Positiveness
8% Popularity • 36% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 13% Positiveness
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Martyna Basta
Slowly Forgetting, Barely Remembering
159 bpm • C Maj • 02:48 • -25db
30% Popularity • 21% Danceability • 16% Energy • 11% Liveness
42% Instrumentalness • 3% Positiveness
30% Popularity • 21% Danceability • 16% Energy • 11% Liveness
42% Instrumentalness • 3% Positiveness
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Caterina Barbieri
SOTRS
159 bpm • E Maj • 09:30 • -14db
39% Popularity • 34% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
39% Popularity • 34% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Felicia Atkinson
And The Flower Have Time For Me
126 bpm • A Maj • 05:42 • -21db
9% Popularity • 27% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 27% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Cucina Povera
Anarkian kuvajainen
126 bpm • C Maj • 04:58 • -18.16db
19% Popularity • 35% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
19% Popularity • 35% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
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Jeremiah Chiu
Rocky Passage
161 bpm • G# min • 01:40 • -17db
44% Popularity • 42% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 36% Positiveness
44% Popularity • 42% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 36% Positiveness
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Valentina Magaletti
Apples from Peru
126 bpm • D# Maj • 04:31 • -15.96db
11% Popularity • 59% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
11% Popularity • 59% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Susumu Yokota
Sleepy Eye
125 bpm • F# min • 02:44 • -20db
36% Popularity • 42% Danceability • 40% Energy • 28% Liveness
99% Instrumentalness • 11% Positiveness
36% Popularity • 42% Danceability • 40% Energy • 28% Liveness
99% Instrumentalness • 11% Positiveness
