Songs like Ave Maria: Arr. From Bach's Prelude No.1 BWV 846 by Charles Gounod
Based on a tempo of (+/- 10%) and a similar genre
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Franz Schubert
Ave Maria
155 bpm • B Maj • 05:04 • -17.27db
11% Popularity • 12% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 5% Positiveness
11% Popularity • 12% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 5% Positiveness
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George Frideric Handel
And The Glory Of The Lord Shall Be Revea...
156 bpm • E Maj • 02:52 • -17.49db
10% Popularity • 31% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
10% Popularity • 31% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
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Charles Gounod
Ave Maria: Arr. From Bach's Prelude No.1...
154 bpm • F Maj • 02:45 • -19.93db
12% Popularity • 16% Danceability • 26% Energy • 10% Liveness
64% Instrumentalness • 10% Positiveness
12% Popularity • 16% Danceability • 26% Energy • 10% Liveness
64% Instrumentalness • 10% Positiveness
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Ariel RamÃrez
Navidad en Verano
148 bpm • A Maj • 05:01 • -26.37db
14% Popularity • 22% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 22% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Ed Hartman
Ave Maria
152 bpm • C Maj • 02:17 • -20.4db
18% Popularity • 44% Danceability • 6% Energy • 7% Liveness
9% Instrumentalness • 21% Positiveness
18% Popularity • 44% Danceability • 6% Energy • 7% Liveness
9% Instrumentalness • 21% Positiveness
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Traditional
Medley: Child in a Manger
144 bpm • D Maj • 03:21 • -24.62db
0% Popularity • 19% Danceability • 8% Energy • 34% Liveness
24% Instrumentalness • 13% Positiveness
0% Popularity • 19% Danceability • 8% Energy • 34% Liveness
24% Instrumentalness • 13% Positiveness
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Franz Schubert
Ave Maria
152 bpm • A# Maj • 04:26 • -17db
9% Popularity • 18% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
9% Popularity • 18% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C Maj...
146 bpm • F Maj • 05:08 • -31.9db
15% Popularity • 13% Danceability • 2% Energy • 8% Liveness
44% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 2% Energy • 8% Liveness
44% Instrumentalness • 4% Positiveness
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Plácido Domingo
Cantique de nöel (O Holy Night) - Voice
166 bpm • D# Maj • 03:57 • -12.18db
10% Popularity • 16% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 16% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
The Nutcracker, Op. 71, TH.14 / Act 2: N...
143 bpm • D Maj • 02:13 • -26.94db
40% Popularity • 40% Danceability • 12% Energy • 21% Liveness
96% Instrumentalness • 34% Positiveness
40% Popularity • 40% Danceability • 12% Energy • 21% Liveness
96% Instrumentalness • 34% Positiveness
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Jussi Björling
Ack Värmeland, Du sköna
166 bpm • F min • 03:14 • -15.41db
1% Popularity • 19% Danceability • 26% Energy • 32% Liveness
1% Instrumentalness • 18% Positiveness
1% Popularity • 19% Danceability • 26% Energy • 32% Liveness
1% Instrumentalness • 18% Positiveness
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César Franck
Franck: Messe à trois voix, Op. 12, FWV...
142 bpm • A Maj • 03:53 • -20.05db
18% Popularity • 20% Danceability • 11% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Ave Maria
142 bpm • G Maj • 03:34 • -21.24db
9% Popularity • 15% Danceability • 14% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 14% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Franz Xaver Gruber
Silent Night
168 bpm • D Maj • 02:38 • -15.51db
10% Popularity • 17% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 17% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Ernesto de Curtis
Non ti scordar di me
168 bpm • A Maj • 03:13 • -18.3db
22% Popularity • 20% Danceability • 11% Energy • 90% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 20% Danceability • 11% Energy • 90% Liveness
0% Instrumentalness • 23% Positiveness
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Franz Schubert
Schwanengesang, D. 957: Ständchen (Orch...
168 bpm • D Maj • 03:14 • -26.88db
15% Popularity • 16% Danceability • 5% Energy • 90% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 5% Energy • 90% Liveness
0% Instrumentalness • 6% Positiveness
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Plácido Domingo
The Gift of Love - Vocal
168 bpm • G Maj • 03:55 • -17.82db
5% Popularity • 11% Danceability • 32% Energy • 88% Liveness
4% Instrumentalness • 8% Positiveness
5% Popularity • 11% Danceability • 32% Energy • 88% Liveness
4% Instrumentalness • 8% Positiveness
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Luciano Pavarotti
Ave Maria, Dolce Maria
168 bpm • F# Maj • 03:08 • -11.03db
10% Popularity • 12% Danceability • 30% Energy • 7% Liveness
7% Instrumentalness • 6% Positiveness
10% Popularity • 12% Danceability • 30% Energy • 7% Liveness
7% Instrumentalness • 6% Positiveness
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Jussi Björling
Rigoletto, Act 3: La Donna È Mobile
141 bpm • F# Maj • 02:24 • -14.84db
13% Popularity • 34% Danceability • 24% Energy • 69% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 34% Danceability • 24% Energy • 69% Liveness
0% Instrumentalness • 40% Positiveness
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Charles Gounod
Ave Maria (Arr. Fiona Pears & Ian Tilley...
141 bpm • F Maj • 02:39 • -9.27db
5% Popularity • 18% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
5% Popularity • 18% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
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Alessandro Scarlatti
L'honestà negli amore: Già il sole dal...
168 bpm • G# Maj • 02:03 • -12.37db
9% Popularity • 41% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
9% Popularity • 41% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
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Giuseppe Verdi
Rigoletto / Act 1: "Gualtier Maldè! ......
168 bpm • E Maj • 06:26 • -27.18db
4% Popularity • 26% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 26% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Irving Berlin
White Christmas - Voice
141 bpm • C# Maj • 02:06 • -20.74db
0% Popularity • 22% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 22% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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The Tabernacle Choir at Temple Square
Comfort Ye My People
141 bpm • B Maj • 02:43 • -19.65db
23% Popularity • 24% Danceability • 7% Energy • 37% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 24% Danceability • 7% Energy • 37% Liveness
0% Instrumentalness • 13% Positiveness
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César Franck
Panis Angelicus
169 bpm • A Maj • 03:38 • -13.01db
11% Popularity • 15% Danceability • 15% Energy • 11% Liveness
5% Instrumentalness • 11% Positiveness
11% Popularity • 15% Danceability • 15% Energy • 11% Liveness
5% Instrumentalness • 11% Positiveness
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Gioachino Rossini
La Danza
141 bpm • F Maj • 02:06 • -14.61db
3% Popularity • 38% Danceability • 33% Energy • 7% Liveness
17% Instrumentalness • 41% Positiveness
3% Popularity • 38% Danceability • 33% Energy • 7% Liveness
17% Instrumentalness • 41% Positiveness
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Traditional
La virgen lava pañales
140 bpm • G min • 02:06 • -15.44db
1% Popularity • 31% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 31% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 21% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Un dì felice, ete...
169 bpm • F Maj • 03:05 • -23db
36% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Giacomo Puccini
La Bohème: Act I: Mi chiamano Mimì
169 bpm • D Maj • 04:39 • -24db
6% Popularity • 17% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 17% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila - original version / Ac...
140 bpm • C# Maj • 05:37 • -10.48db
10% Popularity • 18% Danceability • 27% Energy • 36% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 27% Energy • 36% Liveness
1% Instrumentalness • 4% Positiveness
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The St Philips Boy's Choir
Panis Angelicus
140 bpm • G# Maj • 03:01 • -15.5db
16% Popularity • 19% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile: Kyri...
170 bpm • G Maj • 04:39 • -29db
14% Popularity • 8% Danceability • 2% Energy • 6% Liveness
33% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 2% Energy • 6% Liveness
33% Instrumentalness • 4% Positiveness
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Traditional
Susani
170 bpm • G Maj • 02:08 • -13.33db
1% Popularity • 17% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 17% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Dale Warland Singers
Ave Maria - Javier Busto
170 bpm • G Maj • 02:34 • -31.12db
14% Popularity • 8% Danceability • 1% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 1% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Ave verum corpus, K. 618
170 bpm • C# Maj • 03:40 • -36.18db
16% Popularity • 8% Danceability • 1% Energy • 7% Liveness
58% Instrumentalness • 3% Positiveness
16% Popularity • 8% Danceability • 1% Energy • 7% Liveness
58% Instrumentalness • 3% Positiveness
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Gottfried Heinrich Stölzel
Stölzel / Arr. Rombi: Bist du bei mir (...
170 bpm • D Maj • 04:02 • -19.81db
14% Popularity • 23% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 23% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Charlotte Church
The Lord's Prayer - Live
139 bpm • D# Maj • 02:45 • -23.25db
16% Popularity • 18% Danceability • 17% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 18% Danceability • 17% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
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Luciano Pavarotti
Adeste Fidelis
171 bpm • G Maj • 03:50 • -12.3db
12% Popularity • 10% Danceability • 56% Energy • 63% Liveness
18% Instrumentalness • 30% Positiveness
12% Popularity • 10% Danceability • 56% Energy • 63% Liveness
18% Instrumentalness • 30% Positiveness
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Giulio Caccini
Ave Maria (Arr. Cullen for Cello and Orc...
170 bpm • E min • 05:29 • -24db
35% Popularity • 9% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 9% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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José MarÃa Cano
Y Nos Vamos Pa' Bélen
171 bpm • D Maj • 03:02 • -20.28db
2% Popularity • 29% Danceability • 30% Energy • 82% Liveness
0% Instrumentalness • 38% Positiveness
2% Popularity • 29% Danceability • 30% Energy • 82% Liveness
0% Instrumentalness • 38% Positiveness
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Giacomo Puccini
Act I: Che gelida manina
171 bpm • G# Maj • 04:41 • -13.12db
3% Popularity • 16% Danceability • 25% Energy • 8% Liveness
19% Instrumentalness • 11% Positiveness
3% Popularity • 16% Danceability • 25% Energy • 8% Liveness
19% Instrumentalness • 11% Positiveness
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Traditional
What Child is This
138 bpm • G min • 03:01 • -14.55db
11% Popularity • 26% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 26% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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John Rutter
Rutter: What Sweeter Music
139 bpm • F# Maj • 04:29 • -30.09db
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act I: "Ombra mai fu"
172 bpm • F# Maj • 02:41 • -20.24db
10% Popularity • 12% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 7% Positiveness
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Hector Berlioz
The Shepherds' Farewell
138 bpm • E Maj • 04:03 • -24.78db
7% Popularity • 18% Danceability • 12% Energy • 17% Liveness
88% Instrumentalness • 5% Positiveness
7% Popularity • 18% Danceability • 12% Energy • 17% Liveness
88% Instrumentalness • 5% Positiveness
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Charles Gounod
Jésus De Nazareth - Voice
173 bpm • F Maj • 03:27 • -15db
0% Popularity • 13% Danceability • 27% Energy • 24% Liveness
14% Instrumentalness • 17% Positiveness
0% Popularity • 13% Danceability • 27% Energy • 24% Liveness
14% Instrumentalness • 17% Positiveness
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John Francis Wade
Adeste Fideles
173 bpm • D# Maj • 03:59 • -23.02db
3% Popularity • 11% Danceability • 13% Energy • 65% Liveness
4% Instrumentalness • 17% Positiveness
3% Popularity • 11% Danceability • 13% Energy • 65% Liveness
4% Instrumentalness • 17% Positiveness
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Traditional
Hacia Belen
172 bpm • A Maj • 02:44 • -8.96db
15% Popularity • 36% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 36% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Mario Lanza
O Sole Mio
173 bpm • G Maj • 02:31 • -7.19db
9% Popularity • 18% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 18% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Riga Chamber Choir "Ave Sol", Imants Kokars
Ave Maria
137 bpm • C Maj • 05:30 • -23.7db
15% Popularity • 16% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Riga Chamber Choir Ave Sol
Ave Maria
173 bpm • F Maj • 05:51 • -19.04db
14% Popularity • 14% Danceability • 17% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 17% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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George Frideric Handel
Messiah, HWV 56: No. 4, Chorus "And the ...
173 bpm • E Maj • 02:35 • -15.33db
9% Popularity • 24% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 44% Positiveness
9% Popularity • 24% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 44% Positiveness
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Plácido Domingo
It's Christmas All Over The World
174 bpm • G Maj • 01:24 • -15.07db
4% Popularity • 20% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
4% Popularity • 20% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20, TH 12, Act I, No. 4, ...
173 bpm • G min • 02:42 • -34.96db
28% Popularity • 8% Danceability • 2% Energy • 11% Liveness
50% Instrumentalness • 8% Positiveness
28% Popularity • 8% Danceability • 2% Energy • 11% Liveness
50% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Ave Maria
136 bpm • C Maj • 04:35 • -22.87db
12% Popularity • 31% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 41% Positiveness
12% Popularity • 31% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 41% Positiveness
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Giuseppe Verdi
Nabucco / Act IV: Immenso Jeovha
175 bpm • D Maj • 02:00 • -17db
17% Popularity • 16% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 16% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Gounod
Ave Maria
175 bpm • C# Maj • 04:56 • -16.24db
34% Popularity • 12% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
34% Popularity • 12% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Strauss I
Radetzky-Marsch, Op. 228 (Arr. Gerald Wi...
176 bpm • A Maj • 02:56 • -14.49db
16% Popularity • 42% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 42% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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César Franck
Panis angelicus (Arr. Chris Hazell)
176 bpm • A Maj • 04:11 • -15.36db
12% Popularity • 16% Danceability • 14% Energy • 10% Liveness
56% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 14% Energy • 10% Liveness
56% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20, TH 12, Act I, No. 5, ...
176 bpm • A Maj • 04:51 • -32.23db
29% Popularity • 27% Danceability • 4% Energy • 7% Liveness
3% Instrumentalness • 15% Positiveness
29% Popularity • 27% Danceability • 4% Energy • 7% Liveness
3% Instrumentalness • 15% Positiveness
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Franz Xaver Gruber
Stille Nacht, heilige Nacht
177 bpm • B Maj • 02:49 • -29.64db
24% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K.618
134 bpm • D Maj • 03:26 • -27.22db
12% Popularity • 16% Danceability • 4% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Charles Gounod
Repentir (O Divine Redeemer)
176 bpm • C Maj • 06:34 • -22.02db
15% Popularity • 16% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: "Ah! mes ...
134 bpm • F Maj • 07:03 • -17.59db
19% Popularity • 40% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 40% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Antonio Vivaldi
Nulla in Mundo Pax, RV 630
178 bpm • E Maj • 02:21 • -11.41db
11% Popularity • 33% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 33% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Dmitry Bortniansky
Ich bete an die Macht der Liebe
133 bpm • D# Maj • 03:40 • -28.55db
12% Popularity • 16% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Georges Bizet
Bizet: Carmen: Parle-moi de ma mere! - A...
133 bpm • A# Maj • 04:44 • -18.63db
11% Popularity • 28% Danceability • 21% Energy • 18% Liveness
67% Instrumentalness • 7% Positiveness
11% Popularity • 28% Danceability • 21% Energy • 18% Liveness
67% Instrumentalness • 7% Positiveness
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Franz Xaver Gruber
Silent Night, Holy Night
133 bpm • C Maj • 02:36 • -33.75db
14% Popularity • 18% Danceability • 5% Energy • 28% Liveness
51% Instrumentalness • 13% Positiveness
14% Popularity • 18% Danceability • 5% Energy • 28% Liveness
51% Instrumentalness • 13% Positiveness
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Charles Gounod
Ave MarÃa - Versión de Charles Gounod
177 bpm • F Maj • 02:44 • -20.31db
11% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Ave Maria
133 bpm • G Maj • 05:04 • -13.88db
27% Popularity • 18% Danceability • 21% Energy • 10% Liveness
11% Instrumentalness • 7% Positiveness
27% Popularity • 18% Danceability • 21% Energy • 10% Liveness
11% Instrumentalness • 7% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
132 bpm • E Maj • 02:09 • -28.94db
13% Popularity • 22% Danceability • 3% Energy • 11% Liveness
34% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 3% Energy • 11% Liveness
34% Instrumentalness • 6% Positiveness
