Songs like Ave Maria, "Ellens Gesang III", D. 839 (From "Alive") by Franz Schubert
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 10 in G Major: Largo
186 bpm • D Maj • 06:37 • -24.47db
50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness
50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness
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Felix Mendelssohn
Mendelssohn: Songs Without Words, Book V...
182 bpm • F# min • 02:01 • -30db
53% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
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Franz Schubert
Schwanengesang, D. 957: Ständchen "Leis...
179 bpm • D min • 04:20 • -24.28db
45% Popularity • 12% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
45% Popularity • 12% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
179 bpm • G Maj • 02:11 • -25.7db
61% Popularity • 29% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
61% Popularity • 29% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: III. M�...
178 bpm • D# Maj • 03:22 • -22.23db
22% Popularity • 21% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
22% Popularity • 21% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
177 bpm • C# Maj • 01:23 • -47db
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
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Lang Lang
Sonatina No. 1 in C Major, Op. 36: II. A...
176 bpm • F Maj • 01:31 • -27.33db
53% Popularity • 23% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
53% Popularity • 23% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
197 bpm • B min • 02:47 • -35.32db
55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): IV...
176 bpm • D Maj • 02:01 • -36.55db
61% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
61% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
50% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 3 in G ...
173 bpm • F# Maj • 06:31 • -32.74db
29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
60% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
60% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Frédéric Chopin
Mazurka in A Minor, Op. 17 No. 4
173 bpm • A min • 04:54 • -42.12db
39% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
173 bpm • C min • 06:14 • -28.78db
49% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
49% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Lang Lang
Lieder ohne Worte, Op. 67: No. 4 in C Ma...
173 bpm • C Maj • 01:49 • -20db
50% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
50% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Franz Schubert
Du bist die Ruh', D. 776 (Transc. for Ce...
171 bpm • A# Maj • 04:21 • -24.9db
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a, TH 135: No. 6 in G...
170 bpm • G min • 04:59 • -30db
33% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
33% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Anonymous
Schwanengesang, D. 957: No. 4. Standchen...
170 bpm • D Maj • 03:19 • -27.39db
31% Popularity • 13% Danceability • 4% Energy • 10% Liveness
48% Instrumentalness • 11% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 10% Liveness
48% Instrumentalness • 11% Positiveness
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Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Sergei Rachmaninoff
Piano Sonata No. 2 in B-Flat Minor, Op. ...
169 bpm • A Maj • 06:54 • -26db
26% Popularity • 26% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
166 bpm • F# min • 02:17 • -29db
50% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
50% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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Franz Schubert
Piano Sonata No.15 in C, D.840: 2. Andan...
164 bpm • G# Maj • 11:13 • -30.03db
26% Popularity • 38% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
26% Popularity • 38% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Four Pianos in A ...
213 bpm • G Maj • 02:30 • -23.2db
41% Popularity • 23% Danceability • 1% Energy • 18% Liveness
49% Instrumentalness • 7% Positiveness
41% Popularity • 23% Danceability • 1% Energy • 18% Liveness
49% Instrumentalness • 7% Positiveness
