Songs like Ave Maria mater gratie by Marbrianus de Orto
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Morley
Now is the gentle season
64 bpm • F Maj • 01:27 • -30db
15% Popularity • 18% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 18% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Orlande de Lassus
Responsoria pro triduo sacro in nocturno...
64 bpm • C Maj • 02:19 • -25.48db
9% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Heinrich Isaac
Lied: O Welt, ich muß dich lassen
64 bpm • F Maj • 03:12 • -23.59db
9% Popularity • 12% Danceability • 7% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
9% Popularity • 12% Danceability • 7% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
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Marbrianus de Orto
Lamentationes hieremiae prophetae: Guime...
64 bpm • A min • 05:36 • -21.24db
4% Popularity • 6% Danceability • 10% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
4% Popularity • 6% Danceability • 10% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Messa a quattro voci, SV 190: IV. Sanctu...
65 bpm • B min • 02:28 • -22.83db
12% Popularity • 8% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
12% Popularity • 8% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
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Paul Siefert
Res aequa confiteri
63 bpm • D min • 03:32 • -15.9db
9% Popularity • 28% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 28% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie II
65 bpm • A min • 01:24 • -22db
19% Popularity • 22% Danceability • 13% Energy • 15% Liveness
68% Instrumentalness • 3% Positiveness
19% Popularity • 22% Danceability • 13% Energy • 15% Liveness
68% Instrumentalness • 3% Positiveness
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Orlande de Lassus
Quia vidisti me, Thoma
63 bpm • A min • 02:05 • -26db
17% Popularity • 21% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
17% Popularity • 21% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
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Gregorio Allegri
Miserere: VIII. Libera me de sanguinibus...
63 bpm • B min • 01:25 • -29.72db
20% Popularity • 26% Danceability • 2% Energy • 13% Liveness
2% Instrumentalness • 3% Positiveness
20% Popularity • 26% Danceability • 2% Energy • 13% Liveness
2% Instrumentalness • 3% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), V. Miserere ...
65 bpm • C Maj • 02:02 • -26.17db
14% Popularity • 12% Danceability • 2% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 2% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
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Marbrianus de Orto
Missa "Mi Mi": V. Agnus Dei
65 bpm • A min • 06:22 • -18.03db
0% Popularity • 9% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
0% Popularity • 9% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Pierre de la Rue
Requiem: VI. Agnus Dei
63 bpm • D# min • 03:03 • -22db
19% Popularity • 18% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
19% Popularity • 18% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: Fanfares (Cathédra...
63 bpm • C min • 02:01 • -20.74db
7% Popularity • 27% Danceability • 28% Energy • 35% Liveness
97% Instrumentalness • 35% Positiveness
7% Popularity • 27% Danceability • 28% Energy • 35% Liveness
97% Instrumentalness • 35% Positiveness
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Walter Frye
Alas, alas is my chief song
62 bpm • D min • 03:38 • -23.37db
11% Popularity • 14% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 14% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Gregorio Allegri
Miserere: III. Tibi soli peccavi ; Ecce ...
63 bpm • B min • 01:18 • -23.78db
18% Popularity • 27% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 27% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Orlando Gibbons
The Lord of Salisbury his Pavin
66 bpm • D min • 02:39 • -30.2db
14% Popularity • 17% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
14% Popularity • 17% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
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Marbrianus de Orto
Se je perdu mon amy (Arr. for Chamber En...
65 bpm • F# Maj • 02:19 • -19.86db
0% Popularity • 18% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 21% Positiveness
0% Popularity • 18% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 21% Positiveness
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Christopher Tye
In Nomine à 5 "Trust"
62 bpm • C min • 02:05 • -23db
11% Popularity • 22% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
11% Popularity • 22% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
66 bpm • E min • 02:19 • -24.58db
10% Popularity • 10% Danceability • 3% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 3% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Gilles Binchois
Triste plaisirs
66 bpm • F min • 02:19 • -32.32db
10% Popularity • 19% Danceability • 0% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
10% Popularity • 19% Danceability • 0% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Gregorio Allegri
Miserere: IX. Quoniam si voluisses sacri...
66 bpm • B min • 01:17 • -25.74db
27% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Tallis
Tallis: Lamentations of Jeremiah 1 - 9. ...
62 bpm • C min • 01:40 • -33.83db
12% Popularity • 20% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Jakob Handl-Gallus
Si tibi gratia
66 bpm • A min • 01:12 • -26.18db
20% Popularity • 20% Danceability • 1% Energy • 9% Liveness
53% Instrumentalness • 62% Positiveness
20% Popularity • 20% Danceability • 1% Energy • 9% Liveness
53% Instrumentalness • 62% Positiveness
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Adam von Fulda
O Jupiter / O diva sollers virgo
67 bpm • F# Maj • 01:33 • -38.2db
13% Popularity • 8% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 22% Positiveness
13% Popularity • 8% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 22% Positiveness
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Josquin des Prez
Ave verum corpus à 2-3
67 bpm • F Maj • 03:48 • -13.76db
9% Popularity • 22% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 22% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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The Tallis Scholars
Josquin: Missa Pange Lingua - 5b. Agnus ...
61 bpm • C min • 02:04 • -27.63db
8% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Marbrianus de Orto
Dulces exuviae
67 bpm • A min • 02:46 • -19db
9% Popularity • 21% Danceability • 15% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 15% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
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Anonymous
Cancionero musical de palacio: No. 92, D...
67 bpm • C Maj • 01:41 • -30.38db
9% Popularity • 17% Danceability • 1% Energy • 8% Liveness
82% Instrumentalness • 17% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 8% Liveness
82% Instrumentalness • 17% Positiveness
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Gregor Aichinger
Factus est repente
67 bpm • C Maj • 02:18 • -27db
14% Popularity • 18% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 24% Positiveness
14% Popularity • 18% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 24% Positiveness
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Felix Mendelssohn
Te Deum à 8, MWV B 15: II. Te Aeternum ...
68 bpm • A# min • 02:19 • -28.6db
19% Popularity • 7% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
19% Popularity • 7% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
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John Dowland
Lachrimae or Seven Tears: III. Lachrimae...
68 bpm • G# min • 03:35 • -21.65db
10% Popularity • 6% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
10% Popularity • 6% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
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Orlande de Lassus
Missa "Congratulamini mihi": Kyrie a 6
68 bpm • C Maj • 03:35 • -21.16db
21% Popularity • 6% Danceability • 24% Energy • 11% Liveness
26% Instrumentalness • 9% Positiveness
21% Popularity • 6% Danceability • 24% Energy • 11% Liveness
26% Instrumentalness • 9% Positiveness
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Josquin des Prez
Pater noster - Ave Maria à 6
60 bpm • D min • 06:36 • -15.99db
8% Popularity • 10% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 10% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Thomas Ford
Baggepipes
60 bpm • E Maj • 01:21 • -26.47db
8% Popularity • 23% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
8% Popularity • 23% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Antoine Brumel
Lamentations
68 bpm • A# Maj • 08:28 • -26.03db
9% Popularity • 16% Danceability • 8% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Flos florum
68 bpm • G min • 03:54 • -22.77db
10% Popularity • 16% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
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The Sixteen
Messa à 4 da cappella
68 bpm • F Maj • 02:14 • -22db
8% Popularity • 18% Danceability • 12% Energy • 16% Liveness
84% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 12% Energy • 16% Liveness
84% Instrumentalness • 5% Positiveness
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Giles Farnaby
Farnabys Humour
68 bpm • G Maj • 01:24 • -23db
26% Popularity • 20% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
26% Popularity • 20% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
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Gregorio Allegri
Miserere: IV. Ecce enim veritatem dilexi...
69 bpm • D Maj • 01:22 • -31.66db
21% Popularity • 24% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Marbrianus de Orto
Missa l'homme armé: V. Agnus Dei
69 bpm • B Maj • 06:55 • -25.35db
0% Popularity • 6% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 6% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: VI. Te ergo quæsumus f...
69 bpm • C Maj • 02:31 • -22.78db
9% Popularity • 21% Danceability • 2% Energy • 12% Liveness
30% Instrumentalness • 12% Positiveness
9% Popularity • 21% Danceability • 2% Energy • 12% Liveness
30% Instrumentalness • 12% Positiveness
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Orlande de Lassus
Lassus: Alma Redemptoris Mater
69 bpm • A# Maj • 03:06 • -20.11db
14% Popularity • 22% Danceability • 15% Energy • 7% Liveness
45% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 15% Energy • 7% Liveness
45% Instrumentalness • 4% Positiveness
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Gilles Binchois
Chansons: De plus en plus se renouvelle
69 bpm • G# Maj • 03:52 • -23db
11% Popularity • 26% Danceability • 4% Energy • 10% Liveness
3% Instrumentalness • 19% Positiveness
11% Popularity • 26% Danceability • 4% Energy • 10% Liveness
3% Instrumentalness • 19% Positiveness
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Jan Pieterszoon Sweelinck
Fantasia chromatica
69 bpm • D min • 05:00 • -24db
12% Popularity • 18% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
12% Popularity • 18% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Gregorio Allegri
Miserere: II. Amplius lavame ; Quoniam i...
69 bpm • E min • 01:20 • -31.93db
20% Popularity • 22% Danceability • 3% Energy • 13% Liveness
3% Instrumentalness • 3% Positiveness
20% Popularity • 22% Danceability • 3% Energy • 13% Liveness
3% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Sestina, prima parte: "Incenerite spogli...
69 bpm • A# min • 02:13 • -27.8db
10% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Peter Abelard
O quanta qualia
69 bpm • A Maj • 04:57 • -23.75db
9% Popularity • 27% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Landini
Ecco la Primavera
69 bpm • G Maj • 01:14 • -23.26db
19% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Antonio Lotti
Crucifixus a 8 voci
70 bpm • C min • 03:52 • -24.75db
14% Popularity • 7% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 3% Positiveness
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Josquin des Prez
A l'eure que ie vous
69 bpm • C Maj • 01:26 • -29db
28% Popularity • 15% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Andrea Gabrieli
Maria stabat ad momentum (Concerti, 1587...
70 bpm • F Maj • 04:44 • -24db
11% Popularity • 10% Danceability • 14% Energy • 9% Liveness
77% Instrumentalness • 5% Positiveness
11% Popularity • 10% Danceability • 14% Energy • 9% Liveness
77% Instrumentalness • 5% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: V. ...
70 bpm • C Maj • 02:09 • -20.39db
15% Popularity • 15% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Marbrianus de Orto
Missa "L'homme Armé": V. Agnus Dei
70 bpm • A Maj • 08:37 • -19.48db
0% Popularity • 8% Danceability • 22% Energy • 8% Liveness
25% Instrumentalness • 5% Positiveness
0% Popularity • 8% Danceability • 22% Energy • 8% Liveness
25% Instrumentalness • 5% Positiveness
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Giaches de Wert
Vezzosi augelli
70 bpm • F# Maj • 02:32 • -23db
9% Popularity • 13% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 13% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Antonio Lotti
Missa Pro Defunctis: Kyrie 1
71 bpm • C# min • 01:18 • -24.46db
17% Popularity • 19% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Alma redemptoris mater
70 bpm • F Maj • 03:49 • -28.88db
16% Popularity • 20% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
16% Popularity • 20% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Loyset Compère
In nomine Iesu: Adoramus te
70 bpm • C Maj • 01:39 • -25db
8% Popularity • 21% Danceability • 12% Energy • 11% Liveness
42% Instrumentalness • 8% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 11% Liveness
42% Instrumentalness • 8% Positiveness
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Giovanni Domenico del Giovane da Nola
Fontana che dai acqua
71 bpm • E Maj • 02:36 • -21db
16% Popularity • 47% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 47% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Marbrianus de Orto
Dulces exuviae
71 bpm • A min • 03:12 • -25.59db
1% Popularity • 7% Danceability • 3% Energy • 8% Liveness
33% Instrumentalness • 5% Positiveness
1% Popularity • 7% Danceability • 3% Energy • 8% Liveness
33% Instrumentalness • 5% Positiveness
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Krzysztof Borek
Missa Mater Matris (After Des Prez's NJE...
71 bpm • C min • 09:09 • -21.29db
10% Popularity • 9% Danceability • 22% Energy • 36% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 22% Energy • 36% Liveness
1% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Nuper rosarum flores
71 bpm • D min • 06:27 • -26db
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Giovanni Paolo Cima
Capriccio
70 bpm • D min • 03:30 • -26db
13% Popularity • 22% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
13% Popularity • 22% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
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The Tallis Scholars
Josquin: Missa Mater Patris - 1a. Kyrie ...
71 bpm • D min • 01:21 • -22.84db
16% Popularity • 22% Danceability • 13% Energy • 9% Liveness
3% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 13% Energy • 9% Liveness
3% Instrumentalness • 7% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 06. Bene...
71 bpm • D# Maj • 01:08 • -24db
17% Popularity • 11% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 11% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Gregorian Chants
Miserere Nostri
71 bpm • E min • 02:02 • -14.32db
10% Popularity • 22% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Tallis
Tallis: Blessed are those that be undefi...
57 bpm • D Maj • 01:12 • -17.8db
9% Popularity • 27% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
9% Popularity • 27% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Philippe de Vitry
Garrit Gallus flendo dolorose - In nova ...
71 bpm • C Maj • 01:38 • -20.76db
13% Popularity • 26% Danceability • 14% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 26% Danceability • 14% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Giovanni Paolo Cima
Canzon la Gentile
70 bpm • C Maj • 01:43 • -27.43db
28% Popularity • 8% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
28% Popularity • 8% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
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Guillaume de Machaut
Collectio: Veneranda nobis
72 bpm • D# Maj • 01:06 • -35db
16% Popularity • 29% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 29% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Caprioli
Quella bella e biancha mano
72 bpm • D Maj • 02:38 • -19.32db
13% Popularity • 34% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 34% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: VIII. Daleth
72 bpm • G# min • 01:26 • -23db
23% Popularity • 16% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Lagrime di San Pietro: I. Il magnanimo P...
72 bpm • A min • 02:12 • -23db
10% Popularity • 20% Danceability • 12% Energy • 9% Liveness
12% Instrumentalness • 10% Positiveness
10% Popularity • 20% Danceability • 12% Energy • 9% Liveness
12% Instrumentalness • 10% Positiveness
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Jacob Obrecht
Missa Maria zart Kyrie I
72 bpm • E Maj • 02:12 • -19db
10% Popularity • 17% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
10% Popularity • 17% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
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Jan Pieterszoon Sweelinck
Mein junges Leben hat ein End
70 bpm • A min • 02:53 • -26.29db
11% Popularity • 12% Danceability • 1% Energy • 14% Liveness
51% Instrumentalness • 33% Positiveness
11% Popularity • 12% Danceability • 1% Energy • 14% Liveness
51% Instrumentalness • 33% Positiveness
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Marbrianus de Orto
Missa ad fugam: Gloria
72 bpm • G min • 05:16 • -23.07db
0% Popularity • 7% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 7% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 6% Positiveness
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Gregorio Allegri
Miserere a 9: No. 7, Ne projicias me - R...
72 bpm • B min • 01:00 • -21.51db
16% Popularity • 23% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
16% Popularity • 23% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
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Orfeo Vecchi
Motectorum, Book 3: No. 15, Coelorum can...
72 bpm • G Maj • 02:38 • -25.26db
11% Popularity • 10% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 10% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Claudio Monteverdi
Laudate pueri dominum
72 bpm • D min • 05:03 • -18.44db
8% Popularity • 22% Danceability • 21% Energy • 9% Liveness
32% Instrumentalness • 11% Positiveness
8% Popularity • 22% Danceability • 21% Energy • 9% Liveness
32% Instrumentalness • 11% Positiveness
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Claude Le Jeune
Le Jeune: Le Printemps: No. 1, Revecy ve...
72 bpm • F Maj • 03:48 • -19.62db
15% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Ivo de Vento
Levita Laurentius
71 bpm • F Maj • 01:31 • -26db
11% Popularity • 17% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 26% Positiveness
11% Popularity • 17% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 26% Positiveness
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Jacob Obrecht
Tsat een meskin: Stat ('tsaat) ein meski...
73 bpm • G Maj • 02:05 • -19db
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
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Montserrat Figueras
Segunda Parte - Morir Cuerdo Y Vivir Loc...
73 bpm • G min • 01:09 • -26.68db
18% Popularity • 15% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
18% Popularity • 15% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O presul vere civitatis, BN 45
73 bpm • F# min • 06:12 • -26.44db
9% Popularity • 24% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 24% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Brumel: Mater Patris - 1. Mater Patris E...
73 bpm • D min • 01:01 • -23.66db
31% Popularity • 20% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Cipriano de Rore
Ancor che col partire
73 bpm • A min • 02:50 • -18db
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: D'Una Verge Naixer�...
73 bpm • G min • 01:55 • -24db
13% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Soriano
Gloria, laus et honor tibi sit
73 bpm • D Maj • 01:23 • -26.9db
12% Popularity • 20% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 20% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Marbrianus de Orto
Missa "Mi Mi": IV. Sanctus
73 bpm • A min • 08:33 • -16.19db
0% Popularity • 9% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
0% Popularity • 9% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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Hildegard von Bingen
Spes - Ego sum dulcis conspectrix
73 bpm • G Maj • 02:22 • -28.73db
19% Popularity • 13% Danceability • 2% Energy • 9% Liveness
57% Instrumentalness • 11% Positiveness
19% Popularity • 13% Danceability • 2% Energy • 9% Liveness
57% Instrumentalness • 11% Positiveness
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The Tallis Scholars
Victoria: Lamentations for Maundy Thursd...
74 bpm • G Maj • 01:12 • -20.8db
10% Popularity • 11% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 11% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Josquin des Prez
Parfons regretz, NJE 29.19
74 bpm • E min • 06:22 • -17.22db
9% Popularity • 12% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
9% Popularity • 12% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Guillaume Dufay
Motets: Alma redemptoris mater
74 bpm • C Maj • 03:38 • -27db
12% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
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Traditional
Sancta mater graciae (Holy mother of gra...
74 bpm • B min • 02:21 • -29.66db
10% Popularity • 34% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 34% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Хор Сретенского монастыря
Искупил ны еси от клят...
74 bpm • F# Maj • 02:01 • -24.1db
10% Popularity • 7% Danceability • 11% Energy • 12% Liveness
28% Instrumentalness • 5% Positiveness
10% Popularity • 7% Danceability • 11% Energy • 12% Liveness
28% Instrumentalness • 5% Positiveness
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Marbrianus de Orto
Missa l'homme armé: I. Kyrie
74 bpm • B Maj • 04:01 • -20.81db
0% Popularity • 13% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 13% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ensemble Project Ars Nova
Tousjours
74 bpm • G Maj • 03:01 • -25.37db
11% Popularity • 11% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
11% Popularity • 11% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
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Josquin des Prez
Josquin: Missa Hercules Dux Ferrarie - 5...
73 bpm • A min • 02:25 • -27.37db
8% Popularity • 10% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
