Songs like Ave Maria, S. 558 (after Schubert, D. 839) by Franz Liszt
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Claude Debussy
Deux Arabesques, L. 66, CD 74: I. Premi�...
69 bpm • E Maj • 04:04 • -32.34db
51% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
51% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Lang Lang
Limu, limu, lima (Arr. Schindler for Pia...
69 bpm • E min • 05:35 • -27db
45% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
45% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
VI. June. Barcarolle
69 bpm • G min • 05:25 • -35db
32% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
32% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Johannes Brahms
Brahms / Transcr. Reger: 5 Lieder, Op. 4...
69 bpm • D# Maj • 01:41 • -24.98db
41% Popularity • 39% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
41% Popularity • 39% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Suite bergamasque, CD 82, L. 75...
69 bpm • C# Maj • 04:18 • -21.73db
42% Popularity • 39% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 39% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Maurice Ravel
Pavane pour une infante défunte in G ma...
69 bpm • E min • 05:55 • -32db
30% Popularity • 40% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
30% Popularity • 40% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Ottorino Respighi
Siciliana
69 bpm • D# Maj • 02:54 • -31.07db
47% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
47% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K.618 (Arr. for Piano ...
69 bpm • B Maj • 03:15 • -39.48db
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Martin Bloch
Chopin - Prelude E-Minor OP.28 No 4
68 bpm • E min • 02:09 • -28.79db
50% Popularity • 42% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
50% Popularity • 42% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Claude Debussy
Rêverie, L. 68: Rêverie
69 bpm • G min • 04:17 • -31.95db
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Lang Lang
Suite bergamasque, CD 82: III. Clair de ...
70 bpm • C# Maj • 06:47 • -26.82db
33% Popularity • 32% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 32% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Liszt
Ave Maria, S. 558 (after Schubert, D. 83...
69 bpm • A# Maj • 05:28 • -27.59db
27% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Gianni Schicchi - Arr. Mikhashoff: O mio...
68 bpm • D# Maj • 02:52 • -29.2db
28% Popularity • 31% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
28% Popularity • 31% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Chilly Gonzales
NO ROADMAP TO ADULTHOOD / Chilly Gonzale...
70 bpm • D# min • 03:02 • -31.77db
36% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
51% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
51% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Franz Liszt
3 Concert Études, S. 144: No. 3 in D-Fl...
69 bpm • C# Maj • 05:41 • -25db
39% Popularity • 24% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
39% Popularity • 24% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
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Edvard Grieg
Lyric Pieces Book III, Op. 43: No. 6 To ...
68 bpm • F# Maj • 03:19 • -23.86db
25% Popularity • 32% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
25% Popularity • 32% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3, Lento placi...
70 bpm • C# Maj • 05:12 • -39db
54% Popularity • 27% Danceability • 0% Energy • 17% Liveness
87% Instrumentalness • 9% Positiveness
54% Popularity • 27% Danceability • 0% Energy • 17% Liveness
87% Instrumentalness • 9% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act 2: Dance...
68 bpm • B min • 03:09 • -25.08db
36% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
36% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Instrumental Ver...
70 bpm • F# min • 06:19 • -24.45db
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Franz Liszt
Schubert - Mullerlieder, S565/E249: No. ...
70 bpm • G Maj • 03:05 • -29.5db
23% Popularity • 27% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
23% Popularity • 27% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Charles-Valentin Alkan
Recueil de chants, Op. 65: No. 6, Barcar...
70 bpm • G min • 03:36 • -36.61db
48% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
48% Popularity • 29% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Robert Schumann
3 Romanzen, Op. 28: No. 2 in F-Sharp Maj...
70 bpm • F# Maj • 03:50 • -30db
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Ignaz Friedman
Orfeo ed Euridice: Ballet des Ombres Heu...
70 bpm • F# Maj • 03:58 • -33db
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice", Wq. 30...
70 bpm • D min • 03:52 • -31.87db
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Erik Satie
Gymnopédie No. 2
68 bpm • D min • 03:14 • -35.8db
47% Popularity • 51% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 34% Positiveness
47% Popularity • 51% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 34% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
64% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
64% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Franz Liszt
Liebeslied, S. 566 (After Schumann’s W...
70 bpm • G# Maj • 03:26 • -19.98db
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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JoaquÃn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 2 in D Minor. And...
70 bpm • D# Maj • 03:43 • -25db
27% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
27% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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Robert Schumann
Abendlied, Op. 85 No. 12 (Arr. Grosvenor...
68 bpm • C# Maj • 03:27 • -32.77db
49% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
49% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Valentin Silvestrov
Naive Music: No. 2. Nocturne
68 bpm • A# Maj • 02:35 • -36db
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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George Frideric Handel
Serse, HWV 40: Ombra mai fu (Arr. for Pi...
70 bpm • G# Maj • 02:47 • -23.72db
29% Popularity • 35% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
29% Popularity • 35% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Johannes Brahms
Lullaby (Guten Abend, gut' Nacht)
70 bpm • D# Maj • 01:48 • -33db
50% Popularity • 47% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
50% Popularity • 47% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
41% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 1, V...
67 bpm • G Maj • 01:40 • -38.34db
48% Popularity • 28% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
48% Popularity • 28% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Franz Liszt
Liszt: Lieder aus Franz Schubert's "Schw...
67 bpm • D Maj • 06:07 • -27.76db
33% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C Maj...
67 bpm • F Maj • 04:56 • -29.73db
40% Popularity • 22% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
40% Popularity • 22% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
► Preview
Erik Satie
Gnossienne: No. 2
71 bpm • D min • 01:40 • -26.31db
42% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
53% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
53% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Franz Liszt
En rêve, S. 207
67 bpm • B Maj • 02:34 • -39db
38% Popularity • 28% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 28% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: No. 6...
67 bpm • F# min • 02:52 • -32.82db
37% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
37% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Pavane pour une infante défunte, M. 19
67 bpm • E min • 06:29 • -31db
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
Alexander Scriabin
24 Preludes for piano, Op. 11: No. 11 In...
67 bpm • B Maj • 01:31 • -32.01db
43% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
43% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
Sergei Rachmaninoff
10 Préludes, Op. 23: No. 10 in G-Flat M...
71 bpm • F# Maj • 03:24 • -32db
33% Popularity • 30% Danceability • 0% Energy • 4% Liveness
84% Instrumentalness • 5% Positiveness
33% Popularity • 30% Danceability • 0% Energy • 4% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Valentin Silvestrov
Bagatelles I-XIII: Bagatelle III
71 bpm • C Maj • 04:24 • -25.11db
25% Popularity • 26% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
25% Popularity • 26% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Franz Liszt
Années de Pélegrinage, Prémiere Anné...
67 bpm • G# Maj • 02:51 • -36.25db
27% Popularity • 33% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
27% Popularity • 33% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
► Preview
Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Anja Lechner
Vague / E la nave va
67 bpm • C min • 06:58 • -26.61db
38% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
► Preview
Franz Liszt
12 Lieder von Schubert, S. 558: Schubert...
67 bpm • A# Maj • 04:37 • -29db
22% Popularity • 24% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Song Without Words, Op. 109
71 bpm • D Maj • 04:14 • -23.33db
30% Popularity • 14% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
30% Popularity • 14% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
41% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
41% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Léo Delibes
Lakmé / Act 1: "Sous le dôme épais" (...
71 bpm • B Maj • 04:57 • -16.97db
39% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne No. 19 in E Minor, Op. 72, No. ...
67 bpm • E min • 04:01 • -30.9db
55% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Franz Liszt
3 Sonetti di Petrarca (1st version), S15...
71 bpm • C# Maj • 06:30 • -23.02db
23% Popularity • 36% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 36% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: No. 8, The G...
71 bpm • F# Maj • 02:52 • -31.07db
45% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
45% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Henry Purcell
Lamento (After "When I Am Laid in Earth"...
67 bpm • G min • 02:00 • -33db
37% Popularity • 36% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
37% Popularity • 36% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Manuel Ponce
Intermezzo No. 1
67 bpm • E min • 02:41 • -24.2db
37% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Bagatelle, Op. 1: No. 1, Allegretto
72 bpm • D# Maj • 02:19 • -35.31db
43% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Lang Lang
Rêverie, CD 76
67 bpm • F Maj • 05:29 • -29.74db
38% Popularity • 28% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
38% Popularity • 28% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Franz Liszt
Romance "O pourquoi donc" in E Minor, S....
67 bpm • E min • 03:05 • -32.14db
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Pavane, Op. 50
66 bpm • F# min • 06:50 • -27.54db
42% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Robert Schumann
Carnaval, Op. 9: XII. Chopin
66 bpm • G# Maj • 01:30 • -36.35db
48% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
48% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Jean Sibelius
Andantino JS 201
66 bpm • C# min • 01:05 • -29db
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: III. Clair de ...
66 bpm • C# Maj • 04:19 • -29db
33% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
33% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Franz Liszt
Wiegenlied, S. 198
67 bpm • A min • 03:09 • -40db
31% Popularity • 30% Danceability • 0% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
31% Popularity • 30% Danceability • 0% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
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Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Olga Scheps
Armellodie
72 bpm • D Maj • 04:40 • -26.76db
42% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
42% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
39% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
63% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
63% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Franz Liszt
Die Forelle, S. 564 (after Schubert, D. ...
67 bpm • C# Maj • 03:58 • -28.29db
20% Popularity • 23% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
20% Popularity • 23% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
