Songs like Ave Maris Stella - Guillaume Dufay by Guillaume Dufay
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
96 bpm • E min • 02:31 • -32.9db
12% Popularity • 23% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
12% Popularity • 23% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Guillaume Dufay
Ave Maris Stella - Guillaume Dufay
96 bpm • A min • 01:54 • -21.87db
12% Popularity • 18% Danceability • 9% Energy • 16% Liveness
87% Instrumentalness • 10% Positiveness
12% Popularity • 18% Danceability • 9% Energy • 16% Liveness
87% Instrumentalness • 10% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum: IV. Pleni sunt caeli
96 bpm • C# Maj • 02:07 • -12.82db
11% Popularity • 29% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
11% Popularity • 29% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
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Traditional
Tonada: El Tupamaro
96 bpm • D min • 04:28 • -20.36db
9% Popularity • 43% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 43% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Heringman
Da Ripa : Part III: Nunc Mater exora nat...
96 bpm • A Maj • 01:50 • -26db
24% Popularity • 41% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 36% Positiveness
24% Popularity • 41% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 36% Positiveness
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Monsieur de Sainte-Colombe
Concert XXVII: Bourrasque - 2e sarabande...
96 bpm • C# min • 01:19 • -23.96db
11% Popularity • 28% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 20% Positiveness
11% Popularity • 28% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 20% Positiveness
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Maike Boerdam
Gesproken tekst: XXIII (15): "Zij zet aa...
96 bpm • F min • 02:10 • -23.06db
0% Popularity • 51% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 51% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Georg Philipp Telemann
Ouverture-Suite G-Dur “La Bizarre”, ...
97 bpm • F# Maj • 03:00 • -19.84db
5% Popularity • 26% Danceability • 11% Energy • 20% Liveness
6% Instrumentalness • 38% Positiveness
5% Popularity • 26% Danceability • 11% Energy • 20% Liveness
6% Instrumentalness • 38% Positiveness
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Tylman Susato
Passe and Medio / Den iersten gaillarde
97 bpm • G min • 03:07 • -21db
19% Popularity • 19% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
19% Popularity • 19% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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Peter Philips
Christus resurgens
97 bpm • B Maj • 03:43 • -18db
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
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Claudio Monteverdi
Sinfonia a sei
97 bpm • D min • 01:49 • -23db
16% Popularity • 22% Danceability • 6% Energy • 10% Liveness
61% Instrumentalness • 8% Positiveness
16% Popularity • 22% Danceability • 6% Energy • 10% Liveness
61% Instrumentalness • 8% Positiveness
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Jordi Savall
Suite En Mi Mineur: Passacaille, II.105 ...
97 bpm • D# min • 02:24 • -17db
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
30% Instrumentalness • 24% Positiveness
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
30% Instrumentalness • 24% Positiveness
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Pedro de AraĂşjo
Consonancias de 1Âş Tom
97 bpm • C Maj • 02:56 • -18db
8% Popularity • 31% Danceability • 23% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
8% Popularity • 31% Danceability • 23% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
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Georg Philipp Telemann
Overture & Suite in E Minor "Tafelmusik"...
97 bpm • D# Maj • 03:03 • -19.93db
7% Popularity • 63% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 63% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Traditional
Cachua Serranita (Instrumental)
95 bpm • A min • 03:26 • -23.91db
9% Popularity • 44% Danceability • 25% Energy • 10% Liveness
35% Instrumentalness • 68% Positiveness
9% Popularity • 44% Danceability • 25% Energy • 10% Liveness
35% Instrumentalness • 68% Positiveness
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Antonio de CabezĂłn
CabezĂłn: Tiento II del cuarto tono
94 bpm • A min • 02:49 • -21.25db
11% Popularity • 17% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
11% Popularity • 17% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Montserrat Figueras
Canço: "A chantarm’er de so"
98 bpm • F Maj • 06:53 • -24db
4% Popularity • 33% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 33% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Francesco Corbetta
Folias
98 bpm • C Maj • 03:14 • -26db
17% Popularity • 32% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 48% Positiveness
17% Popularity • 32% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 48% Positiveness
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Heinrich Isaac
Innsbruck, ich muss dich lassen
94 bpm • F Maj • 04:46 • -24.89db
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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Marc-Antoine Charpentier
Concert pour quatre parties de violes, H...
98 bpm • C# min • 03:18 • -16db
4% Popularity • 46% Danceability • 26% Energy • 17% Liveness
90% Instrumentalness • 64% Positiveness
4% Popularity • 46% Danceability • 26% Energy • 17% Liveness
90% Instrumentalness • 64% Positiveness
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
98 bpm • C Maj • 01:44 • -16.67db
13% Popularity • 53% Danceability • 42% Energy • 11% Liveness
62% Instrumentalness • 50% Positiveness
13% Popularity • 53% Danceability • 42% Energy • 11% Liveness
62% Instrumentalness • 50% Positiveness
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Jordi Savall
Villancico: Todos los bienes del mundo -...
98 bpm • A min • 02:28 • -14.94db
13% Popularity • 39% Danceability • 31% Energy • 30% Liveness
5% Instrumentalness • 59% Positiveness
13% Popularity • 39% Danceability • 31% Energy • 30% Liveness
5% Instrumentalness • 59% Positiveness
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Josquin des Prez
II. 1500 Nacimiento de Carlos V: Vive Le...
94 bpm • C Maj • 01:27 • -21.14db
12% Popularity • 47% Danceability • 5% Energy • 30% Liveness
96% Instrumentalness • 22% Positiveness
12% Popularity • 47% Danceability • 5% Energy • 30% Liveness
96% Instrumentalness • 22% Positiveness
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Luigi Boccherini
Sinfonia in Re Minore A PiĂą Strumenti O...
98 bpm • C# min • 03:42 • -23.56db
12% Popularity • 26% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
12% Popularity • 26% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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Francisco Correa de Arauxo
Tres Glosas Sobre "Todo El Mundo En Gene...
94 bpm • F Maj • 03:40 • -15.9db
10% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Marc-Antoine Charpentier
Concert pour quatre parties de violes, H...
94 bpm • E Maj • 03:20 • -18.07db
5% Popularity • 16% Danceability • 10% Energy • 36% Liveness
90% Instrumentalness • 5% Positiveness
5% Popularity • 16% Danceability • 10% Energy • 36% Liveness
90% Instrumentalness • 5% Positiveness
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Johann Hermann Schein
Schein: Banchetto musicale, Suite No. 6 ...
98 bpm • C Maj • 02:20 • -28.67db
16% Popularity • 28% Danceability • 1% Energy • 14% Liveness
43% Instrumentalness • 38% Positiveness
16% Popularity • 28% Danceability • 1% Energy • 14% Liveness
43% Instrumentalness • 38% Positiveness
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Le Manuscrit du Roi
La Quarte Estampie Royal
94 bpm • B min • 04:46 • -17.51db
8% Popularity • 44% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
8% Popularity • 44% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Toinot Arbeau
III. 1526 Matrimonio de Carlos V con Isa...
98 bpm • C Maj • 03:16 • -26db
14% Popularity • 20% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
14% Popularity • 20% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Le Concert Des Nations
Concert Donné A Louis XIII En 1627 Par ...
99 bpm • G Maj • 02:47 • -17db
10% Popularity • 64% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 64% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Marin Marais
Alcione, Acte I Scène 2: "Aimez-vous sa...
93 bpm • G Maj • 02:23 • -20.03db
2% Popularity • 24% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
2% Popularity • 24% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Orlando Gibbons
In Nomine a 4
99 bpm • D min • 02:21 • -21db
12% Popularity • 20% Danceability • 6% Energy • 36% Liveness
35% Instrumentalness • 10% Positiveness
12% Popularity • 20% Danceability • 6% Energy • 36% Liveness
35% Instrumentalness • 10% Positiveness
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Jordi Savall
Romance fronterizo: Cerco de Baeza - Anďż˝...
93 bpm • A# Maj • 04:05 • -16.37db
12% Popularity • 34% Danceability • 35% Energy • 15% Liveness
32% Instrumentalness • 39% Positiveness
12% Popularity • 34% Danceability • 35% Energy • 15% Liveness
32% Instrumentalness • 39% Positiveness
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Marc-Antoine Charpentier
Concert pour quatre parties de violes, H...
93 bpm • C# min • 05:00 • -17.5db
3% Popularity • 17% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
3% Popularity • 17% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Tarquinio Merula
Canzoni overo sonate concertate per chie...
93 bpm • C Maj • 02:44 • -18db
21% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Jean-Philippe Rameau
NaĂŻs - 16. Rigaudons I /II
99 bpm • G# Maj • 03:10 • -15.87db
13% Popularity • 46% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 46% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Marin Marais
Alcione, Acte II Scène 2: "Vous, dont l...
93 bpm • D# min • 01:40 • -19.15db
1% Popularity • 41% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 41% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Heinrich Isaac
Motet: Parce, Domine
100 bpm • A min • 01:40 • -21.81db
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
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Jordi Savall
Variations Sur O Soñjal (Gwerz Breton /...
93 bpm • E min • 04:27 • -31.12db
14% Popularity • 18% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
14% Popularity • 18% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Ottaviano Petrucci
I. 1459 El Tiempo de Maximiliano I (Rey ...
100 bpm • E min • 01:16 • -18db
15% Popularity • 73% Danceability • 32% Energy • 18% Liveness
92% Instrumentalness • 78% Positiveness
15% Popularity • 73% Danceability • 32% Energy • 18% Liveness
92% Instrumentalness • 78% Positiveness
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Andrea Falconieri
Passacalle
93 bpm • G min • 02:46 • -19.19db
18% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Georg Philipp Telemann
Overture & Suite in E Minor "Tafelmusik"...
100 bpm • F# Maj • 02:07 • -17.74db
6% Popularity • 62% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
6% Popularity • 62% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Marin Marais
Première suite, Airs pour les driades e...
99 bpm • C min • 03:43 • -19db
9% Popularity • 31% Danceability • 18% Energy • 28% Liveness
85% Instrumentalness • 32% Positiveness
9% Popularity • 31% Danceability • 18% Energy • 28% Liveness
85% Instrumentalness • 32% Positiveness
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Hildegard von Bingen
Spiritus Sanctus vivificans vite
92 bpm • G min • 02:16 • -33.63db
10% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
92 bpm • C Maj • 01:25 • -16.24db
15% Popularity • 61% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
15% Popularity • 61% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
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La Capella Reial De Catalunya
Gesproken tekst LV (21): "De Zotheid der...
92 bpm • C# min • 03:47 • -26.33db
0% Popularity • 48% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 48% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Anthony Holborne
VII. - Almaine: The Fruit Of Love (Holbo...
92 bpm • F Maj • 01:28 • -20.95db
8% Popularity • 54% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 62% Positiveness
8% Popularity • 54% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 62% Positiveness
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Jordi Savall
Villancico: Aquella mora garrida - Gabri...
100 bpm • F Maj • 03:21 • -18.13db
10% Popularity • 24% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 24% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
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Marin Marais
Alcione, Acte III Scène 2: Prélude gay...
92 bpm • D min • 01:16 • -23.74db
2% Popularity • 46% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
2% Popularity • 46% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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LluĂs del MilĂ
Fantasia I (harp) - LluĂs del MilĂ
92 bpm • A min • 02:02 • -26.28db
6% Popularity • 54% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 28% Positiveness
6% Popularity • 54% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 28% Positiveness
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
100 bpm • F min • 01:46 • -16db
12% Popularity • 50% Danceability • 39% Energy • 22% Liveness
84% Instrumentalness • 43% Positiveness
12% Popularity • 50% Danceability • 39% Energy • 22% Liveness
84% Instrumentalness • 43% Positiveness
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Antonio de CabezĂłn
III. 1526 Matrimonio de Carlos V con Isa...
92 bpm • F Maj • 03:30 • -25.18db
11% Popularity • 18% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
11% Popularity • 18% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Arianna Savall
La Salve (Arianna Savall)
101 bpm • D min • 05:17 • -24.51db
16% Popularity • 30% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
16% Popularity • 30% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
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Juan Cabanilles
Diferencias De Folias
101 bpm • C# min • 05:55 • -23.95db
13% Popularity • 32% Danceability • 26% Energy • 14% Liveness
69% Instrumentalness • 56% Positiveness
13% Popularity • 32% Danceability • 26% Energy • 14% Liveness
69% Instrumentalness • 56% Positiveness
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The Tallis Scholars
Tallis: Verily, Verily I Say Unto You
91 bpm • G# min • 01:41 • -23.66db
27% Popularity • 16% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Sequentia O, Jerusalem, aurea civitas
101 bpm • C Maj • 07:11 • -24.85db
13% Popularity • 28% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 28% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Philippe de Vitry
Vos quied admiramini - Gratissima vigini...
101 bpm • F Maj • 03:20 • -18.67db
11% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Jordi Savall
Cantigas De Santa Maria - Por Nos De Dul...
101 bpm • B min • 08:09 • -19.66db
6% Popularity • 49% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 29% Positiveness
6% Popularity • 49% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 29% Positiveness
► Preview
Montserrat Figueras
Primera Parte - Yo Soy La Locura, CapĂt...
101 bpm • E min • 01:44 • -20.46db
19% Popularity • 23% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 33% Positiveness
19% Popularity • 23% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 33% Positiveness
► Preview
Alonso Mudarra
Fantasia Que Contrahaze La Harpa De Ludo...
91 bpm • G Maj • 02:36 • -28.2db
20% Popularity • 25% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
20% Popularity • 25% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Gaspar Sanz
Jacaras
101 bpm • D min • 02:13 • -27.66db
17% Popularity • 44% Danceability • 9% Energy • 8% Liveness
71% Instrumentalness • 20% Positiveness
17% Popularity • 44% Danceability • 9% Energy • 8% Liveness
71% Instrumentalness • 20% Positiveness
► Preview
Monsieur de Sainte-Colombe
Concert XLI: Le retour - en menuet
102 bpm • C# Maj • 01:02 • -25.43db
8% Popularity • 30% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
8% Popularity • 30% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
► Preview
Marin Marais
L'Arabesque - 4ème livre de Pièces de ...
102 bpm • E Maj • 06:03 • -22.97db
24% Popularity • 30% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
24% Popularity • 30% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
► Preview
Cristobal de Morales
Si n’os Huviera Mirado
102 bpm • A min • 03:50 • -20.74db
8% Popularity • 25% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 25% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Georg Philipp Telemann
Overture & Suite in E Minor "Tafelmusik"...
102 bpm • D# min • 03:37 • -20.92db
7% Popularity • 54% Danceability • 10% Energy • 9% Liveness
3% Instrumentalness • 67% Positiveness
7% Popularity • 54% Danceability • 10% Energy • 9% Liveness
3% Instrumentalness • 67% Positiveness
► Preview
Giovanni Battista Grillo
Capriccio V
91 bpm • C Maj • 02:27 • -18.88db
14% Popularity • 27% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 27% Positiveness
14% Popularity • 27% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 27% Positiveness
► Preview
Michael Praetorius
Terpsichore*: a. Ballet des Baccanales b...
90 bpm • C Maj • 03:20 • -18.06db
18% Popularity • 42% Danceability • 24% Energy • 11% Liveness
63% Instrumentalness • 54% Positiveness
18% Popularity • 42% Danceability • 24% Energy • 11% Liveness
63% Instrumentalness • 54% Positiveness
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La Capella Reial De Catalunya
Si habrá en este baldrés (C.M. Palacio...
90 bpm • D min • 01:28 • -20.9db
3% Popularity • 63% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
3% Popularity • 63% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
► Preview
Monsieur de Sainte-Colombe
Les Pleurs (Mr. de Sainte Colombe, versi...
102 bpm • C# min • 04:09 • -28db
30% Popularity • 22% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
30% Popularity • 22% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Marin Marais
Pièces de viole du Second Livre, suite ...
90 bpm • A# min • 01:47 • -16.56db
7% Popularity • 16% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 16% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Guillaume Dufay
Se la face ay pale
103 bpm • A# Maj • 02:53 • -23db
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Salomone Rossi
Il terzo libro de varie sonate, sinfonie...
90 bpm • G Maj • 03:54 • -19.19db
13% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Montserrat Figueras
Salve regina Ă 8 (extrait)
90 bpm • F min • 04:14 • -21db
12% Popularity • 13% Danceability • 11% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 11% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
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Maike Boerdam
Gesproken tekst XXXII (20): "De betrekki...
90 bpm • G min • 01:36 • -24.65db
1% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: VI. Es...
89 bpm • A Maj • 01:22 • -21.37db
20% Popularity • 38% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 38% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Aprés Se Badarà ...
103 bpm • F Maj • 02:08 • -27.09db
19% Popularity • 21% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Traditional
Nana: Duérmente, Niño, Duerme, 1914 (D...
104 bpm • A min • 04:29 • -26.99db
6% Popularity • 33% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
6% Popularity • 33% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
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Henry Purcell
Sonata A 2
89 bpm • G min • 06:47 • -17.27db
10% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Marin Marais
Alcione, Acte V Scène 2: "Barbares, lai...
89 bpm • A# min • 01:28 • -21.93db
0% Popularity • 40% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 40% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Michael Praetorius
Terpsichore*: Volte
104 bpm • C Maj • 01:00 • -22db
24% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Diego Ortiz
Recercada No. 1: Recercada primera
104 bpm • D min • 01:14 • -27.06db
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
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Claudio Monteverdi
Hymnus: Ave maris stella
89 bpm • D Maj • 09:17 • -24.32db
8% Popularity • 15% Danceability • 7% Energy • 10% Liveness
54% Instrumentalness • 10% Positiveness
8% Popularity • 15% Danceability • 7% Energy • 10% Liveness
54% Instrumentalness • 10% Positiveness
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Thomas Fabri
Ach Vlaendere vrie
89 bpm • A# Maj • 02:58 • -22.01db
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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La Capella Reial De Catalunya
Gesproken tekst XIV (10): "Hoe Zij de jo...
104 bpm • F Maj • 01:43 • -25.73db
1% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Marin Marais
Muzettes I-II - 3ème livre de Pièces d...
88 bpm • G# Maj • 03:13 • -22.54db
23% Popularity • 15% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
23% Popularity • 15% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Anonymous
Folias Antiguas
104 bpm • G min • 03:57 • -26db
21% Popularity • 37% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
21% Popularity • 37% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Jordi Savall
Suite En Mi Mineur: Gigue La Badine, II....
88 bpm • F# Maj • 02:07 • -17.61db
10% Popularity • 48% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 42% Positiveness
10% Popularity • 48% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 42% Positiveness
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Hildegard von Bingen
De Sancta Maria: O splendidissima gemma ...
88 bpm • A min • 04:22 • -26.28db
11% Popularity • 18% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Traditional
Noumi, Noumi Yaldatti - Berceuse HebraĂŻ...
88 bpm • B min • 04:40 • -23.79db
8% Popularity • 17% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Jean-FĂ©ry Rebel
Les plaisirs champĂŞtres: V. Passepied
104 bpm • C# min • 01:34 • -24.38db
6% Popularity • 50% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
6% Popularity • 50% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Marin Marais
Alcione, Acte II Scène 3: "Qu’entends...
105 bpm • C# Maj • 02:25 • -19.55db
1% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Samuel Scheidt
Ludi Musici: Allemande XVI
88 bpm • C Maj • 01:32 • -22.6db
19% Popularity • 35% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
19% Popularity • 35% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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La Capella Reial De Catalunya
Gesproken tekst XXX (19): "Hoe de Zothei...
88 bpm • D min • 02:17 • -24.72db
0% Popularity • 41% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 41% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jean-Philippe Rameau
NaĂŻs - Loure
88 bpm • C# min • 02:26 • -14.92db
12% Popularity • 47% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 47% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Jordi Savall
Splendens ceptigera
88 bpm • G Maj • 02:37 • -17.35db
13% Popularity • 25% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 25% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 17% Positiveness
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Georg Philipp Telemann
Ouverture-Suite G-Dur “La Bizarre”, ...
87 bpm • F# Maj • 01:50 • -17.31db
6% Popularity • 53% Danceability • 26% Energy • 31% Liveness
4% Instrumentalness • 85% Positiveness
6% Popularity • 53% Danceability • 26% Energy • 31% Liveness
4% Instrumentalness • 85% Positiveness