Songs like Ave Regina caelorum by Judith Weir
Based on a tempo of (+/- 10%) and a similar genre
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Veljo Tormis
Looduspildid: No. 3. Sugismaastikud: Tuu...
139 bpm • D min • 01:12 • -26db
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
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Charles Wood
O Most Merciful
139 bpm • G min • 01:28 • -28db
12% Popularity • 15% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Anna Lapwood
O Nata Lux
139 bpm • C Maj • 04:02 • -29.84db
15% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Judith Weir
Ave Regina caelorum
139 bpm • F min • 03:49 • -26.05db
1% Popularity • 20% Danceability • 8% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 8% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
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Toru Takemitsu
Wings (Version for Mixed Choir)
138 bpm • A Maj • 02:34 • -29.96db
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
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Gustav Mahler
Urlicht
138 bpm • C# Maj • 05:12 • -30.98db
9% Popularity • 17% Danceability • 3% Energy • 7% Liveness
23% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 7% Liveness
23% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
2 Sacred Songs: No. 1, Alleluia
138 bpm • A# Maj • 03:18 • -32.53db
14% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for unaccompanied double choir: II....
138 bpm • A min • 05:52 • -27db
12% Popularity • 17% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
16% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Larimar Music Vibes
Behind the ocean
140 bpm • G# min • 03:59 • -18.52db
32% Popularity • 53% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 13% Positiveness
32% Popularity • 53% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 13% Positiveness
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Judith Weir
Ettrick Banks
140 bpm • E Maj • 04:41 • -21.01db
0% Popularity • 20% Danceability • 5% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 5% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Percy Grainger
Australian Up-Country Song
138 bpm • F Maj • 01:41 • -27.11db
9% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Torbjørn Dyrud
Das Blümelein so kleine
140 bpm • G min • 01:45 • -30db
10% Popularity • 19% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Manuel Ruiz Del Corral
Stabat Mater, Op. 45: V. Corpus Morietur...
141 bpm • G min • 03:48 • -17.18db
1% Popularity • 18% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 3% Positiveness
1% Popularity • 18% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 3% Positiveness
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Healey Willan
Rise up, my love, my fair one, Op. 314
137 bpm • C# Maj • 02:22 • -37db
29% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 2k. Et vitam v...
137 bpm • E min • 00:56 • -17.06db
11% Popularity • 18% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Friedrich Cerha
4 Hölderlin-Fragmente: No. 4, Ihr wande...
141 bpm • F# min • 03:36 • -29.88db
9% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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Gunnar Eriksson
Music for a While
141 bpm • A min • 04:04 • -23.9db
9% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Anton Bruckner
Os Justi
137 bpm • C Maj • 05:33 • -25db
8% Popularity • 17% Danceability • 3% Energy • 9% Liveness
34% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 9% Liveness
34% Instrumentalness • 3% Positiveness
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Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 14, Sie...
137 bpm • D# Maj • 01:06 • -29.35db
3% Popularity • 18% Danceability • 2% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
3% Popularity • 18% Danceability • 2% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
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Judith Weir
Airs from another Planet: II. Traditiona...
137 bpm • E min • 03:33 • -19.19db
0% Popularity • 27% Danceability • 4% Energy • 27% Liveness
83% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 4% Energy • 27% Liveness
83% Instrumentalness • 4% Positiveness
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Hector Berlioz
Requiem, Op. 5, H 75: V. Quaerens me
141 bpm • A Maj • 04:49 • -39.02db
0% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
16% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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James Whitbourn
Annelies (chamber version): VI. Courage
137 bpm • B min • 04:18 • -24.87db
11% Popularity • 22% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Anton Bruckner
Virga Jesse, WAB 52
137 bpm • E Maj • 03:51 • -21.78db
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
11% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Peter Dijkstra
Anton Bruckner: Ave Maria: Anton Bruckne...
136 bpm • F Maj • 03:50 • -23.5db
25% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Franz Schubert
Lacrimosa son io, D. 131b
136 bpm • D min • 04:20 • -26.94db
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: 3 Chansons, M. 69: No. 3, La rond...
136 bpm • C# min • 01:41 • -20.19db
8% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Anton Bruckner
Tantum ergo, WAB 43
135 bpm • A Maj • 01:35 • -21.58db
26% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Veljo Tormis
Looduspildid No. 3 "Sügismaastikud": Lo...
135 bpm • E min • 01:36 • -30.68db
12% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
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Johannes Brahms
Drei geistliche Chöre, Op. 37 No. 1: O ...
135 bpm • G min • 01:16 • -26.26db
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
10% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Agnus Dei
135 bpm • G# Maj • 05:33 • -22.98db
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Hugo Wolf
Six sacred Songs after Poems of Joseph v...
135 bpm • E Maj • 01:04 • -22.61db
26% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
26% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
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Emil RÃ¥berg
The Tyger
143 bpm • F min • 03:28 • -29.28db
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Philippe Rogier
Cantantibus organis
134 bpm • A Maj • 03:42 • -18.57db
8% Popularity • 20% Danceability • 21% Energy • 15% Liveness
67% Instrumentalness • 9% Positiveness
8% Popularity • 20% Danceability • 21% Energy • 15% Liveness
67% Instrumentalness • 9% Positiveness
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Kastalski Mixed Choir
Triptych 01: I Can Love
134 bpm • F Maj • 02:37 • -21.47db
7% Popularity • 24% Danceability • 17% Energy • 13% Liveness
16% Instrumentalness • 18% Positiveness
7% Popularity • 24% Danceability • 17% Energy • 13% Liveness
16% Instrumentalness • 18% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt 3. "Moses' S...
135 bpm • D# Maj • 01:15 • -20.38db
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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William Croft
Burial Sentences: II. I Know That My Red...
144 bpm • C min • 01:10 • -23.05db
19% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
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KNOXVILLETRACKZ
HFTEPF
134 bpm • D min • 01:04 • -45.51db
12% Popularity • 19% Danceability • 0% Energy • 10% Liveness
100% Instrumentalness • 23% Positiveness
12% Popularity • 19% Danceability • 0% Energy • 10% Liveness
100% Instrumentalness • 23% Positiveness
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François-Lupien Grenet
Le Triomphe de l'Harmonie: Nous jouisson...
134 bpm • C# min • 01:01 • -23.67db
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Fernand Laloux
Tantum ergo
134 bpm • E min • 02:01 • -31.69db
10% Popularity • 18% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 7% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 7% Positiveness
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Lorenzo Perosi
Missa Pontificalis: Benedictus
144 bpm • F Maj • 01:35 • -32.21db
20% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
20% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Lege Artis Chamber Choir
Liturgy Of St. John Chrysostom, Op. 31: ...
134 bpm • A Maj • 01:15 • -27.57db
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Judith Weir
My Guardian Angel
134 bpm • D Maj • 02:12 • -19.45db
5% Popularity • 17% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 7% Positiveness
5% Popularity • 17% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 7% Positiveness
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Basilica of the National Shrine of the Immaculate Conception Choir
Christus vincit
133 bpm • G Maj • 03:47 • -20.07db
18% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
18% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Les fleurs et les arbres
133 bpm • E Maj • 02:00 • -23db
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Pierre de Manchicourt
Osculetur me: I. Osculetur me osculo ori...
134 bpm • C min • 03:24 • -19.62db
23% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
All-night Vigil, Op. 44: Blazhen muzh
133 bpm • C min • 05:43 • -27.33db
9% Popularity • 18% Danceability • 7% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 7% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A 25: Lift Thine Eye...
133 bpm • D Maj • 01:52 • -36.94db
9% Popularity • 18% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
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Valentin Silvestrov
2 Sacred Chants: No. 1, Mercy of Peace
132 bpm • E Maj • 05:03 • -32db
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
33% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
33% Instrumentalness • 3% Positiveness
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
10% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
132 bpm • C min • 01:31 • -23.86db
15% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Pange lingua, WAB 33
132 bpm • C Maj • 05:30 • -25.59db
13% Popularity • 18% Danceability • 5% Energy • 7% Liveness
20% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 7% Liveness
20% Instrumentalness • 3% Positiveness
► Preview
Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Elijah, Op. 70: "Be Not Afraid, Saith Go...
132 bpm • G Maj • 04:09 • -14.15db
9% Popularity • 21% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
9% Popularity • 21% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Eg...
132 bpm • D Maj • 04:40 • -38db
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
► Preview
Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
132 bpm • G Maj • 02:36 • -27.21db
8% Popularity • 16% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Harry Bramma
People, Look East
132 bpm • D# Maj • 02:04 • -23.14db
8% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Christopher H. Harris
Bring me all your dreams - SATB
147 bpm • E Maj • 04:06 • -32.9db
9% Popularity • 13% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Burial service: Thou knowest, Lord (Henr...
131 bpm • B Maj • 01:53 • -17db
15% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Eric Whitacre
Lux Aurumque
131 bpm • C# min • 04:11 • -25.19db
12% Popularity • 16% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Lili Boulanger
Hymne au soleil
131 bpm • D Maj • 03:53 • -22.66db
19% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Christendom College Choir
Jesus My Lord, My God, My All
131 bpm • F# Maj • 02:50 • -26.94db
8% Popularity • 22% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
► Preview
Judith Weir
Airs from another Planet: IV. Bagpipe Ai...
131 bpm • D Maj • 03:06 • -16.78db
0% Popularity • 52% Danceability • 65% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
0% Popularity • 52% Danceability • 65% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
William Henry Harris
Holy is the True Light
130 bpm • A# Maj • 01:53 • -30.82db
9% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
14% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
► Preview
Anton Bruckner
Tota pulchra es, WAB 46
131 bpm • C Maj • 05:20 • -23.67db
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Andrea Gabrieli
Gabrieli, A: Intonatione del primo tono
130 bpm • D min • 01:00 • -34.86db
18% Popularity • 22% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
18% Popularity • 22% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
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Frank Martin
Mass for unaccompanied double choir: I. ...
130 bpm • E min • 05:52 • -27db
14% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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Judith Weir
Drop down, ye heavens, from above
148 bpm • D min • 01:47 • -19.47db
9% Popularity • 17% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
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LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Larimar Music Vibes
From the heart
130 bpm • E Maj • 03:18 • -19.4db
31% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Anton Bruckner
Vexilla regis, WAB 51
130 bpm • F Maj • 04:55 • -27.43db
12% Popularity • 16% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
18% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: IVa. Sanctus
129 bpm • C Maj • 02:46 • -24.37db
7% Popularity • 19% Danceability • 12% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 12% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
2 Sacred Chants: No. 2, To Thee We Sing
130 bpm • C Maj • 03:14 • -32db
13% Popularity • 16% Danceability • 2% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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PÄ“teris Vasks
Klusas dziemas (silent songs): I. Nosapi...
129 bpm • F min • 03:38 • -31.84db
13% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
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John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Judith Weir
Airs from another Planet: III. Jig
129 bpm • C min • 02:34 • -14.71db
0% Popularity • 45% Danceability • 11% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
0% Popularity • 45% Danceability • 11% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
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Orlande de Lassus
Jubilate Deo omnis terra, LV 854
128 bpm • G# Maj • 01:44 • -22.64db
8% Popularity • 20% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
8% Popularity • 20% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
129 bpm • D min • 06:04 • -28db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Al...
128 bpm • G Maj • 02:47 • -34.73db
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Oulun kamariorkesteri
Alkukuoro, Vuorten Ylle Aurinko on Nouss...
128 bpm • G Maj • 04:27 • -23.6db
14% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Mass in D major, Op. 86: 2. Gloria
128 bpm • D Maj • 08:39 • -19.93db
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Judith Weir
I Broke Off a Golden Branch: I. Calm - C...
128 bpm • F Maj • 09:21 • -23.4db
0% Popularity • 37% Danceability • 10% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
0% Popularity • 37% Danceability • 10% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
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Josef Rheinberger
Messe in Es, Op. 109 "Cantus Missae": Ky...
127 bpm • D# Maj • 04:32 • -25.66db
14% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Three Shakespeare Songs: I. Full Fathom ...
127 bpm • C Maj • 03:29 • -38db
8% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
► Preview
Kim André Arnesen
Holy Spirit Mass: The Spirit's Work: Com...
127 bpm • F min • 03:35 • -20.77db
11% Popularity • 23% Danceability • 13% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
