Songs like Average Fruit (10.4 Rog's Gradeschool Crush Version) by Quadron
Based on a tempo of (+/- 10%) and a similar genre
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Rhye
Shed Some Blood
102 bpm • A min • 03:20 • -11.91db
37% Popularity • 79% Danceability • 42% Energy • 7% Liveness
3% Instrumentalness • 67% Positiveness
37% Popularity • 79% Danceability • 42% Energy • 7% Liveness
3% Instrumentalness • 67% Positiveness
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Andrew Ashong
Love the Way
102 bpm • E Maj • 05:21 • -13.28db
15% Popularity • 72% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 72% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Clara Hill
Everything
102 bpm • F Maj • 04:10 • -9.27db
22% Popularity • 56% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 65% Positiveness
22% Popularity • 56% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 65% Positiveness
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Ntjam Rosie
Space of You
102 bpm • A# min • 03:50 • -12.1db
28% Popularity • 78% Danceability • 37% Energy • 11% Liveness
6% Instrumentalness • 70% Positiveness
28% Popularity • 78% Danceability • 37% Energy • 11% Liveness
6% Instrumentalness • 70% Positiveness
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Solange
Don't Let Me Down
102 bpm • C# Maj • 04:13 • -4.66db
12% Popularity • 95% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 95% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Jamie Woon
Movement
102 bpm • C# min • 05:11 • -7.86db
24% Popularity • 58% Danceability • 45% Energy • 22% Liveness
53% Instrumentalness • 61% Positiveness
24% Popularity • 58% Danceability • 45% Energy • 22% Liveness
53% Instrumentalness • 61% Positiveness
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Quadron
Average Fruit (fLako Remix)
102 bpm • C Maj • 03:30 • -15.16db
3% Popularity • 84% Danceability • 33% Energy • 28% Liveness
2% Instrumentalness • 77% Positiveness
3% Popularity • 84% Danceability • 33% Energy • 28% Liveness
2% Instrumentalness • 77% Positiveness
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Dungeonesse
Shucks
102 bpm • B min • 03:34 • -6.86db
11% Popularity • 67% Danceability • 73% Energy • 12% Liveness
39% Instrumentalness • 78% Positiveness
11% Popularity • 67% Danceability • 73% Energy • 12% Liveness
39% Instrumentalness • 78% Positiveness
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Jamie Lidell
Green Light
102 bpm • A# min • 03:48 • -8db
25% Popularity • 76% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 68% Positiveness
25% Popularity • 76% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 68% Positiveness
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Dornik
Blush
102 bpm • C# Maj • 03:17 • -12.32db
13% Popularity • 55% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 55% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Snoh Aalegra
Emotional
102 bpm • F# Maj • 03:51 • -6.17db
34% Popularity • 57% Danceability • 68% Energy • 2% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 57% Danceability • 68% Energy • 2% Liveness
0% Instrumentalness • 88% Positiveness
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Jamie Woon
Spirits
102 bpm • F# Maj • 03:46 • -7.67db
33% Popularity • 75% Danceability • 69% Energy • 13% Liveness
6% Instrumentalness • 65% Positiveness
33% Popularity • 75% Danceability • 69% Energy • 13% Liveness
6% Instrumentalness • 65% Positiveness
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Mayer Hawthorne
Maybe So, Maybe No
101 bpm • A# min • 02:59 • -8.12db
39% Popularity • 72% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
39% Popularity • 72% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
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Quadron
Average Fruit (10.4 Rog's Gradeschool Cr...
102 bpm • C Maj • 04:40 • -14.69db
5% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
5% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Eric Lau
Love Call
103 bpm • F# Maj • 02:51 • -10.42db
8% Popularity • 53% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 53% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jordan Rakei
Blame It on the Youth
103 bpm • A min • 02:34 • -9.85db
33% Popularity • 94% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 94% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Chromeo
I Can't Tell You Why (DJ-KiCKS)
103 bpm • B min • 03:35 • -6.48db
22% Popularity • 82% Danceability • 54% Energy • 16% Liveness
2% Instrumentalness • 60% Positiveness
22% Popularity • 82% Danceability • 54% Energy • 16% Liveness
2% Instrumentalness • 60% Positiveness
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The Stepkids
Moving Pictures
103 bpm • G Maj • 04:50 • -7.29db
9% Popularity • 73% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 73% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Mayer Hawthorne
No Strings (Classixx Original)
103 bpm • D Maj • 03:49 • -7.24db
13% Popularity • 71% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 71% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Quadron
Favorite Star
103 bpm • F# min • 03:21 • -6.12db
32% Popularity • 88% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 88% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Jamie Woon
Message
101 bpm • D min • 04:28 • -9.31db
33% Popularity • 92% Danceability • 30% Energy • 7% Liveness
24% Instrumentalness • 92% Positiveness
33% Popularity • 92% Danceability • 30% Energy • 7% Liveness
24% Instrumentalness • 92% Positiveness
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Bonobo
Heaven For The Sinner
101 bpm • D min • 04:09 • -8.18db
41% Popularity • 30% Danceability • 68% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
41% Popularity • 30% Danceability • 68% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
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Dornik
Stand In Your Line
101 bpm • C# Maj • 06:18 • -11.47db
15% Popularity • 40% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 40% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Sam Sparro
In Your Heaven
104 bpm • F# min • 03:41 • -6.65db
22% Popularity • 70% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 70% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Mayer Hawthorne
No Strings (DJ Jazzy Jeff Roller Boogie ...
103 bpm • B min • 04:51 • -9db
16% Popularity • 77% Danceability • 72% Energy • 8% Liveness
8% Instrumentalness • 89% Positiveness
16% Popularity • 77% Danceability • 72% Energy • 8% Liveness
8% Instrumentalness • 89% Positiveness
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Boom Clap Bachelors
Hvor Vi Henne
100 bpm • A min • 04:55 • -9.42db
11% Popularity • 64% Danceability • 45% Energy • 12% Liveness
17% Instrumentalness • 35% Positiveness
11% Popularity • 64% Danceability • 45% Energy • 12% Liveness
17% Instrumentalness • 35% Positiveness
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Quadron
Hey Love - Ryan Hemsworth Remix
101 bpm • A min • 03:31 • -7.56db
1% Popularity • 65% Danceability • 63% Energy • 29% Liveness
91% Instrumentalness • 45% Positiveness
1% Popularity • 65% Danceability • 63% Energy • 29% Liveness
91% Instrumentalness • 45% Positiveness
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The Stepkids
The Lottery
100 bpm • C# min • 03:50 • -7.18db
13% Popularity • 72% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 72% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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AlunaGeorge
Kaleidoscope Love
100 bpm • B min • 03:53 • -6.62db
24% Popularity • 72% Danceability • 62% Energy • 3% Liveness
23% Instrumentalness • 70% Positiveness
24% Popularity • 72% Danceability • 62% Energy • 3% Liveness
23% Instrumentalness • 70% Positiveness
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JONES
Melt
100 bpm • C# Maj • 03:34 • -10.71db
37% Popularity • 69% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
37% Popularity • 69% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Mayer Hawthorne
Wine Glass Woman
101 bpm • A# min • 03:47 • -5.51db
33% Popularity • 76% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 76% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Booker T.
All Over The Place
100 bpm • G# min • 03:29 • -9.15db
27% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Dornik
Drive
100 bpm • E min • 02:55 • -11.08db
32% Popularity • 78% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
32% Popularity • 78% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
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Barbara Moleko
Sugar Man
100 bpm • E min • 03:36 • -7.05db
19% Popularity • 47% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 47% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Vinnie Who
Forever Awake
100 bpm • G Maj • 03:47 • -11.25db
9% Popularity • 84% Danceability • 37% Energy • 11% Liveness
4% Instrumentalness • 64% Positiveness
9% Popularity • 84% Danceability • 37% Energy • 11% Liveness
4% Instrumentalness • 64% Positiveness
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Full Crate x Mar
Aftersexin'
100 bpm • G Maj • 05:45 • -13.38db
13% Popularity • 74% Danceability • 42% Energy • 11% Liveness
49% Instrumentalness • 36% Positiveness
13% Popularity • 74% Danceability • 42% Energy • 11% Liveness
49% Instrumentalness • 36% Positiveness
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The Preatures
Is This How You Feel? - Classixx Remix
100 bpm • F# min • 03:36 • -8.03db
33% Popularity • 70% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
33% Popularity • 70% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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Cody Chesnutt
I've Been Life
104 bpm • A# min • 04:39 • -4.72db
11% Popularity • 66% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 66% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Dornik
Drive - BADBADNOTGOOD Remix
100 bpm • E min • 02:45 • -7.49db
21% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Francis Dale
Retrospect
100 bpm • D min • 03:12 • -11.26db
15% Popularity • 71% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 71% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Boom Clap Bachelors
Vuggevise
100 bpm • F Maj • 04:45 • -11.19db
7% Popularity • 51% Danceability • 54% Energy • 12% Liveness
74% Instrumentalness • 35% Positiveness
7% Popularity • 51% Danceability • 54% Energy • 12% Liveness
74% Instrumentalness • 35% Positiveness
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Van Hunt
Out Of The Sky
105 bpm • G Maj • 05:08 • -6.13db
15% Popularity • 75% Danceability • 74% Energy • 12% Liveness
43% Instrumentalness • 80% Positiveness
15% Popularity • 75% Danceability • 74% Energy • 12% Liveness
43% Instrumentalness • 80% Positiveness
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Coco O.
Bled for You
105 bpm • C min • 04:02 • -11db
28% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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RóisÃn Murphy
If We're in Love
105 bpm • F min • 04:31 • -7.2db
29% Popularity • 91% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 91% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Rhye
The Fall - Instrumental
105 bpm • F Maj • 03:43 • -14.37db
22% Popularity • 64% Danceability • 58% Energy • 18% Liveness
87% Instrumentalness • 70% Positiveness
22% Popularity • 64% Danceability • 58% Energy • 18% Liveness
87% Instrumentalness • 70% Positiveness
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Maxwell
Now/At The Party - Remastered 2021
105 bpm • A# min • 05:25 • -9.38db
27% Popularity • 84% Danceability • 64% Energy • 6% Liveness
18% Instrumentalness • 90% Positiveness
27% Popularity • 84% Danceability • 64% Energy • 6% Liveness
18% Instrumentalness • 90% Positiveness
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Stateless
Falling Into - Swell Session Mix
105 bpm • A# min • 05:16 • -9.65db
17% Popularity • 83% Danceability • 49% Energy • 16% Liveness
34% Instrumentalness • 94% Positiveness
17% Popularity • 83% Danceability • 49% Energy • 16% Liveness
34% Instrumentalness • 94% Positiveness
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Boom Clap Bachelors
Ring Til Mig
105 bpm • A min • 04:43 • -12.02db
9% Popularity • 62% Danceability • 39% Energy • 9% Liveness
42% Instrumentalness • 56% Positiveness
9% Popularity • 62% Danceability • 39% Energy • 9% Liveness
42% Instrumentalness • 56% Positiveness
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Joya Mooi
Way Of Life
99 bpm • E min • 03:21 • -10.64db
7% Popularity • 70% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 70% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Juce
Call You Out
105 bpm • F Maj • 04:16 • -7.62db
17% Popularity • 84% Danceability • 63% Energy • 9% Liveness
22% Instrumentalness • 80% Positiveness
17% Popularity • 84% Danceability • 63% Energy • 9% Liveness
22% Instrumentalness • 80% Positiveness
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Rhye
The Fall
105 bpm • F Maj • 03:44 • -13db
64% Popularity • 66% Danceability • 62% Energy • 18% Liveness
70% Instrumentalness • 78% Positiveness
64% Popularity • 66% Danceability • 62% Energy • 18% Liveness
70% Instrumentalness • 78% Positiveness
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AYA
Nobody Knows Me
105 bpm • F Maj • 04:24 • -8.12db
28% Popularity • 73% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 73% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Quadron
Avalanche
105 bpm • D Maj • 03:45 • -10.57db
18% Popularity • 44% Danceability • 25% Energy • 9% Liveness
11% Instrumentalness • 5% Positiveness
18% Popularity • 44% Danceability • 25% Energy • 9% Liveness
11% Instrumentalness • 5% Positiveness
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Gabriel Garzón-Montano
The Game
105 bpm • C# Maj • 04:10 • -11.13db
21% Popularity • 95% Danceability • 32% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
21% Popularity • 95% Danceability • 32% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
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Jordan Rakei
The Light
99 bpm • F# Maj • 04:00 • -10.15db
40% Popularity • 78% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 78% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Alekesam
All Is Forgiven
99 bpm • G Maj • 05:45 • -7.33db
29% Popularity • 75% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
29% Popularity • 75% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
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D'Angelo
Betray My Heart
106 bpm • C Maj • 05:55 • -11.17db
44% Popularity • 80% Danceability • 44% Energy • 13% Liveness
5% Instrumentalness • 59% Positiveness
44% Popularity • 80% Danceability • 44% Energy • 13% Liveness
5% Instrumentalness • 59% Positiveness
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Jamie Woon
Sharpness
98 bpm • F# min • 03:27 • -7.87db
51% Popularity • 85% Danceability • 58% Energy • 10% Liveness
17% Instrumentalness • 67% Positiveness
51% Popularity • 85% Danceability • 58% Energy • 10% Liveness
17% Instrumentalness • 67% Positiveness
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Maylee Todd
I Can't Stand It
106 bpm • A# Maj • 05:20 • -11.36db
11% Popularity • 82% Danceability • 37% Energy • 10% Liveness
5% Instrumentalness • 49% Positiveness
11% Popularity • 82% Danceability • 37% Energy • 10% Liveness
5% Instrumentalness • 49% Positiveness
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Dirg Gerner
My Queen
98 bpm • A min • 03:33 • -10.45db
7% Popularity • 63% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 63% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Dornik
God Knows
98 bpm • A# min • 03:42 • -5.88db
30% Popularity • 67% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 67% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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We Are KING
Supernatural
98 bpm • D# min • 04:33 • -11db
26% Popularity • 47% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 47% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
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Jill Scott
Le BOOM Vent Suite
98 bpm • C Maj • 09:00 • -5.98db
23% Popularity • 50% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 50% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jamie Woon
Thunder
98 bpm • A min • 03:12 • -8.23db
17% Popularity • 71% Danceability • 35% Energy • 33% Liveness
3% Instrumentalness • 32% Positiveness
17% Popularity • 71% Danceability • 35% Energy • 33% Liveness
3% Instrumentalness • 32% Positiveness
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Nina Simone
I Can't See Nobody - Daniel Y. Remix
98 bpm • D Maj • 03:06 • -9.26db
31% Popularity • 67% Danceability • 59% Energy • 13% Liveness
5% Instrumentalness • 44% Positiveness
31% Popularity • 67% Danceability • 59% Energy • 13% Liveness
5% Instrumentalness • 44% Positiveness
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RóisÃn Murphy
Scarlet Ribbons
107 bpm • C min • 05:35 • -11.62db
26% Popularity • 68% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 68% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Saskwatch
Two Hearts
97 bpm • B min • 03:12 • -5.77db
9% Popularity • 68% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 67% Positiveness
9% Popularity • 68% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 67% Positiveness
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We Are KING
Supernatural - Extended Mix
98 bpm • D# min • 06:45 • -10.49db
20% Popularity • 27% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
20% Popularity • 27% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Joey Dosik
Don’t Want It to Be Over
107 bpm • A# Maj • 03:36 • -6db
29% Popularity • 67% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 67% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Quadron
Samba De Verão
97 bpm • B min • 02:31 • -9.6db
9% Popularity • 45% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 45% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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N'Dambi
L.I.E.
107 bpm • F# min • 04:42 • -7.79db
28% Popularity • 97% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 97% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Cody Chesnutt
What Kind Of Cool (Will We Think of Next...
97 bpm • F# Maj • 05:08 • -6.72db
23% Popularity • 68% Danceability • 61% Energy • 8% Liveness
6% Instrumentalness • 74% Positiveness
23% Popularity • 68% Danceability • 61% Energy • 8% Liveness
6% Instrumentalness • 74% Positiveness
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Louis Baker
Just Want to Thank You
97 bpm • D min • 04:00 • -11.55db
19% Popularity • 91% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 91% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Sam Sparro
Return to Paradise
97 bpm • C# min • 04:25 • -5.54db
7% Popularity • 69% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 69% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Miles Bonny
Nuthing but Chu
97 bpm • F Maj • 03:13 • -6.48db
21% Popularity • 62% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 62% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Laura Welsh
Unravel
97 bpm • A min • 02:43 • -7.93db
22% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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We Are KING
Mister Chameleon
97 bpm • A# min • 03:35 • -8.02db
17% Popularity • 67% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 67% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Ekkah
Last Chance to Dance
107 bpm • A# min • 03:42 • -6.23db
43% Popularity • 86% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 86% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Rhye
Hunger
107 bpm • D min • 03:29 • -9.57db
44% Popularity • 74% Danceability • 77% Energy • 10% Liveness
18% Instrumentalness • 95% Positiveness
44% Popularity • 74% Danceability • 77% Energy • 10% Liveness
18% Instrumentalness • 95% Positiveness
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Aloe Blacc
With My Friends (Produced by King Most)
108 bpm • G# min • 03:38 • -4.6db
20% Popularity • 87% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 87% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
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Myron & E
Everyday Love
97 bpm • G min • 04:23 • -6.95db
16% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Cody Chesnutt
'Till I Met Thee - Radio Edit
97 bpm • G# min • 03:16 • -4.96db
8% Popularity • 57% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 57% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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RANDY WATSON EXPERIENCE
Be Still My Beating Heart
96 bpm • G# min • 07:11 • -10.48db
9% Popularity • 63% Danceability • 41% Energy • 8% Liveness
65% Instrumentalness • 63% Positiveness
9% Popularity • 63% Danceability • 41% Energy • 8% Liveness
65% Instrumentalness • 63% Positiveness
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Jamie Woon
Gravity
108 bpm • D Maj • 05:06 • -13db
26% Popularity • 34% Danceability • 33% Energy • 11% Liveness
14% Instrumentalness • 11% Positiveness
26% Popularity • 34% Danceability • 33% Energy • 11% Liveness
14% Instrumentalness • 11% Positiveness
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Charlotte Day Wilson
After All
108 bpm • D# Maj • 04:12 • -8db
42% Popularity • 74% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 74% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Quadron
LFT
96 bpm • A min • 03:29 • -6.5db
34% Popularity • 73% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 73% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Jungle
Drops
108 bpm • D min • 02:51 • -17.18db
36% Popularity • 64% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
36% Popularity • 64% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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Anushka
Kendrick - Too Hot Outside Edit
96 bpm • G min • 03:38 • -9.77db
27% Popularity • 80% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 80% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Pharrell Williams
It Girl
96 bpm • E min • 04:49 • -5.57db
39% Popularity • 74% Danceability • 87% Energy • 23% Liveness
15% Instrumentalness • 73% Positiveness
39% Popularity • 74% Danceability • 87% Energy • 23% Liveness
15% Instrumentalness • 73% Positiveness
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Jamie Lidell
What's The Use?
96 bpm • F# min • 04:29 • -7.33db
25% Popularity • 75% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 75% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Boom Clap Bachelors
Forår Til Dec
96 bpm • D# Maj • 04:05 • -13.81db
11% Popularity • 76% Danceability • 44% Energy • 8% Liveness
52% Instrumentalness • 65% Positiveness
11% Popularity • 76% Danceability • 44% Energy • 8% Liveness
52% Instrumentalness • 65% Positiveness
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Owusu & Hannibal
Le Fox
96 bpm • D min • 05:29 • -12.57db
10% Popularity • 80% Danceability • 56% Energy • 11% Liveness
28% Instrumentalness • 68% Positiveness
10% Popularity • 80% Danceability • 56% Energy • 11% Liveness
28% Instrumentalness • 68% Positiveness
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Electric Wire Hustle
Tom Boy
96 bpm • B Maj • 04:21 • -8.81db
19% Popularity • 52% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 30% Positiveness
19% Popularity • 52% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 30% Positiveness
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Typesun
The PL
96 bpm • A# min • 04:07 • -8.84db
23% Popularity • 74% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 74% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Mark Ronson
Heavy and Rolling
109 bpm • C Maj • 03:57 • -9.63db
29% Popularity • 73% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 73% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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AM & Shawn Lee
City Boy
95 bpm • D Maj • 02:47 • -5.04db
16% Popularity • 54% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
16% Popularity • 54% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
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Cody Chesnutt
Do Better To The Young
95 bpm • E min • 03:17 • -12.82db
12% Popularity • 61% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 61% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Maxine Ashley
Perpetual Nights
109 bpm • D# min • 03:32 • -8.17db
14% Popularity • 77% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
14% Popularity • 77% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
