Songs like Baby, Baby, Baby by Roy Buchanan
Based on a tempo of (+/- 10%) and a similar genre
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Danny Gatton
Nitpickin'
144 bpm • A Maj • 05:11 • -10db
28% Popularity • 31% Danceability • 84% Energy • 24% Liveness
82% Instrumentalness • 38% Positiveness
28% Popularity • 31% Danceability • 84% Energy • 24% Liveness
82% Instrumentalness • 38% Positiveness
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Jo Ann Kelly
Someday Baby Blues
144 bpm • C# Maj • 03:36 • -10db
29% Popularity • 51% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 51% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 50% Positiveness
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Joanne Shaw Taylor
Blackest Day
144 bpm • F# min • 08:17 • -8db
36% Popularity • 47% Danceability • 48% Energy • 39% Liveness
1% Instrumentalness • 39% Positiveness
36% Popularity • 47% Danceability • 48% Energy • 39% Liveness
1% Instrumentalness • 39% Positiveness
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Gregor Hilden
59' Blues Affair
144 bpm • C Maj • 05:05 • -12.25db
23% Popularity • 53% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
23% Popularity • 53% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
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Dave Meniketti
Loan Me A Dime
144 bpm • D min • 09:32 • -5db
34% Popularity • 43% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
34% Popularity • 43% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
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Son Seals
I Can't Hear Nothing But The Blues
144 bpm • D min • 06:35 • -9.58db
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
8% Instrumentalness • 74% Positiveness
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
8% Instrumentalness • 74% Positiveness
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Gov't Mule
Ain’t No Love In The Heart Of The City
144 bpm • F Maj • 05:36 • -8db
35% Popularity • 61% Danceability • 52% Energy • 9% Liveness
32% Instrumentalness • 80% Positiveness
35% Popularity • 61% Danceability • 52% Energy • 9% Liveness
32% Instrumentalness • 80% Positiveness
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Lucky Peterson
Tribute To The King
144 bpm • F min • 07:54 • -9.92db
18% Popularity • 45% Danceability • 41% Energy • 9% Liveness
60% Instrumentalness • 59% Positiveness
18% Popularity • 45% Danceability • 41% Energy • 9% Liveness
60% Instrumentalness • 59% Positiveness
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Savoy Brown
Standing in a Doorway
145 bpm • G Maj • 05:42 • -8.11db
18% Popularity • 42% Danceability • 38% Energy • 9% Liveness
59% Instrumentalness • 13% Positiveness
18% Popularity • 42% Danceability • 38% Energy • 9% Liveness
59% Instrumentalness • 13% Positiveness
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Tab Benoit
Nice and Warm
145 bpm • E Maj • 07:40 • -6.67db
18% Popularity • 38% Danceability • 71% Energy • 34% Liveness
7% Instrumentalness • 39% Positiveness
18% Popularity • 38% Danceability • 71% Energy • 34% Liveness
7% Instrumentalness • 39% Positiveness
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Roy Buchanan
Short Fuse
145 bpm • C Maj • 03:31 • -9db
16% Popularity • 47% Danceability • 92% Energy • 10% Liveness
69% Instrumentalness • 66% Positiveness
16% Popularity • 47% Danceability • 92% Energy • 10% Liveness
69% Instrumentalness • 66% Positiveness
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Jimmy Dawkins
Kold Actions
145 bpm • C Maj • 07:17 • -20.88db
34% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
34% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
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Raful Neal
Blues On The Moon
145 bpm • A# min • 02:56 • -13db
32% Popularity • 58% Danceability • 65% Energy • 32% Liveness
72% Instrumentalness • 80% Positiveness
32% Popularity • 58% Danceability • 65% Energy • 32% Liveness
72% Instrumentalness • 80% Positiveness
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The Vaughan Brothers
Hillbillies from Outerspace
142 bpm • G# Maj • 03:45 • -15.34db
30% Popularity • 76% Danceability • 26% Energy • 61% Liveness
88% Instrumentalness • 83% Positiveness
30% Popularity • 76% Danceability • 26% Energy • 61% Liveness
88% Instrumentalness • 83% Positiveness
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Dr. Wu'
Storm Watch Warning
146 bpm • A min • 07:46 • -6.68db
31% Popularity • 39% Danceability • 50% Energy • 22% Liveness
4% Instrumentalness • 29% Positiveness
31% Popularity • 39% Danceability • 50% Energy • 22% Liveness
4% Instrumentalness • 29% Positiveness
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Tab Benoit
Nice And Warm
143 bpm • E Maj • 07:18 • -15.94db
27% Popularity • 50% Danceability • 26% Energy • 11% Liveness
9% Instrumentalness • 13% Positiveness
27% Popularity • 50% Danceability • 26% Energy • 11% Liveness
9% Instrumentalness • 13% Positiveness
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Roy Buchanan
Hey Good Lookin
142 bpm • A Maj • 02:15 • -16.82db
31% Popularity • 74% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 74% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Joey Welz
Rockin' the Country
142 bpm • C Maj • 02:38 • -7.71db
4% Popularity • 56% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 56% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Snowy White
I've Heard It All Before
142 bpm • G Maj • 04:16 • -7.92db
34% Popularity • 66% Danceability • 85% Energy • 8% Liveness
15% Instrumentalness • 91% Positiveness
34% Popularity • 66% Danceability • 85% Energy • 8% Liveness
15% Instrumentalness • 91% Positiveness
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Son Seals
I Can't Hold Out
142 bpm • C Maj • 04:14 • -13.06db
28% Popularity • 38% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 38% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
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Humble Pie
Black Coffee
146 bpm • C Maj • 03:11 • -11.56db
38% Popularity • 44% Danceability • 39% Energy • 21% Liveness
23% Instrumentalness • 56% Positiveness
38% Popularity • 44% Danceability • 39% Energy • 21% Liveness
23% Instrumentalness • 56% Positiveness
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Mick Clarke
Everything's Gonna Be Alright
146 bpm • D min • 04:42 • -8db
27% Popularity • 58% Danceability • 54% Energy • 6% Liveness
54% Instrumentalness • 65% Positiveness
27% Popularity • 58% Danceability • 54% Energy • 6% Liveness
54% Instrumentalness • 65% Positiveness
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Clarence "Gatemouth" Brown
Ventilator Blues
141 bpm • C Maj • 06:13 • -13.08db
33% Popularity • 66% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
33% Popularity • 66% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Marco Tansini
Blues Garage
142 bpm • D Maj • 04:40 • -12.52db
41% Popularity • 74% Danceability • 21% Energy • 91% Liveness
88% Instrumentalness • 9% Positiveness
41% Popularity • 74% Danceability • 21% Energy • 91% Liveness
88% Instrumentalness • 9% Positiveness
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Ry Cooder
Available Space
147 bpm • G Maj • 02:14 • -14db
36% Popularity • 57% Danceability • 43% Energy • 23% Liveness
63% Instrumentalness • 69% Positiveness
36% Popularity • 57% Danceability • 43% Energy • 23% Liveness
63% Instrumentalness • 69% Positiveness
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Son Seals
Now That I'm Down
141 bpm • D Maj • 06:02 • -13.66db
44% Popularity • 49% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 49% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Boz Scaggs
Loan Me a Dime
140 bpm • A min • 12:31 • -10.52db
43% Popularity • 39% Danceability • 47% Energy • 29% Liveness
6% Instrumentalness • 38% Positiveness
43% Popularity • 39% Danceability • 47% Energy • 29% Liveness
6% Instrumentalness • 38% Positiveness
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Snowy White
Headful of Blues
148 bpm • A min • 06:36 • -8.54db
42% Popularity • 60% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 66% Positiveness
42% Popularity • 60% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 66% Positiveness
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Carl Verheyen
Dodging The Blues
140 bpm • F# min • 04:22 • -6.39db
34% Popularity • 67% Danceability • 55% Energy • 12% Liveness
50% Instrumentalness • 42% Positiveness
34% Popularity • 67% Danceability • 55% Energy • 12% Liveness
50% Instrumentalness • 42% Positiveness
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Marco Tansini
Black
140 bpm • E min • 06:24 • -6.44db
29% Popularity • 52% Danceability • 50% Energy • 17% Liveness
37% Instrumentalness • 20% Positiveness
29% Popularity • 52% Danceability • 50% Energy • 17% Liveness
37% Instrumentalness • 20% Positiveness
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Melvin Taylor
TV Mama
140 bpm • G Maj • 03:15 • -18.75db
22% Popularity • 49% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 49% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Son Seals
Your Love Is Like A Cancer
148 bpm • A min • 04:36 • -11db
31% Popularity • 70% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 70% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Gov't Mule
Worried Down With The Blues
140 bpm • F Maj • 08:43 • -7db
32% Popularity • 48% Danceability • 54% Energy • 10% Liveness
6% Instrumentalness • 54% Positiveness
32% Popularity • 48% Danceability • 54% Energy • 10% Liveness
6% Instrumentalness • 54% Positiveness
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Danny Gatton
Sky King
148 bpm • A Maj • 06:40 • -10.29db
11% Popularity • 58% Danceability • 70% Energy • 8% Liveness
76% Instrumentalness • 70% Positiveness
11% Popularity • 58% Danceability • 70% Energy • 8% Liveness
76% Instrumentalness • 70% Positiveness
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Roy Buchanan
Treat Her Right
149 bpm • C Maj • 02:44 • -13.08db
15% Popularity • 49% Danceability • 75% Energy • 24% Liveness
3% Instrumentalness • 93% Positiveness
15% Popularity • 49% Danceability • 75% Energy • 24% Liveness
3% Instrumentalness • 93% Positiveness
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Buddy Guy
Rememberin' Stevie
149 bpm • F Maj • 06:58 • -6.89db
38% Popularity • 36% Danceability • 77% Energy • 28% Liveness
76% Instrumentalness • 38% Positiveness
38% Popularity • 36% Danceability • 77% Energy • 28% Liveness
76% Instrumentalness • 38% Positiveness
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Magic Slim & The Teardrops
Crazy Woman
149 bpm • C# min • 05:48 • -5db
32% Popularity • 43% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
32% Popularity • 43% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Son Seals
Hot Sauce
148 bpm • C Maj • 03:07 • -14.35db
34% Popularity • 52% Danceability • 56% Energy • 9% Liveness
7% Instrumentalness • 93% Positiveness
34% Popularity • 52% Danceability • 56% Energy • 9% Liveness
7% Instrumentalness • 93% Positiveness
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The Vaughan Brothers
DFW
149 bpm • C Maj • 02:52 • -11db
34% Popularity • 65% Danceability • 85% Energy • 54% Liveness
67% Instrumentalness • 87% Positiveness
34% Popularity • 65% Danceability • 85% Energy • 54% Liveness
67% Instrumentalness • 87% Positiveness
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Lonnie Mack
Natural Disaster
139 bpm • A# Maj • 04:20 • -10db
33% Popularity • 50% Danceability • 85% Energy • 94% Liveness
18% Instrumentalness • 71% Positiveness
33% Popularity • 50% Danceability • 85% Energy • 94% Liveness
18% Instrumentalness • 71% Positiveness
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Roy Buchanan
I Won't Tell You No Lies
139 bpm • A min • 06:35 • -13.25db
16% Popularity • 64% Danceability • 40% Energy • 10% Liveness
40% Instrumentalness • 79% Positiveness
16% Popularity • 64% Danceability • 40% Energy • 10% Liveness
40% Instrumentalness • 79% Positiveness
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Otis Spann
Ain't Nobody's Business
139 bpm • C Maj • 05:11 • -17db
33% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Taste
Leavin' Blues
138 bpm • G Maj • 04:14 • -19.37db
23% Popularity • 53% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 53% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Luther "Snake Boy" Johnson
They call me the snake
138 bpm • E Maj • 05:37 • -13db
32% Popularity • 60% Danceability • 32% Energy • 29% Liveness
10% Instrumentalness • 41% Positiveness
32% Popularity • 60% Danceability • 32% Energy • 29% Liveness
10% Instrumentalness • 41% Positiveness
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Jimmy Page
Prison Blues
138 bpm • A Maj • 07:08 • -13.09db
41% Popularity • 39% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 39% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Lonnie Mack
If You Have To Know
138 bpm • A Maj • 04:34 • -9db
35% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Roy Buchanan
Hey Joe
138 bpm • A Maj • 05:26 • -10.5db
21% Popularity • 41% Danceability • 57% Energy • 16% Liveness
33% Instrumentalness • 25% Positiveness
21% Popularity • 41% Danceability • 57% Energy • 16% Liveness
33% Instrumentalness • 25% Positiveness
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Michael Burks
Empty Promises
138 bpm • D min • 06:15 • -3.11db
43% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
43% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Walter Trout
She Takes More Than She Gives
150 bpm • F min • 08:41 • -6.56db
12% Popularity • 28% Danceability • 75% Energy • 15% Liveness
4% Instrumentalness • 60% Positiveness
12% Popularity • 28% Danceability • 75% Energy • 15% Liveness
4% Instrumentalness • 60% Positiveness
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Sue Foley
The Ice Queen
151 bpm • E min • 06:23 • -8.37db
31% Popularity • 49% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 49% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Principato
In the Middle of the Night
151 bpm • F Maj • 04:40 • -8db
30% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Lonnie Mack
Satisfy Susie
137 bpm • A# Maj • 04:33 • -8.2db
32% Popularity • 51% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 83% Positiveness
32% Popularity • 51% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 83% Positiveness
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Mick Taylor
Alabama
151 bpm • B Maj • 03:46 • -14.55db
18% Popularity • 43% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 43% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Melvin Taylor
Born to Loose
137 bpm • C Maj • 03:00 • -16.07db
24% Popularity • 39% Danceability • 60% Energy • 12% Liveness
9% Instrumentalness • 82% Positiveness
24% Popularity • 39% Danceability • 60% Energy • 12% Liveness
9% Instrumentalness • 82% Positiveness
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Walter Trout
Brother's Keeper
151 bpm • F min • 07:01 • -6.63db
21% Popularity • 20% Danceability • 75% Energy • 32% Liveness
4% Instrumentalness • 64% Positiveness
21% Popularity • 20% Danceability • 75% Energy • 32% Liveness
4% Instrumentalness • 64% Positiveness
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Snowy White
Blues on a Borrowed Guitar
151 bpm • F Maj • 05:45 • -16.04db
33% Popularity • 48% Danceability • 24% Energy • 20% Liveness
74% Instrumentalness • 53% Positiveness
33% Popularity • 48% Danceability • 24% Energy • 20% Liveness
74% Instrumentalness • 53% Positiveness
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Blindside Blues Band
Truth Never Lies
137 bpm • C min • 07:01 • -11db
21% Popularity • 47% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 47% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Lonnie Mack
Camp Washington Chili
137 bpm • F Maj • 02:26 • -10.36db
36% Popularity • 39% Danceability • 79% Energy • 28% Liveness
87% Instrumentalness • 83% Positiveness
36% Popularity • 39% Danceability • 79% Energy • 28% Liveness
87% Instrumentalness • 83% Positiveness
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Ry Cooder
Crossroads - 2008 Remaster
136 bpm • C Maj • 04:24 • -13.95db
39% Popularity • 63% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 63% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Joey Welz
Jammin' with Roy
151 bpm • C# Maj • 02:45 • -6.85db
2% Popularity • 41% Danceability • 88% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
2% Popularity • 41% Danceability • 88% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
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Roy Buchanan
Five String Blues
136 bpm • D min • 06:23 • -13db
29% Popularity • 54% Danceability • 40% Energy • 9% Liveness
65% Instrumentalness • 69% Positiveness
29% Popularity • 54% Danceability • 40% Energy • 9% Liveness
65% Instrumentalness • 69% Positiveness
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Alvin Youngblood Hart
Sway
153 bpm • F Maj • 03:41 • -8.54db
16% Popularity • 39% Danceability • 76% Energy • 35% Liveness
2% Instrumentalness • 63% Positiveness
16% Popularity • 39% Danceability • 76% Energy • 35% Liveness
2% Instrumentalness • 63% Positiveness
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Son Seals
Crying For My Baby
153 bpm • C Maj • 04:41 • -8.21db
29% Popularity • 42% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 42% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 67% Positiveness
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Guthrie Trapp
Brews Blues
153 bpm • D Maj • 04:52 • -10.42db
26% Popularity • 38% Danceability • 45% Energy • 11% Liveness
74% Instrumentalness • 38% Positiveness
26% Popularity • 38% Danceability • 45% Energy • 11% Liveness
74% Instrumentalness • 38% Positiveness
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Carl Verheyen
Good Morning Judge
135 bpm • A# Maj • 03:22 • -8db
28% Popularity • 75% Danceability • 52% Energy • 10% Liveness
8% Instrumentalness • 36% Positiveness
28% Popularity • 75% Danceability • 52% Energy • 10% Liveness
8% Instrumentalness • 36% Positiveness
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Earl Hooker
Two Bugs and a Roach
135 bpm • A Maj • 04:19 • -13db
43% Popularity • 52% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
43% Popularity • 52% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Kirk Fletcher
Blues for Antone
154 bpm • C min • 04:05 • -7.23db
23% Popularity • 28% Danceability • 65% Energy • 36% Liveness
76% Instrumentalness • 73% Positiveness
23% Popularity • 28% Danceability • 65% Energy • 36% Liveness
76% Instrumentalness • 73% Positiveness
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Popa Chubby
Same Old Blues
154 bpm • A Maj • 05:42 • -6.1db
30% Popularity • 37% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 37% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Tommy Castro
Blues Prisoner
154 bpm • G min • 05:16 • -6.04db
40% Popularity • 36% Danceability • 60% Energy • 13% Liveness
12% Instrumentalness • 31% Positiveness
40% Popularity • 36% Danceability • 60% Energy • 13% Liveness
12% Instrumentalness • 31% Positiveness
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Walter Trout
Pray For Rain
154 bpm • F Maj • 03:14 • -15.16db
40% Popularity • 42% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
40% Popularity • 42% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Jeremy Spencer
Perilous Times
155 bpm • E min • 02:46 • -14.67db
42% Popularity • 54% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
42% Popularity • 54% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
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Lonnie Mack
Satisfy Suzie
133 bpm • A# Maj • 04:57 • -8db
32% Popularity • 53% Danceability • 92% Energy • 97% Liveness
26% Instrumentalness • 90% Positiveness
32% Popularity • 53% Danceability • 92% Energy • 97% Liveness
26% Instrumentalness • 90% Positiveness
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Carey Bell
Teardrops
134 bpm • A min • 07:08 • -13.19db
31% Popularity • 51% Danceability • 24% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
31% Popularity • 51% Danceability • 24% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
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Henrik Freischlader
The Memory of Our Love
156 bpm • C min • 07:44 • -11db
44% Popularity • 33% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
44% Popularity • 33% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
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Mick Clarke
Gypsy Blues
133 bpm • A min • 04:51 • -8db
37% Popularity • 37% Danceability • 39% Energy • 21% Liveness
90% Instrumentalness • 34% Positiveness
37% Popularity • 37% Danceability • 39% Energy • 21% Liveness
90% Instrumentalness • 34% Positiveness
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Lucky Peterson
Purple Rain
132 bpm • G Maj • 04:18 • -9.14db
32% Popularity • 65% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 65% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Marco Tansini
THE BLUES HOUSE
132 bpm • D min • 02:57 • -12.9db
23% Popularity • 65% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 54% Positiveness
23% Popularity • 65% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 54% Positiveness
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Hubert Sumlin
I'll Be Home On Tuesday - Take 2
132 bpm • C Maj • 03:25 • -10db
37% Popularity • 69% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
37% Popularity • 69% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
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Clarence "Gatemouth" Brown
Honky Tonk
132 bpm • F Maj • 04:56 • -12db
29% Popularity • 69% Danceability • 55% Energy • 12% Liveness
91% Instrumentalness • 92% Positiveness
29% Popularity • 69% Danceability • 55% Energy • 12% Liveness
91% Instrumentalness • 92% Positiveness
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Lurrie Bell
Blues in My Soul
158 bpm • A min • 06:03 • -7.3db
32% Popularity • 62% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 47% Positiveness
32% Popularity • 62% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 47% Positiveness
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Jimmy Thackery
Hang up and Drive - Instrumental
158 bpm • B min • 03:17 • -6db
9% Popularity • 29% Danceability • 98% Energy • 44% Liveness
87% Instrumentalness • 73% Positiveness
9% Popularity • 29% Danceability • 98% Energy • 44% Liveness
87% Instrumentalness • 73% Positiveness
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ZZ Top
Blue Jean Blues (2005 Remaster)
131 bpm • B min • 04:39 • -10.01db
56% Popularity • 64% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
56% Popularity • 64% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Guitar Shorty
I'm Gonna Leave You
131 bpm • E min • 05:44 • -5db
31% Popularity • 43% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 43% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Kid Andersen
The Dreamer
131 bpm • D min • 07:38 • -8.32db
13% Popularity • 45% Danceability • 61% Energy • 12% Liveness
35% Instrumentalness • 20% Positiveness
13% Popularity • 45% Danceability • 61% Energy • 12% Liveness
35% Instrumentalness • 20% Positiveness
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Hubert Sumlin
Broke and Hungry
159 bpm • F Maj • 05:51 • -11.15db
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
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Frank Marino & Mahogany Rush
She's Not There
130 bpm • G Maj • 01:42 • -9.9db
33% Popularity • 41% Danceability • 63% Energy • 66% Liveness
84% Instrumentalness • 72% Positiveness
33% Popularity • 41% Danceability • 63% Energy • 66% Liveness
84% Instrumentalness • 72% Positiveness
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Jimmy Thackery
The Barber's Guitar
132 bpm • A min • 06:06 • -8db
31% Popularity • 52% Danceability • 49% Energy • 10% Liveness
84% Instrumentalness • 60% Positiveness
31% Popularity • 52% Danceability • 49% Energy • 10% Liveness
84% Instrumentalness • 60% Positiveness
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A.C. Reed
These Blues Is Killing Me
159 bpm • B min • 03:07 • -7.41db
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
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Carey Bell
What My Mama Told Me
130 bpm • F min • 03:04 • -15.21db
29% Popularity • 85% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
29% Popularity • 85% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
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Jimmie Vaughan
Love The World
130 bpm • F Maj • 04:14 • -12.27db
17% Popularity • 79% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 79% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Son Seals
She's Fine aka Honey, Where You Going
159 bpm • D Maj • 03:42 • -16.7db
33% Popularity • 42% Danceability • 28% Energy • 7% Liveness
5% Instrumentalness • 88% Positiveness
33% Popularity • 42% Danceability • 28% Energy • 7% Liveness
5% Instrumentalness • 88% Positiveness
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Walter Trout
Blues For My Baby
130 bpm • C Maj • 07:57 • -9.25db
17% Popularity • 49% Danceability • 57% Energy • 28% Liveness
2% Instrumentalness • 34% Positiveness
17% Popularity • 49% Danceability • 57% Energy • 28% Liveness
2% Instrumentalness • 34% Positiveness
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Hound Dog Taylor & The HouseRockers
She's Gone
130 bpm • E Maj • 03:51 • -15.83db
36% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Koko Taylor
I'd Rather Go Blind
130 bpm • G# Maj • 05:00 • -16.77db
49% Popularity • 53% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 53% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jonny Lang
A Quitter Never Wins
160 bpm • A Maj • 05:56 • -8db
37% Popularity • 55% Danceability • 67% Energy • 34% Liveness
1% Instrumentalness • 64% Positiveness
37% Popularity • 55% Danceability • 67% Energy • 34% Liveness
1% Instrumentalness • 64% Positiveness
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Roy Buchanan
Country Boy
129 bpm • A Maj • 03:45 • -10db
15% Popularity • 53% Danceability • 78% Energy • 13% Liveness
4% Instrumentalness • 71% Positiveness
15% Popularity • 53% Danceability • 78% Energy • 13% Liveness
4% Instrumentalness • 71% Positiveness
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Hubert Sumlin
My Guitar and Me
160 bpm • A# Maj • 04:15 • -11.69db
35% Popularity • 50% Danceability • 63% Energy • 9% Liveness
80% Instrumentalness • 87% Positiveness
35% Popularity • 50% Danceability • 63% Energy • 9% Liveness
80% Instrumentalness • 87% Positiveness
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Bobby Keys
Steal from a King
129 bpm • D Maj • 04:51 • -9.52db
10% Popularity • 49% Danceability • 84% Energy • 17% Liveness
90% Instrumentalness • 71% Positiveness
10% Popularity • 49% Danceability • 84% Energy • 17% Liveness
90% Instrumentalness • 71% Positiveness
