Songs like Baby Come Back by Tony Christie
Based on a tempo of (+/- 10%) and a similar genre
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Tony Christie
Baby Come Back
125 bpm • D Maj • 03:19 • -3.78db
16% Popularity • 71% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 71% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Crispian St. Peters
You Were on My Mind
125 bpm • A# Maj • 02:39 • -11.93db
19% Popularity • 75% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 75% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Tina Rainford
Silverbird - Re-Recording
125 bpm • A Maj • 03:55 • -4.78db
24% Popularity • 68% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 68% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Anne Murray
I Still Wish The Very Best For You
125 bpm • A Maj • 03:13 • -9db
26% Popularity • 72% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 72% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Middle Of The Road
Everybody Loves A Winner
125 bpm • F# Maj • 02:33 • -6.36db
25% Popularity • 76% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 76% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Gilbert O'Sullivan
Get Down
125 bpm • C# Maj • 02:39 • -6.56db
42% Popularity • 77% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 77% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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The Fortunes
Wait Until September
125 bpm • G Maj • 03:11 • -11db
16% Popularity • 63% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 63% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Frank Ferrari
The Spanish Night Is Over
125 bpm • A Maj • 03:16 • -13.73db
21% Popularity • 59% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 59% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Lobo
There Ain't No Way
125 bpm • D Maj • 03:16 • -10.34db
33% Popularity • 64% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 64% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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The New Seekers
I Wanna Go Back
126 bpm • G Maj • 03:59 • -8.11db
17% Popularity • 54% Danceability • 49% Energy • 65% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 54% Danceability • 49% Energy • 65% Liveness
0% Instrumentalness • 65% Positiveness
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Bay City Rollers
Give a Little Love - U.S. Version
126 bpm • C Maj • 03:28 • -11.39db
32% Popularity • 58% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 58% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Tony Orlando & Dawn
What Are You Doing Sunday
124 bpm • F# Maj • 02:31 • -9.02db
33% Popularity • 75% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 75% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
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Toni Willé
Impressions
124 bpm • G Maj • 03:38 • -12.61db
29% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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The Mavericks
Pizziricco
126 bpm • D Maj • 04:02 • -10.62db
37% Popularity • 73% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 73% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Sandy Posey
I Will Follow Him
126 bpm • A# Maj • 02:31 • -8.99db
36% Popularity • 68% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 68% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Maywood
This Broken Heart
124 bpm • F# Maj • 03:20 • -10.88db
28% Popularity • 66% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 66% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Don Juan
124 bpm • E Maj • 03:06 • -11.68db
34% Popularity • 52% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 52% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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The Black Devils
Whithout a love
124 bpm • C Maj • 03:19 • -11.23db
21% Popularity • 69% Danceability • 49% Energy • 9% Liveness
13% Instrumentalness • 76% Positiveness
21% Popularity • 69% Danceability • 49% Energy • 9% Liveness
13% Instrumentalness • 76% Positiveness
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Crispian St. Peters
You Were on My Mind
124 bpm • F Maj • 02:41 • -9.31db
32% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Middle Of The Road
The Talk of All the U.S.A.
126 bpm • G Maj • 03:15 • -10db
27% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Toni Willé
Mississippi - Radio Version
124 bpm • A Maj • 04:34 • -3.15db
35% Popularity • 54% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 54% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Mac & Katie Kissoon
Don't Do It Baby
124 bpm • C# Maj • 03:15 • -10db
28% Popularity • 64% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 64% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Don Juan
124 bpm • E Maj • 03:05 • -3.6db
14% Popularity • 41% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 41% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Ronnie McDowell
Smokey Places
124 bpm • D Maj • 03:05 • -12.04db
29% Popularity • 74% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 74% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Harpo
In the Zum-Zum-Zummernight
124 bpm • D Maj • 02:56 • -10db
26% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Paul Anka
A Steel Guitar and a Glass of Wine
126 bpm • F Maj • 02:12 • -9db
24% Popularity • 63% Danceability • 75% Energy • 51% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 63% Danceability • 75% Energy • 51% Liveness
0% Instrumentalness • 97% Positiveness
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Marmalade
Ob La Di Ob La Da
124 bpm • A Maj • 03:01 • -13db
46% Popularity • 82% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 82% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Sweet
Funny Funny
127 bpm • E Maj • 02:48 • -5.47db
40% Popularity • 76% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 76% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Renée & Renato
Just One More Kiss
127 bpm • C Maj • 02:57 • -15.81db
23% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Billy Fury
I'd Never Find Another You
127 bpm • C# Maj • 02:41 • -10db
30% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Mouth & MacNeal
Minnie, Minnie
127 bpm • D Maj • 03:45 • -9db
20% Popularity • 64% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 64% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Christie
Yellow River
127 bpm • E Maj • 02:52 • -15.13db
26% Popularity • 67% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 67% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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The Rubettes
Ooh La La
127 bpm • G# Maj • 03:41 • -8.48db
24% Popularity • 73% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 73% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Crispian St. Peters
You were on my Mind
123 bpm • F Maj • 02:42 • -17.35db
36% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Rosy & Andres
Love's No More Memory
123 bpm • A Maj • 03:11 • -6.57db
25% Popularity • 42% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 42% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Middle Of The Road
Honey No
123 bpm • F Maj • 03:19 • -10.89db
19% Popularity • 68% Danceability • 71% Energy • 35% Liveness
5% Instrumentalness • 96% Positiveness
19% Popularity • 68% Danceability • 71% Energy • 35% Liveness
5% Instrumentalness • 96% Positiveness
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Tony Orlando & Dawn
Knock Three Times
123 bpm • C# Maj • 02:57 • -10.08db
58% Popularity • 77% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 77% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Tony Christie
Don't Go Down To Reno
127 bpm • C Maj • 03:32 • -4.37db
10% Popularity • 62% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 62% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Danny Everett
Indo Dreams
123 bpm • D# Maj • 03:44 • -10.06db
29% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Crispian St. Peters
The Pied Piper
127 bpm • B Maj • 02:46 • -9.69db
22% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Drifters
Kissin' in the Back Row of the Movies
127 bpm • C Maj • 03:30 • -11.16db
41% Popularity • 73% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 73% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Middle Of The Road
Kailakee Kailakoo
127 bpm • D Maj • 02:54 • -14db
22% Popularity • 72% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 72% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Frank Ferrari
Sweet Love
123 bpm • F Maj • 03:27 • -12db
31% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Tony Orlando & Dawn
Candida
127 bpm • G Maj • 03:06 • -7db
34% Popularity • 73% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 73% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Tony Christie
Don't Go Down To Reno
127 bpm • C Maj • 03:22 • -11db
29% Popularity • 58% Danceability • 50% Energy • 47% Liveness
5% Instrumentalness • 87% Positiveness
29% Popularity • 58% Danceability • 50% Energy • 47% Liveness
5% Instrumentalness • 87% Positiveness
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Billy Fury
Halfway To Paradise
123 bpm • D Maj • 02:44 • -10.25db
9% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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The Rubettes
Ooh la la - New Version 1989
123 bpm • G Maj • 03:57 • -12db
31% Popularity • 68% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 68% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Middle Of The Road
Soley Soley
123 bpm • F Maj • 03:11 • -12.98db
42% Popularity • 42% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 42% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Mac & Katie Kissoon
Freedom
123 bpm • G# Maj • 02:28 • -8db
28% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Suzi Quatro
Don't Change My Luck - 2017 Remaster
127 bpm • G Maj • 03:45 • -8db
41% Popularity • 80% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 80% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Ray Peterson
Corrina, Corrina
128 bpm • A Maj • 02:42 • -9db
44% Popularity • 48% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 48% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Showaddywaddy
Three Steps to Heaven
128 bpm • A Maj • 02:59 • -9db
35% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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The Buffoons
Smoke Gets in Your Eyes
122 bpm • D# Maj • 03:10 • -7.56db
29% Popularity • 55% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 55% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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The Rubettes
Tonight
128 bpm • D Maj • 03:38 • -8.71db
40% Popularity • 46% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 46% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Andrews
Carol OK
122 bpm • F Maj • 02:21 • -4.73db
28% Popularity • 70% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 70% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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A La Carte
River Blue
122 bpm • F Maj • 04:32 • -18.07db
20% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Daniel Boone
Beautiful Sunday
122 bpm • D Maj • 02:54 • -6.72db
43% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Tony Christie
Las Vegas
122 bpm • D Maj • 03:26 • -8db
26% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Red Baron
Back To Paris
122 bpm • G Maj • 03:42 • -8.88db
16% Popularity • 51% Danceability • 74% Energy • 11% Liveness
6% Instrumentalness • 71% Positiveness
16% Popularity • 51% Danceability • 74% Energy • 11% Liveness
6% Instrumentalness • 71% Positiveness
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Tommy Roe
Sugar Sugar
122 bpm • A min • 02:10 • -7.22db
35% Popularity • 77% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 77% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Tony Orlando & Dawn
I Didn't Mean To Love You So Good, Juani...
128 bpm • G# Maj • 03:17 • -9.75db
17% Popularity • 72% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 72% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Bay City Rollers
Summer Love Sensation - U.S. Version
129 bpm • F Maj • 03:11 • -11.73db
32% Popularity • 61% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 61% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Daniel Boone
Beautiful Sunday
122 bpm • A Maj • 03:02 • -13db
52% Popularity • 68% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
52% Popularity • 68% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Roy Orbison
Only the Lonely (Know the Way I Feel)
121 bpm • F Maj • 02:30 • -7.1db
29% Popularity • 46% Danceability • 53% Energy • 30% Liveness
1% Instrumentalness • 75% Positiveness
29% Popularity • 46% Danceability • 53% Energy • 30% Liveness
1% Instrumentalness • 75% Positiveness
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Chris Montez
Ay No Digas
121 bpm • C Maj • 02:41 • -10.09db
48% Popularity • 62% Danceability • 48% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
48% Popularity • 62% Danceability • 48% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
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Brotherhood of Man
Figaro
129 bpm • C# Maj • 02:52 • -9.68db
34% Popularity • 73% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 73% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Goombay Dance Band
Take Me Home to Jamaica
129 bpm • C Maj • 02:50 • -11db
31% Popularity • 70% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 70% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Harpo
Motorcycle Mama
129 bpm • G Maj • 03:23 • -8.37db
30% Popularity • 65% Danceability • 66% Energy • 59% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 65% Danceability • 66% Energy • 59% Liveness
0% Instrumentalness • 94% Positiveness
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Olivia Newton-John
Banks Of The Ohio
129 bpm • C Maj • 03:19 • -11.2db
45% Popularity • 51% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 51% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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John Rowles
It Only Takes a Minute
129 bpm • C# Maj • 04:01 • -15.27db
18% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Shakin' Stevens
A Rockin' Good Way (to Mess Around and F...
129 bpm • B min • 02:58 • -4.03db
47% Popularity • 77% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 77% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Middle Of The Road
Love Sweet Love
129 bpm • D Maj • 03:33 • -12.58db
27% Popularity • 48% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 48% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Goombay Dance Band
If You Ever Fall in Love
121 bpm • D Maj • 03:20 • -11.84db
20% Popularity • 61% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 61% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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A La Carte
Ahé Tamouré
129 bpm • A Maj • 03:20 • -6.49db
19% Popularity • 59% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 59% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 87% Positiveness
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Roy Orbison
I'm Hurtin'
129 bpm • G Maj • 02:46 • -5.97db
32% Popularity • 50% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 50% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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The Black Devils
18 Yellow Roses
129 bpm • E Maj • 02:17 • -10db
31% Popularity • 63% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 63% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Tony Christie
I Did What I Did For Maria
121 bpm • G Maj • 03:30 • -7db
39% Popularity • 65% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 65% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Lobo
Me And You And A Dog Named Boo - Re-Reco...
121 bpm • F# Maj • 02:58 • -13db
33% Popularity • 72% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 72% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Neil Diamond
Longfellow Serenade
121 bpm • E Maj • 03:50 • -14.68db
47% Popularity • 64% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 64% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Mouth & MacNeal
Do You Wanna Love Me
129 bpm • C Maj • 03:29 • -7.57db
15% Popularity • 67% Danceability • 64% Energy • 75% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 67% Danceability • 64% Energy • 75% Liveness
0% Instrumentalness • 85% Positiveness
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The Rubettes
Tonight - New Version 1989
129 bpm • D Maj • 03:38 • -13db
36% Popularity • 47% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
36% Popularity • 47% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Brotherhood of Man
Figaro
130 bpm • C# Maj • 02:55 • -8db
22% Popularity • 80% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 80% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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The Fortunes
This Golden Ring
120 bpm • D# Maj • 02:16 • -8.91db
18% Popularity • 36% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 36% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Lobo
Rock and Roll Days - Rerecorded
121 bpm • F Maj • 03:28 • -8.3db
33% Popularity • 75% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 75% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Christie
Yellow River
130 bpm • E Maj • 02:45 • -11.44db
52% Popularity • 63% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
52% Popularity • 63% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Middle Of The Road
Chirpy Chirpy Cheep Cheep
130 bpm • E Maj • 02:57 • -9.44db
53% Popularity • 55% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
53% Popularity • 55% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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The Rubettes
Sugar Baby Love
130 bpm • C Maj • 03:29 • -9.04db
57% Popularity • 42% Danceability • 77% Energy • 36% Liveness
2% Instrumentalness • 79% Positiveness
57% Popularity • 42% Danceability • 77% Energy • 36% Liveness
2% Instrumentalness • 79% Positiveness
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Hermes House Band
Is This the Way to Amarillo
130 bpm • A Maj • 03:37 • -3.9db
42% Popularity • 68% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 68% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Tony Christie
Jenny My Love
120 bpm • D# Maj • 03:49 • -6.28db
11% Popularity • 56% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 56% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Lobo
Me and You and a Dog Named Boo
121 bpm • F# Maj • 02:57 • -10.29db
54% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
54% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Helene Fischer
Wake Me Up
120 bpm • C Maj • 03:47 • -3db
36% Popularity • 76% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 76% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Ben Steneker
Donna Carmela
120 bpm • C Maj • 02:56 • -12.42db
24% Popularity • 60% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 60% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Goombay Dance Band
Island of Dreams
130 bpm • F Maj • 03:27 • -11.04db
30% Popularity • 67% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
30% Popularity • 67% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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The Rubettes
Baby I Know
130 bpm • D# Maj • 04:21 • -11.3db
28% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Frank Ferrari
For Just One Night
120 bpm • A Maj • 04:05 • -6.65db
25% Popularity • 65% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 65% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Lobo
Intro / Me and You and a Dog Named Boo
120 bpm • F# Maj • 03:54 • -13db
31% Popularity • 43% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 43% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Mixed Emotions
Save The Last Dance For Me
120 bpm • E Maj • 03:13 • -11db
36% Popularity • 59% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 59% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Middle Of The Road
Yellow Boomerang
120 bpm • D# Maj • 02:38 • -12.16db
29% Popularity • 71% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 71% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
