Songs like Baby Elephant Mash - 1965 by Jackie Kelso
Based on a tempo of (+/- 10%) and a similar genre
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Bill Black's Combo
Do It - Rat Now
114 bpm • G Maj • 02:11 • -4.01db
10% Popularity • 86% Danceability • 71% Energy • 8% Liveness
90% Instrumentalness • 98% Positiveness
10% Popularity • 86% Danceability • 71% Energy • 8% Liveness
90% Instrumentalness • 98% Positiveness
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Earl Bostic
Tuxedo Junction
114 bpm • G# Maj • 02:41 • -5.53db
11% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Alton Purnell
Pine Top's Boogie
114 bpm • C min • 02:14 • -13.96db
10% Popularity • 54% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 54% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmy Clanton
I'm Gonna Try
114 bpm • D min • 02:40 • -4.09db
13% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Cootie Williams
Rinky Dink - Remastered
114 bpm • G Maj • 02:31 • -6.05db
17% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Clyde McPhatter
Lovey Dovey
114 bpm • G# Maj • 02:33 • -7.39db
7% Popularity • 77% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
7% Popularity • 77% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Jackie Kelso
Baby Elephant Mash - 1965
114 bpm • A Maj • 02:34 • 0.75db
0% Popularity • 68% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 68% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Big Jay McNeely
Tondalayo
114 bpm • D# min • 02:48 • -18.31db
3% Popularity • 51% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
3% Popularity • 51% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
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Clarence "Frogman" Henry
A Little Too Much
115 bpm • C Maj • 01:55 • -0.52db
22% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Ivory Joe Hunter
It's a Doggone Crying Shame
115 bpm • A# Maj • 02:39 • -9.54db
9% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Eddie Snow
Bring Your Love Back Home
113 bpm • C Maj • 03:14 • -8.87db
11% Popularity • 59% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 59% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Brook Benton
Ain't It Good - Remastered
115 bpm • G Maj • 02:35 • -6.18db
10% Popularity • 78% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 78% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Amos Milburn
Vicious, Vicious Vodka - Remastered
115 bpm • F Maj • 02:59 • -8.62db
16% Popularity • 76% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 76% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Malcolm Yelvington
It's Me Baby
115 bpm • B min • 02:24 • -10.06db
3% Popularity • 76% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
3% Popularity • 76% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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The "5" Royales
Crazy Crazy Crazy
115 bpm • A# min • 02:40 • -9.7db
12% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Buddy Johnson
Fine Brown Frame
112 bpm • G min • 03:02 • -9.75db
10% Popularity • 70% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 70% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Jimmy McCracklin
The Wobble
116 bpm • D min • 02:18 • -8.9db
7% Popularity • 73% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
7% Popularity • 73% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
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The David Angel Big Band
Canadian Sunburst
116 bpm • D# Maj • 05:19 • -18.09db
0% Popularity • 52% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 37% Positiveness
0% Popularity • 52% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 37% Positiveness
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Sonny Thompson
Screamin' Boogie
116 bpm • D min • 02:39 • -11.2db
0% Popularity • 59% Danceability • 48% Energy • 12% Liveness
74% Instrumentalness • 82% Positiveness
0% Popularity • 59% Danceability • 48% Energy • 12% Liveness
74% Instrumentalness • 82% Positiveness
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Steve Lucky & The Rhumba Bums
Maybe Later
117 bpm • F min • 04:14 • -5db
8% Popularity • 65% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 65% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Sil Austin
Pink Shade of Blue
117 bpm • C# Maj • 03:01 • -4.25db
7% Popularity • 51% Danceability • 91% Energy • 32% Liveness
3% Instrumentalness • 83% Positiveness
7% Popularity • 51% Danceability • 91% Energy • 32% Liveness
3% Instrumentalness • 83% Positiveness
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Charles Sheffield
I Would Be A Sinner
111 bpm • F Maj • 02:03 • -8.64db
13% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Sister Rosetta Tharpe
Don't Leave Me Here To Cry
111 bpm • F Maj • 03:07 • -4.68db
1% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Rosco Gordon
Booted
111 bpm • E min • 03:03 • -8.33db
11% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 71% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Sandra Antoinette
The Magic Carpet Riding
111 bpm • C# Maj • 02:50 • -12.62db
23% Popularity • 79% Danceability • 67% Energy • 26% Liveness
41% Instrumentalness • 84% Positiveness
23% Popularity • 79% Danceability • 67% Energy • 26% Liveness
41% Instrumentalness • 84% Positiveness
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Ruth Brown
Mend Your Ways
111 bpm • C# Maj • 02:49 • -6.26db
7% Popularity • 70% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 70% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Little Rachel
Your Baby's My Baby Now
117 bpm • F min • 02:41 • -6.02db
8% Popularity • 51% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 51% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Chuck Willis
My Crying Eyes
117 bpm • D# Maj • 02:33 • -8.51db
15% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Joe Liggins
Pink Champagne
117 bpm • F Maj • 02:44 • -14.56db
9% Popularity • 77% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 86% Positiveness
9% Popularity • 77% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 86% Positiveness
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Rosco Gordon
Booted
111 bpm • E min • 03:04 • -11db
28% Popularity • 73% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 73% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Ray Sharpe
That's the Way I Feel
110 bpm • D min • 01:54 • -7db
16% Popularity • 76% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 76% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Bill Black's Combo
Accentuate the Positive
118 bpm • C Maj • 01:53 • -6.69db
17% Popularity • 87% Danceability • 56% Energy • 6% Liveness
91% Instrumentalness • 86% Positiveness
17% Popularity • 87% Danceability • 56% Energy • 6% Liveness
91% Instrumentalness • 86% Positiveness
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Lou Monte
Maybe
118 bpm • C# Maj • 02:30 • -8.8db
8% Popularity • 69% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 69% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Amos Milburn
Thinking And Drinking
110 bpm • D Maj • 02:26 • -15db
11% Popularity • 76% Danceability • 26% Energy • 16% Liveness
4% Instrumentalness • 70% Positiveness
11% Popularity • 76% Danceability • 26% Energy • 16% Liveness
4% Instrumentalness • 70% Positiveness
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Elmore James
So Unkind
110 bpm • A min • 02:28 • -10.84db
11% Popularity • 55% Danceability • 52% Energy • 23% Liveness
4% Instrumentalness • 89% Positiveness
11% Popularity • 55% Danceability • 52% Energy • 23% Liveness
4% Instrumentalness • 89% Positiveness
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Sil Austin
Everything's Shakin'
110 bpm • F min • 02:57 • -5.68db
8% Popularity • 50% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 50% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Varetta Dillard
Easy, Easy Baby
119 bpm • A# Maj • 02:38 • -8.02db
31% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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The Clovers
One Mint Julep
119 bpm • D# Maj • 02:12 • -5.75db
17% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Buddy Johnson
Rock On!
119 bpm • C Maj • 02:35 • -10.02db
11% Popularity • 69% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 69% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Huey "Piano" Smith
I Think You're Jiving Me
119 bpm • C Maj • 02:27 • -9.14db
17% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Chuck Berry
21
119 bpm • C min • 02:25 • -10.5db
9% Popularity • 74% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 74% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Sil Austin
Train Whistle
110 bpm • G min • 02:22 • -5.2db
8% Popularity • 53% Danceability • 94% Energy • 6% Liveness
6% Instrumentalness • 80% Positiveness
8% Popularity • 53% Danceability • 94% Energy • 6% Liveness
6% Instrumentalness • 80% Positiveness
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The Champs
The Face
109 bpm • C Maj • 02:26 • -4db
10% Popularity • 70% Danceability • 88% Energy • 26% Liveness
2% Instrumentalness • 89% Positiveness
10% Popularity • 70% Danceability • 88% Energy • 26% Liveness
2% Instrumentalness • 89% Positiveness
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Jackie Kelso
Woodshed - 1962
119 bpm • E Maj • 02:03 • -12.75db
0% Popularity • 68% Danceability • 65% Energy • 11% Liveness
73% Instrumentalness • 90% Positiveness
0% Popularity • 68% Danceability • 65% Energy • 11% Liveness
73% Instrumentalness • 90% Positiveness
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Roosevelt Sykes
Satellite Baby
119 bpm • D# Maj • 02:46 • -10db
11% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Sammy Price And The Rock Band
Rib Joint
119 bpm • G# Maj • 02:39 • -5db
9% Popularity • 60% Danceability • 70% Energy • 4% Liveness
55% Instrumentalness • 96% Positiveness
9% Popularity • 60% Danceability • 70% Energy • 4% Liveness
55% Instrumentalness • 96% Positiveness
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Andreas Sobczyk Quartett
Swingtime In the Rockies
109 bpm • G# Maj • 03:21 • -11.6db
7% Popularity • 70% Danceability • 61% Energy • 8% Liveness
85% Instrumentalness • 84% Positiveness
7% Popularity • 70% Danceability • 61% Energy • 8% Liveness
85% Instrumentalness • 84% Positiveness
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Ronnie Self
Big Town
120 bpm • A Maj • 02:14 • -9db
20% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Roy Milton
I Have News For You
120 bpm • C Maj • 02:31 • -11.29db
11% Popularity • 62% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 62% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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The Clovers
All About You
120 bpm • G# Maj • 02:30 • -11.18db
17% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Otis
Cupid's Boogie
120 bpm • G Maj • 02:37 • -13db
25% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 72% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Amos Milburn
Let'S Have A Party (06-30-53)
120 bpm • G Maj • 02:33 • -11.97db
12% Popularity • 69% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
12% Popularity • 69% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Eddie "Lockjaw" Davis
Ravin' At The Haven (c. 1947)
120 bpm • D# min • 02:26 • -8db
4% Popularity • 57% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 64% Positiveness
4% Popularity • 57% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 64% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:10 • -7.59db
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
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Sandra Antoinette
Put My Soul On The Fire
120 bpm • A# Maj • 03:05 • -12.9db
23% Popularity • 55% Danceability • 57% Energy • 19% Liveness
85% Instrumentalness • 95% Positiveness
23% Popularity • 55% Danceability • 57% Energy • 19% Liveness
85% Instrumentalness • 95% Positiveness
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The Clovers
Nip Sip
120 bpm • B min • 02:59 • -15db
17% Popularity • 85% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 85% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Little Willie Littlefield
K.C. Loving
121 bpm • C Maj • 02:44 • -5db
17% Popularity • 73% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 73% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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The Hi-Stakes
Living And Longing
108 bpm • G min • 03:34 • -12.3db
7% Popularity • 69% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 69% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Ruth Brown
I Hope We Meet - On the Road Some Day
122 bpm • F min • 02:44 • -13.72db
7% Popularity • 73% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 73% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Huey "Piano" Smith
Would You Believe It (I Have a Cold)
120 bpm • F min • 02:21 • -8.44db
24% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Clarence "Frogman" Henry
Baby, Baby, Please - Remastered
107 bpm • G min • 02:18 • -7.1db
10% Popularity • 59% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 59% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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The Clovers
Crawlin'
121 bpm • D# Maj • 02:35 • -11.98db
9% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Earl Bostic
Jungle Drums (08-24-53)
122 bpm • D# Maj • 02:51 • -9db
9% Popularity • 46% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 46% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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King Curtis
C. C. Rider
107 bpm • C min • 02:14 • -5.03db
12% Popularity • 61% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 61% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Dale Hawkins
Gooblie Booblie
107 bpm • C Maj • 01:50 • -5.29db
16% Popularity • 74% Danceability • 71% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 74% Danceability • 71% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
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Snooks Eaglin
Would You
106 bpm • D Maj • 02:10 • -7.98db
18% Popularity • 72% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 72% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Jackie Kelso
Baby Elephant Mash - 1962
122 bpm • F Maj • 02:24 • -13.79db
0% Popularity • 68% Danceability • 69% Energy • 63% Liveness
2% Instrumentalness • 76% Positiveness
0% Popularity • 68% Danceability • 69% Energy • 63% Liveness
2% Instrumentalness • 76% Positiveness
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Joe Liggins
Whiskey, Gin & Wine
106 bpm • G# Maj • 02:33 • -13db
9% Popularity • 71% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 71% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Camille Howard
Belmont Boogie
122 bpm • G Maj • 02:13 • -15.01db
12% Popularity • 67% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 94% Positiveness
12% Popularity • 67% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 94% Positiveness
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Teddy Randazzo
Next Stop Paradise
122 bpm • D Maj • 01:49 • -6.53db
9% Popularity • 72% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 72% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Wynona Carr
It's Raining Outside
106 bpm • G Maj • 02:06 • -8.14db
16% Popularity • 73% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 73% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Otis Band
Alligator Meat
123 bpm • D# Maj • 02:56 • -11.97db
11% Popularity • 77% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 77% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Billy "The Kid" Emerson
Little Fine Healthy Thing
106 bpm • A# Maj • 02:33 • -12.26db
13% Popularity • 81% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 81% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Ruth Brown
I Gotta Have You
105 bpm • A# Maj • 02:17 • -12.17db
14% Popularity • 71% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 71% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Helen Humes
Airplane Blues
123 bpm • G# Maj • 02:36 • -10db
8% Popularity • 61% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 61% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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The Robins
All Night Baby
123 bpm • C min • 03:06 • -6.98db
7% Popularity • 46% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 46% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Royal Crown Revue
Cold Shower
124 bpm • D min • 02:37 • -12.21db
10% Popularity • 52% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 52% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Witherspoon
Bad Bad Whiskey
124 bpm • F Maj • 03:05 • -14.97db
14% Popularity • 68% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 68% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Little Willie John
Leave My Kitten Alone
105 bpm • G# Maj • 02:30 • -13.03db
7% Popularity • 50% Danceability • 60% Energy • 40% Liveness
1% Instrumentalness • 89% Positiveness
7% Popularity • 50% Danceability • 60% Energy • 40% Liveness
1% Instrumentalness • 89% Positiveness
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Ruth Brown
Somebody Touched Me
124 bpm • A# Maj • 02:27 • -15.87db
20% Popularity • 74% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 74% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Rosco Gordon
No More Doggin'
104 bpm • G# Maj • 03:11 • -7db
21% Popularity • 66% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 66% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Sister Rosetta Tharpe
I've Done Wrong
105 bpm • A# Maj • 02:45 • -10.91db
8% Popularity • 61% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 61% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Brook Benton
Ninety-Nine Percent - Remastered
125 bpm • C# min • 02:03 • -7.57db
11% Popularity • 60% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 60% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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The Jodimars
Well Now Dig This
104 bpm • D# Maj • 02:04 • -5db
12% Popularity • 72% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 72% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Earl Bostic
Where Or When
125 bpm • G Maj • 02:43 • -8.57db
14% Popularity • 63% Danceability • 56% Energy • 51% Liveness
8% Instrumentalness • 72% Positiveness
14% Popularity • 63% Danceability • 56% Energy • 51% Liveness
8% Instrumentalness • 72% Positiveness
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Dana Gillespie
You're Moving Me
125 bpm • F min • 03:11 • -17.49db
9% Popularity • 52% Danceability • 53% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 52% Danceability • 53% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
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Roy Hamilton
Jungle Fever
104 bpm • G# Maj • 02:18 • -15.08db
8% Popularity • 71% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 71% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The "5" Royales
I Ain't Getting Caught
125 bpm • F min • 02:40 • -5.54db
14% Popularity • 63% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 63% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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The Champs
Double Eagle Rock
104 bpm • C Maj • 02:20 • -3.46db
7% Popularity • 42% Danceability • 99% Energy • 34% Liveness
74% Instrumentalness • 67% Positiveness
7% Popularity • 42% Danceability • 99% Energy • 34% Liveness
74% Instrumentalness • 67% Positiveness
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Earl Hines
Sugar Babe
104 bpm • D# Maj • 02:59 • -6.82db
15% Popularity • 75% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 75% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Ray Sharpe
Red Sails in the Sunset
126 bpm • G Maj • 02:11 • -6.4db
10% Popularity • 75% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 75% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 94% Positiveness
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Earl Hooker
The Hucklebuck
103 bpm • G Maj • 03:07 • -8.64db
25% Popularity • 57% Danceability • 74% Energy • 12% Liveness
85% Instrumentalness • 95% Positiveness
25% Popularity • 57% Danceability • 74% Energy • 12% Liveness
85% Instrumentalness • 95% Positiveness
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Buddy Johnson
Real Fine Frame
126 bpm • G# Maj • 02:00 • -12.7db
15% Popularity • 74% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 74% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy McCracklin
Georgia Slop
103 bpm • A# Maj • 02:24 • -10.66db
10% Popularity • 67% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 67% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Floyd Dixon
Skeet's California Sunshine
127 bpm • C min • 02:39 • -4.38db
28% Popularity • 76% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 76% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Clyde McPhatter
Money Honey
127 bpm • F Maj • 02:54 • -5.59db
21% Popularity • 60% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 60% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
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Joe Liggins
Daddy On My Mind
127 bpm • C Maj • 02:42 • -12.66db
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Big Jay McNeely
All That Wine Is Gone
128 bpm • C min • 02:56 • -6.57db
8% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
