Songs like Baby Girl - 3rd Version/Remix/Single Version by Sugarland
Based on a tempo of (+/- 10%) and a similar genre
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Sugarland
Baby Girl - 3rd Version/Remix/Single Ver...
167 bpm • C# Maj • 03:59 • -3db
44% Popularity • 44% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 44% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Jana Kramer
Why Ya Wanna
167 bpm • E Maj • 03:41 • -3db
48% Popularity • 30% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 30% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Billy Currington
Must Be Doin' Somethin' Right
168 bpm • A Maj • 04:29 • -3.42db
64% Popularity • 49% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 49% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Phil Vassar
American Child
168 bpm • D Maj • 03:13 • -9.14db
22% Popularity • 40% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 40% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Jamie O'Neal
There Is No Arizona
168 bpm • G# min • 03:56 • -6db
45% Popularity • 47% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 47% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Miranda Lambert
Only Prettier
168 bpm • G# Maj • 03:09 • -2.4db
52% Popularity • 39% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 39% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Andy Griggs
This I Gotta See
168 bpm • F# Maj • 03:46 • -6.44db
19% Popularity • 49% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 49% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Easton Corbin
Baby Be My Love Song
168 bpm • C Maj • 03:19 • -6.15db
49% Popularity • 49% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 49% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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RaeLynn
Judgin' To Jesus
168 bpm • F Maj • 02:43 • -2.98db
39% Popularity • 49% Danceability • 84% Energy • 84% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 49% Danceability • 84% Energy • 84% Liveness
0% Instrumentalness • 78% Positiveness
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Emerson Drive
A Good Man
168 bpm • C# Maj • 03:04 • -6db
28% Popularity • 53% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 53% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Jamie O'Neal
Trying To Find Atlantis
168 bpm • E Maj • 03:28 • -4.36db
29% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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Montgomery Gentry
Some People Change
168 bpm • D Maj • 03:21 • -6db
35% Popularity • 55% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 55% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Mindy McCready
Guys Do It All the Time
166 bpm • C Maj • 03:11 • -6db
51% Popularity • 55% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
51% Popularity • 55% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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Big & Rich
8th of November
169 bpm • D Maj • 04:58 • -2.67db
44% Popularity • 26% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 26% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 28% Positiveness
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Steve Azar
I Don't Have To Be Me ('Til Monday) - Si...
169 bpm • G# Maj • 03:16 • -4db
46% Popularity • 50% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 50% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Trent Tomlinson
Just Might Have Her Radio On
165 bpm • D Maj • 03:38 • -5db
40% Popularity • 46% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 46% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Brad Paisley
Anything Like Me
165 bpm • D Maj • 04:28 • -9.24db
44% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Lady A
Downtown
170 bpm • A Maj • 03:15 • -5.29db
55% Popularity • 53% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 53% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Rodney Atkins
Take A Back Road
170 bpm • D# Maj • 03:29 • -4db
70% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
70% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Jamie O'Neal
Somebody's Hero
164 bpm • C# Maj • 03:41 • -6db
40% Popularity • 49% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 49% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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David Nail
Red Light
164 bpm • A Maj • 04:06 • -3db
48% Popularity • 39% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 39% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Runaway June
Lipstick
171 bpm • D Maj • 03:00 • -3.76db
37% Popularity • 48% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 48% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Big & Rich
Look at You
164 bpm • B Maj • 03:43 • -5db
43% Popularity • 50% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 50% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Easton Corbin
Clockwork
172 bpm • C Maj • 03:09 • -4.85db
47% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Sugarland
Babe
172 bpm • E Maj • 03:35 • -3.29db
56% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
56% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Miranda Lambert
Dead Flowers
172 bpm • E Maj • 03:59 • -5db
35% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Chris Cagle
What Kinda Gone
172 bpm • F Maj • 03:01 • -5.24db
60% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Lonestar
Mr. Mom
172 bpm • A# Maj • 03:28 • -3.32db
59% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Toby Keith
Made in America
172 bpm • A Maj • 03:13 • -6db
64% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
64% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sugarland
Lean It On Back
172 bpm • C Maj • 03:38 • -3.93db
28% Popularity • 60% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 60% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Pam Tillis
Spilled Perfume
173 bpm • D Maj • 03:53 • -10.14db
38% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Montgomery Gentry
Hell Yeah
174 bpm • C Maj • 04:49 • -6.65db
49% Popularity • 37% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 37% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Darryl Worley
Have You Forgotten?
160 bpm • G Maj • 04:02 • -5.98db
47% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Josh Gracin
I Want To Live
160 bpm • F# Maj • 03:58 • -4db
26% Popularity • 49% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 49% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Cagle
Laredo
160 bpm • A# min • 03:50 • -6db
45% Popularity • 48% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 48% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Sugarland
Down In Mississippi (Up To No Good)
161 bpm • D Maj • 02:51 • -4db
38% Popularity • 48% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 48% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Craig Campbell
Fish
160 bpm • F# Maj • 02:47 • -6.28db
50% Popularity • 63% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 63% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Carrie Underwood
Last Name
160 bpm • D# Maj • 04:01 • -3.15db
57% Popularity • 40% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 40% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Lee Brice
A Woman Like You
160 bpm • G Maj • 03:29 • -7db
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Parmalee
Carolina
160 bpm • A# Maj • 03:21 • -3.53db
53% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Darryl Worley
If Something Should Happen
159 bpm • E Maj • 04:39 • -9db
33% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Brett Eldredge
Don't Ya
176 bpm • A Maj • 03:01 • -5.26db
58% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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RaeLynn
Tailgate
176 bpm • C# min • 03:02 • -5.16db
37% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Josh Gracin
Brass Bed
176 bpm • C# Maj • 04:15 • -5.85db
34% Popularity • 40% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 40% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Jason Aldean
Night Train
158 bpm • F Maj • 03:52 • -5.17db
63% Popularity • 50% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
63% Popularity • 50% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Sugarland
Hello
158 bpm • D# Maj • 03:53 • -4.17db
23% Popularity • 48% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 48% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Miranda Lambert
Over You
158 bpm • F# Maj • 04:13 • -6.97db
54% Popularity • 57% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
54% Popularity • 57% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Clay Walker
Then What?
177 bpm • E Maj • 03:03 • -8db
52% Popularity • 57% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 57% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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RaeLynn
WildHorse
176 bpm • B min • 03:20 • -3.91db
37% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Young
You're Gonna Love Me
177 bpm • D Maj • 02:56 • -5.21db
35% Popularity • 60% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 60% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Diamond Rio
Beautiful Mess
177 bpm • C# Maj • 03:48 • -7db
54% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Sugarland
Not The Only
158 bpm • A Maj • 04:53 • -6.67db
19% Popularity • 55% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 55% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Brad Paisley
Little Moments
157 bpm • A Maj • 03:39 • -9.17db
50% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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John Michael Montgomery
Be My Baby Tonight
157 bpm • A Maj • 02:52 • -7.96db
60% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
60% Popularity • 63% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Chely Wright
Single White Female
178 bpm • F# Maj • 03:17 • -8.09db
45% Popularity • 54% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 54% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Mark Wills
Don't Laugh At Me
178 bpm • F Maj • 03:37 • -10.86db
46% Popularity • 40% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 40% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Carrie Underwood
Undo It
156 bpm • D Maj • 02:57 • -2.26db
58% Popularity • 48% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
58% Popularity • 48% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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RaeLynn
God Made Girls
156 bpm • D# Maj • 03:35 • -2.94db
51% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Keith Anderson
I Still Miss You
156 bpm • D# Maj • 03:55 • -5.39db
15% Popularity • 51% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 51% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Runaway June
Buy My Own Drinks
156 bpm • F Maj • 03:22 • -4.36db
48% Popularity • 69% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
48% Popularity • 69% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Craig Campbell
Family Man
156 bpm • B Maj • 03:39 • -7.08db
41% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Emerson Drive
Fishin' In The Dark
156 bpm • D Maj • 04:07 • -5db
29% Popularity • 57% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 57% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Miranda Lambert
Heart Like Mine
155 bpm • G# Maj • 02:57 • -3.39db
48% Popularity • 44% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 44% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Sugarland
Small Town Jericho
155 bpm • G# Maj • 04:03 • -6.23db
22% Popularity • 45% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 45% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jason Aldean
Amarillo Sky
155 bpm • D Maj • 03:22 • -4db
39% Popularity • 50% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 50% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Ashton Shepherd
Sounds So Good
154 bpm • E Maj • 03:27 • -4db
34% Popularity • 52% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 52% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Jerrod Niemann
What Do You Want
153 bpm • E Maj • 03:34 • -10.12db
41% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Pistol Annies
Hush Hush
152 bpm • B Maj • 03:23 • -6db
42% Popularity • 54% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 54% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
64% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
64% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Sugarland
Already Gone
155 bpm • C# Maj • 04:35 • -6db
41% Popularity • 48% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 48% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Lorrie Morgan
Watch Me
152 bpm • F Maj • 03:35 • -10db
40% Popularity • 66% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 66% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Zac Brown Band
As She's Walking Away
184 bpm • D# Maj • 03:43 • -7.1db
65% Popularity • 55% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 55% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Montgomery Gentry
If You Ever Stop Loving Me
185 bpm • G Maj • 03:22 • -6db
41% Popularity • 44% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 44% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Miranda Lambert
White Liar
185 bpm • A# Maj • 04:47 • -4.33db
56% Popularity • 35% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 35% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 42% Positiveness
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Sugarland
Let Me Remind You
184 bpm • F Maj • 03:45 • -3.75db
23% Popularity • 58% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 58% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Gretchen Wilson
Redneck Woman
185 bpm • F# Maj • 03:41 • -5.15db
64% Popularity • 50% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
64% Popularity • 50% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Brad Paisley
Mud on the Tires
185 bpm • D Maj • 03:28 • -7.98db
62% Popularity • 44% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 44% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Joey + Rory
Cheater, Cheater
150 bpm • E Maj • 02:59 • -4.77db
51% Popularity • 61% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 61% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Jason Michael Carroll
Where I'm From
150 bpm • G# Maj • 04:36 • -6db
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Jana Kramer
I Got the Boy
150 bpm • C Maj • 03:21 • -5.95db
55% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Miranda Lambert
Gunpowder & Lead
188 bpm • C Maj • 03:11 • -3.19db
66% Popularity • 33% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 33% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Gretchen Wilson
California Girls
150 bpm • C Maj • 02:48 • -4.8db
29% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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RaeLynn
For A Boy
188 bpm • D# Maj • 03:02 • -2db
40% Popularity • 46% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 46% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Collin Raye
I Can Still Feel You
188 bpm • E Maj • 03:39 • -9db
39% Popularity • 47% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 47% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Buddy Jewell
Sweet Southern Comfort
148 bpm • D Maj • 03:32 • -7db
48% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Clay Walker
This Woman and This Man
148 bpm • F# min • 04:22 • -9.44db
49% Popularity • 59% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 59% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Toby Keith
Love Me If You Can
148 bpm • F Maj • 03:36 • -6.26db
34% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Gretchen Wilson
Homewrecker
149 bpm • E Maj • 03:25 • -5.71db
41% Popularity • 50% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 50% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Thompson Square
If I Didn't Have You
148 bpm • F# Maj • 03:22 • -3.43db
45% Popularity • 55% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 55% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Carrie Underwood
Before He Cheats
148 bpm • F# min • 03:19 • -3.32db
80% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
80% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Big & Rich
Run Away with You
148 bpm • F# min • 03:44 • -4.12db
46% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Cagle
Miss Me Baby
148 bpm • C# Maj • 03:54 • -6db
41% Popularity • 53% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 53% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Sugarland
Love Me Like I'm Leaving
147 bpm • A# Maj • 05:26 • -3.8db
20% Popularity • 46% Danceability • 81% Energy • 21% Liveness
1% Instrumentalness • 28% Positiveness
20% Popularity • 46% Danceability • 81% Energy • 21% Liveness
1% Instrumentalness • 28% Positiveness
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Gretchen Wilson
All Jacked Up
189 bpm • C Maj • 03:32 • -3.7db
44% Popularity • 39% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 39% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Phil Vassar
Just Another Day In Paradise
146 bpm • D Maj • 03:53 • -5.56db
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Brad Paisley
We Danced
146 bpm • A Maj • 03:46 • -11db
58% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
