Songs like Baby Got Going by Liz Phair
Based on a tempo of (+/- 10%) and a similar genre
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Liz Phair
Baby Got Going
98 bpm • A Maj • 02:02 • -7.39db
29% Popularity • 54% Danceability • 87% Energy • 32% Liveness
21% Instrumentalness • 9% Positiveness
29% Popularity • 54% Danceability • 87% Energy • 32% Liveness
21% Instrumentalness • 9% Positiveness
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Joan Osborne
Lumina
98 bpm • G Maj • 03:08 • -15.17db
35% Popularity • 50% Danceability • 22% Energy • 26% Liveness
26% Instrumentalness • 26% Positiveness
35% Popularity • 50% Danceability • 22% Energy • 26% Liveness
26% Instrumentalness • 26% Positiveness
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Doc Dauer
Sight is one of our senses
98 bpm • C Maj • 04:17 • -6.53db
0% Popularity • 60% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 60% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
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Neko Case
That Teenage Feeling
98 bpm • C Maj • 02:42 • -4.67db
34% Popularity • 46% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 46% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Soul Asylum
We 3
98 bpm • F Maj • 04:08 • -12.68db
18% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Jill Sobule
Resistance Song
97 bpm • A min • 02:59 • -10.96db
12% Popularity • 65% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 65% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Erin McKeown
Cinematic
98 bpm • E Maj • 02:20 • -4.63db
20% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Mary Lou Lord
Shake Sugaree
100 bpm • G Maj • 02:21 • -13.14db
14% Popularity • 65% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 65% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Liz Phair
Explain It To Me - 2018 Remaster
100 bpm • B Maj • 03:11 • -10.88db
33% Popularity • 63% Danceability • 36% Energy • 11% Liveness
11% Instrumentalness • 6% Positiveness
33% Popularity • 63% Danceability • 36% Energy • 11% Liveness
11% Instrumentalness • 6% Positiveness
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Neko Case
I'm An Animal
100 bpm • C Maj • 02:16 • -8.57db
33% Popularity • 44% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 44% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Ape Hangers
I Don't Want To Live Today
96 bpm • G Maj • 03:14 • -6.6db
32% Popularity • 43% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 43% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Jill Sobule
Heroes
96 bpm • A Maj • 02:57 • -8.7db
10% Popularity • 64% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 64% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Ani DiFranco
Little Plastic Castle
96 bpm • D Maj • 04:04 • -10db
37% Popularity • 63% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 63% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Grant-Lee Phillips
Spring Released
100 bpm • G Maj • 03:15 • -4.11db
21% Popularity • 64% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 64% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Liz Phair
Girls' Room
95 bpm • D# Maj • 01:46 • -14.51db
23% Popularity • 44% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 44% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Those Darlins
Wild One
102 bpm • G Maj • 02:55 • -5.15db
1% Popularity • 64% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 64% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Coyote Shivers
Sugarhigh
102 bpm • C Maj • 02:37 • -10db
41% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Jill Sobule
Mexican Wrestler
95 bpm • G Maj • 04:15 • -13.19db
11% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ani DiFranco
Buildings and Bridges
95 bpm • A# Maj • 04:05 • -14.09db
29% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Grant-Lee Phillips
Sadness Soot
94 bpm • D Maj • 04:20 • -5.35db
14% Popularity • 56% Danceability • 87% Energy • 14% Liveness
1% Instrumentalness • 79% Positiveness
14% Popularity • 56% Danceability • 87% Energy • 14% Liveness
1% Instrumentalness • 79% Positiveness
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Liz Phair
Go West
102 bpm • E Maj • 03:17 • -11.93db
35% Popularity • 68% Danceability • 48% Energy • 13% Liveness
24% Instrumentalness • 78% Positiveness
35% Popularity • 68% Danceability • 48% Energy • 13% Liveness
24% Instrumentalness • 78% Positiveness
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Edie Brickell & New Bohemians
Woyaho
94 bpm • E min • 02:34 • -10.7db
29% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Patti Rothberg
Treat Me Like Dirt
103 bpm • E min • 04:51 • -6.86db
9% Popularity • 65% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 65% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Poe
Hello
93 bpm • A Maj • 04:31 • -8.51db
37% Popularity • 75% Danceability • 74% Energy • 13% Liveness
12% Instrumentalness • 52% Positiveness
37% Popularity • 75% Danceability • 74% Energy • 13% Liveness
12% Instrumentalness • 52% Positiveness
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Jenny Lewis
Happy
92 bpm • E Maj • 04:16 • -11.41db
13% Popularity • 36% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 36% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Bryan Master
Let Me Come In
104 bpm • D Maj • 04:38 • -7.14db
0% Popularity • 53% Danceability • 67% Energy • 13% Liveness
15% Instrumentalness • 60% Positiveness
0% Popularity • 53% Danceability • 67% Energy • 13% Liveness
15% Instrumentalness • 60% Positiveness
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Liz Phair
Johnny Sunshine - 2018 Remaster
95 bpm • A Maj • 03:26 • -6.4db
27% Popularity • 21% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 21% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Matthew Sweet
Looking at the Sun
92 bpm • B min • 04:17 • -7.79db
23% Popularity • 50% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 50% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Belle and Sebastian
I Don't Love Anyone
104 bpm • F# Maj • 03:56 • -9.48db
36% Popularity • 41% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 41% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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The Apples In Stereo
The Bird That You Can't See
104 bpm • A Maj • 03:56 • -3.21db
13% Popularity • 76% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 76% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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The Hang Ups
Jump Start
92 bpm • C Maj • 02:21 • -5.71db
18% Popularity • 43% Danceability • 88% Energy • 23% Liveness
15% Instrumentalness • 76% Positiveness
18% Popularity • 43% Danceability • 88% Energy • 23% Liveness
15% Instrumentalness • 76% Positiveness
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Poe
Dolphin
92 bpm • C# Maj • 03:47 • -10.79db
24% Popularity • 67% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 67% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Liz Phair
Gunshy - 2018 Remaster
105 bpm • D# Maj • 03:15 • -17.12db
25% Popularity • 42% Danceability • 22% Energy • 11% Liveness
52% Instrumentalness • 36% Positiveness
25% Popularity • 42% Danceability • 22% Energy • 11% Liveness
52% Instrumentalness • 36% Positiveness
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10,000 Maniacs
Candy Everybody Wants
105 bpm • A# Maj • 03:05 • -6.31db
42% Popularity • 62% Danceability • 88% Energy • 10% Liveness
1% Instrumentalness • 87% Positiveness
42% Popularity • 62% Danceability • 88% Energy • 10% Liveness
1% Instrumentalness • 87% Positiveness
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Jill Sobule
I Kissed a Girl
91 bpm • G Maj • 03:13 • -9db
30% Popularity • 64% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 64% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Ani DiFranco
Untouchable Face - bloomington, ill. - 2...
105 bpm • G Maj • 03:36 • -18db
32% Popularity • 41% Danceability • 18% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 41% Danceability • 18% Energy • 43% Liveness
0% Instrumentalness • 32% Positiveness
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Cracker
This Is Cracker Soul
91 bpm • G Maj • 03:40 • -9db
28% Popularity • 68% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 68% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Poe
Hey Pretty
105 bpm • B min • 03:45 • -6.66db
37% Popularity • 54% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 54% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Liz Phair
Headache
106 bpm • A Maj • 02:53 • -11db
20% Popularity • 76% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 76% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Shudder To Think
Erecting A Movie Star
106 bpm • G Maj • 02:40 • -7db
6% Popularity • 67% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
6% Popularity • 67% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Rilo Kiley
Paint's Peeling
106 bpm • A Maj • 03:20 • -5.92db
37% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Throwing Muses
Snakeface
106 bpm • E Maj • 03:29 • -9.83db
21% Popularity • 60% Danceability • 49% Energy • 35% Liveness
18% Instrumentalness • 81% Positiveness
21% Popularity • 60% Danceability • 49% Energy • 35% Liveness
18% Instrumentalness • 81% Positiveness
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Ass Ponys
Little Bastard
106 bpm • G Maj • 02:42 • -7.15db
18% Popularity • 54% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
18% Popularity • 54% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Meryn Cadell
The Sweater
106 bpm • G Maj • 03:14 • -15db
16% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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The Go-Go's
Tonite
106 bpm • E min • 03:35 • -6db
30% Popularity • 55% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 55% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Superdrag
I'm Expanding My Mind
106 bpm • C# min • 04:33 • -8db
21% Popularity • 59% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 59% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Tori Amos
Wednesday (2023 Remaster)
106 bpm • G min • 02:29 • -13.42db
36% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Rilo Kiley
The Moneymaker
90 bpm • E min • 02:51 • -4db
30% Popularity • 56% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 56% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Velocity Girl
There's Only One Thing Left To Say
107 bpm • A Maj • 02:18 • -6.59db
16% Popularity • 54% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 54% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Sebadoh
On Fire
107 bpm • G Maj • 03:36 • -7db
31% Popularity • 49% Danceability • 59% Energy • 32% Liveness
2% Instrumentalness • 22% Positiveness
31% Popularity • 49% Danceability • 59% Energy • 32% Liveness
2% Instrumentalness • 22% Positiveness
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The Dandy Warhols
Minnesoter
107 bpm • C Maj • 03:02 • -8.4db
38% Popularity • 52% Danceability • 71% Energy • 9% Liveness
65% Instrumentalness • 74% Positiveness
38% Popularity • 52% Danceability • 71% Energy • 9% Liveness
65% Instrumentalness • 74% Positiveness
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The Breeders
No Aloha
107 bpm • A# Maj • 02:07 • -9.17db
50% Popularity • 29% Danceability • 54% Energy • 10% Liveness
27% Instrumentalness • 45% Positiveness
50% Popularity • 29% Danceability • 54% Energy • 10% Liveness
27% Instrumentalness • 45% Positiveness
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Babes In ToylandÂ
Calling Occupants Of Interplanetary Craf...
90 bpm • E Maj • 04:06 • -9db
24% Popularity • 38% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 38% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The New Pornographers
Myriad Harbour
108 bpm • G Maj • 04:00 • -6db
39% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Elastica
Hold Me Now
108 bpm • C Maj • 02:32 • -6.96db
29% Popularity • 70% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 70% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Matthew Sweet
Where You Get Love
108 bpm • E Maj • 03:35 • -8db
22% Popularity • 54% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 54% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Suzanne Vega
Blood Makes Noise
88 bpm • B Maj • 02:28 • -12.37db
40% Popularity • 60% Danceability • 75% Energy • 8% Liveness
66% Instrumentalness • 90% Positiveness
40% Popularity • 60% Danceability • 75% Energy • 8% Liveness
66% Instrumentalness • 90% Positiveness
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Kelley Deal 6000
Brillo Hunt
109 bpm • C Maj • 03:34 • -5.94db
17% Popularity • 64% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 64% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Liz Phair
Polyester Bride
88 bpm • C Maj • 04:05 • -5.39db
37% Popularity • 51% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 51% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Madder Rose
Ultra Anxiety (Teenage Style)
88 bpm • A Maj • 03:21 • -6.68db
12% Popularity • 32% Danceability • 95% Energy • 47% Liveness
88% Instrumentalness • 59% Positiveness
12% Popularity • 32% Danceability • 95% Energy • 47% Liveness
88% Instrumentalness • 59% Positiveness
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Brendan Benson
Sittin' Pretty
110 bpm • C Maj • 02:53 • -8db
22% Popularity • 58% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 58% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Fountains Of Wayne
Radiation Vibe
110 bpm • A Maj • 03:41 • -6db
42% Popularity • 59% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 59% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Mirah
Engine Heart
110 bpm • C# min • 02:35 • -9.78db
28% Popularity • 76% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 76% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Velocity Girl
My Forgotten Favorite
87 bpm • G Maj • 03:49 • -7.99db
26% Popularity • 10% Danceability • 72% Energy • 23% Liveness
1% Instrumentalness • 31% Positiveness
26% Popularity • 10% Danceability • 72% Energy • 23% Liveness
1% Instrumentalness • 31% Positiveness
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Matthew Sweet
Time Capsule
110 bpm • G# Maj • 03:56 • -8.43db
21% Popularity • 53% Danceability • 71% Energy • 13% Liveness
1% Instrumentalness • 84% Positiveness
21% Popularity • 53% Danceability • 71% Energy • 13% Liveness
1% Instrumentalness • 84% Positiveness
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Throwing Muses
Golden Thing
110 bpm • D Maj • 02:25 • -15.25db
15% Popularity • 57% Danceability • 60% Energy • 6% Liveness
22% Instrumentalness • 96% Positiveness
15% Popularity • 57% Danceability • 60% Energy • 6% Liveness
22% Instrumentalness • 96% Positiveness
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Jill Sobule
Good Person Inside
110 bpm • E min • 03:12 • -8db
11% Popularity • 76% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 76% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Elastica
Car Song
111 bpm • E Maj • 02:24 • -4db
39% Popularity • 67% Danceability • 93% Energy • 11% Liveness
13% Instrumentalness • 72% Positiveness
39% Popularity • 67% Danceability • 93% Energy • 11% Liveness
13% Instrumentalness • 72% Positiveness
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The Juliana Hatfield Three
Mabel
111 bpm • A Maj • 04:18 • -8db
13% Popularity • 35% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 35% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Velocity Girl
I Can't Stop Smiling
111 bpm • C# min • 03:16 • -8db
18% Popularity • 55% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 55% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Mirah
Sweepstakes Prize
111 bpm • A Maj • 04:49 • -9.51db
29% Popularity • 50% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 50% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Throwing Muses
Him Dancing
110 bpm • D Maj • 01:11 • -15.52db
21% Popularity • 68% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 68% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Ani DiFranco
Untouchable Face
112 bpm • G Maj • 04:39 • -15.36db
43% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Elastica
Line Up
111 bpm • B min • 03:16 • -5.91db
37% Popularity • 58% Danceability • 85% Energy • 18% Liveness
80% Instrumentalness • 93% Positiveness
37% Popularity • 58% Danceability • 85% Energy • 18% Liveness
80% Instrumentalness • 93% Positiveness
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The Juliana Hatfield Three
Supermodel
86 bpm • B Maj • 02:53 • -6.77db
17% Popularity • 19% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 19% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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The Breeders
Walk It Off
112 bpm • A min • 02:46 • -11.46db
19% Popularity • 79% Danceability • 40% Energy • 16% Liveness
51% Instrumentalness • 90% Positiveness
19% Popularity • 79% Danceability • 40% Energy • 16% Liveness
51% Instrumentalness • 90% Positiveness
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Doc Dauer
We're all big fans of glands
112 bpm • C Maj • 03:05 • -7.26db
1% Popularity • 62% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
1% Popularity • 62% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Yo La Tengo
Speeding Motorcycle
112 bpm • C# Maj • 03:24 • -12.23db
22% Popularity • 58% Danceability • 39% Energy • 23% Liveness
14% Instrumentalness • 67% Positiveness
22% Popularity • 58% Danceability • 39% Energy • 23% Liveness
14% Instrumentalness • 67% Positiveness
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Everclear
Local God - Remastered 2004
112 bpm • F# min • 03:54 • -3.61db
42% Popularity • 52% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 52% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Jenny Lewis
Run Devil Run
112 bpm • D Maj • 01:08 • -13.57db
23% Popularity • 49% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 49% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Liz Phair
Never Said - 2018 Remaster
112 bpm • G Maj • 03:16 • -4.95db
41% Popularity • 50% Danceability • 79% Energy • 66% Liveness
2% Instrumentalness • 56% Positiveness
41% Popularity • 50% Danceability • 79% Energy • 66% Liveness
2% Instrumentalness • 56% Positiveness
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The Breeders
Cannonball
112 bpm • D# Maj • 03:33 • -9.76db
65% Popularity • 50% Danceability • 76% Energy • 28% Liveness
78% Instrumentalness • 73% Positiveness
65% Popularity • 50% Danceability • 76% Energy • 28% Liveness
78% Instrumentalness • 73% Positiveness
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Neko Case
Deep Red Bells
113 bpm • B min • 04:03 • -7.43db
37% Popularity • 38% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 38% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Kelley Deal 6000
How About Hero
113 bpm • A Maj • 02:43 • -8.38db
17% Popularity • 71% Danceability • 68% Energy • 5% Liveness
11% Instrumentalness • 84% Positiveness
17% Popularity • 71% Danceability • 68% Energy • 5% Liveness
11% Instrumentalness • 84% Positiveness
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Tracy Bonham
One Hit Wonder
113 bpm • A min • 03:01 • -11.45db
16% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Concretes
Say Something New
114 bpm • F Maj • 03:48 • -7db
16% Popularity • 22% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 22% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Liz Phair
Why I Lie
113 bpm • A Maj • 03:21 • -4.11db
8% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Ani DiFranco
Shy
114 bpm • B min • 04:45 • -9db
29% Popularity • 75% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 75% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Jenny O.
Well OK Honey
114 bpm • D Maj • 02:50 • -10db
34% Popularity • 81% Danceability • 42% Energy • 7% Liveness
4% Instrumentalness • 89% Positiveness
34% Popularity • 81% Danceability • 42% Energy • 7% Liveness
4% Instrumentalness • 89% Positiveness
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Sheryl Crow
The Na-Na Song
84 bpm • D Maj • 03:11 • -10.22db
29% Popularity • 57% Danceability • 62% Energy • 12% Liveness
36% Instrumentalness • 63% Positiveness
29% Popularity • 57% Danceability • 62% Energy • 12% Liveness
36% Instrumentalness • 63% Positiveness
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Pure
Anna
84 bpm • F Maj • 03:34 • -6.03db
19% Popularity • 39% Danceability • 82% Energy • 47% Liveness
6% Instrumentalness • 52% Positiveness
19% Popularity • 39% Danceability • 82% Energy • 47% Liveness
6% Instrumentalness • 52% Positiveness
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Cornershop
Staging the Plaguing of the Raised Platf...
114 bpm • G Maj • 04:35 • -4.91db
17% Popularity • 67% Danceability • 78% Energy • 47% Liveness
1% Instrumentalness • 60% Positiveness
17% Popularity • 67% Danceability • 78% Energy • 47% Liveness
1% Instrumentalness • 60% Positiveness
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Liz Phair
Perfect World
113 bpm • A Maj • 02:15 • -11.89db
25% Popularity • 61% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 61% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Breeders
Safari
114 bpm • C# Maj • 03:31 • -12.46db
38% Popularity • 44% Danceability • 72% Energy • 15% Liveness
35% Instrumentalness • 64% Positiveness
38% Popularity • 44% Danceability • 72% Energy • 15% Liveness
35% Instrumentalness • 64% Positiveness
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Neko Case
Margaret vs. Pauline
115 bpm • G Maj • 02:52 • -7.36db
36% Popularity • 46% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 46% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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that dog.
Every Time I Try
115 bpm • E Maj • 04:28 • -8.36db
13% Popularity • 55% Danceability • 61% Energy • 12% Liveness
21% Instrumentalness • 39% Positiveness
13% Popularity • 55% Danceability • 61% Energy • 12% Liveness
21% Instrumentalness • 39% Positiveness
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Matthew Sweet
Come to California
115 bpm • G Maj • 03:31 • -7.39db
13% Popularity • 53% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 53% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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The Apples In Stereo
The Rainbow
115 bpm • A Maj • 02:39 • -2.63db
15% Popularity • 69% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 69% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness