Songs like Baby, It's Cold Outside (feat. Meghan Trainor) by Brett Eldredge
Based on a tempo of (+/- 10%) and a similar genre
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Mitchell Tenpenny
To Us It Did
114 bpm • C Maj • 02:45 • -4.76db
49% Popularity • 69% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 69% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 46% Positiveness
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Josh Abbott Band
Wasn't That Drunk
114 bpm • C min • 03:43 • -5.38db
49% Popularity • 56% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 56% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Dustin Lynch
Party Mode
114 bpm • A# min • 03:31 • -2.75db
55% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Eli Young Band
Saltwater Gospel
114 bpm • B Maj • 03:06 • -7db
52% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Cole Swindell
Love You Too Late
114 bpm • A min • 03:24 • -4.45db
55% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
55% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Danielle Bradbery
Worth It
115 bpm • F Maj • 03:26 • -4.69db
47% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
67% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
54% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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James Barker Band
Good Together
113 bpm • F Maj • 03:21 • -5.73db
41% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Chase Rice
Ride
115 bpm • A# Maj • 04:01 • -6.35db
59% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Rascal Flatts
Yours If You Want It
113 bpm • G# Maj • 03:26 • -3db
53% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Frankie Ballard
Young & Crazy
115 bpm • C Maj • 03:00 • -4db
49% Popularity • 61% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 61% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Jerrod Niemann
Lover, Lover
112 bpm • G Maj • 03:13 • -6.51db
58% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
58% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Billy Currington
I Got A Feelin'
112 bpm • D Maj • 03:13 • -5.4db
59% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Craig Campbell
Outskirts of Heaven
116 bpm • C Maj • 04:04 • -5.73db
55% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Jon Langston
When It Comes To Loving You
112 bpm • G Maj • 03:31 • -6.33db
46% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Brothers Osborne
21 Summer
112 bpm • D Maj • 03:34 • -6.99db
57% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
57% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Jerrod Niemann
Drink to That All Night
116 bpm • A min • 03:44 • -6.18db
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Granger Smith
You’re In It
112 bpm • B Maj • 03:16 • -5.45db
41% Popularity • 58% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 58% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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James Barker Band
Chills
116 bpm • G# min • 03:08 • -6db
49% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Josh Turner
Time Is Love
112 bpm • D Maj • 03:20 • -4.99db
57% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
36% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Kenny Chesney
Somewhere With You
112 bpm • C# min • 04:03 • -6.48db
60% Popularity • 68% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
60% Popularity • 68% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
72% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Jon Langston
Right Girl Wrong Time
117 bpm • F# Maj • 03:42 • -6.13db
50% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Randy Houser
Goodnight Kiss
111 bpm • C# Maj • 03:26 • -4.29db
52% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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High Valley
She's with Me
111 bpm • B Maj • 03:00 • -4db
50% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Rascal Flatts
Fast Cars And Freedom
118 bpm • D# min • 04:22 • -4.84db
60% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Morgan Wallen
This Bar
110 bpm • D Maj • 03:05 • -5.31db
72% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
72% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Brett Young
Reason To Stay
110 bpm • G# Maj • 03:10 • -5.65db
49% Popularity • 70% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 70% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Keith Urban
Somewhere In My Car
118 bpm • A# Maj • 03:56 • -5.39db
54% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Brett Eldredge
Beat of the Music
110 bpm • A Maj • 02:59 • -4.13db
60% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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High Valley
Grew up on That
110 bpm • A Maj • 02:52 • -6db
48% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Chase Rice
On Tonight
119 bpm • C# min • 04:03 • -4.6db
42% Popularity • 51% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 51% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Easton Corbin
Lovin' You Is Fun
110 bpm • G# Maj • 03:19 • -3.03db
55% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Turner
Lay Low
109 bpm • B Maj • 04:20 • -5.92db
48% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Owen
Alone With You
109 bpm • G Maj • 03:30 • -3.99db
50% Popularity • 65% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 65% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Brett Eldredge
Crowd My Mind
109 bpm • D# Maj • 03:08 • -8.95db
39% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Dustin Lynch
Momma’s House
120 bpm • B min • 03:40 • -3.51db
54% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Walker Hayes
You Broke Up with Me
120 bpm • C Maj • 03:16 • -8.29db
57% Popularity • 85% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 85% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Easton Corbin
Roll With It
120 bpm • F Maj • 03:27 • -8db
57% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Granger Smith
That’s Why I Love Dirt Roads
120 bpm • F Maj • 03:39 • -5.74db
45% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Jake Owen
The One That Got Away
120 bpm • C Maj • 03:14 • -3.29db
52% Popularity • 58% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 58% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Eli Young Band
Never Land
120 bpm • C Maj • 03:23 • -5db
33% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Eric Paslay
Friday Night
120 bpm • A Maj • 02:47 • -4.19db
61% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
61% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Ryan Hurd
To a T
120 bpm • B Maj • 02:58 • -6db
51% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Craig Campbell
Keep Them Kisses Comin'
120 bpm • F# Maj • 02:39 • -5.71db
46% Popularity • 70% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 70% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Parmalee
Already Callin' You Mine
120 bpm • C# Maj • 03:04 • -2.63db
49% Popularity • 59% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 59% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Joe Nichols
Sunny and 75
120 bpm • C Maj • 03:26 • -4.42db
57% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Keith Urban
Raise 'Em Up
108 bpm • E Maj • 03:04 • -7.86db
51% Popularity • 61% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 61% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Luke Bryan
Roller Coaster
108 bpm • G# Maj • 04:19 • -4.46db
59% Popularity • 60% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
59% Popularity • 60% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Brett Eldredge
Where Do I Sign
108 bpm • A Maj • 03:18 • -4.32db
30% Popularity • 69% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 69% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Russell Dickerson
Home Sweet
121 bpm • B Maj • 03:25 • -5.65db
49% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
63% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Brothers Osborne
Rum
121 bpm • D# Maj • 03:33 • -6.01db
54% Popularity • 83% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
54% Popularity • 83% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Luke Combs
Memories Are Made Of
121 bpm • D Maj • 03:36 • -6.19db
57% Popularity • 69% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
57% Popularity • 69% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Randy Houser
No Stone Unturned
107 bpm • B Maj • 04:21 • -6.01db
37% Popularity • 68% Danceability • 78% Energy • 12% Liveness
10% Instrumentalness • 37% Positiveness
37% Popularity • 68% Danceability • 78% Energy • 12% Liveness
10% Instrumentalness • 37% Positiveness
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Russell Dickerson
Mgno
121 bpm • C# Maj • 03:21 • -5db
44% Popularity • 59% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 59% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Gary Allan
Every Storm (Runs Out Of Rain)
107 bpm • C Maj • 03:45 • -6.97db
59% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Chase Bryant
Little Bit of You
122 bpm • C# Maj • 03:06 • -4.28db
52% Popularity • 61% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 61% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
70% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
70% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Joe Nichols
Hard to Be Cool
122 bpm • D Maj • 03:06 • -4.7db
37% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Lane
Dancin' In The Moonlight
122 bpm • G# min • 03:19 • -4.86db
58% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
58% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Brett Eldredge
Hideaway - Studio Version
122 bpm • G# Maj • 02:56 • -6.58db
43% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
61% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Travis Denning
Tank Of Gas And A Radio Song
106 bpm • A Maj • 02:52 • -6.06db
50% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Eric Church
Hell On The Heart
123 bpm • C Maj • 02:44 • -3.88db
57% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
57% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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High Valley
Make You Mine
123 bpm • C Maj • 03:31 • -4db
50% Popularity • 58% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 58% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Devin Dawson
Asking For A Friend
123 bpm • E Maj • 03:59 • -8db
45% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Justin Moore
You Look Like I Need A Drink
106 bpm • B Maj • 03:07 • -3.63db
56% Popularity • 61% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 61% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
54% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Easton Corbin
A Girl Like You
105 bpm • F Maj • 03:37 • -4db
52% Popularity • 74% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
52% Popularity • 74% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Kenny Chesney
When the Sun Goes Down
105 bpm • A Maj • 04:50 • -6.8db
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Danielle Bradbery
Stop Draggin' Your Boots
124 bpm • D Maj • 02:44 • -5.96db
53% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Adam Doleac
Whiskey's Fine
124 bpm • F Maj • 03:28 • -3.67db
37% Popularity • 52% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 52% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Maddie & Tae
Every Night Every Morning
124 bpm • G Maj • 03:18 • -4.58db
60% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Chase Rice
Gonna Wanna Tonight
124 bpm • D Maj • 03:34 • -7db
28% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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High Valley
Single Man
124 bpm • C Maj • 03:26 • -4.63db
43% Popularity • 59% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 59% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Brett Eldredge
Hideaway
124 bpm • G# Maj • 02:43 • -5.57db
42% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Kelsea Ballerini
hole in the bottle
104 bpm • E Maj • 02:35 • -3.64db
59% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
59% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
76% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
76% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Jake Owen
American Country Love Song
104 bpm • G# Maj • 03:19 • -4db
58% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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LANCO
Born to Love You
125 bpm • G Maj • 03:50 • -6.19db
55% Popularity • 66% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
55% Popularity • 66% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Luke Combs
What You See Is What You Get
104 bpm • F Maj • 02:51 • -4.89db
63% Popularity • 59% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
63% Popularity • 59% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Walker Hayes
90's Country
125 bpm • C# min • 02:52 • -5.78db
49% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Little Big Town
When Someone Stops Loving You
125 bpm • D Maj • 03:48 • -3.13db
46% Popularity • 48% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 48% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Currington
Let Me Down Easy
125 bpm • C# Maj • 03:48 • -5db
59% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Kip Moore
Beer Money
126 bpm • D Maj • 03:38 • -5.55db
54% Popularity • 74% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 74% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
