Songs like Baby Please Don’t Go by Big Joe Williams
Based on a tempo of (+/- 10%) and a similar genre
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Johnny Shines
Ramblin'
169 bpm • D# Maj • 02:34 • -15db
24% Popularity • 44% Danceability • 26% Energy • 10% Liveness
33% Instrumentalness • 62% Positiveness
24% Popularity • 44% Danceability • 26% Energy • 10% Liveness
33% Instrumentalness • 62% Positiveness
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Guitar Slim
Story Of My Life
169 bpm • G# Maj • 03:00 • -11.14db
12% Popularity • 41% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 41% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Big Joe Williams
I'm Leavin' This Town
169 bpm • C Maj • 03:32 • -15.21db
2% Popularity • 49% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
2% Popularity • 49% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Kid Bailey
Mississippi Bottom Blues
168 bpm • C Maj • 02:49 • -17db
10% Popularity • 62% Danceability • 19% Energy • 13% Liveness
12% Instrumentalness • 78% Positiveness
10% Popularity • 62% Danceability • 19% Energy • 13% Liveness
12% Instrumentalness • 78% Positiveness
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Paul Oscher
Gotta Go Now
168 bpm • G Maj • 03:02 • -8.35db
18% Popularity • 54% Danceability • 71% Energy • 27% Liveness
60% Instrumentalness • 82% Positiveness
18% Popularity • 54% Danceability • 71% Energy • 27% Liveness
60% Instrumentalness • 82% Positiveness
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Little Milton
Homesick for My Baby
171 bpm • D# Maj • 02:20 • -9.67db
4% Popularity • 39% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 39% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Son House
Preachin' Blues
171 bpm • B min • 05:43 • -11.8db
18% Popularity • 62% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 62% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Freddy King
It's Too Bad Things Are Going so Tough
171 bpm • C Maj • 03:05 • -8.04db
7% Popularity • 41% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 41% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Big Joe Williams
Baby Please Don’t Go
169 bpm • A Maj • 01:48 • -14.75db
31% Popularity • 63% Danceability • 38% Energy • 7% Liveness
2% Instrumentalness • 60% Positiveness
31% Popularity • 63% Danceability • 38% Energy • 7% Liveness
2% Instrumentalness • 60% Positiveness
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Hound Dog Taylor & The HouseRockers
Taylor's Rock
166 bpm • E Maj • 03:55 • -15.34db
27% Popularity • 38% Danceability • 63% Energy • 28% Liveness
89% Instrumentalness • 89% Positiveness
27% Popularity • 38% Danceability • 63% Energy • 28% Liveness
89% Instrumentalness • 89% Positiveness
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Pee Wee Crayton
Things I Used To Do
172 bpm • F Maj • 05:05 • -13.7db
7% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Sleepy John Estes
Milk Cow Blues
172 bpm • C Maj • 03:02 • -11db
15% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Boy Arnold
Shake The Boogie
166 bpm • C Maj • 02:43 • -13.84db
30% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Skip James
Crow Jane
166 bpm • C Maj • 02:58 • -17.52db
25% Popularity • 54% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 54% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Big Joe Williams
Baby Please Don't Go
167 bpm • G Maj • 02:44 • -15db
39% Popularity • 50% Danceability • 30% Energy • 13% Liveness
3% Instrumentalness • 56% Positiveness
39% Popularity • 50% Danceability • 30% Energy • 13% Liveness
3% Instrumentalness • 56% Positiveness
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Son House
Preachin' Blues
172 bpm • G# Maj • 05:16 • -7.9db
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sonny Boy Williamson I
Got The Bottle Up And Gone
172 bpm • A Maj • 02:33 • -15.36db
32% Popularity • 61% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 61% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Memphis Minnie
Bumble Bee
174 bpm • A# Maj • 02:49 • -7db
12% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Houston Stackhouse
Cool Drink Of Water
175 bpm • F Maj • 03:16 • -18db
23% Popularity • 54% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 54% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Pee Wee Crayton
Texas Hop
163 bpm • B Maj • 03:06 • -13.36db
15% Popularity • 43% Danceability • 56% Energy • 16% Liveness
63% Instrumentalness • 66% Positiveness
15% Popularity • 43% Danceability • 56% Energy • 16% Liveness
63% Instrumentalness • 66% Positiveness
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Big Joe Williams
Corrina
171 bpm • C Maj • 01:49 • -22.61db
4% Popularity • 46% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 46% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Tampa Red
Let Me Play with Your Poodle
163 bpm • G Maj • 02:39 • -10.25db
15% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Frank Stokes
Downtown Blues
163 bpm • B Maj • 03:17 • -14.38db
25% Popularity • 54% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 54% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Juke Boy Bonner
I'm Lonely Too
162 bpm • B min • 02:21 • -8.69db
10% Popularity • 54% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 54% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Blind Boy Fuller
I Want Some of Your Pie
162 bpm • F Maj • 02:46 • -10.68db
10% Popularity • 57% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 57% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Robert Nighthawk
The Moon Is Rising
178 bpm • D# Maj • 02:44 • -6db
22% Popularity • 49% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 49% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Big Joe Williams
Please Don't Go
166 bpm • D Maj • 02:48 • -20.69db
0% Popularity • 58% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 58% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Tampa Red
Let Me Play With Your Noodle - Remastere...
162 bpm • D min • 02:36 • -8.18db
3% Popularity • 63% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
3% Popularity • 63% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Pee Wee Crayton
Every Night
159 bpm • G# Maj • 02:50 • -14db
23% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
23% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
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Sonny Boy Williamson I
Good Morning School Girl - 1996 Remaster...
180 bpm • C Maj • 03:02 • -15db
9% Popularity • 53% Danceability • 17% Energy • 16% Liveness
1% Instrumentalness • 62% Positiveness
9% Popularity • 53% Danceability • 17% Energy • 16% Liveness
1% Instrumentalness • 62% Positiveness
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Homesick James
Shake Your Money Maker
159 bpm • G Maj • 02:48 • -17.84db
13% Popularity • 65% Danceability • 9% Energy • 17% Liveness
82% Instrumentalness • 61% Positiveness
13% Popularity • 65% Danceability • 9% Energy • 17% Liveness
82% Instrumentalness • 61% Positiveness
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William Clarke
Lonesome Bedroom Blues
180 bpm • G min • 05:45 • -13db
34% Popularity • 38% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 38% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Big Joe Williams
Don't Stay Long
172 bpm • C Maj • 03:45 • -13.8db
3% Popularity • 50% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 50% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Tampa Red
You Can't Get That Stuff No More
160 bpm • C min • 02:52 • -12.98db
17% Popularity • 65% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 65% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Hubert Sumlin
Broke and Hungry
159 bpm • F Maj • 05:51 • -11.15db
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
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Lazy Lester
Tell Me Pretty Baby
159 bpm • E Maj • 02:21 • -9db
13% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Blind Lemon Jefferson
See That My Grave's Kept Clean
180 bpm • C Maj • 02:53 • -10.02db
8% Popularity • 44% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 44% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Eddie Shaw
Sittin' On Top Of The World
181 bpm • C Maj • 03:42 • -13db
41% Popularity • 49% Danceability • 40% Energy • 13% Liveness
21% Instrumentalness • 62% Positiveness
41% Popularity • 49% Danceability • 40% Energy • 13% Liveness
21% Instrumentalness • 62% Positiveness
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Big Joe Williams
Shake It Enough for Me
164 bpm • B Maj • 02:33 • -15.75db
2% Popularity • 55% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 55% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Doctor Ross
Come Back Baby
181 bpm • A# Maj • 02:47 • -7.65db
28% Popularity • 54% Danceability • 57% Energy • 11% Liveness
19% Instrumentalness • 84% Positiveness
28% Popularity • 54% Danceability • 57% Energy • 11% Liveness
19% Instrumentalness • 84% Positiveness
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Blind Boy Fuller
Truckin' My Blues Away
181 bpm • G min • 03:08 • -12db
27% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Tommy Johnson
Bye-Bye Blues
182 bpm • F# min • 03:04 • -15.02db
11% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Kokomo Arnold
Mean Old Twister
182 bpm • A min • 02:59 • -14.51db
9% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Bukka White
When Can I Change My Clothes?
182 bpm • F# Maj • 02:59 • -11.7db
13% Popularity • 51% Danceability • 24% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
13% Popularity • 51% Danceability • 24% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Big Joe Williams
I Want My Crown
177 bpm • D# Maj • 02:20 • -9.83db
2% Popularity • 62% Danceability • 38% Energy • 7% Liveness
11% Instrumentalness • 83% Positiveness
2% Popularity • 62% Danceability • 38% Energy • 7% Liveness
11% Instrumentalness • 83% Positiveness
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Sleepy John Estes
The Girl I Love, She Got Long Curly Hair
182 bpm • G Maj • 02:56 • -11.42db
10% Popularity • 46% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 62% Positiveness
10% Popularity • 46% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 62% Positiveness
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Blind Lemon Jefferson
See That My Grave's Kept Clean
182 bpm • D min • 02:54 • -18.86db
20% Popularity • 34% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 34% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Lovie Lee
West Side Woman
183 bpm • A# Maj • 06:32 • -12.22db
20% Popularity • 42% Danceability • 39% Energy • 19% Liveness
1% Instrumentalness • 73% Positiveness
20% Popularity • 42% Danceability • 39% Energy • 19% Liveness
1% Instrumentalness • 73% Positiveness
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Professor Longhair
It's My Fault, Darling - Remastered
156 bpm • C Maj • 04:54 • -5.5db
20% Popularity • 48% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 48% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Lowell Fulson
Don't Leave Me Baby
155 bpm • F Maj • 03:02 • -9db
18% Popularity • 60% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 60% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Big Joe Williams
Forty-Four Blues
184 bpm • D# Maj • 03:09 • -13.32db
2% Popularity • 56% Danceability • 38% Energy • 15% Liveness
65% Instrumentalness • 61% Positiveness
2% Popularity • 56% Danceability • 38% Energy • 15% Liveness
65% Instrumentalness • 61% Positiveness
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Sleepy John Estes
Drop Down Mama
157 bpm • B Maj • 03:11 • -9.72db
16% Popularity • 45% Danceability • 32% Energy • 18% Liveness
2% Instrumentalness • 60% Positiveness
16% Popularity • 45% Danceability • 32% Energy • 18% Liveness
2% Instrumentalness • 60% Positiveness
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Robert Petway
Catfish Blues
184 bpm • C# Maj • 02:55 • -12.86db
28% Popularity • 60% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
28% Popularity • 60% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
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Slim Harpo
Don't Start Crying Now
184 bpm • F Maj • 02:12 • -5db
32% Popularity • 32% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 32% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Billy Boy Arnold
Left My Happy Home
155 bpm • F Maj • 02:34 • -9.66db
32% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Shines
Too Wet to Plow
184 bpm • F Maj • 04:26 • -13.67db
10% Popularity • 38% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 38% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Paolo Mizzau & the Doctor Love Band
Headache Man
154 bpm • F Maj • 04:17 • -8.02db
1% Popularity • 70% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
1% Popularity • 70% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Blind Blake
Diddie Wa Diddie
186 bpm • C Maj • 03:00 • -13.84db
22% Popularity • 52% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 91% Positiveness
22% Popularity • 52% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 91% Positiveness
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Tampa Red
You Can't Get That Stuff No More
153 bpm • C Maj • 02:56 • -13.03db
11% Popularity • 67% Danceability • 20% Energy • 10% Liveness
8% Instrumentalness • 72% Positiveness
11% Popularity • 67% Danceability • 20% Energy • 10% Liveness
8% Instrumentalness • 72% Positiveness
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Arthur "Big Boy" Crudup
Mean Old Frisco Blues
187 bpm • F min • 02:38 • -14db
22% Popularity • 58% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 59% Positiveness
22% Popularity • 58% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 59% Positiveness
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Big Joe Williams
Greystone Blues
153 bpm • D Maj • 02:33 • -10.69db
1% Popularity • 64% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
1% Popularity • 64% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Lonnie Johnson
Long Road to Travel
152 bpm • D min • 02:22 • -16db
22% Popularity • 60% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 60% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Guitar Slim
Along About Midnight
187 bpm • A# Maj • 02:34 • -15db
20% Popularity • 44% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 44% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Blind Willie Johnson
God Moves On the Water
188 bpm • F# Maj • 02:59 • -14.96db
27% Popularity • 56% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 56% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Sunnyland Slim
Everytime I Get to Drinking
187 bpm • D Maj • 04:15 • -16.14db
24% Popularity • 42% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
24% Popularity • 42% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
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Blind Boy Fuller
Sweet Honey Hole
150 bpm • F Maj • 02:47 • -13db
12% Popularity • 62% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 62% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Bo Carter
I Get' the Blues
150 bpm • D# Maj • 02:55 • -12.79db
15% Popularity • 56% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
15% Popularity • 56% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Doctor Ross
Juke Box Boogie
150 bpm • C Maj • 02:31 • -10db
14% Popularity • 42% Danceability • 87% Energy • 44% Liveness
95% Instrumentalness • 38% Positiveness
14% Popularity • 42% Danceability • 87% Energy • 44% Liveness
95% Instrumentalness • 38% Positiveness
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Lowell Fulson
Jukebox Shuffle
148 bpm • G Maj • 02:19 • -3.01db
24% Popularity • 57% Danceability • 88% Energy • 14% Liveness
91% Instrumentalness • 94% Positiveness
24% Popularity • 57% Danceability • 88% Energy • 14% Liveness
91% Instrumentalness • 94% Positiveness
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Homesick James
The Woman I'm Lovin'
147 bpm • G Maj • 02:06 • -13.15db
14% Popularity • 59% Danceability • 44% Energy • 20% Liveness
1% Instrumentalness • 77% Positiveness
14% Popularity • 59% Danceability • 44% Energy • 20% Liveness
1% Instrumentalness • 77% Positiveness
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J.B. Lenoir
Give Me One More Shot
148 bpm • D Maj • 02:17 • -10.39db
26% Popularity • 61% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 61% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Charley Patton
Going to Move to Alabama
145 bpm • F Maj • 03:03 • -11.73db
8% Popularity • 50% Danceability • 36% Energy • 32% Liveness
58% Instrumentalness • 70% Positiveness
8% Popularity • 50% Danceability • 36% Energy • 32% Liveness
58% Instrumentalness • 70% Positiveness
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Bo Carter
All Around Man
146 bpm • F Maj • 03:00 • -10.57db
33% Popularity • 59% Danceability • 28% Energy • 10% Liveness
5% Instrumentalness • 44% Positiveness
33% Popularity • 59% Danceability • 28% Energy • 10% Liveness
5% Instrumentalness • 44% Positiveness
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Blind Lemon Jefferson
Black Snake Moan
145 bpm • B Maj • 02:50 • -11db
28% Popularity • 58% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 44% Positiveness
28% Popularity • 58% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 44% Positiveness
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Billy Boy Arnold
Shake Your Hips
198 bpm • G Maj • 03:26 • -11.26db
23% Popularity • 24% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 24% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Lightnin' Slim
Hoodoo Blues
200 bpm • B min • 04:05 • -16.69db
15% Popularity • 54% Danceability • 24% Energy • 9% Liveness
33% Instrumentalness • 58% Positiveness
15% Popularity • 54% Danceability • 24% Energy • 9% Liveness
33% Instrumentalness • 58% Positiveness
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J.B. Lenoir
Leavin' Here
144 bpm • A Maj • 01:38 • -7.52db
29% Popularity • 68% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 68% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Charley Patton
A Spoonful Blues
200 bpm • F# Maj • 03:12 • -12.88db
26% Popularity • 46% Danceability • 32% Energy • 13% Liveness
89% Instrumentalness • 67% Positiveness
26% Popularity • 46% Danceability • 32% Energy • 13% Liveness
89% Instrumentalness • 67% Positiveness
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Bukka White
Shake 'Em On Down
201 bpm • A Maj • 03:00 • -11.87db
16% Popularity • 52% Danceability • 26% Energy • 12% Liveness
39% Instrumentalness • 75% Positiveness
16% Popularity • 52% Danceability • 26% Energy • 12% Liveness
39% Instrumentalness • 75% Positiveness
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Blind Lemon Jefferson
Bad Luck Blues
145 bpm • A Maj • 02:52 • -20.56db
24% Popularity • 60% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 60% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Willie Brown
Future Blues
201 bpm • G# Maj • 03:01 • -11.71db
20% Popularity • 47% Danceability • 41% Energy • 13% Liveness
83% Instrumentalness • 74% Positiveness
20% Popularity • 47% Danceability • 41% Energy • 13% Liveness
83% Instrumentalness • 74% Positiveness
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Lightnin' Slim
Bad Luck Blues (Alternative Take)
201 bpm • A Maj • 02:35 • -14.1db
18% Popularity • 46% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 46% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
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Blind Blake
West Coast Blues
203 bpm • D Maj • 03:08 • -11.81db
18% Popularity • 55% Danceability • 43% Energy • 12% Liveness
76% Instrumentalness • 88% Positiveness
18% Popularity • 55% Danceability • 43% Energy • 12% Liveness
76% Instrumentalness • 88% Positiveness
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Tampa Red
It's Tight Like That
203 bpm • A min • 02:49 • -15.01db
19% Popularity • 43% Danceability • 39% Energy • 20% Liveness
94% Instrumentalness • 76% Positiveness
19% Popularity • 43% Danceability • 39% Energy • 20% Liveness
94% Instrumentalness • 76% Positiveness
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Son House
County Farm Blues
204 bpm • G# Maj • 02:12 • -18.69db
21% Popularity • 58% Danceability • 13% Energy • 11% Liveness
76% Instrumentalness • 65% Positiveness
21% Popularity • 58% Danceability • 13% Energy • 11% Liveness
76% Instrumentalness • 65% Positiveness
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William Clarke
Blowin' Like Hell
205 bpm • F Maj • 02:41 • -12.64db
27% Popularity • 36% Danceability • 50% Energy • 22% Liveness
98% Instrumentalness • 96% Positiveness
27% Popularity • 36% Danceability • 50% Energy • 22% Liveness
98% Instrumentalness • 96% Positiveness
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Howlin' Wolf with Steve Winwood: Piano & Organ, Bill Wyman: Bass Guitar, Shaker & Cowbell, Charlie Watts: Drums, Conga & Assorted Percussion
I Want To Have A Word With You - London ...
205 bpm • D Maj • 04:07 • -7.32db
12% Popularity • 58% Danceability • 68% Energy • 11% Liveness
5% Instrumentalness • 86% Positiveness
12% Popularity • 58% Danceability • 68% Energy • 11% Liveness
5% Instrumentalness • 86% Positiveness
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Lightnin' Slim
Nothing but the Devil
202 bpm • A Maj • 02:59 • -9.37db
15% Popularity • 38% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 38% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Hound Dog Taylor & The HouseRockers
55th Street Boogie
206 bpm • G# min • 03:04 • -17.19db
27% Popularity • 33% Danceability • 80% Energy • 32% Liveness
90% Instrumentalness • 77% Positiveness
27% Popularity • 33% Danceability • 80% Energy • 32% Liveness
90% Instrumentalness • 77% Positiveness
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Snooky Pryor
It Hurts Me Too
209 bpm • G Maj • 03:22 • -13.16db
13% Popularity • 50% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 50% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Scrapper Blackwell
Kokomo Blues
209 bpm • F Maj • 03:06 • -12.36db
13% Popularity • 50% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 50% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
