Songs like Baby Who by The Aces
Based on a tempo of (+/- 10%) and a similar genre
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Sälen
Copper Kiss
98 bpm • F# Maj • 03:07 • -8db
17% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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flor
heart
98 bpm • D Maj • 03:42 • -5db
48% Popularity • 64% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 64% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Robyn Dell'Unto
Common
98 bpm • F# min • 02:40 • -7.58db
18% Popularity • 84% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
18% Popularity • 84% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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The Aces
Baby Who
98 bpm • A Maj • 03:58 • -4.76db
29% Popularity • 65% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 65% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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FOURS
Overthink
98 bpm • G Maj • 03:00 • -8db
13% Popularity • 48% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 48% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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morgxn
alone/forever
98 bpm • C Maj • 03:54 • -8.32db
16% Popularity • 63% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 63% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Party Nails
So Broke
98 bpm • D# min • 02:57 • -4.49db
10% Popularity • 49% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 49% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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flor
still standing still
98 bpm • G# Maj • 04:07 • -5.97db
27% Popularity • 74% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 74% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Emily Warren
How It Ends
97 bpm • E Maj • 03:36 • -4.09db
20% Popularity • 46% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 46% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Raffaella
Balaclava
97 bpm • A Maj • 04:32 • -7.16db
23% Popularity • 62% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 62% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Cyn
Together
97 bpm • C Maj • 03:11 • -3.66db
17% Popularity • 82% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 82% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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joan
stop and stare
97 bpm • A# Maj • 03:21 • -5.7db
33% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Ally Hills
Space
97 bpm • F# min • 03:12 • -7db
31% Popularity • 35% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 35% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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flor
Nosedive
98 bpm • C# Maj • 03:42 • -6.87db
0% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Hayley Kiyoko
One Bad Night
97 bpm • F Maj • 03:55 • -5db
35% Popularity • 61% Danceability • 79% Energy • 13% Liveness
7% Instrumentalness • 41% Positiveness
35% Popularity • 61% Danceability • 79% Energy • 13% Liveness
7% Instrumentalness • 41% Positiveness
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Katelyn Tarver
LY4L
97 bpm • G min • 03:40 • -4.87db
17% Popularity • 73% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 73% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Tishmal
Underneath
97 bpm • F# min • 03:35 • -6.44db
11% Popularity • 64% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 64% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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VÉRITÉ
Control
100 bpm • C Maj • 03:09 • -4.7db
20% Popularity • 54% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 54% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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The Aces
Last One - Spanish Version
100 bpm • E Maj • 03:45 • -3.94db
13% Popularity • 67% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 67% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Chappell Roan
Good Hurt
100 bpm • D min • 03:12 • -8.47db
29% Popularity • 68% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 68% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Hayley Kiyoko
He'll Never Love You (HNLY)
100 bpm • C min • 03:51 • -4.45db
40% Popularity • 50% Danceability • 81% Energy • 56% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 50% Danceability • 81% Energy • 56% Liveness
0% Instrumentalness • 48% Positiveness
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K.I.D
Errors
96 bpm • B min • 03:25 • -6.39db
18% Popularity • 68% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 68% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Lostboycrow
Say You Want Me
100 bpm • C# Maj • 03:39 • -6.21db
23% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Julietta
Stripes + Squares
100 bpm • G# Maj • 03:57 • -6.11db
13% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Oh Wonder
Heavy
96 bpm • E min • 03:11 • -4.57db
26% Popularity • 75% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 75% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Sizzy Rocket
Mulholland
100 bpm • C Maj • 02:54 • -7.07db
14% Popularity • 82% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 82% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Aces
Not Enough
100 bpm • F min • 03:06 • -6.07db
26% Popularity • 82% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 82% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Magdalena Bay
Waking Up
100 bpm • E Maj • 03:37 • -7.78db
21% Popularity • 57% Danceability • 73% Energy • 16% Liveness
3% Instrumentalness • 30% Positiveness
21% Popularity • 57% Danceability • 73% Energy • 16% Liveness
3% Instrumentalness • 30% Positiveness
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HOLYCHILD
Rotten Teeth
100 bpm • A# min • 03:09 • -3.59db
20% Popularity • 63% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 63% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Bien
Satellites
100 bpm • D Maj • 03:59 • -7.39db
18% Popularity • 76% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
18% Popularity • 76% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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Sophie Cates
boys in bands
100 bpm • C# Maj • 02:29 • -9db
29% Popularity • 88% Danceability • 23% Energy • 24% Liveness
1% Instrumentalness • 68% Positiveness
29% Popularity • 88% Danceability • 23% Energy • 24% Liveness
1% Instrumentalness • 68% Positiveness
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Minke
Armour
100 bpm • C Maj • 03:47 • -5.66db
8% Popularity • 66% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 66% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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The Aces
Stay
100 bpm • F Maj • 03:25 • -3.57db
35% Popularity • 73% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 73% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Orla Gartland
Lonely People
96 bpm • G# Maj • 03:09 • -5db
31% Popularity • 71% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 71% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Secret Weapons
Comeback Season
96 bpm • F# min • 04:00 • -8.61db
12% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Alex Winston
The Day I Died
96 bpm • A Maj • 03:31 • -5.62db
16% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Grace Mitchell
French Becky
96 bpm • F min • 03:45 • -5db
15% Popularity • 61% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 61% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Myzica
Endless Love
100 bpm • D# Maj • 03:37 • -5.57db
20% Popularity • 61% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 61% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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The Aces
Kelly
100 bpm • B min • 03:07 • -6.23db
36% Popularity • 84% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 84% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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HAIM
Something To Tell You
100 bpm • F Maj • 04:13 • -6db
36% Popularity • 71% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 71% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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LOS LEO
All We Need
100 bpm • C# min • 03:25 • -7.97db
14% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Nicole Millar
No Strings
96 bpm • C Maj • 03:00 • -6db
9% Popularity • 67% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 67% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Hayley Kiyoko
Gravel to Tempo
100 bpm • D min • 03:31 • -4.76db
35% Popularity • 58% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 58% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Litany
Flaws
96 bpm • F Maj • 03:44 • -7db
30% Popularity • 66% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 66% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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The Aces
Last One
100 bpm • C# min • 03:46 • -3.61db
33% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Charli Adams
Backseat
96 bpm • G# Maj • 04:42 • -8.08db
36% Popularity • 62% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 62% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Tove Styrke
On a Level
100 bpm • G# Maj • 03:31 • -7.6db
20% Popularity • 64% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 64% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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VÉRITÉ
Constant Crush
101 bpm • C# Maj • 04:11 • -5.44db
19% Popularity • 56% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 56% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Bea Miller
repercussions
101 bpm • G Maj • 03:27 • -6.16db
35% Popularity • 67% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 67% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Oh Wonder
Heart Strings
95 bpm • A Maj • 03:24 • -4.66db
23% Popularity • 70% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 70% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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The Aces
Thought of You
100 bpm • C Maj • 03:10 • -6.93db
26% Popularity • 70% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 70% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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REYNA
Cool With It
101 bpm • C Maj • 03:23 • -6.54db
14% Popularity • 78% Danceability • 60% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
14% Popularity • 78% Danceability • 60% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Maggie Rogers
Retrograde
101 bpm • C# Maj • 04:11 • -5.5db
51% Popularity • 73% Danceability • 77% Energy • 69% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 73% Danceability • 77% Energy • 69% Liveness
0% Instrumentalness • 33% Positiveness
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Tei Shi
Say You Do
101 bpm • C Maj • 03:53 • -7.6db
27% Popularity • 72% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 72% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Ivory Layne
Shake My Head
95 bpm • G Maj • 03:14 • -5db
15% Popularity • 66% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 66% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Lights
Until the Light
101 bpm • A min • 03:26 • -8db
26% Popularity • 65% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 65% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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HAIM
Walking Away
95 bpm • G# Maj • 03:56 • -6.32db
31% Popularity • 78% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 78% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Glades
Skylines
95 bpm • B Maj • 03:26 • -5.34db
34% Popularity • 63% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 63% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Maggie Rogers
The Knife
95 bpm • B min • 03:59 • -5db
52% Popularity • 66% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 66% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Salt Cathedral
Always There When I Need You
95 bpm • E Maj • 04:03 • -5.46db
21% Popularity • 69% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 69% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Riah
Wildlife
95 bpm • D min • 02:43 • -8db
23% Popularity • 64% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 65% Positiveness
23% Popularity • 64% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 65% Positiveness
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The Aces
All Mean Nothing
95 bpm • C Maj • 03:53 • -6.12db
27% Popularity • 66% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 66% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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joan
love somebody like you
95 bpm • G Maj • 03:47 • -3.75db
47% Popularity • 58% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 58% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Myzica
Wait Just a Minute
95 bpm • G Maj • 03:22 • -5.2db
25% Popularity • 71% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 71% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Liza Anne
Paranoia
95 bpm • E Maj • 03:08 • -4.55db
29% Popularity • 58% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 58% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Phoebe Ryan
Aspirin
95 bpm • G# Maj • 03:57 • -5db
21% Popularity • 38% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 38% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Somme
Long Time
95 bpm • G# Maj • 03:59 • -8.7db
21% Popularity • 63% Danceability • 37% Energy • 12% Liveness
8% Instrumentalness • 17% Positiveness
21% Popularity • 63% Danceability • 37% Energy • 12% Liveness
8% Instrumentalness • 17% Positiveness
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The Preatures
Mess It Up
95 bpm • C Maj • 03:07 • -4db
26% Popularity • 62% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 62% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Nina Nesbitt
Los Angeles
102 bpm • E min • 04:12 • -5.82db
11% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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HOLYCHILD
Wishing You Away
101 bpm • C Maj • 03:46 • -4.7db
13% Popularity • 70% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 70% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Mark Ronson
Pieces of Us
102 bpm • C min • 03:26 • -9db
39% Popularity • 57% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 57% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Bipolar Sunshine
Are You Happy
102 bpm • C Maj • 03:24 • -8db
21% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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L Devine
Can't Be You
102 bpm • F# Maj • 03:05 • -6db
24% Popularity • 75% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 75% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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FLORIO
Wait
94 bpm • E Maj • 03:45 • -5.25db
11% Popularity • 49% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 49% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Hey Violet
My Consequence
102 bpm • G# min • 04:22 • -5.84db
32% Popularity • 51% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 51% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
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joan
tokyo
102 bpm • A Maj • 03:46 • -5.27db
37% Popularity • 63% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 63% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Shallows
Summer Sucks
102 bpm • B min • 03:57 • -4db
21% Popularity • 61% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 61% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Your Smith
Bad Habit (Japanese Wallpaper Remix)
94 bpm • G Maj • 03:50 • -8.65db
21% Popularity • 70% Danceability • 79% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
21% Popularity • 70% Danceability • 79% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
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L Devine
Daughter
102 bpm • F# Maj • 02:42 • -5.85db
34% Popularity • 83% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 83% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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CRUISR
Take That
94 bpm • B Maj • 03:20 • -3.03db
31% Popularity • 61% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 61% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Tegan and Sara
Dying to Know
94 bpm • B min • 03:37 • -6.34db
29% Popularity • 70% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 70% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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loren north
Feel It Out
94 bpm • G# Maj • 02:53 • -5.87db
26% Popularity • 76% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 76% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Chelsea Jade
Laugh It Off
94 bpm • C Maj • 04:13 • -7.73db
38% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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PHASES
Take Me There
94 bpm • A Maj • 04:14 • -5.4db
11% Popularity • 67% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 67% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Mr Little Jeans
Unfollow
94 bpm • F# Maj • 04:12 • -6.18db
18% Popularity • 68% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 68% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Julia Michaels
Just Do It
94 bpm • F Maj • 03:12 • -8.79db
34% Popularity • 80% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 80% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Phangs
Eyes Off You
103 bpm • C Maj • 03:04 • -10.36db
14% Popularity • 71% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 71% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Mainland
Hometown
103 bpm • E Maj • 03:29 • -7.72db
19% Popularity • 60% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 60% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Chelsea Jade
Ride Or Cry
103 bpm • C# min • 03:09 • -6db
31% Popularity • 78% Danceability • 70% Energy • 18% Liveness
2% Instrumentalness • 68% Positiveness
31% Popularity • 78% Danceability • 70% Energy • 18% Liveness
2% Instrumentalness • 68% Positiveness
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The Aces
Don't Freak
103 bpm • G Maj • 02:46 • -4.46db
43% Popularity • 65% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 65% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Lennon Stella
Fortress
103 bpm • C min • 02:54 • -4.74db
42% Popularity • 81% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 81% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Future Jr.
Suburbia Blue
93 bpm • F# min • 03:27 • -8db
23% Popularity • 62% Danceability • 65% Energy • 52% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 62% Danceability • 65% Energy • 52% Liveness
0% Instrumentalness • 42% Positiveness
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Phangs
Cul De Sac
103 bpm • E Maj • 03:23 • -7db
16% Popularity • 67% Danceability • 80% Energy • 50% Liveness
3% Instrumentalness • 51% Positiveness
16% Popularity • 67% Danceability • 80% Energy • 50% Liveness
3% Instrumentalness • 51% Positiveness
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Emily Warren
Poking Holes
93 bpm • C Maj • 03:50 • -6.77db
13% Popularity • 71% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 71% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Ames
Picture in My Mind
93 bpm • C# Maj • 03:26 • -8.99db
15% Popularity • 39% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 39% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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The Aces
Strong Enough
103 bpm • G min • 03:47 • -3db
30% Popularity • 63% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 63% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Tove Lo
9th of october
93 bpm • A# Maj • 03:25 • -6.62db
34% Popularity • 43% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 43% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Glades
Not About You
93 bpm • F# Maj • 03:12 • -4.86db
20% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness